100 books like The Queen of the Night

Clarke transports the reader to England during the time of the Napoleonic Wars. There is, however, one small twist: magic once existed in this world and has now returned through two men, drastically changing the course of history and society.

The story is rich in gothic atmosphere and wry humour, and is positively bursting with ideas (there are almost 200 footnotes!). Clarke imbues her protagonists with conflicting approaches to the pursuit of knowledge, with Norrell representing cautious rationality and conservative methodology, while Strange embodies an adventurous spirit and a willingness to embrace the arcane and often the dangerous.

First published in 1864, Queens of Song is one of the earliest group biographies of famous divas of the operatic stage. Beginning with chapters on prima donnas who lived during the seventeenth and eighteenth centuries, Creathorne Clayton moves quickly to the nineteenth century, focusing on powerful divas like Giuditta Pasta, Henrietta Sontag, and Giulia Grisi. Renowned for their talents and beloved by audiences worldwide, these divas often wielded outsized influence on the composers who wrote music for them and the impresarios who hired them. The individual chapters are short, but they are each surprisingly comprehensive, providing a full and vivid picture of the lives and accomplishments of these memorable, and often very demanding, artists. 

Few nineteenth-century celebrities were as fascinating as Maria Malibran (1808-1836). She made her debut at London’s King’s Theatre at the ripe age of seventeen, and then blazed a trail across Europe and New York City, becoming one of the most in-demand and beloved prima donnas of her day. But, as April FitzLyon compellingly illustrates, Malibran’s life was anything but perfect. Her father, the famous tenor Manuel Garcia, may have abused her as a child, and her first husband, Eugene Malibran, went bankrupt shortly following their wedding. Most disturbing was her premature death at the age of 28, the result of overwork and a gory horse-riding accident. This biography presents a devastating account of the pressures, pains, and glories inherent in leading the life of a superstar during the first half of the nineteenth century.

Pauline Viardot (1821-1910) was one of the most celebrated prima donnas of the nineteenth century, but she was much more than a typical diva. She was also one of the most versatile artists of the era, a talented composer, arranger, teacher, autograph collector, entrepreneur, salonnière, and promoter of early music. While fictionalized, this novel sticks closely to historical events of her life, focusing on her marriage to Louis Viardot, her long-lasting affair with Russian author Ivan Turgenev, and the unconventional and loving bonds that formed between these three extraordinary artists. If you’re looking for historical fiction about one of the most fascinating divas of the nineteenth century, An Unofficial Marriage is a great choice.

Through a dazzling collection of sources that include letters, contracts, memoirs, biographies, newspaper reviews, and fictional stories about the figure of the cantatrice, Kimberly White’s French Singers on the French Stage is a brilliant account of the various stages of singers’ lives in nineteenth-century France, beginning with their births and following them up to and past their retirements. In between, she describes their training at the Paris Conservatoire, debuts, marriages, benefits, and scores of other important issues that they grappled with throughout their careers. I do not know of any other work in the field of prima donna or opera studies that is at once as thorough and as lucidly written—it is a page-turner from beginning to end.

If you’re not a dyed-in-the-wool historical fiction reader, you might think Jane Austen retellings aren’t for you. That’s only because you haven’t read The Heiress yet. This stunning, dreamy, gothic-infused book takes a minor character from Pride and Prejudice who hardly gets any lines and spins up a story about finding your voice in a world that wants to keep you silent. Anne’s struggle against addiction and desperate desire to embrace the beauty of life feels like it could have taken place yesterday. Also, it’s got lesbian yearning that’s both sweet and sexy, aka the dream. Give me that queer pining, please and thank you. 

Months ago, I was on Twitter, openly wishing for a Thin Man remake, with Mahershala Ali and Lupita Nyong'o as Nick and Nora. A friend immediately suggested Nekesa Afia’s Harlem Renaissance Mystery debut, Dead Dead Girls. Afia’s understanding of the tightly-knit community plays an essential role in the story, with main character Louise fighting against perceptions and a cold-blooded murderer. Couple all the expected roadblocks with glam nightlife and Prohibition antics. This entire series comes together like a perfect cocktail.

Mysterious victorian missionaries with dark secrets in the land of the fae. I truly do not know how to sell this book any better. I tend to recommend gothic literature for historical fiction newbies, since the emotional stakes are always so high and the plots often bend close to horror or fantasy, and this one is no different. The worldbuilding is spectacular, and it plays on the tropes of classic gothic novels in a way that’s knowing, clever, and never dry or stilted. No wonder Ng won the Hugo for best new author when she released this book—it deserves it.

When one reads Bernhard, one never reads anything else the same again. In fact, every story feels false by comparison. Maybe it’s because The Loser is written in one unbroken paragraph or because it repeats a line ad nauseum or because the story, in any other writer’s hands, would feel mawkish.

But this novel about a triangular intellectual relationship between piano virtuoso Glenn Gould and his two students is anything but. It’s funny, heartbreaking, and confusing. The way life is. 

If you read one book in your life, read Bel Canto. 

Ann Patchett’s writing is always sublime but her characters in this book are unforgettable. She stages a hostage situation in an undisclosed South American country. Over time, the young terrorists and the group of international strangers find a way to live and even thrive together. 

The novel revolves around the one female hostage, a beautiful opera singer. Her singing charms the most hardened terrorists and most skeptical politicians.