100 books like The Story of the Treasure Seekers

As a child, one of my favorite places was in the top branches of a tree. From up there I could watch the world pass by, remaining invisible. I could make up stories about the world below and no one would challenge me. The second best place for me was inside the story of a book, the kind that took you to magical places where children always found a way to win the day. I knew when I “grew up” I would write one of those empowering books. I became a middle school teacher and have since read many wonderful books for this age. Enjoy my list of favorites.  

Let's face it: pirates of the Golden Age are just cool. No one would actually want to encounter them, but they have been the stuff of escapist dreams since childhood. Adventure, fellowship, treasure–the “romantic” aspects of piracy are what make these otherwise nasty individuals anti-heroes par excellence. As an adult and academic and as an occasional crewman on square riggers, I adopted pirates as a favorite sub-set of maritime history. As with other aspects of the past, I view the history of pirates and piracy as really two narratives: what the records tell us happened and why and what our persistent fascination with them reveals about us.

I have a passion for this because I feel that books nowadays focus more on being dark to shock, and while everyone deserves to read what they like, I don’t want people to lose sight of things such as happy endings. There’s enough darkness in the world and reading should make people smile.  

Who knows why, but I have always been enticed by absurdities, paradoxes, incongruities — I use them in my talks, articles, and books — of everyday lives, our humanity, and mysteries of our ‘going on.’ Reflections on being human can be triggered by humour such as Cambridge’s Beyond the Fringe and New York’s sitcom Seinfeld — within which I wallow — as well as by lengthy philosophical works and novels. My work draws on bafflements: for example, shampoo instructions “Lather, rinse, repeat” (making shampoo-ing infinite?); Barmaid to Peter Cook, “Bitter?”, reply being “Just tired”— and Samuel Beckett’s “I can’t go on. I’ll go on.” Yes, I go on.

The first thing I ever wrote was a play about a goose girl, and I’ve been fascinated with fairytales ever since. As a poet, I adore how the images speak deeply to our subconscious—fur, hair, mirrors, blood, snow, fairy fruit. As a nonfiction writer, my book explored witches and princesses, whilst my latest adult novel looks at a fairytale salon in Paris attended by Perrault. I hope this list convinces you that fairytales aren’t only for the nursery but are as important to literature as Greek myths—shaping our narratives and reemerging in surprising places. 

The world opened to me in a safe space when I learned to read as a child, and by 6th grade, inspired by Jo March, I hoped to be an author and regularly hauled stacks of books home from the library. I had put aside my dream of writing until my marriage to Mark Buehner. It was his career as an illustrator that opened up a path for me, and together we have created many picture books, including the Snowmen at Night series. I’ve learned that stories are told with pictures as well as words, and beautiful picture books can be savored at any age.

I’ve been in love with fairytales since childhood when I picked up a collection of fairytales by Hans Christian Anderson. These stories shaped my imagination, so much so that I longed for distant mysterious lands full of magic, wonder, and mystical creatures. Though in a way, I guess I did live a bit of a fairytale, having grown up surrounded by thick woods and open fields, as one of twelve siblings. Now as an adult, I still wish I could escape to distant fantastical lands, but I’ll just have to stick with the ones I find between the pages of books and the ones in my own head! 

I remember reading Enid Blyton’s Mr. Galliano’s Circus as a child and was fascinated more by the idea of circus life than the actual performance aspect. I still adore watching high-quality circus feats performed by acrobats and love that frisson of excitement as everyone shuffles into their seats just before showtime. When I began writing children’s books, my aim was to give the child characters room to develop resilience and courage while encountering danger and adventure without the presence of adults. In order to do this, I had to somehow remove parental figures. Running away is the perfect literary device to achieve this which is how Glass Dreams came about.

I’m a New Englander by birth, a Canadian by circumstance, and a Nova Scotian by choice. For as long as I can remember, I’ve told stories, first to my little sister—a captive audience—then to my children, then at my book readings, and now on my podcast, Kate and Friends, which I’m lucky enough to record with two professional musicians. For me, the ultimate test of a story is whether it can be told without visual aids. While I love picture books, and the way an artist can deepen a child’s experience of a story, I gravitate to satisfying, stand-alone tales with a good twist. They’re difficult to write, easy to remember, and great fun to tell! 

I’ve always let my imagination wander wild, like a modern-day Anne Shirley—which is one of the reasons I became an author. I love reading (and writing) books that add fantastical elements to our world or the worlds of far-off characters. As an author and die-hard bookworm, I love to genre hop within the Young Adult age range. You can find me nose-deep in anything from science fiction to a gritty paranormal fantasy.