Here are 100 books that Troublesome Border fans have personally recommended if you like
Troublesome Border.
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My interest in diplomatic history began in earnest when I read A.J.P. Taylor, The Struggle for Mastery in Europe, 1848-1918, during my undergraduate education. I was fascinated by how nations interacted with each other over time. The pairing of immigration history came much later, during my doctoral program. I was drawn to how immigration historians discussed not just the dynamics of the movement of people, but the nature of nationality and nation, citizen and foreigner, citizenship and personhood. Studying immigration pointed me to Mexican history, which inspired me to ask the question that formed the basis of Risking Immeasurable Harm: how did tensions over immigration affect U.S.-Mexican relations?
This book is a classic work that discusses the massive repatriation of Mexican immigrants and Mexican Americans to Mexico during the 1930s amidst the Great Depression in the United States. Mexican immigrants who had been recruited to the United States during years of plenty were coercively expunged from US society when economic hard times hit.
I love the forceful tone of the book as it recounts the experiences of repatriating persons of Mexican descent: abuse at the hands of American employers and law enforcement and neglect by Mexico's government. The authors give a humanity to displaced persons that can easily be lost in quantitative and macroeconomic analyses of immigration.
It shows that, at their root, immigration crises involve humans and the choices they are often coerced to make to survive.
The first edition was the recipient of the Gustavus Myers Center for the Study of Human Rights Award as an outstanding work on intolerance and violation of basic rights. During the Great Depression, a sense of total despair plagued the United States. Americans sought a convenient scapegoat and found it in the Mexican community. Laws forbidding employment of Mexicans were accompanied by the hue and cry to ""get rid of the Mexicans!"" The hysteria led pandemic repatriation drives and one million Mexicans and their children were illegally shipped to Mexico. Despite their horrific treatment and traumatic experiences, the American born…
My interest in diplomatic history began in earnest when I read A.J.P. Taylor, The Struggle for Mastery in Europe, 1848-1918, during my undergraduate education. I was fascinated by how nations interacted with each other over time. The pairing of immigration history came much later, during my doctoral program. I was drawn to how immigration historians discussed not just the dynamics of the movement of people, but the nature of nationality and nation, citizen and foreigner, citizenship and personhood. Studying immigration pointed me to Mexican history, which inspired me to ask the question that formed the basis of Risking Immeasurable Harm: how did tensions over immigration affect U.S.-Mexican relations?
Speaking of humans at the center of immigration, this book gives voice to Mexican immigrants throughout the 20th century.
The book showcases retablos, which are small paintings (often on pieces of tin no larger than 6” x 8”) commissioned by migrants and their families that give thanks for overcoming the struggles of immigrating to and living in the United States. Religious in symbolism and message, retablos are essentially pictorial prayers.
Many migrants leave no records of their efforts to cross the border; leaving a paper trail is dangerous if they enter the United States undocumented. In this sense, retablos are some of the few sources that document the dangers of immigration from migrants’ perspectives. This book helped humanize my analysis of immigration in US-Mexico relations.
This vivid study, richly illustrated with forty color photographs, offers a multilayered analysis of retablosfolk images painted on tin that are offered as votives of thanks for a miracle granted or a favor bestowedcreated by Mexican migrants to the United States. Durand and Massey analyze 124 contemporary retablo texts, scrutinizing the shifting subjects and themes that constitute a running record of the migrant's unique experience. The result is a vivid work of synthesis that connects the history of an art form and a people, links two very different cultures, and allows a deeper understanding of a major twentieth-century themethe drama…
My interest in diplomatic history began in earnest when I read A.J.P. Taylor, The Struggle for Mastery in Europe, 1848-1918, during my undergraduate education. I was fascinated by how nations interacted with each other over time. The pairing of immigration history came much later, during my doctoral program. I was drawn to how immigration historians discussed not just the dynamics of the movement of people, but the nature of nationality and nation, citizen and foreigner, citizenship and personhood. Studying immigration pointed me to Mexican history, which inspired me to ask the question that formed the basis of Risking Immeasurable Harm: how did tensions over immigration affect U.S.-Mexican relations?
I love this book because it discusses the nebulous legal spaces migrants inhabit as they cross international borders.
First, despite credible borderlands scholarship that challenges the fixed and permanent nature of borders, this book shows that borders still matter–the sender nation loses human capital while the receiver nation gains human capital.
I also really like this book because it shows how governments of sender nations play a part in migration: their lax or stringent outbound migration requirements play a large part in determining if migrants choose to stay in host countries or repatriate.
What do governments do when much of their population simply gets up and walks away? In Mexico and other migrant-sending countries, mass emigration prompts governments to negotiate a new social contract with their citizens abroad. After decades of failed efforts to control outflow, the Mexican state now emphasizes voluntary ties, dual nationality, and rights over obligations. In this groundbreaking book, David Fitzgerald examines a region of Mexico whose citizens have been migrating to the United States for more than a century. He finds that emigrant citizenship does not signal the decline of the nation-state but does lead to a new…
Tourists and local residents of St. Augustine will enjoy reading about the secret wonders of their ancient city that are right under their noses. Of course, that includes a few stray corpses and ghosts!
My interest in diplomatic history began in earnest when I read A.J.P. Taylor, The Struggle for Mastery in Europe, 1848-1918, during my undergraduate education. I was fascinated by how nations interacted with each other over time. The pairing of immigration history came much later, during my doctoral program. I was drawn to how immigration historians discussed not just the dynamics of the movement of people, but the nature of nationality and nation, citizen and foreigner, citizenship and personhood. Studying immigration pointed me to Mexican history, which inspired me to ask the question that formed the basis of Risking Immeasurable Harm: how did tensions over immigration affect U.S.-Mexican relations?
I love this book because it tears apart any idea of objectivity in the law’s treatment of race and citizenship in US history. It argues that law plays a crucial role in creating racial categories. Far from fixed and predetermined, notions of race were constructed by courts throughout US history to determine whether persons were white enough to be included in the polity.
While this book does not specifically address Mexican immigration it is, nevertheless, immensely important to the study of US immigration history because of how it treats the law as a contested space. The law is not an aloof arbitrator in disputes over race and citizenship, but rather a central player in determining the contours of the nationality of a people. The book appears in many bibliographies, and is a foundational text of Critical Race Theory.
I’ve always been interested in creators who convey intensely personal stories through dynamic visuals, whether it be animation, illustrations, or comics. And even better: tales of people who lived in the past! Although trained in screenwriting and creative writing, I started making art twenty years ago–and that gave me a newfound respect for those folks who combine great stories and memorable drawings. Nowadays, I can’t read enough graphic novels!
This hooked me by page two–and I knew right away it was a classic! It’s got specific humor (including plenty of rad mid-1970s references) and characters who are immediately endearing. There are plenty of fascinating cultural and sociological details that I soaked up like a sponge. And it perfectly navigates changing tones, including poignant, hilarious and comforting. That's no easy feat!
An unforgettable graphic memoir about a Mexican American boy's family and their adventure-filled road trip to bring their abuelito back from Mexico to live with them that National Book Award Finalist Victoria Jamieson calls "one of those books that kids will pass to their friends as soon as they have finished it."
Pedro Martin has grown up hearing stories about his abuelito-his legendary crime-fighting, grandfather who was once a part of the Mexican Revolution! But that doesn't mean Pedro is excited at the news that Abuelito is coming to live with their family. After all, Pedro has 8 brothers and…
I’m a Panamanian American author and mother of two bilingual and bicultural children. I live a life between two beautiful languages and cultures, but that intersection is not always easy. In Squawk of Spanish, I explore the issue some children face when they don’t feel comfortable speaking the language of their grandparents. On this list, I’ve included a sample of books that celebrate some of the day-to-day joys and challenges of growing up Latine in the US. I hope you enjoy it!
Mariana visits her extended family in Mexico for the first time and feels overwhelmed with new sounds, faces, smells, and words that are supposed to mean family.
I think this book depicts the experience of second and third generation kids perfectly, especially as they visit their parents’ childhood home. I love the message it sends that family and love transcends language and cultural divide.
A heartwarming picture book about a young girl on her first trip to visit family in Mexico, who learns there is no language barrier when it comes to love-from debut author Monica Mancillas and rising star illustrator Erika Meza. Perfect for fans of Where Are You From? and Mango, Abuela, and Me.
Mariana is visiting her abuelita and extended family in Mexico for the first time. Her tummy does a flip as she and Mami cross the frontera.
There are all new sights, smells, and sounds. And at Abuelita's house, Mariana is overwhelmed by new faces and Spanish phrases she…
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands of…
By Jada Benn Torres and Gabriel A. Torres Colón
Author
Why are we passionate about this?
We met as “baby anthropologists” in graduate school and have stuck together ever since. With Jada’s training in genetic anthropology and Gabriel’s training in cultural anthropology, we’ve accompanied each other to our various field sites throughout the Caribbean, Spain, and the US Midwest. Aside from our book, each of us has authored many peer-reviewed publications, including an award-winning article in the journal Human Biology. Though we both have our own independent research agendas, our interests overlap on several topics including genetic ancestry. Our different anthropological training and our mutual love for our discipline always makes for interesting perspectives on a variety of topics.
Alex Chávez is a cultural anthropologist, but he is also a musician, and his artistic abilities are on full display in this beautifully narrated and analytically sharp ethnography of huapango arribeño across the US-Mexican social spaces. Chávez allows us to reimagine Mexican migrants as much more than the protagonists of the social problem of migration. Instead, we can see how expressive culture is a significant aspect of migrant lives. This book is also a theoretical heavyweight for those looking for more than a beautifully crafted ethnographic description.
In Sounds of Crossing Alex E. Chavez explores the contemporary politics of Mexican migrant cultural expression manifest in the sounds and poetics of huapango arribeno, a musical genre originating from north-central Mexico. Following the resonance of huapango's improvisational performance within the lives of audiences, musicians, and himself-from New Year's festivities in the highlands of Guanajuato, Mexico, to backyard get-togethers along the back roads of central Texas-Chavez shows how Mexicans living on both sides of the border use expressive culture to construct meaningful communities amid the United States' often vitriolic immigration politics. Through Chavez's writing, we gain an intimate look at…
I wrestled with big questions as a child, particularly concerning gender inequality. I was aware of the issue as young as 7 years old. I didn’t even feel comfortable challenging the way things were until I was a young adult. Thus began my journey of researching, studying, and embracing women’s rights and gender equality. I feel very passionate about presenting those big questions earlier in the lives of girls, so they start feeling comfortable challenging the places where things don’t make sense, or the areas where inequality still exists. There is a need for more books like these in the market, but I hope you enjoy this list!
Addie Ramirez, the main character of Tumble, is the kind of girl who takes charge of her situation—whether it’s searching for her father or meeting new people or speaking her mind about wrestling.
I felt such a personal connection to Addie; she loves her stepdad, but she still wonders about her father and embarks on a journey to find him and get to know him. And along the way, she meets her wrestling family and learns firsthand how powerful women wrestlers can be.
I loved that readers get to see powerful women in a sport traditionally dominated by men!
Twelve-year-old Adela "Addie" Ramirez has a big decision to make when her stepfather proposes adoption. Addie loves Alex, the only father figure she's ever known, but with a new half brother due in a few months and a big school theater performance on her mind, everything suddenly feels like it's moving too fast. She has a million questions, and the first is about the young man in the photo she found hidden away in her mother's things.
Addie's sleuthing takes her to a New Mexico ranch, and her world expands to include the legendary Bravos: Rosie and Pancho, her paternal…
Two books that I read as a young child were very important to me. The 500 Hats of Bartholomew Cubbins by Dr. Seuss made me think about riches, poverty, and the power that rich people have to make stupid rules; and poor people have no choice but to obey them. The Japanese Twins from Lucy Fitch Perkins' series on twins from different cultures gave me a life-long interest in cultural differences. Not only did they think differently, depending on their culture, they also had different skin colours. Later I learned about racism when I worked with unhappy displaced children and interpreted for asylum-seekers. I write from a child's perspective, making books accessible to all ages.
I learned from this story why families make the difficult decision to split up and send a father and a child on a dangerous journey for a better life. This family lives in Mexico, facing hunger and destitution. The father and his son became migrants. They walked to America, knowing that they could be split up or one of them die.
In this book, I learned about the Mexican-American War, and the atrocious US policy of splitting migrant children from their parents.
Join a young boy and his father on a daring journey from Mexico to Texas to find a new life. They'll need all the resilience and courage they can muster to safely cross the border - la frontera - and to make a home for themselves in a new land. AGES: 8 to 10 AUTHORS: Alfredo Alva is a stonemason from La Ceja, Mexico. He and his family live in Texas, where he designs architectural details from stone for local architects. He met Deborah Mills while working on a local architecture project, and they worked together to write his story…
It didn’t begin with Donald Trump. When the Republican Party lost five straight presidential elections during the 1930s and 1940s, three things happened: (1) Republicans came to believe that presidential elections are rigged; (2) Conspiracy theories arose and were believed; and (3) The presidency was elevated to cult-like status.
I love hip hop. It’s basically poetry with a beat. I'm always thinking of literature in terms of rhythm and delivery. Creatively, my inspirations come from lyricists. I look at poets the same way. They accomplish wonderful feats with words. From years of listening to classic albums, I can feel the aliveness of a good verse. It’s also an element I try to tap into as a fiction writer. I'm a recipient of the 2023 Whiting Award and was also named an Emerging Writer Fellow at the Center for Fiction in 2018. My work has appeared in the Sewanee Review and Granta. He is the author of Stories from the Tenants Downstairs.
I first came across this poet at a conference in Tennessee. You know you're legit when even the fiction writers are like, you need to read this guy.
The poem “Mexican Heaven” is about what heaven would be like if it were inhabited by all Mexicans. It’s hilarious and wise. He has this other poem about being disciplined by his dad, which captures the immigrant experience–how your dad beats you, but in the punishment is a strange form of love.
Olivarez is nice with it. His poems have rhythm and prowess, but they are also palatable in a way that doesn't sacrifice craft.
In this stunning debut, poet Jose Olivarez explores the stories, contradictions, joys, and sorrows that embody life in the spaces between Mexico and America. He paints vivid portraits of good kids, bad kids, families clinging to hope, life after the steel mills, gentrifying barrios, and everything in between. Combining wry humour with potent emotional force, Olivarez takes on complex issues of race, ethnicity, gender,class, and immigration using an everyday language that invites the reader in. Olivarez has a unique voice that makes him a poet to watch.
