100 books like Sea Room

This book has had a huge impact in the UK, kickstarting a revolution in land management. Ms. Tree's husband inherited a very large estate in southern England, and they tried hard to continue farming in the usual way, raising grain. After a series of failures, economic and otherwise, they finally decided that something radically different would have to be tried and took on the challenge of allowing their land to revert to nature.

The book has been described as 'thrilling, inspiring, and deeply moving,' and it's all of that and a real page-turner.

Islands of Abandonment shares extraordinary examples of nature’s ability to reclaim – and restore – land abused by humans.

In startling vignettes, the author visits numerous abandoned sites, uninhabited by humans for different reasons: from Chernobyl to a no man's land on the island of Cyprus, to factories simply rendered obsolete leaving the surrounding neighborhoods blighted, dangerous and often empty.

I found this book to be, if not hopeful, then cautiously optimistic in its affirmation of nature’s resilience, even in the wake of massive destruction. Cal Flyn’s writing is enviably good: keenly observant, capturing intimate details about these landscapes and the non-human beings who inhabit them in vivid detail.

Unforgettable and illuminating. This is nature writing and investigative journalism at its best.

In this short and exquisitely beautiful book, the author takes us on his wanderings around a river in West Wales not far from his home: journeys in places no longer deemed important in the modern world, reclaimed by nature. They’re intimate, small, meditative walks into hidden and overgrown landscapes: an island of tangled, quiet beauty where he can contemplate his surroundings; a ruined cottage made of stone and wood that will eventually crumble back into the ground, and the objects that he finds abandoned, full of imagined meaning. Its poetic words are joyful without being strained, ‘a hymn to those liminal, fluvial places where one glimpses with astonishment the secret, unfolding moments of an enchanted universe’.

There’s a deep poignancy to this book about Ansell’s wanderings in the Rough Bounds where the highlands of Scotland meet the Atlantic in a series of rugged peninsulas, a ‘place apart’ thanks to its remoteness and inaccessibility; not only because it originally inspired his love of nature and being solitary in nature, but also because he’s now losing his hearing, and with it his relationship with the joys of birdsong, which became particularly important to him when he lived alone in a cottage in mid-Wales. The Rough Bounds have been called Britain’s last great wilderness, and yet the area has a long history of settlement, and in some of his walking he explores the gradual depopulation of the Western Highlands, inhabited from ancient prehistory through generations and thriving communities until only a couple of hundred years ago. Instead of being a scientific exploration, it’s meditative and meandering; ‘sometimes a little… show more.

This book charts a series of journeys along ancient tracks, holloways, and drove-roads. I found it a hugely immersive, surprisingly exhilarating read – I loved how Macfarlane brought a very detailed, lucid, and embodied mode of narration to travels that were often unexpected and strange.

As he walks, we hear stories of ghosts, pilgrims, songs, and their singers – it’s a book about people as much as places, and as I read, I gained a powerful sense of how, as humans, we’re shaped, made, and remade, by the landscapes we move through.

This is a book about language and how we have lost so many words that clarify our understanding of the natural world. For my book Swamplands, I borrowed from MacFarlane’s glossary of words describing peat. Yarpha, for example, is an Orkney word for peat that is full of fibers and roots, Water-sick is a Cumbrian word for peatlands that are saturated with water. The book reminds us that we need to be more explicit in describing nature in all of its manifestations. It is also addictive. You can start from the middle and read to the beginning or to the end, It never fails

Oliver Rackham is to historical landscape ecology what W.G. Hoskins is to landscape history.

More than anyone else, Rackham had the vision to understand that the pattern of woods, fields, hedges, moors, and marshes that defines the English countryside, although seemingly natural, was in fact created by a delicate and constantly shifting balance between human intervention and geological, climatological and ecological influences. 

The Chiltern beechwoods I’ve enjoyed walking in since childhood, for example, exist partly because the timber was valuable for the chair-making industry that once flourished there, while the species-rich hay meadows of Swaledale that entranced me on a recent cycle tour were part and parcel of the local dairy-farming tradition, and have been put at risk by its decline.

This book changed the way that I thought about the Reformation landscape. Alexandra Walsham shows that it was not only a terrain of ruins and fragments but also of converted and adapted structures, as well as of the memories and folk stories embedded in physical sites.

It taught me a lot about how the dissolution specifically was remembered, but also about the broader transformations within which it took place. The details in this book are endlessly rich and fascinating, and it is a great example of writing that takes serious the idea that history is rooted in space as well as time.

A modern tour around sites of Roman Britain, and a fascinating look at the stories we later Britons have told ourselves about the Roman era over the ensuing centuries – in ways that perhaps say more about us than they do about the Romans. 

This is similar to Wild Isles – a vast celebration of nature incorporating fiction, non-fiction, and poetry – but this time with its focus on the beautiful wild North of Britain.

It’s exciting to see so many different aspects of the area brought out and the inclusion of lesser-known contemporary writers such as Katie Hale, Loren Cafferty, and Graham Mort alongside greats such as William Wordsworth and Charlotte Brontë. 

So often neglected, so often stereotyped, the North is viewed here by those that know it, through clear eyes but with understandable adoration. I particularly enjoyed the descriptions of the moors, the dark green and grey wilds inhabited by curlew, kite, and hare.

This is the place where the Brontës created their epic romances and where contemporary writers sought solace during lockdown. The land continues to be a source of inspiration and it is gratifying to see it celebrated in this… show more.