I was a freelance writer for The Oxford Times for 20 years when it was well respected. For ten of those years, I wrote the Oxford Castaway series in which I cast away inspirational people from 5 continents whose lives have been affected by their time in the city. Even Lord Chris Pattern of Barnes – the Chancellor of Oxford University and former Governor of Hong Kong let me cast him away on Oxtopia! Oxford is still divided between Town and Gown but I stride the two and my husband was an academic at that other Oxford University: Oxford Brookes.
Sculpting the Elephant is half set in Oxford but mostly in the not-so-well-known, ex-working-class district called Jericho. Opposite the Jericho Tavern where Radiohead started, artist Harry King sets up a business called Deco-rators. Chance encounters can change lives and Harry was catapulted into another world when he encountered Indian historian Ramma Gupta. My story not only crosses TOWN and GOWN but also continents, class, colour, culture, and time. I am interested in lost or forgotten histories so the historical subplot concerns the Great Trigonometrical Survey of India and Ashoka who in effect created the religion we know as Buddhism.
Weimin was the university's artist-in-residence recording the restoration of the C18th Observatory and Radcliffe hospital, the bulldozing of the site, and the building of the Maths Institute and Blavatnik School of Government near Jericho. This historic collection of art evokes past, present, and future, and Town and Gown. The artist comes from Manchuria so to me, it represents Oxford as an international city.
This book is only available from the author, email Weimin He for a signed copy for £20 plus postage.
The artist John Buckley made this shark to go into the roof of American Bill Heine’s terraced house. I cast both of them away on my mythical island of Oxtopia. They explained that their aim was to feel shock and awe falling from the sky. When American warplanes were leaving nearby Heyford to drop bombs on Libya, they asked what it would feel like to have your domestic world penetrated out of the blue. Not everyone liked the shark and Bill had a six-year battle against bureaucracy. This book tells that story. It is now a TOWN icon but for me, it has both personal and international significance.
It's 1986 and American jets take off near Oxford to bomb Tripoli and take out Gaddafi . . . meanwhile another missile has crashed through the shattered tiles of a quiet Oxford suburban home. This is a true story. Dive into this book which celebrates the 25th anniversary of one of England s quirkiest icons. The Hunting of the Shark spills the guts for the very first time on how this bizarre 25-foot fibreglass sculpture was conceived, constructed, erected and kept up on the roof against the full blast of Oxford City bureaucracy. Told by Bill Heine who commissioned its…
For me, Oxford is the Hollywood of stories and indeed it is now home to The Story Museum. One of the stars of Oxford storytelling was Colin Dexter, whose Inspector Morse novels have spawned three TV series. He was the patron of the Oxford Writers Group and recommended this anthology. It includes stories from Town, Gown, and County so it is a good holiday read while in Oxford or dreaming of the city.
A fourth collection of tales from the OxPens writers with intrigues set in Oxford coffee shops, colleges, the old Jewish Quarter and at Henley Regatta. Experience the escape from the castle, strange happenings on Platform 3 and discover who the chocolate people were.
James Sadler was the first Englishman to fly. He was a brilliant man – his balloon design is the one we still use – but because he was an Oxford pastry cook he was ignored by the university. I am interested in lost and forgotten history and this is a story that needed to be told.
The daring flights of the early balloonists that were the first steps on mankind's upward journey to the Moon and beyond have been strangely neglected, and their names have been largely forgotten.
This book helps to redress that situation. James Sadler was an extraordinary English pioneer who overcame many obstacles to achieve his dream of flying. Born the son of an Oxford pastry cook in 1753, he defied his lowly upbringing to become the first Englishman to build an air balloon. When not flying he applied himself to engine design and the medical uses of gases, and kept busy as…
This is the story of Frideswide and the creation of Oxford as a place of learning told for young children. Our grandchildren are weaned on superheroes and I would like them to know the stories of heroes and heroines from the past as well.
This story is about a brave and kind Anglo-Saxon princess called Frideswide who lived in Oxford a long time ago and just happened to be brilliant at climbing very tall trees. Her talent came in useful one day when a wicked king tried to kidnap her. How did she and her friends escape, and what happened to the king and his soldiers?
With stunning illustrations by award-winning artist Alan Marks, Saint Frideswide's legend is retold for young children as a tale of adventure, courage in the face of danger, friendship, and kindness, with a few surprises along the way.
Me and The Times offers a fresh perspective on those pre-internet days when the Sunday sections of The New York Times shaped the country’s political and cultural conversation. Starting in 1967, Robert Stock edited seven of those sections over 30 years, innovating and troublemaking all the way.
His memoir is rich in anecdotes and admissions. At The Times, Jan Morris threw a manuscript at him, he shared an embarrassing moment with Jacqueline Kennedy, and he got the paper sued for $1 million. Along the way, Rod Laver challenged Stock to a tennis match, he played a clarinet duet with superstar Richard Stoltzman, and he shared a Mafia-spiced brunch with Jerry Orbach.
Me and The Times: My wild ride from elevator operator to New York Times editor, columnist, and change agent (1967-97)
An intimate, unvarnished look at the making of the Sunday sections of The New York Times in their pre-internet heyday, back when they shaped the country’s political and cultural conversation.
Over 30 years, Robert Stock edited seven of those sections, innovating, and troublemaking all the way – getting the paper sued for $1 million, locking horns with legendary editors Abe Rosenthal and Max Frankel, and publishing articles that sent the publisher Punch Sulzberger up the wall.
On one level, his memoir tracks Stock’s amazing career from his elevator job at Bonwit Teller to his accidental entry into journalism to his…
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