Here are 89 books that Opera on Record fans have personally recommended if you like
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Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.
J.B. Steane’s massive book, over 600 pages, is one of the most comprehensive books on historical singers ever written. My copy is riddled with text underlining and notes in the margins. His evaluations of singers are always honest, but fair. I have read this book at least 3 times and have re-read sections many more times. It invaluable.
Before the gramophone could do justice to an orchestra, it was able to reproduce the human voice with comparative fidelity. Steane examines the great mass of singing on record and follows the fortunes of modern singers as well as old, in song, opera, and choral singing. This corrected second edition includes a preface and bibliography.
Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.
A remarkable tracing of the evolution of singing throughout the decades. Occasionally Scott is dismissive, (sometimes of the most famous singers) but his remarks are always intriguing and thought-provoking. Through his text, Scott causes one to re-evaluate some of the most famous singers and the reason for their fame.
Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.
One of the greatest series of books ever written about the early years of live broadcasting from the Metropolitan Opera. Jackson’s detailed analysis of the existing broadcasts is informative and fascinating. Even better they can be read by themselves, or even better, when listening to the actual broadcast. The amount of information in this series (3) is unbelievably vast and fascinating. All three are recommended.
(Amadeus). In this first of three volumes, Paul Jackson begins a rich and detailed history of the early years of the Metropolitan Opera broadcasts, bringing to life more than 200 recorded broadcasts.
Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.
Herman Klein wrote for the magazine, Gramophone during the 1920s and his reviews of the then-current 78 r.p.m. recordings are among the best you can read. This book from Amodeus Press contains all his reviews and articles for that magazine and is a fascinating, essential read. This is another book that I have read and re-read over the years, scribbled in the margins, and quoted from in my own writing.
From Klein's comments on early recordings that remain available today, the reader can get a glimpse of what legendary singers such as Patti and Lind sounded like more than a century ago. The essays of Herman Klein that appeared in The Gramophone from 1924 until 1934 are indispensable sources of information on the singers of the Golden Age.
I am a spy aiming to uncover hidden documents, private journals, and secret messages penned in the distant past. I am a detective racing to reveal the world’s most dastardly deeds and daring escapades. I am an adventurer zooming around the planet along with history’s bravest heroes and most despicable villains. I am an artist whose illustrations transform ancient stone-cold statues by turning them into living, breathing human beings that laugh and cry, win and lose, love and hate, and spring vividly to life. And I am a storyteller striving to lure readers of all ages, whether they are children or adults.
Destitute Jasper Ankle will pay any price to attend his beloved opera. But when its most famous diva chokes to death on an admirer’s candied violet, a hitherto unknown beauty named Ortenzia Caviglia takes her place, and as her star rises, everyone who might stand in her way conveniently drops dead. But as her fame and fortune increase, Jasper Ankle becomes more and more impoverished, and if you are familiar with Edward Gorey’s dreadfully terrifying tales and his delicate, elegantly devilish black and white penmanship, perhaps you can imagine what is happening herein. (By the way, Gorey is also dead but you can still get hold of his evil little books.)
Ortenzia Caviglia is an undiscovered opera understudy whose lucky break results from the mysterious murder of the reigning diva. Upon hearing her sing, Jasper Ankle becomes her deepest admirer, undaunted by perilous weather and abject poverty in his quest to hear her sing. As Ortenzia's star rises, Jasper sinks further into despair, until performer and fan collide in true Edward Gorey fashion. Exquisitely illustrated with Gorey's signature pen-and-ink crosshatching, The Blue Aspic is a heart-wrenching and oddly hilarious tale of unrequited love and the dangers of celebrity.
I’ve held a burgeoning interest in the stars since I was a young girl. Daydreams of adventure and exploration guided me to the genre. Once I found it, I consumed everything I could find, both on-screen and in the pages of books. There’s something to be said about the vulnerability of being in the vastness of space, oftentimes with strangers who grow to be family. I guess, in a way, it reminds me of that moment when we set out into the world, away from our families, to learn and explore more about our surroundings and the characters we meet along the way (only on a much grander scale).
Nicole has done something really great with this series. She’s created memorable, detailed characters to build a cast you really care about. I really love seeing how other authors have humans interact with aliens and vice versa. This series was a great blend of everything you need for an epic adventure.
1900 pages of space opera adventure for fans of Firefly, Killjoys, and the Mandalorian...
Holly Drake just got out of prison... but that doesn't mean she’s free.
The City of Jade Spires is no paradise, though everything about it says otherwise: the glimmering jade towers, the glow of a gas giant, and the 6 Moons balanced between four supposedly equal races.
Serving an unfair sentence like Holly’s clears up such a gross misconception pretty quick. When she walks free due to the intervention of a mysterious source, she soon realizes they want her to do something:
Steal a priceless jewel…
I often (half-) jokingly say that I'm a failed musician. Growing up in Montreal in the eighties, music was my deepest joy. I sang in choirs for years, and even fancied myself the next great baroque singer (I guess I was a nerd.) Nerves, however, got the best of me, and I turned to the next best thing, writing. In my family, music is a meeting place, a shared language; my kids have taught me as much about music as I have taught them. Nothing pleases me more than to see on a playlist of theirs a tune that I listened to before their birth. Music is the golden thread of my life.
A wonderful graphic novel for and about teens, Operaticfollows Charlie, a teen girl who must find "her song" for a school project, and embarks on an emotional journey about the meaning of music, friendship, love, and opera. The book, gutting and uplifting all at once, is also an homage to the great Maria Callas, while peppered with pop and rock references. A perfect book for readers 12 and up, by which I mean: up to 30, up to 45, up to 99 years old, as music ties us powerfully with our life story, no matter our age.
A story of friendship, first crushes, opera and the high drama of middle school told by award-winning Kyo Maclear in her debut graphic novel.
Somewhere in the universe, there is the perfect tune for you.
It's almost the end of middle school, and Charlie has to find her perfect song for a music class assignment. But it's hard for Charlie to concentrate when she can't stop noticing her classmate Emile, or wondering about Luka, who hasn't been to school in weeks.
Then, the class learns about opera, and Charlie discovers the music of Maria Callas. The more she learns about…
I fell in love with opera history as an undergraduate exchange student in Vienna and went on to pursue my passion in graduate school. Rather than writing about opera composers and their music, I chose the unusual path of studying famous singers from the nineteenth century, especially the prima donnas who exerted extraordinary authority over composers, theater directors, and spectators. In my books and articles, I focus on the power of divas to thrill audiences and to shape the musical culture of which they are an integral part. The books I am recommending explore the lives and careers of some of the most fascinating prima donnas of the nineteenth century.
Through a dazzling collection of sources that include letters, contracts, memoirs, biographies, newspaper reviews, and fictional stories about the figure of the cantatrice, Kimberly White’s French Singers on the French Stage is a brilliant account of the various stages of singers’ lives in nineteenth-century France, beginning with their births and following them up to and past their retirements. In between, she describes their training at the Paris Conservatoire, debuts, marriages, benefits, and scores of other important issues that they grappled with throughout their careers. I do not know of any other work in the field of prima donna or opera studies that is at once as thorough and as lucidly written—it is a page-turner from beginning to end.
The study of singers' art has emerged as a prominent area of inquiry within musicology in recent years. Female Singers on the French Stage, 1830-1848 shifts the focus from the artwork onstage to the labour that went on behind the scenes. Through extensive analysis of primary source documents, Kimberly White explores the profession of singing, operatic culture, and the representation of female performers on the French stage between 1830 and 1848, and reveals new perspectives on the social, economic, and cultural status of these women. The book attempts to reconstruct and clarify contemporary practices of the singer at work, including…
I am an optimist. I jump out of bed in the morning ready to read and write. With my dog and cat by my side and a cup of coffee in hand, I lose myself in whatever I am working on. I am deeply curious about a gamut of subjects and constantly challenge myself to learn more. I am persistent and not afraid of hard work. Nature and animals are my bottomless well of inspiration and joy. I very much believe life is a journey and I try to enjoy each step.
If you read one book in your life, read Bel Canto.
Ann Patchett’s writing is always sublime but her characters in this book are unforgettable. She stages a hostage situation in an undisclosed South American country. Over time, the young terrorists and the group of international strangers find a way to live and even thrive together.
The novel revolves around the one female hostage, a beautiful opera singer. Her singing charms the most hardened terrorists and most skeptical politicians.
Winner of The Women's Prize for Fiction and the PEN/Faulkner Award for Fiction.
The poignant - and at times very funny - novel from the author of The Dutch House and Commonwealth.
Somewhere in South America, at the home of the country's vice president, a lavish birthday party is being held in honour of the powerful businessman Mr. Hosokawa. Roxane Coss, opera's most revered soprano, has mesmerised the international guests with her singing.
It is a perfect evening - until a band of gun-wielding terrorists takes the entire party hostage. But what begins as a panicked, life-threatening scenario slowly evolves…
I have been enthralled with legends of medieval knights and ladies, dark fairy tales and fantasies about Druids, wizards, and magic since childhood. I fell in love with French in junior high school and continued studying the language throughout college. My debut novel, "The Wild Rose and the Sea Raven"--the first of a trilogy-- is a blend of my love for medieval legends, the romantic French language, and paranormal fantasy. It is a retelling of the medieval romance of "Tristan et Yseult", interwoven with Arthurian myth, dark fairy tales from the enchanted Forest of Brocéliande, and otherworldly elements such as Avalonian Elves, Druids, forest fairies and magic— with a decidedly romantic French flair.
This passionate paranormal romance between a talented soprano singer and a macabre musical genius blends mythical aspects of a legendary ghost haunting the Paris Opera House. I was enthralled by the supernatural forces and deliciously dark seduction of Christine Daaé by the unlikely Romantic hero, the Phantom. I enjoyed how the chivalrous Raoul, le Vicomte de Chagny, nobly battles the diabolical Phantom like a medieval knight defending his Lady. I read this classic in its original French language version while obtaining my MA in French literature, and I loved both the English translation as well as the modern musical film adaptation.
The novel from the early 20th century that inspired the Lon Chaney film and the hit musical. In the 1880s, in Paris, the Palais Garnier Opera House is believed haunted. One night, a young woman, Christine, is asked to sing in place of the Opera's leading soprano, who is ill; Christine's performance is a success, and she is recognized by the Vicomte Raoul, a childhood playmate and love. Raoul and the Phantom then battle for Christine's heart, as the Phantom demands more and more from her.
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