Here are 100 books that The Heiress fans have personally recommended if you like
The Heiress.
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I am an academic at the University of Queensland whose research areas include horror films, screen trauma theory, the cinematic representation of urban spaces, and the collision of romanticism and postmodernism in fantasy literature. My first book, POV Horror: The Trauma Aesthetic of the Found Footage Subgenre, was adapted from my PhD thesis. I am an avid member of the A Song of Ice and Fire fandom, and my second book represents over a decade of talking and writing about George R. R. Martin’s epic fantasy series, having grown out of conversations in forums, podcasts, symposiums, and fan conventions, as well as my own background in literary analysis and research.
Clarke transports the reader to England during the time of the Napoleonic Wars. There is, however, one small twist: magic once existed in this world and has now returned through two men, drastically changing the course of history and society.
The story is rich in gothic atmosphere and wry humour, and is positively bursting with ideas (there are almost 200 footnotes!). Clarke imbues her protagonists with conflicting approaches to the pursuit of knowledge, with Norrell representing cautious rationality and conservative methodology, while Strange embodies an adventurous spirit and a willingness to embrace the arcane and often the dangerous.
Two magicians shall appear in England. The first shall fear me; the second shall long to behold me The year is 1806. England is beleaguered by the long war with Napoleon, and centuries have passed since practical magicians faded into the nation's past. But scholars of this glorious history discover that one remains: the reclusive Mr Norrell whose displays of magic send a thrill through the country. Proceeding to London, he raises a beautiful woman from the dead and summons an army of ghostly ships to terrify the French. Yet the cautious, fussy Norrell is challenged by the emergence of…
I learned to read music at about the same time I learned to read words. I grew up taking piano lessons, studying almost entirely classical pieces that came weighted with history: everything I ever played had been played better by someone else. I still enjoyed my attempts, but realized that the relationship I had with those notes was not the one I wanted to have with words, which I felt drawn to assemble into my own arrangements, my own stories. So, as a weirdo who’s been thinking about interpretation and creation since childhood, I love books that delve into the challenges and emotional complexities of making music.
To portray the title character in Bizet’s Carmenis only one of the many transformations American orphan Lilliet Berne’s life requires, both on and offstage, as she ascends to opera stardom in late 19th century Paris. In this immersive novel, the clothes are as richly described as the music, and the music is described with not only sincere emotion but attention to realities and absurdities: Bizet’s early death leads to greatly improved ticket sales, for example. In Chee’s haunting first novel Edinburgh, he made choral music shimmer with both beauty and horror.The Queen of the Night is very different in setting, time, and sweeping sense of adventure, but shares Chee’s ability to movingly explore acts of survival and reinvention.
'One doesn't so much read it, as one is bewitched by it. Epic, gorgeous, haunting' HANYA YANAGIHARA, author of A Little Life
When it begins, it begins as an opera should begin: in a palace, at a ball, in an encounter with a stranger, who you discover has your fate in his hands . . .
She is Lilliet Berne. And she is the soprano.
1882. One warm autumn evening in Paris, Lilliet is finally offered an original role, though it comes at a price. The part is based on her deepest secret.…
Of course, every mystery needs a perfect crime, but what about the perfect setting? I’m fascinated by how authors manipulate time and place to add to the heightened emotions of their murders, thefts, blackmail, and frauds. It’s the juxtaposition of truth and fantasy—what we believe times were like and how they actually were—that makes setting such an essential detail of every whodunnit. Doing research on my own novel, I wrenched apart the facts and fictions of Post-War America, and grew even more ravenous for mysteries that leveraged their settings for the utmost entertainment.
Months ago, I was on Twitter, openly wishing for a Thin Man remake, with Mahershala Ali and Lupita Nyong'o as Nick and Nora. A friend immediately suggested Nekesa Afia’s Harlem Renaissance Mystery debut, Dead Dead Girls. Afia’s understanding of the tightly-knit community plays an essential role in the story, with main character Louise fighting against perceptions and a cold-blooded murderer. Couple all the expected roadblocks with glam nightlife and Prohibition antics. This entire series comes together like a perfect cocktail.
“In this terrific series opener, Afia evokes the women’s lives in all their wayward and beautiful glory, especially the abruptness with which their dreams, hopes and fears cease to exist.”--The New York Times
The start of an exciting new historical mystery series set during the Harlem Renaissance from debut author Nekesa Afia
Harlem, 1926. Young Black women like Louise Lloyd are ending up dead.
Following a harrowing kidnapping ordeal when she was in her teens, Louise is doing everything she can to maintain a normal life. She’s succeeding, too. She spends her days working at Maggie’s Café and her nights…
I love historical fiction in all its forms, from the multi-volume family epics to the Dear America middle-grade books I grew up with. And I really, truly don’t understand why historical fiction has a reputation for being dry, dull, or worst of all, like homework. Sure, there are some novels written for history buffs only, but the vast majority aren’t, and neither is mine. When I wrote A Tip for the Hangman, my goal was to write historical fiction that reads like a page-turner, not a textbook. The books on this list all pull off that trick beautifully, and I hope you enjoy them as much as I do.
Mysterious victorian missionaries with dark secrets in the land of the fae.I truly do not know how to sell this book any better. I tend to recommend gothic literature for historical fiction newbies, since the emotional stakes are always so high and the plots often bend close to horror or fantasy, and this one is no different. The worldbuilding is spectacular, and it plays on the tropes of classic gothic novels in a way that’s knowing, clever, and never dry or stilted. No wonder Ng won the Hugo for best new author when she released this book—it deserves it.
Winner of the John W Campbell Award for Best New Writer, Jeannette Ng brings a stunningly different Victorian fantasy that mixes Crimson Peak with Jonathan Strange & Mr Norrell.
Victorian missionaries travel into the heart of the newly discovered lands of the Fae, in a stunningly different fantasy that mixes Crimson Peak with Jonathan Strange & Mr Norrell.
Catherine Helstone's brother, Laon, has disappeared in Arcadia, legendary land of the magical fae. Desperate for news of him, she makes the perilous journey, but once there, she finds herself alone and isolated in the sinister house of Gethsemane. At last there…
The best fiction explores complex relationships between friends and lovers. I’ve been fascinated by this for as long as I can remember because love and friendship are the cornerstones of human existence. As concepts, they give life meaning yet can also take it away. They bring us together but can also leave us estranged. The sun-soaked cities of Europe have for so long been playgrounds for young lovers and friends, enjoying both the best of life and the most melancholy. I love traveling Europe–the grandeur, the romance, the happy-sad sentiment of it all. It embodies the topic and makes for the most beautiful setting.
I read this book in a few sittings. That’s how hooked it had me. There’s something about the delicacy and complexity of the relationship between the two protagonists that makes this book stand out. I love the book for this. I felt connected to the characters, invested in their future, and even furious at their inability to make things work at times (they were made for each other!). Their insecurities and feelings of inadequacy are so relatable yet so often not talked about.
I loved the way the book explores deeper male emotions and the pressure felt by men in a world where talking about feelings has historically been seen as a weakness. Lastly, I love it because it is lyrical, melancholic, hopeful, and real. All of that is what life is.
NOW AN EMMY-NOMINATED HULU ORIGINAL SERIES • NEW YORK TIMES BESTSELLER • “A stunning novel about the transformative power of relationships” (People) from the author of Conversations with Friends, “a master of the literary page-turner” (J. Courtney Sullivan).
ONE OF THE TEN BEST NOVELS OF THE DECADE—Entertainment Weekly
TEN BEST BOOKS OF THE YEAR—People, Slate, The New York Public Library, Harvard Crimson
AND BEST BOOKS OF THE YEAR—The New York Times, The New York Times Book Review, O: The Oprah Magazine, Time, NPR, The Washington Post, Vogue, Esquire, Glamour, Elle, Marie Claire, Vox, The Paris Review, Good Housekeeping, Town &…
I grew up reading nothing but mystery novels, which is why when I discovered romance, I found the ones I liked the best had a bit of intrigue to them. As Alyson Chase, I write Regency romances I like to read: full of adventure and mystery, deep emotional connections, and, yes, quite a bit naughty. Character is the most important thing to me, whether as a writer or reader, and the books on this list are full of characters you can’t help but fall in love with.
Elizabeth Hoyt was the first historical romance writer I read, and she hooked me on the genre. The Raven Prince is probably my favorite of hers. I love how the meet-cute is actually more of a meet-hate, and how Anna pursues her own happiness with guts and determination, even when Edward has his head firmly planted where the sun don’t shine. This book is also notable for the fact the hero has noticeable scars that to the casual eye might make him unattractive. There is a realism to the couple that you don’t find in a lot of historical romances. Definitely a top pick.
There comes a time in a woman's life when she must do the unthinkable - and find employment. For the widowed Anna Wren, that means taking a job as female secretary for the Earl of Swartingham. Secretaries are always male - never female - as Anna well knows but the real downfall of her career is the realisation that she is falling in love with Edward de Raaf - the Earl. But when she realises that he is going to visit a brothel in London to take care of his 'manly' desires, Anna sees red - and decides to take…
I am the bestselling author of more than 46 romance novels. I love history, enjoy research, and am always looking for little-known facts to make my stories more authentic. Some of those facts have revealed that women in the 19th century often took on occupations, hobbies, or causes that challenged them and sometimes placed them in danger. Although seldom acknowledged as such, women in the 19th century were a force to be reckoned with, although their contributions were often overlooked. But through reading personal accounts, letters of the time, biographies, and nonfiction accounts about various women’s roles, I have gained a greater appreciation for how daring women have been throughout history.
Little is more adventurous than a woman who owns a gambling hell, who has forged a path to success, and dares Society to judge her. I love Sarah’s depth of characterization and how she infuses her characters with a background and motivations that make their actions, even the questionable ones, understandable and believable. I find she always takes an insurmountable conflict and uses it to drive the characters toward change. I so admire Sarah’s ability to carry me on a journey that always ends with a sigh of satisfaction, and often a few tears.
'Fabulous' Eloisa James 'Smart, sexy, and always romantic' Julia Quinn 'For a smart, witty and passionate historical romance, I recommend anything by Sarah MacLean' Lisa Kleypas
RITA Award winning author, Sarah MacLean, reveals the identity of The Fallen Angel's final scoundrel in the spectacular conclusion to her Rules of Scoundrels series . . .
By day, she is Lady Georgiana, sister to a duke, ruined before her first season in the worst kind of scandal. But the truth is far more shocking-in London's darkest corners, she is Chase, the mysterious, unknown founder of the city's most legendary gaming hell. For…
I am the bestselling author of more than 46 romance novels. I love history, enjoy research, and am always looking for little-known facts to make my stories more authentic. Some of those facts have revealed that women in the 19th century often took on occupations, hobbies, or causes that challenged them and sometimes placed them in danger. Although seldom acknowledged as such, women in the 19th century were a force to be reckoned with, although their contributions were often overlooked. But through reading personal accounts, letters of the time, biographies, and nonfiction accounts about various women’s roles, I have gained a greater appreciation for how daring women have been throughout history.
An adventurous lady gambler. I enjoy stories where the heroine is taking on the role usually belonging to the hero. Kelly Bowen is so skilled at giving us characters to care about and root for. This story was a delicious read with a heroine equal to the task of taming the hero. I love Kelly’s writing style and how smoothly her stories flow.
He should have thrown her out. But when club owner Alexander Lavoie catches a mysterious blonde counting cards at his vingt-et-un table, he's more intrigued than angry. He has to see more of this beauty-in his club, in his office, in his bed. But first he'll have to devise a proposition she can't turn down.
Gossip said he was an assassin. Common sense told her to stay away. But Angelique Archer was desperate, and Lavoie's club offered a surefire way to make quick money-until she got caught. Instead of throwing her out though,…
Wondering why I’m such a fan of chosen families? I have a family of origin, but when I think of true family, it’s not my siblings. It’s the people of my heart. My husband, my longtime editor, who I finally got smart enough to marry. A spiritual daughter in Boston; another in Kenya. A favorite ex-husband in Santa Fe. Another man who should've been my brother, and his beloved husband in Manhattan. For me, a real friend is someone who’d raze the State Department if I were stuck in a prison in Lima, Peru. Any one of these mentioned would. I always wanted a pseudonym so I write Boots & Boas under Vivienne Hartt Quinn.
Sarah MacLean went to Smith. So did I. Besides, I am famous for saying about myself at parties, “I’m not just a wallflower—I’m the wallpaper.” How could I possibly give a miss to a Smithie and wallflowers? I couldn’t. Three half-siblings hold a dastardly secret amongst themselves about their inheritance and the person to whom it really belongs. Ruling royalty of the darker side of Covent Garden, two of them live by their own code of loyalty, along with their beloved sister. I totally loved the research and detail that had to go into these books. Covent Garden was never so lascivious, and wallflowers never so appealing. The women show their moral backbones right alongside the Bastards and the sparks are illuminating. Go, wallflowers!
When a mysterious stranger finds his way into her bedchamber and offers his help in landing a duke, Lady Felicity Faircloth agrees-on one condition. She's seen enough of the world to believe in passion, and won't accept a marriage without it.
The Wallflower Makes a Dangerous Bargain . . .
Bastard son of a duke and king of London's dark streets, Devil has spent a lifetime wielding power and seizing opportunity, and the spinster wallflower is everything he needs to exact a revenge years in the making. All he must do is turn…
I’m a writer of Regency Romance fiction with a perfectionist’s zeal to get the details right. Most Regency Romances are tales of aristocrats falling in love and marrying—or marrying and then falling in love! But in real life, romantic love was often not an essential aspect of courtship in this era. Aristocratic families might ensure that a couple was “suited”, but they arranged unions for bloodlines and wealth, and the ties were almost impossible to break. Enjoy these true tales of marriage and divorce, and the two novels of heartbreak, divorce, and happy-ever-after.
Yes, that says “bedding” and not “wedding”! In this Regency Romance novel, the heroine is a scandalous divorcee who’s sworn off romance. She has some income of her own and isn’t penniless. Dipping a toe into society again, she’s wooed by a determined young rake who wants only to bed her. But when he falls in love and proposes, she has to say no. [Spoiler alert] Her abusive former husband paid a man to perjure her as an adulteress so he could divorce her. The story shows the vindictiveness a spurned husband might employ in this era: the divorce decree leaves her forbidden to remarry. Read this book for a different take on the perils of divorce by another skilled romance writer.
Lord Leo Byron is bored with the aristocratic company he keeps; he needs a distraction, preferably in the form of a beautiful new female companion. So when he sets eyes on fascinating and scandalous divorcée Lady Thalia Lennox, he's determined to make her intimate acquaintance. But the spirited woman seems to have no intention of accepting his advances no matter how much he chases - or how hard he falls....
Once a darling of society, Thalia Lennox now lives on its fringes. The cruel lies that gave her a notoriously wild reputation have also left her with a broken heart…
