100 books like Bravo! Brava! a Night at the Opera

By Anne Siberell,

Here are 100 books that Bravo! Brava! a Night at the Opera fans have personally recommended if you like Bravo! Brava! a Night at the Opera. Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.

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Book cover of A is for Audra: Broadway's Leading Ladies from A to Z

Mark A. Robinson Author Of The Magical Mice of Broadway

From my list on theatre written for children.

Why am I passionate about this?

As a longtime arts educator who has worked predominantly with kids ages 3 to 12, I initially set out to find books that could inspire them about theatre. For many years I have searched for the perfect books that achieve this and have used all of these books in my teaching.

Mark's book list on theatre written for children

Mark A. Robinson Why did Mark love this book?

This book is a whimsical, colorful, and delightful introduction to the women who have made the American Musical Theatre great. Kids learn all about such talented ladies as Audra McDonald, Liza Minnelli, Chita Rivera, Bernadette Peters, Lea Salonga, and Kristin Chenoweth, to name a few.

By John Robert Allman, Peter Emmerich (illustrator),

Why should I read it?

1 author picked A is for Audra as one of their favorite books, and they share why you should read it.

What is this book about?

"It's an incredible honor to be included in this amazing book of the greatest talent the Broadway stage has ever known!"
—AUDRA McDONALD, six-time Tony Award-winning actress

From Audra McDonald to Liza with a "Z," here is a showstopping alphabet book featuring your favorite leading ladies of the Broadway stage!

Step into the spotlight and celebrate a cavalcade of Broadway's legendary ladies. Start with "A" for six-time Tony Award winner Audra McDonald, then sing and dance your way through the alphabet with beloved entertainers like Patti LuPone, Bernadette Peters, Chita Rivera, Lea Salonga, Kristin Chenoweth, Kelli O'Hara, and Liza Minnelli!…


Book cover of Pamela's First Musical

Mark A. Robinson Author Of The Magical Mice of Broadway

From my list on theatre written for children.

Why am I passionate about this?

As a longtime arts educator who has worked predominantly with kids ages 3 to 12, I initially set out to find books that could inspire them about theatre. For many years I have searched for the perfect books that achieve this and have used all of these books in my teaching.

Mark's book list on theatre written for children

Mark A. Robinson Why did Mark love this book?

An oldie, but goodie, Wendy Wasserstein’s Pamela’s First Musical follows the wide-eyed title character as she enjoys the experience of a lifetime: a trip with her Aunt Louise to see her first musical on the Great White Way. This book is written by one of Broadway’s great female playwrights, the late Wendy Wasserstein.

By Wendy Wasserstein, Andrew Jackness (illustrator),

Why should I read it?

1 author picked Pamela's First Musical as one of their favorite books, and they share why you should read it. This book is for kids age 4, 5, 6, and 7.

What is this book about?

On Pamela's ninth birthday, her Aunt Louise takes her to her first Broadway musical where she gets to meet the actors and staff who helped make it an award-winning show. Reprint.


Book cover of Lulu the Broadway Mouse

Mark A. Robinson Author Of The Magical Mice of Broadway

From my list on theatre written for children.

Why am I passionate about this?

As a longtime arts educator who has worked predominantly with kids ages 3 to 12, I initially set out to find books that could inspire them about theatre. For many years I have searched for the perfect books that achieve this and have used all of these books in my teaching.

Mark's book list on theatre written for children

Mark A. Robinson Why did Mark love this book?

For slightly older kids in the 8-12 age range, this chapter book (one in The Broadway Mouse series) follows a little mouse named Lulu with big dreams of starring on Broadway. This book will inspire young people to further investigate the magic of theatre.

By Jenna Gavigan,

Why should I read it?

1 author picked Lulu the Broadway Mouse as one of their favorite books, and they share why you should read it. This book is for kids age 8, 9, 10, and 11.

What is this book about?

Lulu is a little girl with a very big dream: she wants to be on Broadway. She wants it more than anything in the world. As it happens, she lives in Broadway's Shubert Theatre; so achieving her dream shouldn't be too tricky, right? Wrong. Because the thing about Lulu? She's a little girl mouse.

When a human girl named Jayne joins the cast of the show at the Shubert as an understudy, Lulu becomes Jayne's guide through the world of her theatre and its wonderfully kooky cast and crew. Together, Jayne and Lulu learn that sometimes dreams turn out differently…


Book cover of Franklin's School Play

Mark A. Robinson Author Of The Magical Mice of Broadway

From my list on theatre written for children.

Why am I passionate about this?

As a longtime arts educator who has worked predominantly with kids ages 3 to 12, I initially set out to find books that could inspire them about theatre. For many years I have searched for the perfect books that achieve this and have used all of these books in my teaching.

Mark's book list on theatre written for children

Mark A. Robinson Why did Mark love this book?

Stage fright is a challenge that some performers must overcome. Some do so more easily, but when everyone’s favorite turtle Franklin is cast in the school’s production of The Nutcracker, his nerves start to get the better of him. This story is not only a great introduction to theatre, but it also features a relatable character overcoming a struggle and persevering.

By Paulette Bourgeois, Brenda Clark (illustrator),

Why should I read it?

1 author picked Franklin's School Play as one of their favorite books, and they share why you should read it. This book is for kids age 3, 4, 5, and 6.

What is this book about?

In this Franklin Classic Storybook, Franklin has been chosen to play the Nutcracker Prince in his class's production. But will he be too nervous to say his lines when the big night arrives?


Book cover of Saturday Afternoons at the Old Met: The Metropolitan Opera Broadcasts, 1931-1950

Nick Limansky Author Of Early 20th Century Opera Singers: Their Voices and Recordings from 1900-1949

From my list on historical opera singers.

Why am I passionate about this?

Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.

Nick's book list on historical opera singers

Nick Limansky Why did Nick love this book?

One of the greatest series of books ever written about the early years of live broadcasting from the Metropolitan Opera. Jackson’s detailed analysis of the existing broadcasts is informative and fascinating. Even better they can be read by themselves, or even better, when listening to the actual broadcast. The amount of information in this series (3) is unbelievably vast and fascinating. All three are recommended.

By Paul Jackson,

Why should I read it?

1 author picked Saturday Afternoons at the Old Met as one of their favorite books, and they share why you should read it.

What is this book about?

(Amadeus). In this first of three volumes, Paul Jackson begins a rich and detailed history of the early years of the Metropolitan Opera broadcasts, bringing to life more than 200 recorded broadcasts.


Book cover of Female Singers on the French Stage, 1830-1848

Hilary Poriss Author Of Gioachino Rossini's The Barber of Seville

From my list on nineteenth-century divas.

Why am I passionate about this?

I fell in love with opera history as an undergraduate exchange student in Vienna and went on to pursue my passion in graduate school. Rather than writing about opera composers and their music, I chose the unusual path of studying famous singers from the nineteenth century, especially the prima donnas who exerted extraordinary authority over composers, theater directors, and spectators. In my books and articles, I focus on the power of divas to thrill audiences and to shape the musical culture of which they are an integral part. The books I am recommending explore the lives and careers of some of the most fascinating prima donnas of the nineteenth century.

Hilary's book list on nineteenth-century divas

Hilary Poriss Why did Hilary love this book?

Through a dazzling collection of sources that include letters, contracts, memoirs, biographies, newspaper reviews, and fictional stories about the figure of the cantatrice, Kimberly White’s French Singers on the French Stage is a brilliant account of the various stages of singers’ lives in nineteenth-century France, beginning with their births and following them up to and past their retirements. In between, she describes their training at the Paris Conservatoire, debuts, marriages, benefits, and scores of other important issues that they grappled with throughout their careers. I do not know of any other work in the field of prima donna or opera studies that is at once as thorough and as lucidly written—it is a page-turner from beginning to end.

By Kimberly White,

Why should I read it?

1 author picked Female Singers on the French Stage, 1830-1848 as one of their favorite books, and they share why you should read it.

What is this book about?

The study of singers' art has emerged as a prominent area of inquiry within musicology in recent years. Female Singers on the French Stage, 1830-1848 shifts the focus from the artwork onstage to the labour that went on behind the scenes. Through extensive analysis of primary source documents, Kimberly White explores the profession of singing, operatic culture, and the representation of female performers on the French stage between 1830 and 1848, and reveals new perspectives on the social, economic, and cultural status of these women. The book attempts to reconstruct and clarify contemporary practices of the singer at work, including…


Book cover of Opera on Record

Nick Limansky Author Of Early 20th Century Opera Singers: Their Voices and Recordings from 1900-1949

From my list on historical opera singers.

Why am I passionate about this?

Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.

Nick's book list on historical opera singers

Nick Limansky Why did Nick love this book?

This series of 3 books traces the recordings of various operas from the infancy of recording through modern-day recording and is another fascinting read. Making this even more interesting is the fact that each opera is taken on by a different writer so you always get a fresh view on the works being discussed.

By Alan Blyth,

Why should I read it?

1 author picked Opera on Record as one of their favorite books, and they share why you should read it.

What is this book about?

Good Book! Ships direct from Amazon, buy with 100% confidence!


Book cover of The Phantom of the Opera

Jennifer Ivy Walker Author Of The Wild Rose and the Sea Raven

From my list on paranormal romance adaptation of a fairy tale.

Why am I passionate about this?

I have been enthralled with legends of medieval knights and ladies, dark fairy tales and fantasies about Druids, wizards, and magic since childhood. I fell in love with French in junior high school and continued studying the language throughout college. My debut novel, "The Wild Rose and the Sea Raven"--the first of a trilogy-- is a blend of my love for medieval legends, the romantic French language, and paranormal fantasy. It is a retelling of the medieval romance of "Tristan et Yseult", interwoven with Arthurian myth, dark fairy tales from the enchanted Forest of Brocéliande, and otherworldly elements such as Avalonian Elves, Druids, forest fairies and magic— with a decidedly romantic French flair.

Jennifer's book list on paranormal romance adaptation of a fairy tale

Jennifer Ivy Walker Why did Jennifer love this book?

This passionate paranormal romance between a talented soprano singer and a macabre musical genius blends mythical aspects of a legendary ghost haunting the Paris Opera House. I was enthralled by the supernatural forces and deliciously dark seduction of Christine Daaé by the unlikely Romantic hero, the Phantom. I enjoyed how the chivalrous Raoul, le Vicomte de Chagny, nobly battles the diabolical Phantom like a medieval knight defending his Lady. I read this classic in its original French language version while obtaining my MA in French literature, and I loved both the English translation as well as the modern musical film adaptation.

By Gaston LeRoux, Lowell Bair (translator),

Why should I read it?

3 authors picked The Phantom of the Opera as one of their favorite books, and they share why you should read it.

What is this book about?

The novel from the early 20th century that inspired the Lon Chaney film and the hit musical. In the 1880s, in Paris, the Palais Garnier Opera House is believed haunted. One night, a young woman, Christine, is asked to sing in place of the Opera's leading soprano, who is ill; Christine's performance is a success, and she is recognized by the Vicomte Raoul, a childhood playmate and love. Raoul and the Phantom then battle for Christine's heart, as the Phantom demands more and more from her.


Book cover of The Blue Aspic

Rosalyn Schanzer

From my list on terrifying tales weaved together with magnificent art.

Why am I passionate about this?

I am a spy aiming to uncover hidden documents, private journals, and secret messages penned in the distant past. I am a detective racing to reveal the world’s most dastardly deeds and daring escapades. I am an adventurer zooming around the planet along with history’s bravest heroes and most despicable villains. I am an artist whose illustrations transform ancient stone-cold statues by turning them into living, breathing human beings that laugh and cry, win and lose, love and hate, and spring vividly to life. And I am a storyteller striving to lure readers of all ages, whether they are children or adults.

Rosalyn's book list on terrifying tales weaved together with magnificent art

Rosalyn Schanzer Why did Rosalyn love this book?

Destitute Jasper Ankle will pay any price to attend his beloved opera. But when its most famous diva chokes to death on an admirer’s candied violet, a hitherto unknown beauty named Ortenzia Caviglia takes her place, and as her star rises, everyone who might stand in her way conveniently drops dead. But as her fame and fortune increase, Jasper Ankle becomes more and more impoverished, and if you are familiar with Edward Gorey’s dreadfully terrifying tales and his delicate, elegantly devilish black and white penmanship, perhaps you can imagine what is happening herein. (By the way, Gorey is also dead but you can still get hold of his evil little books.)

By Edward Gorey,

Why should I read it?

1 author picked The Blue Aspic as one of their favorite books, and they share why you should read it.

What is this book about?

Ortenzia Caviglia is an undiscovered opera understudy whose lucky break results from the mysterious murder of the reigning diva. Upon hearing her sing, Jasper Ankle becomes her deepest admirer, undaunted by perilous weather and abject poverty in his quest to hear her sing. As Ortenzia's star rises, Jasper sinks further into despair, until performer and fan collide in true Edward Gorey fashion. Exquisitely illustrated with Gorey's signature pen-and-ink crosshatching, The Blue Aspic is a heart-wrenching and oddly hilarious tale of unrequited love and the dangers of celebrity.


Book cover of The Grand Tradition: Seventy Years of Singing on Record

Nick Limansky Author Of Early 20th Century Opera Singers: Their Voices and Recordings from 1900-1949

From my list on historical opera singers.

Why am I passionate about this?

Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.

Nick's book list on historical opera singers

Nick Limansky Why did Nick love this book?

J.B. Steane’s massive book, over 600 pages, is one of the most comprehensive books on historical singers ever written. My copy is riddled with text underlining and notes in the margins. His evaluations of singers are always honest, but fair. I have read this book at least 3 times and have re-read sections many more times. It invaluable.

By J.B. Steane,

Why should I read it?

1 author picked The Grand Tradition as one of their favorite books, and they share why you should read it.

What is this book about?

Before the gramophone could do justice to an orchestra, it was able to reproduce the human voice with comparative fidelity. Steane examines the great mass of singing on record and follows the fortunes of modern singers as well as old, in song, opera, and choral singing. This corrected second edition includes a preface and bibliography.


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