Here are 100 books that The Yellow Handkerchief fans have personally recommended if you like
The Yellow Handkerchief.
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I’m an author and illustrator from Buenos Aires, Argentina. As a Latin American, I think it's important to have books with stories about our realities and culture that feature Latino people as the protagonists. I hope you enjoy my recommendations!
This is a powerful picture book about a brother and sister crossing the border on their own that is written from a child's point of view. The journey the characters have to take is set up as a game in which they have to escape and hide from the monsters in order to get to the other side.
The theme of migration and refugees is treated with sensitivity, and it is clear that it is an important topic for the author-illustrator, who had contact with families and children who had to live through this. I think it is a very important and relevant topic for today.
Author-illustrator Erika Meza delivers a stunning and emotionally rich book from the viewpoint of those most impacted by border walls: young refugee children. This powerfully told tale highlights the spirit and strength of those embarking on a dangerous trek, and what awaits them on the other side.
My sister tells me the rules of the game are simple.
Avoid the monsters. Don’t get caught. And keep moving.
If the monsters catch you, you’re out.
A young boy and his older sister have left home to play a game. To win, they must travel across endless lands together and make it…
I’m an author and illustrator from Buenos Aires, Argentina. As a Latin American, I think it's important to have books with stories about our realities and culture that feature Latino people as the protagonists. I hope you enjoy my recommendations!
I love this book because it's about the power of music, and how songs are a means to express ourselves and communicate what we feel. These are all topics that I am passionate about.
In the book, the main character travels the world to play the piano, and people are drawn to the music because songs always create a sense of community.
Winner of the Pura Belpre Illustrator Award A Kirkus Reviews Best Picture Book
In soaring words and stunning illustrations, Margarita Engle and Rafael Lopez tell the story of Teresa Carreno, a child prodigy who played piano for Abraham Lincoln.
As a little girl, Teresa Carreno loved to let her hands dance across the beautiful keys of the piano. If she felt sad, music cheered her up, and when she was happy, the piano helped her share that joy. Soon she was writing her own songs and performing in grand cathedrals. Then a revolution in Venezuela forced her family to flee…
I’m an author and illustrator from Buenos Aires, Argentina. As a Latin American, I think it's important to have books with stories about our realities and culture that feature Latino people as the protagonists. I hope you enjoy my recommendations!
A story in which the author celebrates her place of origin, her family, and her culture. It's about magic, and how it can take different forms, like when people's hands touch the earth or when houses turn into homes.
I love that the book feels so personal. The illustrations are beautiful.
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author picked
Magic
as one of their favorite books, and they share
why you should read it.
This book is for kids age
4,
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7.
What is this book about?
In her debut as author and illustrator, Mirelle Ortega shares her own story of growing up on her family's pineapple farm in Mexico, where she learned the true meaning of magicI learned that magic isn't good or bad, it just is. Sometimes it gives, sometimes it takes. Sometimes life blossoms, sometimes it wilts.Growing up on a pineapple farm in Mexico, a girl discovers the true meaning of the word magic in this truly magical picture book about change and transformation of all kinds-what we can't control, such as natural disasters and loss, and what we can. Magic can transform dirt…
I’m an author and illustrator from Buenos Aires, Argentina. As a Latin American, I think it's important to have books with stories about our realities and culture that feature Latino people as the protagonists. I hope you enjoy my recommendations!
Family separation, leaving one's own country, and learning a new language are some of the topics readers will find in this book, all of which are very relevant for kids to understand and to be empathetic to today. It's informative, sensitive, and beautifully illustrated by Luisa Uribe, one of my favorite illustrators at the moment.
It is the true story of author Areli Morales, and it follows a Mexican girl who emigrated to the United States. Reading it just makes you want to cheer for Areli, that she will be reunited with her family, that she will find her place in her new city and school, and that her family will have a better future.
In the first picture book written by a DACA Dreamer, Areli Morales tells her own powerful and vibrant immigration story.
When Areli was just a baby, her mama and papa moved from Mexico to New York with her brother, Alex, to make a better life for the family--and when she was in kindergarten, they sent for her, too.
Everything in New York was different. Gone were the Saturdays at Abuela’s house, filled with cousins and sunshine. Instead, things were busy and fast and noisy. Areli’s limited English came out wrong, and schoolmates accused her of being illegal. But with time,…
I write romance with Latinas on top. Strong, confident, and successful women (or women on their path to success) who are also sex-positive and know what they want are featured in all my work. I’m passionate about this type of representation of my community because until recently, it has been incredibly difficult to find. While the stories of our struggles are important stories to tell and read, I want to read more stories of our triumphs. Latina women have among the lowest reading for fun rates of any group, but why would we read for fun when we are not seeing our reflection anywhere on the page? This is why representation is so important.
Whenever I need a low-angst, light-hearted rom-com, Carla Luna is my go-to. White Wedding is my favorite of hers, featuring hot, Mexican-American chef, Rafael Sanchez.
Rafael breaks every common stereotype of the Mexican man. Incredibly patient, gentle, and loving, he is the perfect cinnamon-roll hero for Victoria Blackwood.
The premise of this book is everything. Our heroine, Victoria, is stuck planning a wedding. It just so happens the groom is her ex. Enter Rafael to cater the wedding. Oh, did I forget to mention he was her one-night stand she ran out on? Yes, this book is as delicious as it sounds.
This book made me laugh out loud, embarrassingly, in public places. Perfect for a weekend escape into a happy world.
Take one lavish holiday wedding. Add one evil ex and his bridezilla. And toss in a smoking-hot chef from the past. It’s a recipe for disaster.
Victoria Blackwood has spent years trying to redeem herself after falling victim to a blackmail scheme that cost her father thousands. So, when he insists she coordinate a big Christmas wedding at her family’s winery, she can’t say no. Even if the groom is her ex, and the caterer just quit.
For Rafael Sanchez, a last-minute call to cater a huge society wedding is a golden opportunity. If he can prove he’s up to…
I’ve always been interested in creators who convey intensely personal stories through dynamic visuals, whether it be animation, illustrations, or comics. And even better: tales of people who lived in the past! Although trained in screenwriting and creative writing, I started making art twenty years ago–and that gave me a newfound respect for those folks who combine great stories and memorable drawings. Nowadays, I can’t read enough graphic novels!
This hooked me by page two–and I knew right away it was a classic! It’s got specific humor (including plenty of rad mid-1970s references) and characters who are immediately endearing. There are plenty of fascinating cultural and sociological details that I soaked up like a sponge. And it perfectly navigates changing tones, including poignant, hilarious and comforting. That's no easy feat!
An unforgettable graphic memoir about a Mexican American boy's family and their adventure-filled road trip to bring their abuelito back from Mexico to live with them that National Book Award Finalist Victoria Jamieson calls "one of those books that kids will pass to their friends as soon as they have finished it."
Pedro Martin has grown up hearing stories about his abuelito-his legendary crime-fighting, grandfather who was once a part of the Mexican Revolution! But that doesn't mean Pedro is excited at the news that Abuelito is coming to live with their family. After all, Pedro has 8 brothers and…
I grew up in a time when it was nearly unheard of to be out in high school. This led to a very lonely and isolating childhood, with few role models and almost no queer fiction. I'm dedicated to making it easier for the next generation by providing joyful stories about queer people living their best lives. My stories feature proud queer people, where being queer is simply an aspect of their personalities and doesn't dominate the plot. People imitate art, and by providing positive examples of happy queer people, I hope to make the world a more accepting place, one story at a time.
I love a book that pushes my boundaries and allows me to see things from a different perspective in an intimate way, and this book certainly does that.
It features Ander, a non-binary main character who deals with issues of racism and immigration. Despite the heavy topics, the book is filled with tender moments, a wonderful look at Mexican American culture, and is largely a joyous and emotional love story.
The Santos Vista neighbourhood of San Antonio, TX is all Ander Lopez has ever known. The smell of pan dulce, the laughter of kids hitting a pinata at the park, the mixture of Spanish and English filling the streets. And, especially, their job at the family's taqueria. So as the days count down on their gap year until the day they'll leave for art school in Chicago, their head is filled with one relentless question: am I really ready to leave it all behind?
Their family, however, has the opposite worry: to keep them from becoming complacent, they "fire" Ander…
I'm a fifth-generation Arizonan, a former staff writer for the Arizona Republic, and a lifelong student of the Grand Canyon State. One of my very favorite things to do is travel the backroads of this amazing state and talk with the astonishing people who live there. Along the way, I wrote eight nonfiction books, including Island on Fire, which won the 2020 National Book Critics Circle Award. My day job is at Chapman University, where I am an English professor.
Cities all over the country were busy wrecking their own architectural heritage in the mid-20th century during the heyday of “slum clearance,” but Tucson experienced an especially painful loss: multiple blocks of irreplaceable colonial townhouses in Barro Viejo turned to dust for the sake of an ugly convention center.
Lydia Otero explains how and why this was allowed to happen with the exactitude of a scholar and the muted outrage of one who came from the community mourning the loss.
On March 1, 1966, the voters of Tucson approved the Pueblo Center Redevelopment Project--Arizona's first major urban renewal project--which targeted the most densely populated eighty acres in the state. For close to one hundred years, tucsonenses had created their own spatial reality in the historical, predominantly Mexican American heart of the city, an area most called "la calle." Here, amid small retail and service shops, restaurants, and entertainment venues, they openly lived and celebrated their culture. To make way for the Pueblo Center's new buildings, city officials proceeded to displace la calle's residents and to demolish their ethnically diverse neighborhoods,…
My interest in diplomatic history began in earnest when I read A.J.P. Taylor, The Struggle for Mastery in Europe, 1848-1918, during my undergraduate education. I was fascinated by how nations interacted with each other over time. The pairing of immigration history came much later, during my doctoral program. I was drawn to how immigration historians discussed not just the dynamics of the movement of people, but the nature of nationality and nation, citizen and foreigner, citizenship and personhood. Studying immigration pointed me to Mexican history, which inspired me to ask the question that formed the basis of Risking Immeasurable Harm: how did tensions over immigration affect U.S.-Mexican relations?
I love this book because it was one of the first scholarly works to consider what is now commonly accepted among researchers of US-Mexican relations: that borders are fluid.
This thin volume gives a concise history of the US-Mexico border. It treats border zones as distinct, rather than peripheral, spaces in the nation. In the case of the United States and Mexico, the border region is neither American nor Mexican but rather an amalgamation of both. The implicit statement being, of course, that treating the physical border between the two countries as rigid and categorical is fallacious.
I also love this book because it debunks the almost predetermined ways in which borders are viewed. Instead of prescribed lines on a map that make perfect sense on the ground, borders are moving (sometimes literally, often times figuratively), and fashioned by various demographic, economic, political, and military factors. A foundational book for…
Now available: Troublesome Border, Revised Edition!Martínez reviews the history of the border region and reveals the web of relationships that link one side with the other, delineating the social, economic, and cultural predicaments of its population to emphasize the estrangement between the "binational" periphery of each nation and the core societies. Troublesome Border offers readers an understanding of the border through the events most crucial to its development, and provides an opportunity to reassess the true nature of its unique problems.
By Jada Benn Torres and Gabriel A. Torres Colón
Author
Why are we passionate about this?
We met as “baby anthropologists” in graduate school and have stuck together ever since. With Jada’s training in genetic anthropology and Gabriel’s training in cultural anthropology, we’ve accompanied each other to our various field sites throughout the Caribbean, Spain, and the US Midwest. Aside from our book, each of us has authored many peer-reviewed publications, including an award-winning article in the journal Human Biology. Though we both have our own independent research agendas, our interests overlap on several topics including genetic ancestry. Our different anthropological training and our mutual love for our discipline always makes for interesting perspectives on a variety of topics.
Alex Chávez is a cultural anthropologist, but he is also a musician, and his artistic abilities are on full display in this beautifully narrated and analytically sharp ethnography of huapango arribeño across the US-Mexican social spaces. Chávez allows us to reimagine Mexican migrants as much more than the protagonists of the social problem of migration. Instead, we can see how expressive culture is a significant aspect of migrant lives. This book is also a theoretical heavyweight for those looking for more than a beautifully crafted ethnographic description.
In Sounds of Crossing Alex E. Chavez explores the contemporary politics of Mexican migrant cultural expression manifest in the sounds and poetics of huapango arribeno, a musical genre originating from north-central Mexico. Following the resonance of huapango's improvisational performance within the lives of audiences, musicians, and himself-from New Year's festivities in the highlands of Guanajuato, Mexico, to backyard get-togethers along the back roads of central Texas-Chavez shows how Mexicans living on both sides of the border use expressive culture to construct meaningful communities amid the United States' often vitriolic immigration politics. Through Chavez's writing, we gain an intimate look at…
