Fans pick 100 books like Mrs. Harris Goes to Paris

Set in a mid-century department store, this wonderful short novel details life in a mid-20th-century frock department through the eyes of the women who worked there.

It is a book that highlights the importance of clothing in women’s lives at that time and the very specific kinds of garments. The tale follows Lisa as the news sales assistant in Cocktail Frocks and the friends she makes along the way. It is a sharply observed, funny, and tender story bringing the old department store alive.

I do love a novel with history and objects at the core and The Corset adds an extra layer of spine tingling to the mix as well.

Ruth is a poorly paid seamstress, awaiting trial for murder. She is visited by the well-to-do Dorothea who wants to hear her story. The object, the corset, lies at the heart of Ruth’s tale and every stitch that she made in the creation of high-end pieces for her mistress begins to carry a greater significance.

In a world of fast fashion I have become increasingly fascinated by the handmade, the art of the needle, and the skill of the maker and here it has a slightly sinister facet to it.

This has a very gothic kind of atmosphere and it is one that I recommend for the intricacies of 19th century dress etiquette.

It centres on the company of Bellman and Black, an emporium of mourning wares for the increasingly complicated garments and accessories required of grief in the 19th century. It gives such an insight into a world that is long gone but which was so important, where dress was able to communicate the stage of your life without a word spoken. 

I have long been fascinated by the stories of those people working behind the scenes of well-known historical events, the ordinary people whose tales are so often neglected.

I am an embroiderer and so found this novel about two young women in post-war London working for the famous couturier Norman Hartnell, very touching. Whilst a fictional account, the author undertook wonderful research to learn about the embroiderers who worked for Hartnell in the creation of Queen Elizabeth II’s wedding gown in 1947.

This is the story of two of them, told through fragments of fabric, something very close to my heart.

I find midcentury fashion memoirs inspiring because they’re filled with stories of strong, self-realized women who really managed to have it all. This one by Bettina Ballard, French editor for American Vogue in prewar Paris, goes one better because it also offers heartbreaking commentary on the war.

Alongside observations about great designers like Chanel and Dior, Ballard writes stirringly of the tragic, gruesome fates that befell many in her world and the courageous way some resisted the Germans to save their art form, couture. Vogue tries to bring her back to New York, but she swiftly returns to Europe as a Red Cross volunteer—albeit one who sneaks non-regulation eveningwear into her trunk. When she finally goes home to marry (for the second time), she mentions it in an aside.  

Another story from my childhood, this tells the tale of the Bastable children, sweet siblings who are searching for treasure to help the father who recently lost everything. Stories about siblings have always piqued my interest as I myself have 3 siblings :) and stories about siblings who treat each other good are often my absolute favorites!

This biography gives you the inside experience of one of the most visible lesbians in Paris during the mid-twentieth century.

Genet was the pseudonym for Janet Flanner, The New Yorker’s correspondent for France. Flanner knew and wrote about everyone. Her column noting Anderson’s death is particularly touching. From Indiana to the City of Lights in one lifetime.

That Night in Paris is the second book in Sandy Barker’s Holiday Romance Series, which is packed with beautifully described holiday destinations and the will-they-won’t-they moments we romance readers love. In That Night in Paris, Cat books an impromptu European coach trip in desperation after she has a few too many wines and sleeps with her flatmate. And what a decision that turns out to be when she bumps into her long-lost teenage crush in Paris.     

Cat’s on my dinner guest list because she’s feisty, fun, and oozes sass, while at the same time having a more vulnerable side that would get the deeper conversations going by dessert. Sometimes strong women who are confident and outspoken (in a good way) can be criticised and labelled negatively, but women like Cat should be applauded for being real. 

In the third novel of Zola’s twenty-volume series Les Rougon-Macquart, a man named Florent, accused of a crime he didn’t commit, escapes to Paris and becomes a fish inspector at the Les Halles market. Food and politics collide in the heart of the market, giving the reader some of the most vivid and delicious descriptions you’ll ever find on the page.

If we want to understand medieval or modern Paris, we need to gain some familiarity with all of the stages along the way. Robb provides some episodic portraits of some of those stages, and the chapter on the eighteenth-century architect Charles-Axel Guillaumot is one of the most arresting discussions I’ve ever seen of how the actions of those living in one epoch can reverberate for generations to come. Guillaumot literally saved Paris from collapsing in on its medieval past by bracing up the swiss-cheese-like network of tunnels that had been left behind by its medieval quarry workers.