Here are 83 books that Junkyard fans have personally recommended if you like
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I’ve been drawn to LGBT+ characters and themes long before I knew that was a thing that a person could be—and longer still before I realized that it was something that might apply to me. Science fiction and fantasy helped me to explore identities and ways of existing within the world that were fundamentally different from my own and that instilled a love of the genre that I’ll always treasure.
Maybe it’s the millennial in me, but I can’t begin to tell you how much I relate to Murderbot. All it wants to do is get through its workday so it can take a break and watch its shows—and yes, maybe my job is slightly less stressful than acting as security for a science expedition that’s pissed off a bloodthirsty super-corporation, but we all have our struggles. Like socializing with our coworkers. Or capitalism. Or man-eating space worms.
Probably my favorite thing about Murderbot is the deadpan humor with which it tells its story, which really comes to life in the audiobook thanks to Kevin R. Free’s narration.
All Systems Red by Martha Wells begins The Murderbot Diaries, a new science fiction action and adventure series that tackles questions of the ethics of sentient robotics. It appeals to fans of Westworld, Ex Machina, Ann Leckie's Imperial Raadch series, or lain M. Banks' Culture novels. The main character is a deadly security droid that has bucked its restrictive programming and is balanced between contemplative self discovery and an idle instinct to kill all humans. In a corporate dominated s pa cef a ring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by…
I love to read, and sometimes I want to be lost in a story or world for just an hour or two. Oh, I’m always sorry when a good story ends, no matter how long or short. But a good novella is like a slice of homemade chocolate cake. I might want to eat more, but if it’s perfectly done, there’s nothing quite as satisfying as that first, warm slice out of the oven.
Ilona Andrews has written several novellas, most of which go with one of her series or perhaps even the start of a series. This one was hilarious; it was the greatest dating disaster ever.
The story doesn’t fit into any of Ilona Andrew’s series, but it contains their trademark humor and shenanigans. My favorite Ilona Andrews book is probably On the Edge, and my favorite series is the Innkeeper series. But for a quick afternoon read when I needed a smile, this was the perfect cake with tea.
A young adult story about a girl, a pig, some magic, and the worst date ever.
Chad Thurman is a thug, who carries brass knuckles in both pockets and lays magic traps for intruders into "his" neighborhood. The last thing Alena Kornov wants to do is to go on the date with him. But when her family pressures her, she can't say no. Now the ice-cream is absent, the pig is running for its life, and we won't even mention the dead guy...
This story previously appeared as a free read on our website.
I love to read, and sometimes I want to be lost in a story or world for just an hour or two. Oh, I’m always sorry when a good story ends, no matter how long or short. But a good novella is like a slice of homemade chocolate cake. I might want to eat more, but if it’s perfectly done, there’s nothing quite as satisfying as that first, warm slice out of the oven.
This is one of those books with three novellas that add up to a novel. The first introduces our intrepid wizard, a man happy with a beer and his laboratory tucked deep inside his castle. He does not wish to be bothered by quests, adventures, or distressed maidens.
The stories are fun and funny, and there’s enough suspense to keep me eagerly turning the pages. The main character is a bit of a bumbling fantasy version of “Columbo.” He is a wizard who can’t use violence to win, so he must use his brains.
The romantasy is told from the male POV and doesn’t occur until the last, longest story of the set. I loved all three stories and also love Frank Tuttle’s Markhat series.
All three of Wistril's magical misadventures are included in this complete compilation of cantrips and catastrophes!
Wistril Besieged --
Wizard Wistril's wants are simple -- four meals a day, a steady supply of honey-gold Upland beer, and above all else, peace and quiet.
All but the latter are in plentiful supply at Castle Kauph. Despite secreting himself on the edge of the Wild, Wistril finds himself battling an army of relentless mercenaries while the entire population of the nearest village takes refuge in his home. Even Kern, Wistril's long-suffering, sharp-tongued apprentice, isn't sure whether the army or the houseguests will…
I love to read, and sometimes I want to be lost in a story or world for just an hour or two. Oh, I’m always sorry when a good story ends, no matter how long or short. But a good novella is like a slice of homemade chocolate cake. I might want to eat more, but if it’s perfectly done, there’s nothing quite as satisfying as that first, warm slice out of the oven.
A wonderful mix of humor, mystery, and a delightful tendency to land tropes upside down (Vampires drink tomato juice, for example).
This volume has three stories, and it serves as a nice introduction to K.M. Shea’s whimsical style. Fits easily into the cozy paranormal genre. I’ve enjoyed many other K.M. Shea books, but this was one of my first reads of hers. I love the zany, unexpected character traits and the unique tangents of the main plots.
High School student Morgan Fae is beginning to question her sanity.
After witnessing a weird incident involving a werewolf, a substitute teacher/possible vampire, and a thermos of tomato juice, she is taken to the Magical Beings' Rehabilitation Center. The MBRC is an organization that strives to integrate magical beings into human society and hides itself in Chicago’s Union Station. It’s also a massive secret, and Morgan’s accidental initiation into it breaks every rule the place has.
Until MBRC officials can figure out how to undo the damage, Morgan is given a part-time job at the center so its residents can…
I’ve held a burgeoning interest in the stars since I was a young girl. Daydreams of adventure and exploration guided me to the genre. Once I found it, I consumed everything I could find, both on-screen and in the pages of books. There’s something to be said about the vulnerability of being in the vastness of space, oftentimes with strangers who grow to be family. I guess, in a way, it reminds me of that moment when we set out into the world, away from our families, to learn and explore more about our surroundings and the characters we meet along the way (only on a much grander scale).
I don’t typically read military sci-fi or hard science fiction, but these two incredible authors have pulled me in. This series is part of a bigger universe called Aeon 14 and all of it is a joy to read. The authors work together to weave a story full of well-developed characters, flawless character interactions, along with conflict and resolution.
The Silstrand Alliance lies at the intersection of vast empires. And they're losing ground... Kylie Rhoads, one-time officer in the Silstrand Space Force, is now a junker. Captain of the Dauntless, she plies the black at the edge of the Gedri System, looking for derelict hulls to pull in and sell for salvage. So that she can bring Maverick his cut of the take...
But the Silstrand Alliance hasn't forgotten Kylie, and Maverick has something they desperately need.
Kylie finds herself caught up with old friends, enemies, and a rather terrifying new technology that will make or break whatever future…
I started writing about another world when I was eight years old. I was already a reader, but books for kids were full of adventuring boys, with girls mostly sidelined. My world started with a gang of adventuring girls, and as I aged up, it kept getting bigger, and deeper, especially as I studied history. All fiction is a mirror to our contemporary society, and in conversation with other fiction; so is epic fantasy written over a lifetime. Many books later, I still get to adventure, wield magic, and be a hero, through my characters!
This is my favorite type of space opera: bigger-than-life characters, tons of action, with great sense of wonder and a world full of surprises. The women characters are excellent, as well.
There is a touch of fantasy in this series that I found sparked a hint of the numinous.
When an assassination on the Senate floor threatens the thirty-year peace between the human Republic and the mysterious Mageworlds, the victim's daughter is forced to become accustomed to the galactic intrigue, but the Galaxy may never get used to her. Reissue.
I am a spy aiming to uncover hidden documents, private journals, and secret messages penned in the distant past. I am a detective racing to reveal the world’s most dastardly deeds and daring escapades. I am an adventurer zooming around the planet along with history’s bravest heroes and most despicable villains. I am an artist whose illustrations transform ancient stone-cold statues by turning them into living, breathing human beings that laugh and cry, win and lose, love and hate, and spring vividly to life. And I am a storyteller striving to lure readers of all ages, whether they are children or adults.
Destitute Jasper Ankle will pay any price to attend his beloved opera. But when its most famous diva chokes to death on an admirer’s candied violet, a hitherto unknown beauty named Ortenzia Caviglia takes her place, and as her star rises, everyone who might stand in her way conveniently drops dead. But as her fame and fortune increase, Jasper Ankle becomes more and more impoverished, and if you are familiar with Edward Gorey’s dreadfully terrifying tales and his delicate, elegantly devilish black and white penmanship, perhaps you can imagine what is happening herein. (By the way, Gorey is also dead but you can still get hold of his evil little books.)
Ortenzia Caviglia is an undiscovered opera understudy whose lucky break results from the mysterious murder of the reigning diva. Upon hearing her sing, Jasper Ankle becomes her deepest admirer, undaunted by perilous weather and abject poverty in his quest to hear her sing. As Ortenzia's star rises, Jasper sinks further into despair, until performer and fan collide in true Edward Gorey fashion. Exquisitely illustrated with Gorey's signature pen-and-ink crosshatching, The Blue Aspic is a heart-wrenching and oddly hilarious tale of unrequited love and the dangers of celebrity.
Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.
J.B. Steane’s massive book, over 600 pages, is one of the most comprehensive books on historical singers ever written. My copy is riddled with text underlining and notes in the margins. His evaluations of singers are always honest, but fair. I have read this book at least 3 times and have re-read sections many more times. It invaluable.
Before the gramophone could do justice to an orchestra, it was able to reproduce the human voice with comparative fidelity. Steane examines the great mass of singing on record and follows the fortunes of modern singers as well as old, in song, opera, and choral singing. This corrected second edition includes a preface and bibliography.
I have been enthralled with legends of medieval knights and ladies, dark fairy tales and fantasies about Druids, wizards, and magic since childhood. I fell in love with French in junior high school and continued studying the language throughout college. My debut novel, "The Wild Rose and the Sea Raven"--the first of a trilogy-- is a blend of my love for medieval legends, the romantic French language, and paranormal fantasy. It is a retelling of the medieval romance of "Tristan et Yseult", interwoven with Arthurian myth, dark fairy tales from the enchanted Forest of Brocéliande, and otherworldly elements such as Avalonian Elves, Druids, forest fairies and magic— with a decidedly romantic French flair.
This passionate paranormal romance between a talented soprano singer and a macabre musical genius blends mythical aspects of a legendary ghost haunting the Paris Opera House. I was enthralled by the supernatural forces and deliciously dark seduction of Christine Daaé by the unlikely Romantic hero, the Phantom. I enjoyed how the chivalrous Raoul, le Vicomte de Chagny, nobly battles the diabolical Phantom like a medieval knight defending his Lady. I read this classic in its original French language version while obtaining my MA in French literature, and I loved both the English translation as well as the modern musical film adaptation.
The novel from the early 20th century that inspired the Lon Chaney film and the hit musical. In the 1880s, in Paris, the Palais Garnier Opera House is believed haunted. One night, a young woman, Christine, is asked to sing in place of the Opera's leading soprano, who is ill; Christine's performance is a success, and she is recognized by the Vicomte Raoul, a childhood playmate and love. Raoul and the Phantom then battle for Christine's heart, as the Phantom demands more and more from her.
I fell in love with opera history as an undergraduate exchange student in Vienna and went on to pursue my passion in graduate school. Rather than writing about opera composers and their music, I chose the unusual path of studying famous singers from the nineteenth century, especially the prima donnas who exerted extraordinary authority over composers, theater directors, and spectators. In my books and articles, I focus on the power of divas to thrill audiences and to shape the musical culture of which they are an integral part. The books I am recommending explore the lives and careers of some of the most fascinating prima donnas of the nineteenth century.
Through a dazzling collection of sources that include letters, contracts, memoirs, biographies, newspaper reviews, and fictional stories about the figure of the cantatrice, Kimberly White’s French Singers on the French Stage is a brilliant account of the various stages of singers’ lives in nineteenth-century France, beginning with their births and following them up to and past their retirements. In between, she describes their training at the Paris Conservatoire, debuts, marriages, benefits, and scores of other important issues that they grappled with throughout their careers. I do not know of any other work in the field of prima donna or opera studies that is at once as thorough and as lucidly written—it is a page-turner from beginning to end.
The study of singers' art has emerged as a prominent area of inquiry within musicology in recent years. Female Singers on the French Stage, 1830-1848 shifts the focus from the artwork onstage to the labour that went on behind the scenes. Through extensive analysis of primary source documents, Kimberly White explores the profession of singing, operatic culture, and the representation of female performers on the French stage between 1830 and 1848, and reveals new perspectives on the social, economic, and cultural status of these women. The book attempts to reconstruct and clarify contemporary practices of the singer at work, including…
