Here are 84 books that Junkyard fans have personally recommended if you like
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I love to read, and sometimes I want to be lost in a story or world for just an hour or two. Oh, I’m always sorry when a good story ends, no matter how long or short. But a good novella is like a slice of homemade chocolate cake. I might want to eat more, but if it’s perfectly done, there’s nothing quite as satisfying as that first, warm slice out of the oven.
This entire series is awesome. The humor is out of this world funny (pun intended). It didn’t take me more than a few pages to warm up to Murderbot, even if he/she is a robot. Oh, there’s enough of a human brain stem left to ensure a soul filled with humor and the best parts of humanity: self-sacrifice, empathy, and cleverness, not to mention a bad attitude towards life and work in general that I could totally sympathize with.
This first adventure includes kidnappings, rescues, intrigue, and burgeoning friendships. These books are a mix of space opera and science fiction. My husband, not much of a reader, listened to the audiobooks and is also a huge fan of the series.
All Systems Red by Martha Wells begins The Murderbot Diaries, a new science fiction action and adventure series that tackles questions of the ethics of sentient robotics. It appeals to fans of Westworld, Ex Machina, Ann Leckie's Imperial Raadch series, or lain M. Banks' Culture novels. The main character is a deadly security droid that has bucked its restrictive programming and is balanced between contemplative self discovery and an idle instinct to kill all humans. In a corporate dominated s pa cef a ring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by…
I love to read, and sometimes I want to be lost in a story or world for just an hour or two. Oh, I’m always sorry when a good story ends, no matter how long or short. But a good novella is like a slice of homemade chocolate cake. I might want to eat more, but if it’s perfectly done, there’s nothing quite as satisfying as that first, warm slice out of the oven.
Ilona Andrews has written several novellas, most of which go with one of her series or perhaps even the start of a series. This one was hilarious; it was the greatest dating disaster ever.
The story doesn’t fit into any of Ilona Andrew’s series, but it contains their trademark humor and shenanigans. My favorite Ilona Andrews book is probably On the Edge, and my favorite series is the Innkeeper series. But for a quick afternoon read when I needed a smile, this was the perfect cake with tea.
A young adult story about a girl, a pig, some magic, and the worst date ever.
Chad Thurman is a thug, who carries brass knuckles in both pockets and lays magic traps for intruders into "his" neighborhood. The last thing Alena Kornov wants to do is to go on the date with him. But when her family pressures her, she can't say no. Now the ice-cream is absent, the pig is running for its life, and we won't even mention the dead guy...
This story previously appeared as a free read on our website.
I love to read, and sometimes I want to be lost in a story or world for just an hour or two. Oh, I’m always sorry when a good story ends, no matter how long or short. But a good novella is like a slice of homemade chocolate cake. I might want to eat more, but if it’s perfectly done, there’s nothing quite as satisfying as that first, warm slice out of the oven.
This is one of those books with three novellas that add up to a novel. The first introduces our intrepid wizard, a man happy with a beer and his laboratory tucked deep inside his castle. He does not wish to be bothered by quests, adventures, or distressed maidens.
The stories are fun and funny, and there’s enough suspense to keep me eagerly turning the pages. The main character is a bit of a bumbling fantasy version of “Columbo.” He is a wizard who can’t use violence to win, so he must use his brains.
The romantasy is told from the male POV and doesn’t occur until the last, longest story of the set. I loved all three stories and also love Frank Tuttle’s Markhat series.
All three of Wistril's magical misadventures are included in this complete compilation of cantrips and catastrophes!
Wistril Besieged --
Wizard Wistril's wants are simple -- four meals a day, a steady supply of honey-gold Upland beer, and above all else, peace and quiet.
All but the latter are in plentiful supply at Castle Kauph. Despite secreting himself on the edge of the Wild, Wistril finds himself battling an army of relentless mercenaries while the entire population of the nearest village takes refuge in his home. Even Kern, Wistril's long-suffering, sharp-tongued apprentice, isn't sure whether the army or the houseguests will…
I love to read, and sometimes I want to be lost in a story or world for just an hour or two. Oh, I’m always sorry when a good story ends, no matter how long or short. But a good novella is like a slice of homemade chocolate cake. I might want to eat more, but if it’s perfectly done, there’s nothing quite as satisfying as that first, warm slice out of the oven.
A wonderful mix of humor, mystery, and a delightful tendency to land tropes upside down (Vampires drink tomato juice, for example).
This volume has three stories, and it serves as a nice introduction to K.M. Shea’s whimsical style. Fits easily into the cozy paranormal genre. I’ve enjoyed many other K.M. Shea books, but this was one of my first reads of hers. I love the zany, unexpected character traits and the unique tangents of the main plots.
High School student Morgan Fae is beginning to question her sanity.
After witnessing a weird incident involving a werewolf, a substitute teacher/possible vampire, and a thermos of tomato juice, she is taken to the Magical Beings' Rehabilitation Center. The MBRC is an organization that strives to integrate magical beings into human society and hides itself in Chicago’s Union Station. It’s also a massive secret, and Morgan’s accidental initiation into it breaks every rule the place has.
Until MBRC officials can figure out how to undo the damage, Morgan is given a part-time job at the center so its residents can…
I’ve held a burgeoning interest in the stars since I was a young girl. Daydreams of adventure and exploration guided me to the genre. Once I found it, I consumed everything I could find, both on-screen and in the pages of books. There’s something to be said about the vulnerability of being in the vastness of space, oftentimes with strangers who grow to be family. I guess, in a way, it reminds me of that moment when we set out into the world, away from our families, to learn and explore more about our surroundings and the characters we meet along the way (only on a much grander scale).
I don’t typically read military sci-fi or hard science fiction, but these two incredible authors have pulled me in. This series is part of a bigger universe called Aeon 14 and all of it is a joy to read. The authors work together to weave a story full of well-developed characters, flawless character interactions, along with conflict and resolution.
The Silstrand Alliance lies at the intersection of vast empires. And they're losing ground... Kylie Rhoads, one-time officer in the Silstrand Space Force, is now a junker. Captain of the Dauntless, she plies the black at the edge of the Gedri System, looking for derelict hulls to pull in and sell for salvage. So that she can bring Maverick his cut of the take...
But the Silstrand Alliance hasn't forgotten Kylie, and Maverick has something they desperately need.
Kylie finds herself caught up with old friends, enemies, and a rather terrifying new technology that will make or break whatever future…
I started writing about another world when I was eight years old. I was already a reader, but books for kids were full of adventuring boys, with girls mostly sidelined. My world started with a gang of adventuring girls, and as I aged up, it kept getting bigger, and deeper, especially as I studied history. All fiction is a mirror to our contemporary society, and in conversation with other fiction; so is epic fantasy written over a lifetime. Many books later, I still get to adventure, wield magic, and be a hero, through my characters!
This is my favorite type of space opera: bigger-than-life characters, tons of action, with great sense of wonder and a world full of surprises. The women characters are excellent, as well.
There is a touch of fantasy in this series that I found sparked a hint of the numinous.
When an assassination on the Senate floor threatens the thirty-year peace between the human Republic and the mysterious Mageworlds, the victim's daughter is forced to become accustomed to the galactic intrigue, but the Galaxy may never get used to her. Reissue.
I have been enthralled with legends of medieval knights and ladies, dark fairy tales and fantasies about Druids, wizards, and magic since childhood. I fell in love with French in junior high school and continued studying the language throughout college. My debut novel, "The Wild Rose and the Sea Raven"--the first of a trilogy-- is a blend of my love for medieval legends, the romantic French language, and paranormal fantasy. It is a retelling of the medieval romance of "Tristan et Yseult", interwoven with Arthurian myth, dark fairy tales from the enchanted Forest of Brocéliande, and otherworldly elements such as Avalonian Elves, Druids, forest fairies and magic— with a decidedly romantic French flair.
This passionate paranormal romance between a talented soprano singer and a macabre musical genius blends mythical aspects of a legendary ghost haunting the Paris Opera House. I was enthralled by the supernatural forces and deliciously dark seduction of Christine Daaé by the unlikely Romantic hero, the Phantom. I enjoyed how the chivalrous Raoul, le Vicomte de Chagny, nobly battles the diabolical Phantom like a medieval knight defending his Lady. I read this classic in its original French language version while obtaining my MA in French literature, and I loved both the English translation as well as the modern musical film adaptation.
The novel from the early 20th century that inspired the Lon Chaney film and the hit musical. In the 1880s, in Paris, the Palais Garnier Opera House is believed haunted. One night, a young woman, Christine, is asked to sing in place of the Opera's leading soprano, who is ill; Christine's performance is a success, and she is recognized by the Vicomte Raoul, a childhood playmate and love. Raoul and the Phantom then battle for Christine's heart, as the Phantom demands more and more from her.
I’ve held a burgeoning interest in the stars since I was a young girl. Daydreams of adventure and exploration guided me to the genre. Once I found it, I consumed everything I could find, both on-screen and in the pages of books. There’s something to be said about the vulnerability of being in the vastness of space, oftentimes with strangers who grow to be family. I guess, in a way, it reminds me of that moment when we set out into the world, away from our families, to learn and explore more about our surroundings and the characters we meet along the way (only on a much grander scale).
Nicole has done something really great with this series. She’s created memorable, detailed characters to build a cast you really care about. I really love seeing how other authors have humans interact with aliens and vice versa. This series was a great blend of everything you need for an epic adventure.
1900 pages of space opera adventure for fans of Firefly, Killjoys, and the Mandalorian...
Holly Drake just got out of prison... but that doesn't mean she’s free.
The City of Jade Spires is no paradise, though everything about it says otherwise: the glimmering jade towers, the glow of a gas giant, and the 6 Moons balanced between four supposedly equal races.
Serving an unfair sentence like Holly’s clears up such a gross misconception pretty quick. When she walks free due to the intervention of a mysterious source, she soon realizes they want her to do something:
Steal a priceless jewel…
As a longtime arts educator who has worked predominantly with kids ages 3 to 12, I initially set out to find books that could inspire them about theatre. For many years I have searched for the perfect books that achieve this and have used all of these books in my teaching.
There are many jobs in theatre, from the performers on stage, to all of the people like the writers, directors, and designers who make their magic behind the scenes. This book makes the excellent case that there is a place for anyone in the theatre, taking kids by the hand walking them through how it requires a team effort to make a production happen.
A delightful introduction to opera, Bravo! Brava! A Night at the Opera teaches elementary school children what opera is by showing how it is made. "Who writes the words?", "Who makes an opera happen? "Who is backstage?"--these questions and more are answered with easy-to-understand explanations and are illustrated with whimsical watercolors by the author. From composer, choreographer, and costume designers to the conductor, lighting and special effects crew, and, of course, the singers, the excitement builds as Anne Siberell explains each person's role in producing an opera. Bravo! Brava! A Night at the Opera reveals details of the most famous…
Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.
J.B. Steane’s massive book, over 600 pages, is one of the most comprehensive books on historical singers ever written. My copy is riddled with text underlining and notes in the margins. His evaluations of singers are always honest, but fair. I have read this book at least 3 times and have re-read sections many more times. It invaluable.
Before the gramophone could do justice to an orchestra, it was able to reproduce the human voice with comparative fidelity. Steane examines the great mass of singing on record and follows the fortunes of modern singers as well as old, in song, opera, and choral singing. This corrected second edition includes a preface and bibliography.
