Here are 100 books that Gap Creek fans have personally recommended if you like
Gap Creek.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I have written all my life. This includes freelance writing as well as reporter jobs at small, weekly newspapers in the DC/VA area. I have also taught writing (creative and technical writing) to students as diverse as jail inmates, residents of homeless shelters, military officers at the Pentagon, CIA employees, and firefighters at Ronald Reagan National Airport. Both of my published novels are works of historical fiction set in my native Iceland: Seal Woman and Sigga of Reykjavik. These novels cover the time 1908 to 1955, a period when Iceland was a little-known island. I have always been drawn to novels about isolated, cold-weather places where unusual characters and mannerisms flourish.
Hata, a Korean, adopted by a Japanese couple, serves the Japanese Army as a medic in World War II. His job is to care for enslaved Koreans who serve as “comfort women” to Japanese soldiers. His experiences are the material of nightmares. Years later he leads a deceptively quiet life in a small town in New Jersey with his Korean adoptive daughter. It is deceptively quiet because his unresolved war experiences, presented in flashbacks, haunt him. I admired the abrupt manner in which Chang-Rae Lee interrupted Hata’s uneventful life with horrific memories.
The author’s method felt like the triggering of those who have suffered trauma and continue to relive events as PTSD. This approach of interweaving past with present inspired my depiction of a young German woman living a quiet life on a primitive Icelandic farm, milking the cows and raking the hay, while being repeatedly interrupted by memories of…
Franklin Hata, Korean by birth but raised in Japan, is an outsider in American society, but he embodies the values of the town he calls his own - he is polite and keeps himself to himself. Franklin deflects everyone with courtesy and impenetrable decorum, and becomes a respected elder of his small, prosperous American town. 'You make a whole life out of gestures and politeness,' Sunny tells her adoptive father. But as Sunny tries to unpick her father's scrupulous self-control, the story he has repressed emerges: his life as a medic in the Japanese Army and his love for a…
I have written all my life. This includes freelance writing as well as reporter jobs at small, weekly newspapers in the DC/VA area. I have also taught writing (creative and technical writing) to students as diverse as jail inmates, residents of homeless shelters, military officers at the Pentagon, CIA employees, and firefighters at Ronald Reagan National Airport. Both of my published novels are works of historical fiction set in my native Iceland: Seal Woman and Sigga of Reykjavik. These novels cover the time 1908 to 1955, a period when Iceland was a little-known island. I have always been drawn to novels about isolated, cold-weather places where unusual characters and mannerisms flourish.
The author presents a setting so stark, so isolated, so deprived of diverse demographic and cultural experiences that the reader experiences the characters as not so much shaped by the setting but as emerging from it. Communications among the residents of the tiny fishing village off the Newfoundland coast, Witless Bay, are spare and quirky and often misunderstood. An aggressive young female character, Margaret, elbows her way through it, and a passive male artist, Fabian, drifts into actions he regrets, yet the two fulfill one another. In paragraph one, Fabian confesses to murder, but this story is about psychological survival not murder. It asks the question, how do eccentric characters, pushed together and doomed to struggle for existence in a remote, weather-beaten setting, near a turbulent ocean, survive? The role of coffee in their survival rings true as Howard Norman’s protagonist states, “I had drunk coffee since I was five…
The story of Fabian Vas, who lives in Witless Bay, Newfoundland and who earns his living as a bird artist. However, it also emerges that he has murdered the lighthouse keeper, Botho August.
That moment when you realize, whew, you’ve survived the catastrophe, but the greater challenge lies ahead? That intrigues me. Maybe that’s because my grandmother was struck by a Vespa in Italy when I was five years old, and we traveled home by ship through a hurricane that rocked much of the East Coast. Stories about “What’s next?” and “How do we push the rubble away?” are my go-to now, as they were during the years I worked as a journalist, first as a reporter, then for much longer as an editor. After my husband’s death in 2011, clearing the rubble yielded the first two installments of my vampire trilogy.
Its setting in suburban Philadelphia (near my old house) drew me to this book. But I loved it for the way Patchett unwinds the event that upends everything two siblings understand about and expect from their lives.
I’ve experienced how a single accident or illness can change the course of the future. What I recognized and connected with was this book’s portrayal of what I call the Grief Cha-Cha, two steps forward, three steps backward, and how sometimes what you grieve isn’t so much the person you’ve lost as the person that loss makes you.
Lose yourself in the story of a lifetime - the unforgettable Sunday Times bestseller
'Patchett leads us to a truth that feels like life rather than literature' Guardian
Nominated for the Women's Prize 2020
A STORY OF TWO SIBLINGS, THEIR CHILDHOOD HOME, AND A PAST THAT THEY CAN'T LET GO.
Like swallows, like salmon, we were the helpless captives of our migratory patterns. We pretended that what we had lost was the house, not our mother, not our father. We pretended that what we had lost had been taken from us by the person who still lived inside.
In the…
I spent most of my youth playing sports, and so was forced into being a closet reader, only sissies read books. I never watched TV as a kid. I was always buried in a book that transported me somewhere. These were the days when I had to read with a flashlight under the covers until I was caught and told to shut my darn book and go to sleep. This led to a degree in creative writing and a first career stint teaching the subject. Then, after retiring from founding a financial planning company, I started writing and hope I can transport others.
I felt like I was transported to Newfoundland. It is now on my bucket list. The personal growth of the main character, Quoyle, is profound. At first you almost despise him for his failings, but the reader ends up loving him. The cast of characters is quirky but extremely entertaining. When the house was dragged across the ice and cabled to the rocks, I could tangibly feel the cables quiver. Beautifully written.
Winner of the Irish Times International Fiction Award and America's National Book Award, this story features Quoyle, a failed journalist, a failed husband and a born loser who heads for a remote corner of Newfoundland with his two daughters and eccentric aunt.
I am a veteran novelist who believes this over all else: The opening is everything. This has been my modus operandi as a storyteller for over thirty books, as well as a half dozen screenplays. I love a great opening. It is how a reader or viewer will subconsciously decide whether they will devote themselves to a story. It is the first kiss. The first shot over the bow. The ignition, the countdown, and the launch. It is the alpha and omega… because the beginning dictates the ending. Oh my, how I love the beginning!
"The world had teeth and it could bite you with them anytime it wanted."
It’s more than a creepy opening sentence; it’s a mission statement from the Master of the Macabre, the Poet of the Paranormal, the Chaucer of Chills. It encapsulates what Stephen King does so well – a plucky little girl gets lost in the woods, a shadowy presence stalking her, and something dark, magical, and miraculous emerging from the girl’s soul.
This short novel is so riveting, you will finish it in one sitting.
From the master of horror and suspence, Stephen King, comes a pop-up adaptation of one of his bestselling novels.; Trisha MacFarland had no idea what was in store for her when she wandered away from her mother and brother on a family hike! Readers will travel with Trisha on her journey of horror, where she has only her witts for navigation, her ingenuity as a defence against the elements, and her courage and faith to withstand her mounting fear. For solace, during this terrifying journey, Trisha tuned in her walkman to listen to the broadcasts about her hero, the Red…
I grew up on the wild island of Tasmania. I saw the Vietnam War on TV, then went to a farm my father was ‘developing.’ It felt like war. The natural beauty that I’d once played in was destroyed by machines, poisons, and fire. During agricultural college in mainland Australia, I recognized an absence of reverence for Mother Nature. Women were missing from the rural narrative that increasingly held an economics-only mindset when it came to food. I’m a co-founder of Ripple Farm Landscape Healing Hub–a 100-acre farm we’re restoring to natural beauty and producing loved meat and eggs for customers. And I’m a devoted mum, shepherd, and working dog trainer.
Divine, divine, divine! This novel taught me so much about the landscape in Appalachia. The female characters were rich and deep. Running throughout the story was the thread of women standing for farming systems that partner with nature versus male characters who want to dominate or decimate.
It was musical and mystical, and I just adored being transported to the cabin in the woods and the rich gardens of the women who knew how Mama Earth rolls. There was also a wonderful exploration of female desire. It was lush and leafy, and I’m so grateful to Barbara for writing this book
It is summer in the Appalachian mountains and love, desire and attraction are in the air. Nature, too, it seems, is not immune. From her outpost in an isolated mountain cabin, Deanna Wolfe, a reclusive wildlife biologist, watches a den of coyotes that have recently migrated into the region. She is caught off guard by a young hunter who invades her most private spaces and interrupts her self-assured, solitary life. On a farm several miles down the mountain, Lusa Maluf Landowski, a bookish city girl turned farmer's wife, finds herself marooned in a strange place where she must declare or…
For many years I have enjoyed a grass roots lifestyle. I have lived my research as a beekeeper, milking cows, making cheese and growing food. I am a simple living advocate, and the cottage industry—its slower pace—resonates with me. I create bespoke yarns at the spinning wheel, but for as long as I can recall, I have been wrapped in the arms of stories. Childhood is a dandelion clock, here then gone on a breath of wind. A time of life that’s fleeting. Young hearts can conjure exploration and magic. They are alive to bright possibilities, and this is what makes YA literature so exciting.
There’s a spookiness to this historical story that pulled me in straight away. But the adventure of children soon exposes a deeper chasm of heartbreak, and the vulnerability in young lives. Here in the mountain village superstition houses fear, crippling a community at large. That parents are the guidepost for how a child perceives themselves, and how they function and see the world as adults is something to think on. The Last Sin Eater teaches us all another way to live that is filled with goodness and grace.
The New York Times bestselling author of Redeeming Love and A Voice in the Wind pens a captivating tale of suffering, seeking, and redemption set in Appalachia in the 1850s.
In the misty peaks and valleys of Appalachia roams the sin eater—a myth as much as a man, burdened with absolving the sins of villagers passing from this life to the next. But when a young girl uncovers the dark secret behind the tradition, she vows to show her village the truth.
All that matters for young Cadi Forbes is finding the one man who can set her free from…
David Brazier ordained as a Buddhist priest in 1976, studied all the major schools of Buddhism, and eventually founded Amida Shu, a Pure Land order, of which he was head from 1996 until retiring in 2020. His close disciples now meet as “Global Sangha”. He holds a doctorate in Buddhist psychology, has initiated socially engaged projects in several countries, and still teaches internationally and online. He is the author of more than a dozen books and many chapters, monographs, and podcasts.
Saigyo (1118-1190) was one of the most influential Japanese poets. His name means "Westward Journey" which implies moving toward the Pure Land of Amitabha Buddha. The poems bring out the bitter-sweet quality of life, beauty and loneliness, blooming spring and frosty winter, cherry petals and tears that fall, echoing the deep emotionality and mystery of the spirit of Japanese Buddhism.
Burton's Watson translations are accompanied by a Romanized version of the Japanese original and identification of its location in Japanese anthologies. A general introduction discusses the few facts known about Saigyo's life and analyzes the origins and characteristics of his poetic style.
I am the author of three novels (with two more set to release next year); Monarchs Under the Sassafras Tree; The Dead Rockstar Trilogy; and I'm happiest when straddling literary genres. I have published works of historical fiction, as well as southern gothic, horror, speculative fiction, dark fantasy, and literary fiction. My debut, Monarchs Under the Sassafras Tree was nominated for Georgia Author of the Year in 2020. In addition to writing, I am a genealogist and recently went back to school to obtain my history degree. My love of writing, history, and family all intersect to inform my writing and I always set my characters in good old Georgia.
Erskine Caldwell is deeply underrated; for my money, he’s one of the best southern gothic writers in the genre. Perhaps it’s down to the risque nature of his books and characters, which were especially provocative (and in some cases, downright despicable) for the time period. However, beyond the depravity there is a real beating heart in his books that perfectly capture the desperation and grief of depression-era Georgia.
Like Tobacco Road, this novel chronicles the final decline of a poor white family in rural Georgia. Exhorted by their patriarch Ty Ty, the Waldens ruin their land by digging it up in search of gold. Complex sexual entanglements and betrayals lead to a murder within the family that completes its dissolution. Juxtaposed against the Waldens' obsessive search is the story of Ty Ty's son-in-law, a cotton mill worker in a nearby town who is killed during a strike.
First published in 1933, God's Little Acre was censured by the Georgia Literary Commission, banned in Boston, and once led the…
I grew up on a dairy farm on the outskirts of a town with about a hundred residents. I remember walking to town with my sister and two brothers to buy candy and rent a VHS movie from the tiny grocery store. My first job off the farm was doing dishes at the local café, where my father and the other farmers would drink coffee and read the newspaper at table 10. These experiences shaped me as a person and hooked me on small-town living. I believe it’s the people in the smallest of towns that have the biggest of hearts.
I’ve lived in Montana for over twenty years, so any books related to Montana get my attention. This book in particular, however, is so much more than just a memoir about growing up in the wilds of Big Sky Country. It’s a beautiful and poetic masterpiece that pays homage to the tiny towns and quirky community members that gave Ivan Doig a sense of home and family as a child. I enjoyed reading the familiar names of towns and mountains that I’ve grown to love during my time in Montana, and I especially appreciate how Doig shows us that the size of people’s hearts is more important than the size of their town.
National Book Award Finalist: A “beautifully written, deeply felt” memoir about growing up in the American West (Los Angeles Times).
Ivan Doig grew up in the rugged wilderness of western Montana among the sheepherders and denizens of small-town saloons and valley ranches. What he deciphers from his past with piercing clarity is not only a raw sense of land and how it shapes us, but also of the ties to our mothers and fathers, to those who love us, and our inextricable connection to those who shaped our values in our search for intimacy, independence, love, and family.
