100 books like Sketches by Boz

The variety of subjects covered in this collection of 22 short stories demonstrates Bradbury's prowess as a master craftsman and the reason why I count him among my literary heroes. 

More than a few of these tales have become legendary, including “A Sound of Thunder.” Bradbury's premise of how the death of a butterfly in prehistoric times could have drastic changes in the future is a variation on the famous “butterfly effect” and a fine example of the relationship between chaos theory and the physics of time travel.
For me, the most incredible story in the collection is “The Fog Horn” in which an elusive sea monster attacks a lighthouse after being attracted by its foghorn for years. This story was the inspiration for the 1953 film The Beast from 20,000 Fathoms.

During a lengthy hospital stay once, I needed to escape. Magazines were formulaic and newspapers dark. This book materialized on a library trolley. A plain dark blue hard cover looking dull and aged amongst the same-old paperbacks. After only the first story of this magical collection I was hooked away from all around me and into Wells’ tales of incredible imagination. Wells’ other shorts have become well known to the masses but here contained over forty lesser-known proto-sci-fi gems. In the way that Dickens did with characters that others could not, Wells was not constrained by conventions of science. The thought-provoking The Door in the Wall and The Red Room remain today are examples of skill for all contemporaries to aspire to.

This was recommended to me as having been the lyrical inspiration to songs by several musical artists I was listening to in my teens. To this day I am still baffled and impressed as to where on Earth Dick ever found the ideas for some of these stories. Almost experimental in their nature, particularly at the time of writing, and breaking ground as he went along, P. K. Dick’s skill of crafting chilling perspective scenarios again and again have, become popular film plots. In this book and his other short story collections, you can feast on many more deeply original plots, any number of which could be made into Hollywood films. Many years ahead of his time and almost predicting the disposable instantaneous world we would live in, Dick’s short stories almost arrived from the future themselves. I think he had the edge on dialogue too. I don’t own a… show more.

Although not historical fiction per se, Sherlock Holmes is a strong product of his time. He embodies the revolutionary modernism of the late Victorian period and for this reason alone the famous fictional detective has become a real character himself embedded in history. The fact his home address half-exists in London makes him even more real. His stories were one of the sources to inspire me for the Wynnman. This idea of creating real characters in a real setting that share their way of thinking, their passions, their curious attitudes, without having to answer to the hard, crude boundaries of factual reality.

In this ‘last chance for love’ romance, our gently bred heroine allows herself to be courted by a London merchant for the sake of her family’s dwindling coffers. The courtship of convenience isn’t going well, however, as the darkly handsome hero keeps his emotions so much under wraps that Sophie despairs of him ever declaring himself. Will an invitation to their Christmas family gathering inspire the necessary proposal? Sophie is almost ready to throw in the towel, but her heart whispers that her suitor may not be as reluctant as he first appears. 

Nobody does characters like Jess Kidd. Every person in this story is bizarre—a monster, misfit, or malefactor—yet not one feels contrived. I adored Bridie Devine, a small, rotund, pipe-smoking detective who begins to see the same ghost everywhere she goes.

Bridie’s quarry is a strange girl who’s been kidnapped and might (depending on who you ask) have supernatural powers or be a “lovely grotesque” who’s caught the eye of collectors. I fell in love with Kidd’s imaginative Victorian London, where nothing is as it seems, and evil lurks around every bend.

This book was recommended to me by a friend who knew I liked books set in the Victorian era. However, at the time, I had not read any books set in a music hall and certainly not a mystery. This book takes the reader deep into the underbelly of Victorian London and introduces a whole cast of eerie characters as well as some wonderful characters with hearts of gold.

The descriptions of the places our heroine is forced to visit are so exquisitely drawn that I could literally taste, smell, hear and see everything. The charm of Kitty and her friends gives a welcome reprieve from the darker aspects of the novel, yet it is those aspects that thrill the most!

I really loved the way this book told the story of London across the Victorian era. I often call London my spiritual home, and books about the city always capture my attention. Each chapter covers a separate topic, such as the Middle Class, Buildings, Amusements, etc., with interesting stories for each one.

I love the book as it is the sort I can pick up if I only have a few minutes to read.

Listed as a ‘gas lamp’ fantasy, and me being a pre-Victorian/Victorian era London fan, I had to grab this one. It had a fresh twist on the mad scientist’s experiment went wrong, creating a superhero and a supervillain. I found that exciting. I loved how the main character (the hero) struggled to learn his abilities and limitations, all the while not knowing who the villain was or what he was up to. I enjoyed this master class on how to put your main character through the wringer. And the twist ending surprised me. Great stuff. 

I love all of Sarah Waters’ works, but Fingersmith ranks among my most obsessively adored books of all time. I find it a near-perfect interweaving of meticulously researched historical fiction—penned with Dickensian flair and grace—and compulsively page-turning thriller, marked by brilliant and utterly unforeseeable plot twists that will leave you slack-jawed.

It somehow manages to be wickedly funny, poignantly tragic, powerfully feminist, and gratifyingly steamy all at once. I also loved the Korean film adaptation of it, The Handmaiden, which not only embraces Fingersmith’s anti-patriarchal themes but ingeniously weaves anti-colonialist elements into the by setting it in Japan-occupied Korea in the 1930s.