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I’m a political philosopher who lives in Seattle. I teach and write about political ethics, and the ways in which moral concepts change when they get applied to the relationships between states—and to the complicated borders that define where states end. I tend to write about what puzzles me, and many of these puzzles come from my personal life; I’m a migrant myself, and the experience of migrating to the United States led me to write about what sorts of values a country can rightly pursue through migration policy—and what sorts of things, more generally, it can and can’t do to migrants themselves.
Sarah Song is a lawyer and political scientist, and her book traces the history of American migration law—with a particular focus on how that history reflects both anxiety about foreign influence, and fear that migrants will disrupt the domestic labor market. It’s a fascinating story, and it’s instructive to see how modern conversations about the border mirror—for better or for worse - the conversations that happened over a century ago.
How should we think about immigration and what policies should democratic societies pursue? Sarah Song offers a political theory of immigration that takes seriously both the claims of receiving countries and the claims of prospective migrants.
Immigration is one of the most polarizing issues in contemporary politics. It raises questions about identity, economic well-being, the legitimacy of state power, and the boundaries of membership and justice. How should we think about immigration and what policies should democratic societies pursue?
Some contend that borders should generally be open and people should be free to migrate in search of better lives. Others…
I’m a political philosopher who lives in Seattle. I teach and write about political ethics, and the ways in which moral concepts change when they get applied to the relationships between states—and to the complicated borders that define where states end. I tend to write about what puzzles me, and many of these puzzles come from my personal life; I’m a migrant myself, and the experience of migrating to the United States led me to write about what sorts of values a country can rightly pursue through migration policy—and what sorts of things, more generally, it can and can’t do to migrants themselves.
The insistence that migration is a ‘crisis’ has led to a greater willingness to take enforcement as more urgent than human rights. Todd Miller’s book is a moral argument about the costs of that bargain. He argues that the powers given to those who enforce borders have led to abusive and violent practices at the border—and, increasingly, within the United States itself. The book is sobering, but important—and it should worry all of us, citizen and migrant alike.
"In his scathing and deeply reported examination of the U.S. Border Patrol, Todd Miller argues that the agency has gone rogue since the Sept. 11 terrorist attacks, trampling on the dignity and rights of the undocumented with military-style tactics...Miller's book arrives at a moment when it appears that part of the Homeland Security apparatus is backpedaling by promising to tone down its tactics, maybe prodded by investigative journalism, maybe by the revelations of NSA leaker Edward Snowden...Border Patrol is quite possibly the right book at the right time ..."--Tony Perry, Los Angeles Times "At the start of his unsettling and…
I’m a political philosopher who lives in Seattle. I teach and write about political ethics, and the ways in which moral concepts change when they get applied to the relationships between states—and to the complicated borders that define where states end. I tend to write about what puzzles me, and many of these puzzles come from my personal life; I’m a migrant myself, and the experience of migrating to the United States led me to write about what sorts of values a country can rightly pursue through migration policy—and what sorts of things, more generally, it can and can’t do to migrants themselves.
This book helped me to understand the reasons people choose to migrate—and, in particular, how big structural changes in the policies and law of the United States can lead to changes elsewhere that makes it hard to avoid migrating. It’s easy to focus either on the particular stories of individual people, or on the big picture of global economics; it’s a rare thing to see these two done together, and done in such a skillful way.
For two decades veteran photojournalist David Bacon has documented the connections between labor, migration, and the global economy. In Illegal People Bacon explores the human side of globalization, exposing the many ways it uproots people in Latin America and Asia, driving them to migrate. At the same time, U.S. immigration policy makes the labor of those displaced people a crime in the United States. Illegal People explains why our national policy produces even more displacement, more migration, more immigration raids, and a more divided, polarized society.
Through interviews and on-the-spot reporting from both impoverished communities abroad and American immigrant workplaces…
I’m a political philosopher who lives in Seattle. I teach and write about political ethics, and the ways in which moral concepts change when they get applied to the relationships between states—and to the complicated borders that define where states end. I tend to write about what puzzles me, and many of these puzzles come from my personal life; I’m a migrant myself, and the experience of migrating to the United States led me to write about what sorts of values a country can rightly pursue through migration policy—and what sorts of things, more generally, it can and can’t do to migrants themselves.
This book somehow manages to deal with explosive topics like racism and migration with grace and clarity. It’s difficult to understand the reaction to migration without dealing with the rise of politicians who gain power by stoking fears about migration, and Kaufmann helped me to understand the rise of populism in political life without reducing anyone to a caricature.
Whiteshift: the turbulent journey from a world of racially homogeneous white majorities to one of racially hybrid majorities
This is the century of whiteshift. As Western societies are becoming increasingly mixed-race, demographic change is transforming politics. Over half of American babies are non-white, and by the end of the century, minorities and those of mixed race are projected to form the majority in the UK and other countries. The early stages of this transformation have led to a populist disruption, tearing a path through the usual politics of left and right. Ethnic transformation will continue, but conservative whites are unlikely…
I’m a journalism historian who sees an old newspaper the way Alice saw the looking glass, as a portal to a place where things wind up beyond the imaginable. In comparing English- and Spanish-language journalism, I examine how people from the same time and place live distinct constructed realities, separated by their news source looking glass. I aim to recenter the journalism of marginalized groups in the American experience and in media history. After more than 20 years at major U.S. news organizations and 10 years in academia, often as the first or only Mexican American—I’ve honed the ability to see from both sides of the glass.
Lee & Low, the book’s publisher, describes Shame the Stars as a YA Romeo & Juliet story. This piece of historical fiction is so much more.
It draws on true stories of how Texas Rangers lynched and pillaged Mexican Americans in South Texas. These are stories that my parents heard growing up in San Antonio, Texas, and that were often orally passed on in families, though not so often in the history books of that era.
This novel is on my list because it flips the camera angle on images of Mexican Americans in media, with characters taking to the printing press to assert their rights and tell their stories. One such journalist/protagonist is the father of the character Juliet/Dulceña, who illuminates the misdeeds of the Rangers in his news accounts.
Without giving too much away, I’ll merely hint that the book draws inspiration from the long overlooked crusading Mexican…
Eighteen-year-old Joaquin del Toro's future looks bright. With his older brother in the priesthood, he s set to inherit his family s Texas ranch. He s in love with Dulcena and she s in love with him. But it s 1915, and trouble has been brewing along the US-Mexico border. On one side, the Mexican Revolution is taking hold; on the other, Texas Rangers fight Tejano insurgents, and ordinary citizens are caught in the middle.
As tensions grow, Joaquin is torn away from Dulcena, whose father s critical reporting on the Rangers in the local newspaper has driven a wedge…
I was a quiet kid who had trouble understanding people. I preferred being on my own, exploring remnants of logging camps and abandoned mines in the woods that surrounded my small town. In archaeology, I found a way to improve my comprehension of humans and still go exploring the object world. For me, archaeology is not about the distant past, nor about a set of methods. Rather, it is a way of seeing the world. As I write, I try to help the reader train their own archaeological eye in order to re-calibrate their ideas about what is possible in the past, present, andfuture.
Archaeologists don't always focus on the distant past, and they don't always excavate. They comb the surface of landscapes, picking up material clues to human experiences that are often left undocumented. None more willfully buried in plain sight than the hardships of undocumented migrants trying to make it across the Sonoran desert and the brutal politics of the U.S.-Mexico border. With poignant photographs by collaborator Michael Wells, De Léon's account is unapologetically factual and deeply moving.
In his gripping and provocative debut, anthropologist Jason De Leon sheds light on one of the most pressing political issues of our time-the human consequences of US immigration policy. The Land of Open Graves reveals the suffering and deaths that occur daily in the Sonoran Desert of Arizona as thousands of undocumented migrants attempt to cross the border from Mexico into the United States. Drawing on the four major fields of anthropology, De Leon uses an innovative combination of ethnography, archaeology, linguistics, and forensic science to produce a scathing critique of "Prevention through Deterrence," the federal border enforcement policy that…
As a writer, I’ve been deeply influenced by Southern literature—especially the work of William Faulkner and Flannery O’Connor. Even though I’m not from the South myself, I am drawn to Southern writers’ immodesty. I believe much of contemporary literature is too timid. It is about the mundane, the everyday. It does not elevate; instead, it diminishes. Much of the literature of the South is biblical in its sensibilities. It is unafraid to deal with the big universal issues with language that is equally big and universal. It does not pander to modesty or postmodern selfconsciousness. It is audacious. It’s the kind of writing that made me want to write.
Mixing Faulkner’s gothic language with McCarthy’s sense of history, Blake writes a story of two brothers torn apart by circumstance and their experiences in the Mexican-American War. Blake captures that sense of aimless wandering that echoes Faulkner’s stories—the rootless characters meandering across the country, not only unsure of their destinations but maybe even indifferent to them. To me, one of the most profound twists in the book is that the brothers don’t seem to care which side of the war they participate in. They are itinerants whose purpose in the world is simply circumstantial; they are instruments of universal forces that they neither question nor understand.
The offspring of a whore mother and a homicidal father, Edward and John Little are driven from their home in the Florida swamplands by a sching parent's treacheries, and by a shameful, horrific act that will haunt their dreams for the rest of their days. Joining the swelling ranks of the rootless--wandering across an almost surreal bloodland populated by the sorrowfully lost and defiantly damned--two brothers are separated by death and circumstance in the lawless "Dixie City" of New Orelans, and dispatched by destiny to opposing sides in a fierce and desperate territorial struggled between Mexico and the United States.…
Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime television in those decades. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really did happen in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is so much more interesting than the myth. As a Western historian, I've done my share of historical research, but I still gravitate toward fiction as a writer. I love the freedom to engage my characters’ thoughts and emotions.
The dialogue and immersion into Southwestern culture is so immediate and authentic, one might as well have signed up for a secret journey into the heart of the borderlands.
Every paragraph reads like a masterpiece of literature, and taken together they comprise the kind of story that the reader wants never to end. McCarthy has the rare ability to entertain and edify at the same time.
John Grady Cole is the last bewildered survivor of long generations of Texas ranchers. Finding himself cut off from the only life he has ever wanted, he sets out for Mexico with his friend Lacey Rawlins. Befriending a third boy on the way, they find a country beyond their imagining: barren and beautiful, rugged yet cruelly civilized; a place where dreams are paid for in blood.
The first volume in McCarthy's legendary Border Trilogy, All The Pretty Horses is an acknowledged masterpiece and a grand love story: a novel about the passing of childhood, of innocence and a vanished American…
I first came face to face with the expansive and unchecked authority of the Border Patrol about a decade ago when I was stopped five times in less than an hour while driving on a Texas country road. Could the Border Patrol really stop any vehicle they want without any reason whatsoever deep inside the United States? That day set me off on a journey through the borderlands and into the history of the Supreme Court in order to tell the untold story of how the Border Patrol became the most dangerous police force in the United States.
Jenn Budd’s account of her life as a Border Patrol agent is powerful because it comes from a place of self-reflection and growth. She faces up to her previous ignorance and accepts the criticism that goes along with it. This book inspired me because she sees the racism and violence that are endemic to the Border Patrol and then dedicates her life to changing it.
Jenn Budd, the only former U.S. Border Patrol agent to continually blow the whistle on this federal agency's rampant corruption, challenges us-as individuals and as a nation-to face the consequences of our actions. Her journey offers a vital perspective on the unfolding moral crisis of our time. She also gives harrowing testimony about rape culture, white privilege, women in law enforcement, LGBTQ issues, mental illness, survival and forgiveness.
"An unflinching look at a Border Patrol riddled with corruption, racism, and misogyny. Raw and truthful, no one escapes judgement, not even Budd, who searches deep within herself to examine her own…
I first came face to face with the expansive and unchecked authority of the Border Patrol about a decade ago when I was stopped five times in less than an hour while driving on a Texas country road. Could the Border Patrol really stop any vehicle they want without any reason whatsoever deep inside the United States? That day set me off on a journey through the borderlands and into the history of the Supreme Court in order to tell the untold story of how the Border Patrol became the most dangerous police force in the United States.
While writing my own book, this is the book that I had to keep going back to for all the historical detail on the early Border Patrol. It’s an academic book, but it does a great job of explaining the story of the early Border Patrol from the perspective of the people in the borderlands.
For much of the twentieth century, Immigration and Naturalization Service (INS) officials recognized that the US-Mexico border region was different. Here, they confronted a set of political, social, and environmental obstacles that prevented them from replicating their achievements on Angel Island and Ellis Island, the most restrictive immigration stations in the nation. In response to these challenges, local INS officials resorted to the law, nullifying, modifying, and creating the nation's immigration laws and policies for the borderlands.
In The INS on the Line, S. Deborah Kang traces the ways in which the INS on the US-Mexico border made and remade…
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