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I've always been a fan of ghost stories. As a kid, I loved horror movies and the works of Edgar Allan Poe, Bram Stoker, and H. P. Lovecraft; later on, I discovered movies like The Innocents (based on Henry James's The Turn of the Screw) and The Haunting (adapted from Shirley Jackson's The Haunting of Hill House). As a ghost historian and editor, I've discovered dozens of brilliant tales from the nineteenth and early twentieth centuries; these are stories that remain relevant, entertaining, and frightening.
Robert Chambers (1865-1933) was one of the bestselling authors of the early twentieth century for novels - now largely forgettable - about shopgirls and adventurers. His fame in our century rests entirely on this book, which includes the four terrifying stories that make up the "King in Yellow" mythos, as well as several other haunted and haunting tales. This edition includes an introduction by Nic Pizzolatto, who included references to the book in his magnificent series True Detective.
The King in Yellow is a book of short stories by American writer Robert W. Chambers, first published in 1895. The book is named after a play with the same title which recurs as a motif through some of the stories.
The first half of the book features highly esteemed weird stories, and the book has been described by critics as a classic in the field of the supernatural. There are ten stories, the first four of which ("The Repairer of Reputations", "The Mask", "In the Court of the Dragon", and "The Yellow Sign") mention The King in Yellow, a…
I've always been a fan of ghost stories. As a kid, I loved horror movies and the works of Edgar Allan Poe, Bram Stoker, and H. P. Lovecraft; later on, I discovered movies like The Innocents (based on Henry James's The Turn of the Screw) and The Haunting (adapted from Shirley Jackson's The Haunting of Hill House). As a ghost historian and editor, I've discovered dozens of brilliant tales from the nineteenth and early twentieth centuries; these are stories that remain relevant, entertaining, and frightening.
Famous during her life for her social commentary novels like North and South, Elizabeth Gaskell (1810-1865) was also a spectacularly gifted author of ghost stories (Charles Dickens, in fact, frequently included her ghost tales in his periodical Household Words). This collection would be worth it for "The Old Nurse's Story" alone - considered to be one of the finest ghost stories ever written - but it contains other bone-chilling classics as well.
Elizabeth Gaskell's chilling Gothic tales blend the real and the supernatural to eerie, compelling effect. 'Disappearances', inspired by local legends of mysterious vanishings, mixes gossip and fact; 'Lois the Witch', a novella based on an account of the Salem witch hunts, shows how sexual desire and jealousy lead to hysteria; while in 'The Old Nurse's Story' a mysterious child roams the freezing Northumberland moors. Whether darkly surreal, such as 'The Poor Clare', where an evil doppelganger is formed by a woman's bitter curse, or mischievous like 'Curious, if True', a playful reworking of fairy tales, all the stories in this…
I've always been a fan of ghost stories. As a kid, I loved horror movies and the works of Edgar Allan Poe, Bram Stoker, and H. P. Lovecraft; later on, I discovered movies like The Innocents (based on Henry James's The Turn of the Screw) and The Haunting (adapted from Shirley Jackson's The Haunting of Hill House). As a ghost historian and editor, I've discovered dozens of brilliant tales from the nineteenth and early twentieth centuries; these are stories that remain relevant, entertaining, and frightening.
Ask any scholar of horror fiction to name the greatest ghost story writer of all time, and chances are good they'll come up with M. R. James (1862-1936). James, who is also highly regarded for his scholarly works and translations, was a provost at King's College, Cambridge who entertained students during the Christmas season with his ghost tales (honoring the old English tradition of telling ghost stories at Christmas). His classics include such justifiably famous stories as "Oh, Whistle, and I'll Come to You, My Lad" and "Casting the Runes" (which was adapted into the classic 1957 movie Curse of the Demon). This edition also includes a superb introduction by David Morrell.
Dive into this collection of exquisite, classic horror stories-just make sure to have the lights on and the doors locked! First published in 1904, Ghost Stories of an Antiquary contains eight tales of supernatural horror by genre master M.R. James. Highly regarded as a masterwork of horror, this collection is a must-have for fans of the frightful. The stories in this collection include: "Canon Alberic's Scrap-Book," "Lost Hearts," "The Mezzotint," "The Ash-Tree." "Number 13," "Count Magnus," "Oh, Whistle and I'll Come to You, My Lad," and "The Treasure of Abbot Thomas."
I've always been a fan of ghost stories. As a kid, I loved horror movies and the works of Edgar Allan Poe, Bram Stoker, and H. P. Lovecraft; later on, I discovered movies like The Innocents (based on Henry James's The Turn of the Screw) and The Haunting (adapted from Shirley Jackson's The Haunting of Hill House). As a ghost historian and editor, I've discovered dozens of brilliant tales from the nineteenth and early twentieth centuries; these are stories that remain relevant, entertaining, and frightening.
Fans of literary fiction may not even realize that Edith Wharton (1862-1937), author of novels like The Age of Innocence and Ethan Frome, also loved to write ghost stories, which often revolve around themes of class and gender. This collection includes such gems as the truly unnerving "The Lady Maid's Bell," the eerie yet poignant "Afterward," and "All Souls," one of the most unusual Halloween tales ever penned.
Traumatised by ghost stories in her youth, Pulitzer Prize winning author Edith Wharton (1862 -1937) channelled her fear and obsession into creating a series of spine-tingling tales filled with spirits beyond the grave and other supernatural phenomena. While claiming not to believe in ghosts, paradoxically she did confess that she was frightened of them. Wharton imbues this potent irrational and imaginative fear into her ghostly fiction to great effect.
In this unique collection of finely wrought tales Wharton demonstrates her mastery of the ghost story genre. Amongst the many supernatural treats within these…
Since I was a child, Halloween and Christmas have held equally hallowed positions in my heart. When I learned of Krampus folklore in my teens, I was immediately fascinated. Krampus offered the best of both worlds—a dose of Halloween creepiness to counterbalance the bright jubilation of the winter holidays. Krampus Confidential, a middle-grade mystery, and adaptation of The Maltese Falcon, is my second children’s book that aims to introduce this magnificent creature to children in a way that doesn’t inspire nightmares. My first, Goodnight Krampus, is a board book for young readers that reimagines the monster as a rambunctious toddler who gives Santa a hard time by refusing to go to sleep on Christmas Eve.
Though the stories in this collection aren’t likely to scare you silly, they will almost certainly give you the creeps. The Victorians loved spending their cold, dark winter evenings with eerie tales of the unsettling, the uncanny, and the unholy. And who could blame them? The 13 tales collected here are diverse in content and tone, but they all offer an ideal candlelit escape when the days grow dark and the cold wind wails.
The first-ever collection of Victorian Christmas ghost stories, culled from rare 19th-century periodicals
During the Victorian era, it became traditional for publishers of newspapers and magazines to print ghost stories during the Christmas season for chilling winter reading by the fireside or candlelight. Now for the first time thirteen of these tales are collected here, including a wide range of stories from a diverse group of authors, some well-known, others anonymous or forgotten. Readers whose only previous experience with Victorian Christmas ghost stories has been Charles Dickens’s “A Christmas Carol” will be surprised and delighted at the astonishing variety of…
I think the lure of the detective novel lies in our human instinct to problem solve. There’s something satisfying about following a smart, observant, and even flawed character as they solve a crime. We’re working through a complicated puzzle, deciphering clues and theorizing, alongside the detective. Personally, I love detective novels set in richly drawn historical settings. I grew up addicted to Edgar Allan Poe and Sherlock Holmes stories. I remember reading The Moonstone by Wilkie Collins in a few days because I couldn’t put it down. The following books are a must-have for any Sherlock Holmes fans.
Often overlooked on detective fiction lists, Lady Audley’s Secret is a hidden gem. My favorite Victorian detective novel, I didn’t discover the book until grad school, and since have taught it in numerous British lit courses. When Robert Audley becomes curious about the beautiful, young bride of his uncle, Michael Audley, he starts investigating her past. He finds surprising ties to his friend George Talbot, who, years earlier, abandoned his young wife and son to seek his fortune in Australia. What I love about this book is how Braddon plays with Victorian anxieties—particularly preoccupations with the unconventional means a woman might go through to escape unhappiness.
Originally published in Robin Goodfellow magazine, Lady Audley's Secret is the essential work of Mary Elizabeth Braddon and is considered a staple of sensation fiction. The story centers on a mysterious woman, whose dark past slowly comes to light.
Lady Audley is a former governess who marries the wealthy widower, Sir Michael Audley. She thoroughly enjoys the life of privilege and status associated with her new husband. Although she appears beautiful and polished, Lady Audley is more than meets the eye. She has a dark secret that could jeopardize everything she's worked for. To maintain her facade, she plots and…
All the best books have a cat sidekick. Over and over, when people talk to me about my book, they pause in the middle of whatever they were about to say and go, “Oh my gosh, Biscuits,” and then launch into a list of things Biscuits the cat does, and how they are similar to things their cats have done, presumably up to and including throwing hands (paws?) with horrifying monsters that want to eat your heart. Biscuits is the latest in a long and proud tradition of literary feline companions, an essential element of many of my favorite and formative texts growing up.
Mr. Cat is a ride-or-die. Mr. Cat walks the line that all cats do in the real world, in that he doesn’t actually have magic powers and he can’t actually talk, he is at the end of the day a little animal that lives in Jenny’s house, but also he would bite a ghost without hesitation. It’s Peter S. Beagle’s complete mastery of voice and tone that enable Jenny and Mr. Cat to walk that line so effortlessly. Because the fantastical is grounded so deeply in the real world, the stakes feel so high that I first read this book in one breathless sitting, afraid to look away.
Arriving in the English countryside to live with her mother and new stepfather, Jenny has no interest in her surroundings until she meets Tamsin. Since her death over 300 years ago, Tamsin has haunted the lonely estate without rest, trapped by a hidden trauma she can't remember, and a powerful evil even the spirits of night cannot name. To help her, Jenny must delve deeper into the dark world than any human has in hundreds of years, and face danger that will change her life forever.
I grew up in South Wales, where ghost stories are cherished. As a child, I spent many a winter evening telling spooky tales with my mum and my sisters, sitting before the fire. We would record them on tape (I am that old) complete with homemade sound effects, then play them back to listen to. I loved the combined fear and excitement these stories instilled in me. My father also loved to read horror and scary fiction, which had some influence on what I chose to read as I grew older. For someone who always loved to write, I think publishing in this genre is simply a natural extension of all that.
First of all, the title. Intriguing, original, enigmatic. That is what first drew me to this book. I had to find out more about it.
This book is much more in the style of traditional ghost stories, which I love. A spooky, desolate setting in an old house with a long history. I love the build-up of suspense, the remote location adding to the sense of isolation and helplessness, everything cold, chilly.
The ghostly happenings, whilst perhaps not original, are very well done, which is just fine with me. Traditional ghost stories are meant to have certain elements that are standard, just as fantasy stories must have certain magical aspects. As far as ghost stories are concerned, as long as they make the hair on the back of my neck stand on end, I’m happy. This book does that extremely well, I thought. Absolutely dripping with spooky atmosphere.
An eerie and compelling ghost story set on the dark wilds of the Yorkshire moors. For fans of The Witchfinder's Sister and The Silent Companions, this gothic tale will weave its way into your imagination and chill you to the bone.
'Spine-tingling... the scariest ghost story I have read in a long time' Barbara Erskine
'A wonderful, macabre evocation of a lost way of life' The Times
'Like something from Emily Bronte's nightmares' Andrew Taylor, author of The Ashes of London
Maybe you've heard tales about Scarcross Hall, the house on the old coffin…
I’ve been a fan of horror stories since I was a kid. As an introverted and shy kid, I used to joke with my best friend about how I felt like a ghost and wished I had the power to be invisible. After I became a children’s book author/illustrator, I became fascinated with ghost picture books and started collecting them. Ghost picture books not only fulfilled my spooky necessities but also gave me warmth and heartfelt emotions.
A delightful, funny story of friendship, ghost chores, a spooky house and a professional haunter.
Meet Sir Simon, Super Scarer. He's a professional ghost who has been transferred to his first house. And just in time! He was getting tired of haunting bus stops and forests and potatoes. And to top it off, this house is occupied by an old lady -- they're the easiest to haunt!
But things don't go as planned when it turns out a KID comes with this old lady. Chester spots Simon immediately and peppers him with questions. Simon is exasperated. . . until he…
I write adventure and mystery stories for children aged 9 - 13, involving battles with mythical creatures, dangerous pacts with demons, and other supernatural chills. My first book, Ante’s Inferno, won the People’s Book Prize and a Silver Wishing Shelf Award. For The Fall of a Sparrow, I drew on my love of ghost stories, not just for their scariness but also for their emotional complexity: ghosts don’t haunt just for the sake of it. They need something only the main character can give. Friendship, perhaps, a companion in their loneliness… or something much darker. Here’s my choice of classic stories in which ghosts pursue a wide – and sometimes terrifying – variety of agendas.
What I love about the ghost story genre is how it can lend itself to comedy as well as spookiness. Here the plight of poor James, moving to a new house only to find himself seized on as Apprentice to ghostly 17th century apothecary Thomas Kempe, is irresistibly funny. No one will believe it’s not him scrawling advertisements for ‘Sorcerie, Astrologie, Geomancie, Alchemie, Recoverie of Goodes Loste and Physicke’ on notice boards outside his house and all over the village. Lively’s accurate use of 17th century English heightens both the humour and historical realism in this beautifully written book.
The classic ghost story from Penelope Lively, one of the modern greats of British fiction for adults and children alike.
James is fed up. His family has moved to a new cottage - with grounds that are great for excavations, and trees that are perfect for climbing - and stuff is happening. Stuff that is normally the kind of thing he does. And he's getting blamed for it. But it's not him who's writing strange things on shopping lists and fences. It's not him who smashes bottles and pours tea in the Vicar's lap. It's a ghost - honestly. Thomas…
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