Here are 100 books that And Hell Followed With Her fans have personally recommended if you like
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I’m a political philosopher who lives in Seattle. I teach and write about political ethics, and the ways in which moral concepts change when they get applied to the relationships between states—and to the complicated borders that define where states end. I tend to write about what puzzles me, and many of these puzzles come from my personal life; I’m a migrant myself, and the experience of migrating to the United States led me to write about what sorts of values a country can rightly pursue through migration policy—and what sorts of things, more generally, it can and can’t do to migrants themselves.
Sarah Song is a lawyer and political scientist, and her book traces the history of American migration law—with a particular focus on how that history reflects both anxiety about foreign influence, and fear that migrants will disrupt the domestic labor market. It’s a fascinating story, and it’s instructive to see how modern conversations about the border mirror—for better or for worse - the conversations that happened over a century ago.
How should we think about immigration and what policies should democratic societies pursue? Sarah Song offers a political theory of immigration that takes seriously both the claims of receiving countries and the claims of prospective migrants.
Immigration is one of the most polarizing issues in contemporary politics. It raises questions about identity, economic well-being, the legitimacy of state power, and the boundaries of membership and justice. How should we think about immigration and what policies should democratic societies pursue?
Some contend that borders should generally be open and people should be free to migrate in search of better lives. Others…
I’m a political philosopher who lives in Seattle. I teach and write about political ethics, and the ways in which moral concepts change when they get applied to the relationships between states—and to the complicated borders that define where states end. I tend to write about what puzzles me, and many of these puzzles come from my personal life; I’m a migrant myself, and the experience of migrating to the United States led me to write about what sorts of values a country can rightly pursue through migration policy—and what sorts of things, more generally, it can and can’t do to migrants themselves.
The insistence that migration is a ‘crisis’ has led to a greater willingness to take enforcement as more urgent than human rights. Todd Miller’s book is a moral argument about the costs of that bargain. He argues that the powers given to those who enforce borders have led to abusive and violent practices at the border—and, increasingly, within the United States itself. The book is sobering, but important—and it should worry all of us, citizen and migrant alike.
"In his scathing and deeply reported examination of the U.S. Border Patrol, Todd Miller argues that the agency has gone rogue since the Sept. 11 terrorist attacks, trampling on the dignity and rights of the undocumented with military-style tactics...Miller's book arrives at a moment when it appears that part of the Homeland Security apparatus is backpedaling by promising to tone down its tactics, maybe prodded by investigative journalism, maybe by the revelations of NSA leaker Edward Snowden...Border Patrol is quite possibly the right book at the right time ..."--Tony Perry, Los Angeles Times "At the start of his unsettling and…
I’m a political philosopher who lives in Seattle. I teach and write about political ethics, and the ways in which moral concepts change when they get applied to the relationships between states—and to the complicated borders that define where states end. I tend to write about what puzzles me, and many of these puzzles come from my personal life; I’m a migrant myself, and the experience of migrating to the United States led me to write about what sorts of values a country can rightly pursue through migration policy—and what sorts of things, more generally, it can and can’t do to migrants themselves.
This book helped me to understand the reasons people choose to migrate—and, in particular, how big structural changes in the policies and law of the United States can lead to changes elsewhere that makes it hard to avoid migrating. It’s easy to focus either on the particular stories of individual people, or on the big picture of global economics; it’s a rare thing to see these two done together, and done in such a skillful way.
For two decades veteran photojournalist David Bacon has documented the connections between labor, migration, and the global economy. In Illegal People Bacon explores the human side of globalization, exposing the many ways it uproots people in Latin America and Asia, driving them to migrate. At the same time, U.S. immigration policy makes the labor of those displaced people a crime in the United States. Illegal People explains why our national policy produces even more displacement, more migration, more immigration raids, and a more divided, polarized society.
Through interviews and on-the-spot reporting from both impoverished communities abroad and American immigrant workplaces…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I’m a political philosopher who lives in Seattle. I teach and write about political ethics, and the ways in which moral concepts change when they get applied to the relationships between states—and to the complicated borders that define where states end. I tend to write about what puzzles me, and many of these puzzles come from my personal life; I’m a migrant myself, and the experience of migrating to the United States led me to write about what sorts of values a country can rightly pursue through migration policy—and what sorts of things, more generally, it can and can’t do to migrants themselves.
This book somehow manages to deal with explosive topics like racism and migration with grace and clarity. It’s difficult to understand the reaction to migration without dealing with the rise of politicians who gain power by stoking fears about migration, and Kaufmann helped me to understand the rise of populism in political life without reducing anyone to a caricature.
Whiteshift: the turbulent journey from a world of racially homogeneous white majorities to one of racially hybrid majorities
This is the century of whiteshift. As Western societies are becoming increasingly mixed-race, demographic change is transforming politics. Over half of American babies are non-white, and by the end of the century, minorities and those of mixed race are projected to form the majority in the UK and other countries. The early stages of this transformation have led to a populist disruption, tearing a path through the usual politics of left and right. Ethnic transformation will continue, but conservative whites are unlikely…
I’m a journalism historian who sees an old newspaper the way Alice saw the looking glass, as a portal to a place where things wind up beyond the imaginable. In comparing English- and Spanish-language journalism, I examine how people from the same time and place live distinct constructed realities, separated by their news source looking glass. I aim to recenter the journalism of marginalized groups in the American experience and in media history. After more than 20 years at major U.S. news organizations and 10 years in academia, often as the first or only Mexican American—I’ve honed the ability to see from both sides of the glass.
Lee & Low, the book’s publisher, describes Shame the Stars as a YA Romeo & Juliet story. This piece of historical fiction is so much more.
It draws on true stories of how Texas Rangers lynched and pillaged Mexican Americans in South Texas. These are stories that my parents heard growing up in San Antonio, Texas, and that were often orally passed on in families, though not so often in the history books of that era.
This novel is on my list because it flips the camera angle on images of Mexican Americans in media, with characters taking to the printing press to assert their rights and tell their stories. One such journalist/protagonist is the father of the character Juliet/Dulceña, who illuminates the misdeeds of the Rangers in his news accounts.
Without giving too much away, I’ll merely hint that the book draws inspiration from the long overlooked crusading Mexican…
Eighteen-year-old Joaquin del Toro's future looks bright. With his older brother in the priesthood, he s set to inherit his family s Texas ranch. He s in love with Dulcena and she s in love with him. But it s 1915, and trouble has been brewing along the US-Mexico border. On one side, the Mexican Revolution is taking hold; on the other, Texas Rangers fight Tejano insurgents, and ordinary citizens are caught in the middle.
As tensions grow, Joaquin is torn away from Dulcena, whose father s critical reporting on the Rangers in the local newspaper has driven a wedge…
My interest in diplomatic history began in earnest when I read A.J.P. Taylor, The Struggle for Mastery in Europe, 1848-1918, during my undergraduate education. I was fascinated by how nations interacted with each other over time. The pairing of immigration history came much later, during my doctoral program. I was drawn to how immigration historians discussed not just the dynamics of the movement of people, but the nature of nationality and nation, citizen and foreigner, citizenship and personhood. Studying immigration pointed me to Mexican history, which inspired me to ask the question that formed the basis of Risking Immeasurable Harm: how did tensions over immigration affect U.S.-Mexican relations?
I love this book because it was one of the first scholarly works to consider what is now commonly accepted among researchers of US-Mexican relations: that borders are fluid.
This thin volume gives a concise history of the US-Mexico border. It treats border zones as distinct, rather than peripheral, spaces in the nation. In the case of the United States and Mexico, the border region is neither American nor Mexican but rather an amalgamation of both. The implicit statement being, of course, that treating the physical border between the two countries as rigid and categorical is fallacious.
I also love this book because it debunks the almost predetermined ways in which borders are viewed. Instead of prescribed lines on a map that make perfect sense on the ground, borders are moving (sometimes literally, often times figuratively), and fashioned by various demographic, economic, political, and military factors. A foundational book for…
Now available: Troublesome Border, Revised Edition!Martínez reviews the history of the border region and reveals the web of relationships that link one side with the other, delineating the social, economic, and cultural predicaments of its population to emphasize the estrangement between the "binational" periphery of each nation and the core societies. Troublesome Border offers readers an understanding of the border through the events most crucial to its development, and provides an opportunity to reassess the true nature of its unique problems.
When I applied to college, I thought I’d study science and pursue my passions for art and justice separately. Then, I went to Kenya for my first excavation and found that archaeology combined my love for storytelling, data analysis, and making the world a better, safer, more inclusive place. As much as I love movies like Indiana Jones and Lara Croft, I never saw myself in them. They just don’t capture what I love about archaeology! Now, my research—like this list—is dedicated to really understanding what makes archaeology so compelling, so rewarding, and most capable of telling nuanced stories that make us think differently about our past.
This book, for me, is something of a guiding star. It is profound, scientific, powerful, and directly applicable to contemporary debates about policy, governance, and justice. Archaeology isn’t just about collecting objects; instead, most archaeologists I know are deeply invested in how archaeology can help inform the decisions we make in the present. MacArthur “genius” award winner Jason de Leon shows the full potential of this in this book, where he combines archaeological, ethnographic, and forensic methods to reveal the impact of immigration policy on real human bodies and families.
Maybe it’s cheating to include this book on this list; it isn’t just how archaeology works—it has set a new standard for archaeologists to make contributions that are relevant and resonant enough to make a change in the world.
In his gripping and provocative debut, anthropologist Jason De Leon sheds light on one of the most pressing political issues of our time-the human consequences of US immigration policy. The Land of Open Graves reveals the suffering and deaths that occur daily in the Sonoran Desert of Arizona as thousands of undocumented migrants attempt to cross the border from Mexico into the United States. Drawing on the four major fields of anthropology, De Leon uses an innovative combination of ethnography, archaeology, linguistics, and forensic science to produce a scathing critique of "Prevention through Deterrence," the federal border enforcement policy that…
As someone who studies and writes about Latin American anarchism for a living, I’ve encountered no shortage of influential historical accounts written by scholars and activists writing in Spanish, Portuguese, and English during the past sixty years. My “best of” list includes English-language histories that reflect important shifts in how people began to study and write about anarchism beginning in the 1990s. Before then—and continuing up to today to some extent—historians often focused on the role of anarchists in a country’s labor movement. Today, historians increasingly explore both the cultural and transnational dimensions of Latin American anarchism. In these studies, authors frequently explore the roles of and attitudes toward women in anarchist politics.
Hernández’s book is one of the latest to pick up on the growing trend of studies about or that include anarchist women activists. What is particularly alluring about her book is its transnational focus as she explores how Mexican women agitated for anarchism in the decades preceding, during, and following the violence of the Mexican Revolution. Hernández focuses on one woman in particular: Caritina Piña Montalvo, an anarcho-syndicalist whose fight for gender equity linked anarchists on both sides of the border. Besides its important focus on gender and women’s issues, Hernández’s study illustrates how so much of the writing about Latin American anarchism has become transnational in focus as activists crossed borders—either physically or through correspondence—to promote the anarchist ideal.
Caritina Pina Montalvo personified the vital role played by Mexican women in the anarcho-syndicalist movement. Sonia Hernandez tells the story of how Pina and other Mexicanas in the Gulf of Mexico region fought for labor rights both locally and abroad in service to the anarchist ideal of a worldwide community of workers. An international labor broker, Pina never left her native Tamaulipas. Yet she excelled in connecting groups in the United States and Mexico. Her story explains the conditions that led to anarcho-syndicalism's rise as a tool to achieve labor and gender equity. It also reveals how women's ideas and…
I write thrillers full-time these days, but for many years, I was a writer and editor at publications that take reporting and fact-checking seriously. I still strive for accuracy in my novels—which always involve violence. As a Brazilian Jiu Jitsu black belt, the mechanics and psychology of close-quarters combat are things I think about daily. This is not to say that you need to rob banks to write a heist scene. And while technical knowledge is helpful, there’s no substitute for close noticing of what happens to our bodies and minds in extreme situations. Here are some books (and one screenplay) which do that incredibly well.
I’ll never forget my first Jiu-Jitsu competition in front of a screaming crowd. I barely remember the actual fight, but what sticks in my head is the buildup to it—the warm-ups, the waiting, the bizarre cocktail of fear and boredom. It all felt weirdly familiar, thanks to the famous knife fight scene from this book, which I’ve read at least a dozen times.
The protagonist, John Grady Cole, is stuck in a Mexican prison when he learns that another prisoner is planning an attempt on his life. What follows is an excruciating waiting game. McCarthy nails the details—the sharpening of the senses, the undercurrent of dread, the way your perception of time slows and accelerates in unpredictable ways when the moment finally arrives.
John Grady Cole is the last bewildered survivor of long generations of Texas ranchers. Finding himself cut off from the only life he has ever wanted, he sets out for Mexico with his friend Lacey Rawlins. Befriending a third boy on the way, they find a country beyond their imagining: barren and beautiful, rugged yet cruelly civilized; a place where dreams are paid for in blood.
The first volume in McCarthy's legendary Border Trilogy, All The Pretty Horses is an acknowledged masterpiece and a grand love story: a novel about the passing of childhood, of innocence and a vanished American…
What happens when a person is placed into a medically-induced coma?
The brain might be flatlining, but the mind is far from inactive: experiencing alternate lives rich in every detail that spans decades, visiting realms of stunning and majestic beauty, or plummeting to the very depths of Hell while defying…
“Truth may be stranger than fiction, but fiction is truer.” Frederic Raphael. When I was a child, a relative often told stories of a cowboy gear clad cousin who visited our New York family from Texas and claimed he’d once served in Pancho Villa’s army. These tales were the spark that eventually led to Viva, Rose! and my interest in storytelling as well. There’s something about the combination of lived experience and fiction that I find irresistibly engaging and exciting. I’ve worked as a journalist, ghostwriter, and editor, but my happiest happy place is writing and reading stories birthed from a molten core of real life.
This book was inspired by the author’s family stories of the Mexican Revolution. When government armies destroy twelve-year-old Petra’s village and home, she’s forced to lead her grandmother, younger sister, and baby brother through the trackless desert to survive. They encounter kindly monks, ruthless federales, and a band of Villistas who want Petra to join them, but she never veers from her determination to take her family to safety and freedom. This is a powerful read, and I’m thankful and appreciative for the insight it offers into war’s effect on helpless citizens, and the enormous courage, strength, and determination required of every refugee forced to flee their homeland.
