97 books like Bellman & Black

For as long as I can remember I have been absolutely gripped by the stories that old clothes can tell. From visiting fashion museums as a child to collecting books on the subject, I was drawn to the shapes, the fabrics, and the tales. I can remember a curator once telling me that clothes are the closest we can get to people in the past. They are the ghostly outlines of our ancestors and that has stayed with me. We give so much away about ourselves through the clothes we choose to wear and so they really do matter.

For as long as I can remember I have been absolutely gripped by the stories that old clothes can tell. From visiting fashion museums as a child to collecting books on the subject, I was drawn to the shapes, the fabrics, and the tales. I can remember a curator once telling me that clothes are the closest we can get to people in the past. They are the ghostly outlines of our ancestors and that has stayed with me. We give so much away about ourselves through the clothes we choose to wear and so they really do matter.

For as long as I can remember I have been absolutely gripped by the stories that old clothes can tell. From visiting fashion museums as a child to collecting books on the subject, I was drawn to the shapes, the fabrics, and the tales. I can remember a curator once telling me that clothes are the closest we can get to people in the past. They are the ghostly outlines of our ancestors and that has stayed with me. We give so much away about ourselves through the clothes we choose to wear and so they really do matter.

For as long as I can remember I have been absolutely gripped by the stories that old clothes can tell. From visiting fashion museums as a child to collecting books on the subject, I was drawn to the shapes, the fabrics, and the tales. I can remember a curator once telling me that clothes are the closest we can get to people in the past. They are the ghostly outlines of our ancestors and that has stayed with me. We give so much away about ourselves through the clothes we choose to wear and so they really do matter.

I write as Robert J. Lloyd, but my friends call me Rob. Having studied Fine Art at a BA degree level (starting as a landscape painter but becoming a sculpture/photography/installation/performance generalist), I then moved to writing. During my MA degree in The History of Ideas, I happened to read Robert Hooke’s diary, detailing the life and experiments of this extraordinary and fascinating man. My MA thesis and my Hooke & Hunt series of historical thrillers are all about him. I’m fascinated by early science, which was the initial ‘pull’ into writing these stories, but the political background of the times (The Popish Plot and the Exclusion Crisis, for example) is just as enticing. 

Since I was a child, Halloween and Christmas have held equally hallowed positions in my heart. When I learned of Krampus folklore in my teens, I was immediately fascinated. Krampus offered the best of both worlds—a dose of Halloween creepiness to counterbalance the bright jubilation of the winter holidays. Krampus Confidential, a middle-grade mystery, and adaptation of The Maltese Falcon, is my second children’s book that aims to introduce this magnificent creature to children in a way that doesn’t inspire nightmares. My first, Goodnight Krampus, is a board book for young readers that reimagines the monster as a rambunctious toddler who gives Santa a hard time by refusing to go to sleep on Christmas Eve.

I've always been a fan of ghost stories. As a kid, I loved horror movies and the works of Edgar Allan Poe, Bram Stoker, and H. P. Lovecraft; later on, I discovered movies like The Innocents (based on Henry James's The Turn of the Screw) and The Haunting (adapted from Shirley Jackson's The Haunting of Hill House). As a ghost historian and editor, I've discovered dozens of brilliant tales from the nineteenth and early twentieth centuries; these are stories that remain relevant, entertaining, and frightening.

I’ve loved Gothic fiction since I was a teen, though back then, I didn’t know it was Gothic. I just liked the creepiness, the often-isolated heroine, and the things-aren’t-what-they-seem murkiness of the stories. One of my first reads was Jane Eyre, which has remained a favorite. Though I didn’t like history in school (too much memorization!), I read several historical fiction books from different eras that fascinated me. These things, combined with another genre favorite—mystery/thriller, led to my first book. It turns out that all those things I’d gravitated to in my decades of reading became the things I most wanted to write about - mystery/thriller historical fiction with elements of Gothic. 

I’ve written and published one hundred very short ghost stories, plus a handful of longer ones, and have spent a lifetime reading and watching and thinking about stories of ghosts and the afterlife. My expertise, such as it is, involves ghosts as beings of narrative and metaphor. I’ve encountered great numbers of them on the page and on the screen—nowhere else—but I confess that I would love someday (though don’t expect) to encounter them in the flesh. My flesh, that is to say; their fleshlessness.

Born in Poland, I have fond memories of sitting on my Grandma’s lap listening to stories and poems. A favorite poem was about a crow who ate Swiss cheese and only left the holes. The concept made my noggin spin and spurred my imagination. When I immigrated to the U.S. at age seven, I learned English by reading a Mother Goose collection. Captivated by the fun rhyming sounds and art, I dreamed of making children’s books someday. Years later, my dream came true, I became an author/illustrator, with the majority of my books being extensions of the nursery rhymes which inspired me when I was a child.