Who knows why, but I have always been enticed by absurdities, paradoxes, incongruities — I use them in my talks, articles, and books — of everyday lives, our humanity, and mysteries of our ‘going on.’ Reflections on being human can be triggered by humour such as Cambridge’sBeyond the Fringe and New York’s sitcom Seinfeld— within which I wallow — as well as by lengthy philosophical works and novels. My work draws on bafflements: for example, shampoo instructions “Lather, rinse, repeat” (making shampoo-ing infinite?); Barmaid to Peter Cook, “Bitter?”, reply being “Just tired”— and Samuel Beckett’s “I can’t go on. I’ll go on.” Yes, I go on.
Why should we believe in God without any evidence? How can there be meaning in life when death is final? With historical adherents including such thinkers as Einstein, Freud, Philip Pullman, and Frank Zappa, the central quest of "Humanism" is to make sense of such questions, explaining the ethical and metaphysical by appealing to shared human values, rationality, and tolerance. Essential reading for atheists, agnostics, ignostics, freethinkers, rationalists, skeptics, and believers too, this Beginner's Guide will explain all aspects of the Humanist philosophy whilst providing an alternative and valuable conception of life without religion.
The book also has a personal flavour, it is as challenging to the reductionism of the sciences as it is to the claims of religions. It is as thoughtful on our existence as on our extinction.
Thousands of years ago – I exaggerate a little – when pre-university, I heard of Nauseafrom a library assistant. I warmed to Sartre’s sense of the weirdness of consciousness, surrounded by the strangeness of physical objects and conscious beings, ‘the Other.’ How to relate?
Nausea — and some very different works by philosophers such as Bertrand Russell — enabled my discovery that I was a philosopher, good or bad. It led me to university philosophy in London, then Cambridge, and the works of, Ah,Wittgenstein. One thing that I do not regret in my life is engagement with philosophy. “I have not looked back” as they say — which means that I have looked back, yet without recoil at that discovery.
Nausea is the story of Antoine Roquentin, a French writer who is horrified at his own existence. In impressionistic, diary form he ruthlessly catalogs his every feeling and sensation. His thoughts culminate in a pervasive, overpowering feeling of nausea which "spreads at the bottom of the viscous puddle, at the bottom of our time - the time of purple suspenders and broken chair seats; it is made of wide, soft instants, spreading at the edge, like an oil stain."
Winner of the 1964 Nobel Prize in Literature (though he declined to accept it), Jean-Paul Sartre - philosopher, critic, novelist, and…
Many of us, when young, read Looking-Glasswith Carroll’s first work, Alice’s Adventures in Wonderland, but it was as an adult, eager to reflect philosophically, that I began to appreciate deep puzzles within our language and consciousness – and these are more prominent in Looking-Glass.
I taught philosophy for many years –oops, not true, I don’t think philosophy can be taught. Rather, I encourage people to step back and think philosophically by confronting paradoxes, using their imagination, and looking beyond appearances. I often recommend Looking-Glassto achieve a sense of bewilderment and the delicious desire to dig into and question everyday assumptions of living.
Alice, who is bored, falls asleep in a chair and dream that it happens on the other side of the mirror of the show. The mirror of the world is both the English countryside, a chessboard, and the upside down world, where you have to run very fast to stay put. Alice came across chess pieces (queen, knight) and characters of children's culture of the Victorian era. One finds in this novel the mix of poetry, humor and nonsense that makes the charm of Lewis Carroll. It is better to know the basic rules of chess to appreciate the subtleties…
The title was sufficient to draw me in — for I warm to life’s absurdities, and clowning is one form of absurdity. For decades, I have been actively involved with Humanism, so the absurdities in Clownof the hypocrisies in Catholicism naturally appealed, yet more so were the exposures of hypocrisies in love, relationships, and social and political pronouncements — indeed, in being human. Yes, Catholicism is attacked here, but so, also, Humanity. To quote: “Goodbye,” I said, “and thank you for so much humanity.”
Acclaimed entertainer Hans Schneir collapses when his beloved Marie leaves him because he won’t marry her within the Catholic Church. The desertion triggers a searing re-examination of his life—the loss of his sister during the war, the demands of his millionaire father and the hypocrisies of his mother, who first fought to “save” Germany from the Jews, then worked for “reconciliation” afterwards.
Heinrich Böll’s gripping consideration of how to overcome guilt and live up to idealism—how to find something to believe in—gives stirring evidence of why he was such an unwelcome presence in post-War German consciousness . . . and…
In days of youth, I would have short holidays on Greek Islands and in countries such as Turkey and Egypt. Later, I briefly lectured in philosophy at the University of Khartoum. The atmosphere of those places — the cultures tied to religions, the hazy hot climate, the pace — well, I found those in Justine (set in Alexandria). The book still appeals to bringing out the fluidity of relationships, ways of seeing others, of interpretations. It is the first volume of The Alexandria Quartet; other volumes look at the same events, but through the eyes of other characters.
The Egyptian city of Alexandria once boasted the world's greatest library, home to scholars dedicated solely to the pursuit of knowledge. But on the eve of World War II, the obsessed characters in this mesmerizing novel find that their pursuits lead only to bedrooms in which each seeks to know-and possess-the other.
I frequently return to Plato and his portrayal of Socrates. The Phaedrus intrigues me. It is a difficult work for piecing together, yet with fascinating thoughts, taking us from rhetoric to erotic love to the search for Beauty, Truth, the Good. What it is to be human continues to baffle me — not least because we often do have a sense of 'going beyond' the mystical. Yes — I do write as an atheist.
Phaedrus is widely recognized as one of Plato's most profound and beautiful works. It takes the form of a dialogue between Socrates and Phaedrus and its ostensible subject is love, especially homoerotic love. This new translation is accompanied by an introduction, further reading, and full notes on the text and translation that discuss the structure of the dialogue and elucidate issues that might puzzle the modern reader.
I grew up on a family farm surrounded by larger vegetable and dairy operations that used migrant labor. From an early age, my siblings and I were acquainted with the children of these workers, children whom we shared a school desk with one day and were gone the next. On summer vacations, our parents hauled us around in a station wagon with a popup camper, which they parked in out-of-the-way hayfields and on mountainous plateaus, shunning, much to our chagrin, normal campgrounds, and swimming pools. Thus, I grew up exposed to different cultures and environments. My writing reflects my parents’ curiosity, love of books and travel, and devotion to the natural world.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken in temporarily by Sadie’s aunt, a human rights activist who heads a cultural exchange program.
Stefan promptly runs afoul of local authority, but Sadie, intrigued by him and captivated by his story, has grown sympathetic to his cause and complicit in his pushback against prejudiced accusations. Their mutual attraction is stymied when Stefan’s older brother, Joachim, who stayed behind, becomes embroiled in the resistance, and Stefan is compelled to return to Canada. Sadie, concerned for his safety, impulsively follows on a trajectory doomed by cultural misunderstanding and oncoming winter.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through the pitfalls of young adulthood. Hundreds of miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are forced off their land by multinational energy companies and flawed treaties. They are taken in temporarily by Sadie's aunt, a human rights activist who heads a cultural exchange program. Stefan, whose own father died in prison while on a hunger strike, promptly runs afoul of local authority, but Sadie, intrigued by him and captivated by his…
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