I’m a historian of Modern Europe based in Berlin. For the last twenty years or so, I’ve worked on different forms of protesting and street politics in twentieth-century Europe, always with an eye to how these histories might speak to the present. Having taught at the British University of Warwick, I’m now teaching high school students in Berlin, a career change that raised a simple but fundamental question once again: Why should we bother with history? What can we learn from history today? My passion for histories of protesting provides the answer to this question: These are histories that inspire dreaming, struggling, experimenting—and continuing to do so despite failures.
How could a bunch of creative, courageous, but also somewhat crazy activists make the authoritarian regime of Poland under communist rule tremble? By bringing a moment of joy and laughter to an otherwise dull and grey world. That is what the Polish Orange Alternative Movement did during the late 1980s.
Lives of the Orange Men tells the story of the group. It’s a book that simply made me laugh a lot. Written as a series of captivating autobiographies—and not every word is to be taken seriously!—it is full of anecdotes of activists playfully mocking authorities. “What are those pills,” police once wondered after searching the backpack of an arrested activist. “Happy pills,” the man replied. One officer was eager to try them; happy pills just sounded too good. They turned out to be mints.
Between 1981 and 1989 in Wroclaw Poland, in an atmosphere in which dissent was forbidden and martial law a reality, the art-activist Orange Alternative movement developed and deployed their socialist sur-realism in absurd street-painting and large-scale performances comprising tens of thousands of people dressed as dwarves, in an effort to destabilize the Communist government. It worked. Beginning with the dialectical painting of dwarves onto the patches of white paint all over the citys walls, which uncannily marked the censorship of opposition slogans, the group moved on to both stage happenings and over-enthusiastically embrace official Soviet festivals in a way that…
A lot has been written about the famous May ’68 in France, but to me, Kristin Ross’s book stands out because of what she argues was at the heart of the protests: they were an experiment “in declassification, in disrupting the natural ‘givenness of places,’” an attempt to question the very order of society.
Students left their spaces of study to engage with workers; workers—or at least some of them—refused to return to the hell their workplace was: they didn’t want to function as students or workers anymore. This vision of transgressing social or spatial boundaries, I believe, still speaks to the present. It promises a life not determined by social roles, a society not divided by neat sociological categories.
During May 1968, students and workers in France united in the biggest strike and the largest mass movement in French history. Protesting capitalism, American imperialism, and Gaullism, 9 million people from all walks of life, from shipbuilders to department store clerks, stopped working. The nation was paralyzed-no sector of the workplace was untouched. Yet, just thirty years later, the mainstream image of May '68 in France has become that of a mellow youth revolt, a cultural transformation stripped of its violence and profound sociopolitical implications.
Kristin Ross shows how the current official memory of May '68 came to serve a…
Workers ignoring the authority of foremen, organizing disruptive checker-board strikes—only those whose names started with a certain letter put down tools, but enough to bring work to a halt—forming alliances with rebellious students and battling the police in the streets: that’s the story of Italy around 1968, the place of some of the most radical and imaginative protests in the post-war era.
What workers demanded was as simple as it was radical: we want everything. Nanni Balestrini’s novel by the same title memorializes these struggles. It achieves what few sober historical accounts can: vividly capturing the dull monotony of labor suffocating young workers and the thrill of agitation on the shop floor and rebellion in the streets.
It was the Autumn of 1969, and Italy exploded. Across the north of the country, factory workers stormed out on strike, demanding better pay and working conditions. The slogan "We Want Everything" rang through the streets. Italy's "Hot Autumn" had begun.
In Nanni Balestrini's fictionalized account of the uprising, a young worker from Italy's impoverished south arrives at Fiat's Mirafiori factory in Torino, where he barely scrapes by with fourteen hour days of backbreaking work. His frustration is palpable, and soon he is agitating again his bosses for fun and giving himself minor injuries to win sick leave. Soon enough,…
What fascinates me about the history of protesting isn’t only that ordinary people campaigned for or against political change but also that they started experimenting with different ways of living. This is why Sasha Roseneil’s book made me dream and smile: a deeply human and intimate book based on oral history interviews, telling the story of the women’s protest camp at the Greenham Common Airforce base in England, where American Cruise Missiles equipped with nuclear warheads were stationed.
The women of Greenham Common, as Roseneil’s book wonderfully shows, did more than protest the dangers of nuclear war. In the cold and dirt of the camp, amidst the fear of nuclear annihilation, they built a community of laughter, dancing, hugging, and caring: a “queer space,” as Roseneil puts it, of trying out alternatives to the Cold War world of bureaucracy and rationality.
This is a book about how individual, social, political and cultural change is created through the actions of ordinary women. It is about a unique community of women where conventions were overturned and lives transformed, and it is about a social movement in which tens of thousands of women confronted the police and military to resist the momentum towards nuclear war. The women's peace camp at Greenham Common represented a new direction for feminism in Britain, a queer post-modern feminism which broke with tradition and destabilized certainties. This book weaves together stories of life at Greeham with analysis of its…
I hardly imagined the Soviet Union, a place of grey and black, with the only sparks of color being red, to be a place for hippie culture to flourish. Juliane Fürst’s book taught me otherwise. It leads into a world of people like Azazello and Ofelia, who look like “angels, creatures from another world, blots of color on a grey canvas, flowers in a concrete desert.”
The book traces how these hippies, against all odds, found ways to distance themselves from the Soviet System, not through open opposition but through dreaming of and living a different life, communally, spiritually, and often on the road. And Fürst’s book does more than merely portray Soviet hippies in a fundamentally sympathetic way: It also reveals what we can learn about a larger society by studying those at the margins. It is an unusual but highly illuminating perspective on the late Soviet Union.
Flowers through Concrete: Explorations in Soviet Hippieland takes the reader on a journey into the lives and thoughts of Soviet hippies. In the face of disapproval and repression, they created a version of Western counterculture, skillfully adapting to, manipulating, and shaping their late socialist environment. Flowers through Concrete takes its readers into the underground hippieland and beyond, situating the world of hippies firmly in late Soviet reality and offering both an unusual history of the last Soviet decades as well as a case study of transnational youth culture and East-West globalization.
Flowers through Concrete is based on over a hundred…
In post-war Europe, protests, large and small, were everywhere. Across the Iron Curtain, people took to the streets to fight for a better world. They struggled against racism and nuclear armament and campaigned for women’s rights and democracy. From the rebellious students of 1968 to the peaceful masses of 1989 that brought down communism in Eastern Europe, protests made a difference. My book tells the story of these protests.
Sometimes, these struggles succeeded; sometimes, they failed. But whatever their outcome, their history gives a sense of what might have been, of paths not taken. In times when it’s difficult to even envision a better future, the book encourages us to dream, to struggle, to perhaps fail, and to try again.
Susan Tate Ankeny left a career in teaching to write the story of her father’s escape from Nazi-occupied France. In 2011, after being led on his path through France by the same Resistance fighters who guided him in 1944, she felt inspired to tell the story of these brave French patriots, especially the 17-year-old- girl who risked her own life to save her father’s. Susan is a member of the 8th Air Force Historical Society, the Air Force Escape and Evasion Society, and the Association des Sauveteurs d’Aviateurs Alliés.
The first and only full-length biography of Hazel Ying Lee, an unrecognized pioneer and unsung World War II hero who fought for a country that actively discriminated against her gender, race, and ambition.
This unique hidden figure defied countless stereotypes to become the first Asian American woman in United States history to earn a pilot's license, and the first female Asian American pilot to fly for the military.
Her achievements, passionate drive, and resistance in the face of oppression as a daughter of Chinese immigrants and a female aviator changed the course of history. Now the remarkable story of a…
One of WWII’s most uniquely hidden figures, Hazel Ying Lee was the first Asian American woman to earn a pilot’s license, join the WASPs, and fly for the United States military amid widespread anti-Asian sentiment and policies.
Her singular story of patriotism, barrier breaking, and fearless sacrifice is told for the first time in full for readers of The Women with Silver Wings by Katherine Sharp Landdeck, A Woman of No Importance by Sonia Purnell, The Last Boat Out of Shanghai by Helen Zia, Facing the Mountain by Daniel James Brown and all Asian American, women’s and WWII history books.…
