100 books like Operatic

I often (half-) jokingly say that I'm a failed musician. Growing up in Montreal in the eighties, music was my deepest joy. I sang in choirs for years, and even fancied myself the next great baroque singer (I guess I was a nerd.) Nerves, however, got the best of me, and I turned to the next best thing, writing. In my family, music is a meeting place, a shared language; my kids have taught me as much about music as I have taught them. Nothing pleases me more than to see on a playlist of theirs a tune that I listened to before their birth. Music is the golden thread of my life. 

I often (half-) jokingly say that I'm a failed musician. Growing up in Montreal in the eighties, music was my deepest joy. I sang in choirs for years, and even fancied myself the next great baroque singer (I guess I was a nerd.) Nerves, however, got the best of me, and I turned to the next best thing, writing. In my family, music is a meeting place, a shared language; my kids have taught me as much about music as I have taught them. Nothing pleases me more than to see on a playlist of theirs a tune that I listened to before their birth. Music is the golden thread of my life. 

I love realm of the sensual. I sometimes call it The Magic Kingdom—the experience that sets us apart from our childhoods and teenage years. Intimacy—not just with people or lovers, but with the stuff we love as adults—is a compelling quest. For me, it lives in writing, cooking, singing, painting, befriending, loving—the things that lift my life out of the ordinary into time-stopping moments. Sharing it my writing, especially in my new fiction (Stay with Me, Wisconsin and my upcoming novel The Seven Mile Bridge) has been an experience of helping us all get our hands and hearts and skin into the things we love and then abide there as long as life allows us.

I often (half-) jokingly say that I'm a failed musician. Growing up in Montreal in the eighties, music was my deepest joy. I sang in choirs for years, and even fancied myself the next great baroque singer (I guess I was a nerd.) Nerves, however, got the best of me, and I turned to the next best thing, writing. In my family, music is a meeting place, a shared language; my kids have taught me as much about music as I have taught them. Nothing pleases me more than to see on a playlist of theirs a tune that I listened to before their birth. Music is the golden thread of my life. 

I have been enthralled with legends of medieval knights and ladies, dark fairy tales and fantasies about Druids, wizards, and magic since childhood. I fell in love with French in junior high school and continued studying the language throughout college. My debut novel, "The Wild Rose and the Sea Raven"--the first of a trilogy-- is a blend of my love for medieval legends, the romantic French language, and paranormal fantasy. It is a retelling of the medieval romance of "Tristan et Yseult", interwoven with Arthurian myth, dark fairy tales from the enchanted Forest of Brocéliande, and otherworldly elements such as Avalonian Elves, Druids, forest fairies and magic— with a decidedly romantic French flair.

I’ve held a burgeoning interest in the stars since I was a young girl. Daydreams of adventure and exploration guided me to the genre. Once I found it, I consumed everything I could find, both on-screen and in the pages of books. There’s something to be said about the vulnerability of being in the vastness of space, oftentimes with strangers who grow to be family. I guess, in a way, it reminds me of that moment when we set out into the world, away from our families, to learn and explore more about our surroundings and the characters we meet along the way (only on a much grander scale). 

I am an optimist. I jump out of bed in the morning ready to read and write. With my dog and cat by my side and a cup of coffee in hand, I lose myself in whatever I am working on. I am deeply curious about a gamut of subjects and constantly challenge myself to learn more. I am persistent and not afraid of hard work. Nature and animals are my bottomless well of inspiration and joy. I very much believe life is a journey and I try to enjoy each step.

Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.

I fell in love with opera history as an undergraduate exchange student in Vienna and went on to pursue my passion in graduate school. Rather than writing about opera composers and their music, I chose the unusual path of studying famous singers from the nineteenth century, especially the prima donnas who exerted extraordinary authority over composers, theater directors, and spectators. In my books and articles, I focus on the power of divas to thrill audiences and to shape the musical culture of which they are an integral part. The books I am recommending explore the lives and careers of some of the most fascinating prima donnas of the nineteenth century.

I’ve held a burgeoning interest in the stars since I was a young girl. Daydreams of adventure and exploration guided me to the genre. Once I found it, I consumed everything I could find, both on-screen and in the pages of books. There’s something to be said about the vulnerability of being in the vastness of space, oftentimes with strangers who grow to be family. I guess, in a way, it reminds me of that moment when we set out into the world, away from our families, to learn and explore more about our surroundings and the characters we meet along the way (only on a much grander scale).