Here are 100 books that The Man Who Planted Trees fans have personally recommended if you like
The Man Who Planted Trees.
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I am an architect, academic, and author, who is passionate about sustainable design. At London Metropolitan University I conduct design research on urban rewilding, and teach sustainable design to architecture and interior design students. I founded the Rewild My Street campaign, which aims to inspire and empower city residents to reverse biodiversity decline by transforming their homes, gardens, and streets for wildlife. My work combines my expertise in sustainable design; architectural-practice experience in housing, building conservation, and urban regeneration; and passion for wildlife. I am driven by designing and helping others design sustainable, biodiverse buildings, and cities.
As designers, we should arguably take responsibility for the ecological footprint of our own lifestyles before we attempt to impose sustainable lifestyles on those who use the spaces we create. This book guides you through simple yet profound ways to reconnect with the natural world. Being in touch with nature yourself will help you design spaces that prioritise the natural world and connect people to it, even in the city. I have always loved Barnes’s nature of writing for its fundamental insights and poetic style. This has inspired my own ‘rewilding’ process, culminating in the creation of the Rewild My Street resource, which offers a design toolkit.
For those readers who want to get closer to the nature all around them and bring it back into focus within their lives, this book is the ideal companion.
We're not just losing the wild world. We're forgetting it. We're no longer noticing it. We've lost the habit of looking and seeing and listening and hearing.
But we can make hidden things visible, and this book features numerous spellbinding ways to bring the magic of nature much closer to home.
Mammals you never knew existed will enter your world. Birds hidden in treetops will shed their cloak of anonymity. With…
I am an architect, academic, and author, who is passionate about sustainable design. At London Metropolitan University I conduct design research on urban rewilding, and teach sustainable design to architecture and interior design students. I founded the Rewild My Street campaign, which aims to inspire and empower city residents to reverse biodiversity decline by transforming their homes, gardens, and streets for wildlife. My work combines my expertise in sustainable design; architectural-practice experience in housing, building conservation, and urban regeneration; and passion for wildlife. I am driven by designing and helping others design sustainable, biodiverse buildings, and cities.
The book is beautifully presented as a series of annotated diagrams, one for each rule of thumb. This is a very powerful communication tool for explaining principles of sustainable design that designers can understand and then apply to their own projects. The concepts span design considerations from the scale of the room to the city to the globe - benefiting interior designers, architects, landscape architects, and urban designers alike. I would urge all designers to create a sustainability diagram of every project during the design process.
Following the success of its enormously popular predecessor (101 Rules of Thumb for Low Energy Architecture) the next title in this pithy series nowfocuses our attention on the bigger picture in sustainability: the overarching design of our buildings and cities.
With ever-increasing pressure on the planet's ecosystems, resulting from population growth, urbanisation and climate change, people across the world are becoming more aware of the need for the cities they live and work in to be sustainable. Yet the issue of how to be sustainable - and what sustainability actually means - can seem a confusing and complex one.
I am an architect, academic, and author, who is passionate about sustainable design. At London Metropolitan University I conduct design research on urban rewilding, and teach sustainable design to architecture and interior design students. I founded the Rewild My Street campaign, which aims to inspire and empower city residents to reverse biodiversity decline by transforming their homes, gardens, and streets for wildlife. My work combines my expertise in sustainable design; architectural-practice experience in housing, building conservation, and urban regeneration; and passion for wildlife. I am driven by designing and helping others design sustainable, biodiverse buildings, and cities.
The book is a sustainable design bible, packed with technical information on environmental building features, illustrated with attractive sketches and detailed drawings. I read it cover to cover when I first started teaching sustainable design, but it can equally be dipped into for quick reference. It is particularly good on addressing climate change through domestic buildings and existing building retrofit, as well as giving appropriate weight to ecological issues, such as flood risk and biodiversity.
The Environmental Design Pocketbook 2nd ed places the information you need for sustainable, low energy building design at your fingertips.
Packed with diagrams, tools and tips, it cuts through the complex mass of technical data and legislation that faces the designer, and distils all the key guidance into a single reference that is quick, easy to use and points to the facts, figures and performance data that are most important.
This 2nd edition is now fully up-to-date with the latest Building Regulations Part L and F legislation (England and Wales), RIBA Plan of Work 2013, new information on the Green…
I am an architect, academic, and author, who is passionate about sustainable design. At London Metropolitan University I conduct design research on urban rewilding, and teach sustainable design to architecture and interior design students. I founded the Rewild My Street campaign, which aims to inspire and empower city residents to reverse biodiversity decline by transforming their homes, gardens, and streets for wildlife. My work combines my expertise in sustainable design; architectural-practice experience in housing, building conservation, and urban regeneration; and passion for wildlife. I am driven by designing and helping others design sustainable, biodiverse buildings, and cities.
Many books now address designing low-energy buildings to mitigate climate change, but few focus on designing buildings to benefit wildlife. Given the global biodiversity crisis and modern buildings’ lack of accidental gaps to shelter birds, bats, and insects, more guidance on safely incorporating wildlife habitat within buildings and outdoor spaces is crucial. This was one of the inspirations behind my urban-rewilding campaign, Rewild My Street.
The creation of highly insulated and sealed buildings, necessitated by the shift towards designing and building low-carbon buildings, has had a negative effect on biodiversity. The potential niches for biodiversity such as spaces in open roof voids, generous overhangs and cracks and crevices that can be home for a wide range of birds, bats, insects and plants, are now being designed out through the desire to develop airtight buildings.
The first edition of this book showed how you can make provision for building-reliant species when designing new low or zero carbon buildings. This second edition remains true to that need…
Thirty-five years ago, I bought a dilapidated olive farm overlooking the Bay of Cannes. I was well-known as an actress for such roles as Helen Herriot in All Creatures Great and Small. Moving to Provence, living on the Mediterranean, transformed my life. I became passionate about the landscape, history, art, languages, literature of the region. I spent 17 months travelling solo round the Mediterranean basin, searching out the history and cultures of the olive tree, a mythical plant. I was invited to work with UNESCO to create a Mediterranean Olive Route. I make films, TV programmes, and write books. Almost all my work is set in the south of France.
In my opinion this is one of the great novels about adolescence. What makes it so special is that it is deliciously French and amoral. The story of a French teenage girl, Cecile, and her father. They are a team. You might almost call them a couple. Cecile accompanies her father everywhere including to casinos and bars. She accepts his mistresses. Matters take a more macabre turn when her father invites one of his ladies to holiday with them in the south of France and Cecile learns that he intends to marry this particular woman. Françoise Sagan was eighteen when she wrote this, her first novel. Within months of its publication she became an overnight sensation. The writing is sexy and chic. Sagan perfectly describes the French Riviera in the mid-fifties and a woman’s role in society back then. It was an instant classic and deserves its place in the…
A sensational 1954 French novel that has become a contemporary classic
Set against the translucent beauty of France in summer, Bonjour Tristesse is a bittersweet tale narrated by Cecile, a seventeen-year-old girl on the brink of womanhood, whose meddling in her father's love life leads to tragic consequences.
Endearing, self-absorbed, seventeen-year-old Cécile is the very essence of untroubled amorality. Freed from the stifling constraints of boarding school, she joins her father—a handsome, still-young widower with a wandering eye—for a carefree, two-month summer vacation in a beautiful villa outside of Paris with his latest mistress. Cécile cherishes the free-spirited moments she…
I write in my spare time, drawing inspiration from my frequent trips to Italy, dating back to my childhood summers. I am an indie writer of noir crime fiction with an interest in uncomfortable moments, especially those created by the main characters themselves. My list journeys across a vast array of genres, but they all have that tone of something happening in the shadows or underlying truths working to achieve an outcome or fight against adversity. I like unspoken dialogue and self-made conflicts, which are both elements included in all the stories I mention in this list.
I love Fitzgerald for his way of writing those silent moments between two people who manage to have an underlying conversation without speaking a word. As if spoken words are only surface dialogue to what the character’s body language and eye contact really want to say.
Fitzgerald captured it beautifully here within Nick and Rosemary’s interactions–probably my favorite exchanges between characters. Although The Great Gatsby remains my top favorite story, Nick and Rosemary earned Tender Is the Night my attention.
F. Scott Fitzgerald wrote in a friend's copy of Tender Is the Night, "If you liked The Great Gatsby, for God's sake read this. Gatsby was a tour de force but this is a confession of faith." Set in the South of France in the decade after World War I, Tender Is the Night is the story of a brilliant and magnetic psychiatrist named Dick Diver; the bewitching, wealthy, and dangerously unstable mental patient, Nicole, who becomes his wife; and the beautiful, harrowing ten-year pas de deux they act out along the border between sanity and madness. In Tender Is…
Thirty-five years ago, I bought a dilapidated olive farm overlooking the Bay of Cannes. I was well-known as an actress for such roles as Helen Herriot in All Creatures Great and Small. Moving to Provence, living on the Mediterranean, transformed my life. I became passionate about the landscape, history, art, languages, literature of the region. I spent 17 months travelling solo round the Mediterranean basin, searching out the history and cultures of the olive tree, a mythical plant. I was invited to work with UNESCO to create a Mediterranean Olive Route. I make films, TV programmes, and write books. Almost all my work is set in the south of France.
This novel couldn’t be more different from my other choices. It is set on a high-tech park called Eden-Olympia nestling (malevolently!) in the hills behind Cannes. The story is fantastic in a way that is born of Ballard’s brilliant mind. It is a twenty-first century, stylised thriller, and way ahead of its time. Ballard takes the edgy, seamier side of life on this French Riviera coast with its racism and elitism several imaginative steps too far and delivers a shocking tale. I read this novel when it was first published and it haunted me for years. After two more readngs, it remains as powerful as my first introduction to it. Definitely a novel I wish I had written.
A high-tech business park on the Mediterranean is the setting for a most disturbing crime in this reissue featuring a new introduction by Ali Smith.
A disturbing mystery awaits Paul and Jane Sinclair when they arrive in Eden-Olympia, a high-tech business park in the hills above Cannes. Jane is to work as a doctor for those who live in this ultra-modern workers' paradise. But what caused her predecessor to go on a shooting spree that made headlines around the world? As Paul investigates, he begins to uncover a thriving subculture of crime that is spiralling out of control.
Thirty-five years ago, I bought a dilapidated olive farm overlooking the Bay of Cannes. I was well-known as an actress for such roles as Helen Herriot in All Creatures Great and Small. Moving to Provence, living on the Mediterranean, transformed my life. I became passionate about the landscape, history, art, languages, literature of the region. I spent 17 months travelling solo round the Mediterranean basin, searching out the history and cultures of the olive tree, a mythical plant. I was invited to work with UNESCO to create a Mediterranean Olive Route. I make films, TV programmes, and write books. Almost all my work is set in the south of France.
Like Jean Giono, Marcel Pagnol was a true Provençal, born in the town of Aubagne in 1895.The Water of the Hills comprises two novels written as one continuous saga,Jean de FloretteandManon of the Springs. The characters and storylines are Provençal in every detail. Pagnol’s descriptions of the landscape, the people, and challenges conjure up magnificently this rural corner in the hills above Marseille. The stories are set between the two great wars. Pagnol was as acclaimed as a filmmaker as he was a novelist. His works are elegant, full of humanity and wit. He has an unerring eye for the frailties and unkindnesses in man and how twists of fate and nature play their roles in rectifying the world.
In 1946 Pagnol became the first filmmaker to be elected to the Académie française. A giant among storytellers.
Tells the story of Jean de Florette, a 35-year-old, city-bred, hunchbacked idealist, his wife, Aimee, and his daughter, Manon. In the second novel, Manon seeks revenge for her father's death, and it is she who brings the wheel full circle in a final dramatic retribution in the town square.
Since first stepping off a train at Nice I've felt an affinity with southern France, but it was a chance encounter with the local shepherd who, speaking a version of the Provençal language, alerted me to the proud past of this region and its individual identity. (I've written about this time in my book Wild Asparagus, Wild Strawberries.) A serendipitous opportunity to study ancien Provençal led me down a meandering path to a PhD that eventually became The Original Mediterranean Cuisine, and on to a career researching and teaching culinary history. My next book looks at the roots of Provençal cuisine in the eighteenth century.
In December 1970, a group of acclaimed American culinary experts met in Provence, where Julia Child had a holiday house, planning to celebrate Christmas together. Joining them were food writer Richard Olney and novelists Sybille Bedford and Eda Lord, all living relatively close. Barr, Fisher's grandnephew relies on her journal and letters to recreate their sumptuous tables in delectable detail. Alas, hopes for a joyous gathering of friends soured as egos clashed and petty rivalries intervened; MFK left abruptly and spent Christmas alone in Avignon. What interests me is how these authorities on French cuisine engaged with the French, the relationship between the 'French' cooking they portrayed and the food of the French, and their response to the changes creeping into France post-1968.
Provence, 1970 is about a singular historic moment. In the winter of that year, more or less coincidentally, the iconic culinary figures James Beard, M.F.K. Fisher, Julia Child, Richard Olney, Simone Beck, and Judith Jones found themselves together in the South of France. They cooked and ate, talked and argued, about the future of food in America, the meaning of taste, and the limits of snobbery. Without quite realizing it, they were shaping today’s tastes and culture, the way we eat now. The conversations among this group were chronicled by M.F.K. Fisher in journals and letters—some of which were later…
I’m American but I’ve been a Francophile for ages. I didn’t get a chance to visit France until well into adulthood. So much history lives in France and it’s been my joy to illuminate it for readers who tell me they feel transported. There is no higher compliment, in my mind. I’ve been writing novels for thirty years, set in the Rocky Mountains, America’s heartland, and the scenic villages of France. The Bennett Sisters Mysteries are now up 18 books in the series, featuring settings from Paris to Champagne to the Dordogne, with more in the works. I must go back to France to research, oui?
A dream of many who live in cold climates is to live a second life (or first or third) in sunny France, and in particular Provence. Sands mainlines that dream in this book and especially the healing properties of sunshine and lavender. Her heroine recovers from a painful divorce and is reinvigorated, all the best qualities of a vacation, in reality or in reading.
On the evening of her twenty-second wedding anniversary, Katherine Price can't wait to celebrate. But instead of receiving an anniversary card from her husband, she finds a note asking for a divorce.
Fifty-five and suddenly alone, Katherine begins the daunting task of starting over. She has her friends, her aging mother, and her career to occupy her, but the future seems to hold little promise-until, after a winter of heartbreak, Katherine is persuaded to try a home exchange holiday in the South of France.
In Provence, bright fields of flowers bloom below medieval hilltop villages with winding cobblestone streets. Charmed…
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