Here are 69 books that Miracles on the Border fans have personally recommended if you like
Miracles on the Border.
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My interest in diplomatic history began in earnest when I read A.J.P. Taylor, The Struggle for Mastery in Europe, 1848-1918, during my undergraduate education. I was fascinated by how nations interacted with each other over time. The pairing of immigration history came much later, during my doctoral program. I was drawn to how immigration historians discussed not just the dynamics of the movement of people, but the nature of nationality and nation, citizen and foreigner, citizenship and personhood. Studying immigration pointed me to Mexican history, which inspired me to ask the question that formed the basis of Risking Immeasurable Harm: how did tensions over immigration affect U.S.-Mexican relations?
I love this book because it was one of the first scholarly works to consider what is now commonly accepted among researchers of US-Mexican relations: that borders are fluid.
This thin volume gives a concise history of the US-Mexico border. It treats border zones as distinct, rather than peripheral, spaces in the nation. In the case of the United States and Mexico, the border region is neither American nor Mexican but rather an amalgamation of both. The implicit statement being, of course, that treating the physical border between the two countries as rigid and categorical is fallacious.
I also love this book because it debunks the almost predetermined ways in which borders are viewed. Instead of prescribed lines on a map that make perfect sense on the ground, borders are moving (sometimes literally, often times figuratively), and fashioned by various demographic, economic, political, and military factors. A foundational book for…
Now available: Troublesome Border, Revised Edition!Martínez reviews the history of the border region and reveals the web of relationships that link one side with the other, delineating the social, economic, and cultural predicaments of its population to emphasize the estrangement between the "binational" periphery of each nation and the core societies. Troublesome Border offers readers an understanding of the border through the events most crucial to its development, and provides an opportunity to reassess the true nature of its unique problems.
My interest in diplomatic history began in earnest when I read A.J.P. Taylor, The Struggle for Mastery in Europe, 1848-1918, during my undergraduate education. I was fascinated by how nations interacted with each other over time. The pairing of immigration history came much later, during my doctoral program. I was drawn to how immigration historians discussed not just the dynamics of the movement of people, but the nature of nationality and nation, citizen and foreigner, citizenship and personhood. Studying immigration pointed me to Mexican history, which inspired me to ask the question that formed the basis of Risking Immeasurable Harm: how did tensions over immigration affect U.S.-Mexican relations?
This book is a classic work that discusses the massive repatriation of Mexican immigrants and Mexican Americans to Mexico during the 1930s amidst the Great Depression in the United States. Mexican immigrants who had been recruited to the United States during years of plenty were coercively expunged from US society when economic hard times hit.
I love the forceful tone of the book as it recounts the experiences of repatriating persons of Mexican descent: abuse at the hands of American employers and law enforcement and neglect by Mexico's government. The authors give a humanity to displaced persons that can easily be lost in quantitative and macroeconomic analyses of immigration.
It shows that, at their root, immigration crises involve humans and the choices they are often coerced to make to survive.
The first edition was the recipient of the Gustavus Myers Center for the Study of Human Rights Award as an outstanding work on intolerance and violation of basic rights. During the Great Depression, a sense of total despair plagued the United States. Americans sought a convenient scapegoat and found it in the Mexican community. Laws forbidding employment of Mexicans were accompanied by the hue and cry to ""get rid of the Mexicans!"" The hysteria led pandemic repatriation drives and one million Mexicans and their children were illegally shipped to Mexico. Despite their horrific treatment and traumatic experiences, the American born…
My interest in diplomatic history began in earnest when I read A.J.P. Taylor, The Struggle for Mastery in Europe, 1848-1918, during my undergraduate education. I was fascinated by how nations interacted with each other over time. The pairing of immigration history came much later, during my doctoral program. I was drawn to how immigration historians discussed not just the dynamics of the movement of people, but the nature of nationality and nation, citizen and foreigner, citizenship and personhood. Studying immigration pointed me to Mexican history, which inspired me to ask the question that formed the basis of Risking Immeasurable Harm: how did tensions over immigration affect U.S.-Mexican relations?
I love this book because it discusses the nebulous legal spaces migrants inhabit as they cross international borders.
First, despite credible borderlands scholarship that challenges the fixed and permanent nature of borders, this book shows that borders still matter–the sender nation loses human capital while the receiver nation gains human capital.
I also really like this book because it shows how governments of sender nations play a part in migration: their lax or stringent outbound migration requirements play a large part in determining if migrants choose to stay in host countries or repatriate.
What do governments do when much of their population simply gets up and walks away? In Mexico and other migrant-sending countries, mass emigration prompts governments to negotiate a new social contract with their citizens abroad. After decades of failed efforts to control outflow, the Mexican state now emphasizes voluntary ties, dual nationality, and rights over obligations. In this groundbreaking book, David Fitzgerald examines a region of Mexico whose citizens have been migrating to the United States for more than a century. He finds that emigrant citizenship does not signal the decline of the nation-state but does lead to a new…
My interest in diplomatic history began in earnest when I read A.J.P. Taylor, The Struggle for Mastery in Europe, 1848-1918, during my undergraduate education. I was fascinated by how nations interacted with each other over time. The pairing of immigration history came much later, during my doctoral program. I was drawn to how immigration historians discussed not just the dynamics of the movement of people, but the nature of nationality and nation, citizen and foreigner, citizenship and personhood. Studying immigration pointed me to Mexican history, which inspired me to ask the question that formed the basis of Risking Immeasurable Harm: how did tensions over immigration affect U.S.-Mexican relations?
I love this book because it tears apart any idea of objectivity in the law’s treatment of race and citizenship in US history. It argues that law plays a crucial role in creating racial categories. Far from fixed and predetermined, notions of race were constructed by courts throughout US history to determine whether persons were white enough to be included in the polity.
While this book does not specifically address Mexican immigration it is, nevertheless, immensely important to the study of US immigration history because of how it treats the law as a contested space. The law is not an aloof arbitrator in disputes over race and citizenship, but rather a central player in determining the contours of the nationality of a people. The book appears in many bibliographies, and is a foundational text of Critical Race Theory.
I am mainly known as an Interiors Photographer and although accidentally falling into photographing Interiors, it has become a passion, always interested in the story these places tell and alongside my husband we have built our own home creating a unique space using recuperated materials. As part of my work, I am always looking for interesting and inspirational books and places. It is how I train my eye, drawn to the unusual. I am as happy photographing a chateau in Provence as I am in a small and remote cabin in Norway.
I was given this as a present and what a wonderful present it was. Deborah Turbeville is a wonderful photographer whose work I admire. Her fashion photography was innovative, imaginative and so creative.
This book, a visual diary of her house and time in Mexico is filled with her signature blurred images, from black and white portraits to colourful interiors. It goes against everything we learn in Interiors but it’s magical, evocative, and gothic.
In the tradition of Kahlo and Allende, Turbeville’s brilliantly stylish portrait of her Mexican house evokes both her vivid imagination and the mystique of Mexico. High-ceilinged rooms surround a central courtyard that is lined with faded frescoes of biblical scenes. The glimmer and shafts of diffused light that stream into the courtyards and curtained rooms add to the romantic atmosphere—one feels as though they have entered into a quintessential Turbeville photograph. Turbeville has captured the spiritual nature of Mexican culture by incorporating into candlelit interiors such traditional religious artifacts as colorful painted tin retablos, hand-carved saints, wooden tableau boxes, and…
My family came to the United States as undocumented immigrants from Guatemala. There is a lot of negative rhetoric being shared about undocumented immigrants. There are many reasons why people make the impossible decision to leave their native countries and travel to the United States. Reading books about these experiences creates empathy, compassion, and understanding.
In Somewhere Between Bitter and Sweet, Penelope Prado has a dream of opening a bakery. While working in her father’s restaurant, she meets Xander, a good-looking boy whose immigration status leaves him in jeopardy. This book really resonated with me because Xander is dealing with a consequential issue of facing deportation. That’s a very scary thing to face at such a young age, and I think a lot of youth are in similarly precarious situations.
As an aspiring pastry chef, Penelope Prado has always dreamed of opening her own pasteleria next to her father's restaurant, Nacho's Tacos. But her mom and dad have different plans -- leaving Pen to choose between disappointing her traditional Mexican-American parents or following her own path. When she confesses a secret she's been keeping, her world is sent into a tailspin. But then she meets a cute new hire at Nacho's who sees through her hard exterior and asks the questions she's been too afraid to ask herself.
Xander Amaro has been searching for home since he was a little…
My family came to the United States as undocumented immigrants from Guatemala. There is a lot of negative rhetoric being shared about undocumented immigrants. There are many reasons why people make the impossible decision to leave their native countries and travel to the United States. Reading books about these experiences creates empathy, compassion, and understanding.
Indivisibletells the story of Mateo Garcia and his little sister. Their parents are picked up by immigration officials. His school life is interrupted by this terrible event. Mateo has to help take care of his sister while not knowing what is going to happen to his parents. As a daughter of immigrants, I felt very drawn to the story. I understand what a difficult decision it is for parents to make to leave behind their home countries to try to make a better life for their children.
There is a word Mateo Garcia and his younger sister Sophie have been taught to fear for as long as they can remember: deportation. Over the past few years, however, the fear that their undocumented immigrant parents could be sent back to Mexico has started to fade to the back of their minds. And why wouldn't it, when their Ma and Pa have been in the United States for so long, they have American-born children, and they're hard workers and good neighbors?
When two ICE agents come asking for Pa, the Garcia family realizes that the lives they've built are…
I’ve always been interested in creators who convey intensely personal stories through dynamic visuals, whether it be animation, illustrations, or comics. And even better: tales of people who lived in the past! Although trained in screenwriting and creative writing, I started making art twenty years ago–and that gave me a newfound respect for those folks who combine great stories and memorable drawings. Nowadays, I can’t read enough graphic novels!
This hooked me by page two–and I knew right away it was a classic! It’s got specific humor (including plenty of rad mid-1970s references) and characters who are immediately endearing. There are plenty of fascinating cultural and sociological details that I soaked up like a sponge. And it perfectly navigates changing tones, including poignant, hilarious and comforting. That's no easy feat!
An unforgettable graphic memoir about a Mexican American boy's family and their adventure-filled road trip to bring their abuelito back from Mexico to live with them that National Book Award Finalist Victoria Jamieson calls "one of those books that kids will pass to their friends as soon as they have finished it."
Pedro Martin has grown up hearing stories about his abuelito-his legendary crime-fighting, grandfather who was once a part of the Mexican Revolution! But that doesn't mean Pedro is excited at the news that Abuelito is coming to live with their family. After all, Pedro has 8 brothers and…
I’m an author and illustrator from Buenos Aires, Argentina. As a Latin American, I think it's important to have books with stories about our realities and culture that feature Latino people as the protagonists. I hope you enjoy my recommendations!
If you are like me, you enjoy stories about grandparents. This book is about a granddaughter's relationship with her grandmother, and the embarrassment she feels about the yellow handkerchief her grandmother uses.
I love everything Cynthia Alonso illustrates, and this book is no exception. The illustrations are playful and colorful, depicting the bond between these two characters in a beautiful way. I also like that the text includes some Spanish words.
In the end, the character realizes that her grandmother's yellow handkerchief makes her unique, and the legacy is passed on, a beautiful takeaway.
A child confronts conflicting feelings of embarrassment and love for her Mexican abuela in this moving, personal story from Newbery- and Pura Belpre Award-winning author Donna Barba HigueraMy abuela wears an old yellow handkerchief that her grandmother gave to her.I don't like the yellow handkerchief.When a young girl feels ashamed of her family for being "different" and subconsciously blames her abuela, she gradually grows to not only accept but also love the yellow handkerchief that represents a language and culture that once brought embarrassment.Inspired by the personal experiences of award-winning author Donna Barba Higuera and expressively illustrated by Cynthia Alonso,…
I grew up in a time when it was nearly unheard of to be out in high school. This led to a very lonely and isolating childhood, with few role models and almost no queer fiction. I'm dedicated to making it easier for the next generation by providing joyful stories about queer people living their best lives. My stories feature proud queer people, where being queer is simply an aspect of their personalities and doesn't dominate the plot. People imitate art, and by providing positive examples of happy queer people, I hope to make the world a more accepting place, one story at a time.
I love a book that pushes my boundaries and allows me to see things from a different perspective in an intimate way, and this book certainly does that.
It features Ander, a non-binary main character who deals with issues of racism and immigration. Despite the heavy topics, the book is filled with tender moments, a wonderful look at Mexican American culture, and is largely a joyous and emotional love story.
The Santos Vista neighbourhood of San Antonio, TX is all Ander Lopez has ever known. The smell of pan dulce, the laughter of kids hitting a pinata at the park, the mixture of Spanish and English filling the streets. And, especially, their job at the family's taqueria. So as the days count down on their gap year until the day they'll leave for art school in Chicago, their head is filled with one relentless question: am I really ready to leave it all behind?
Their family, however, has the opposite worry: to keep them from becoming complacent, they "fire" Ander…
