Here are 100 books that Areli Is a Dreamer fans have personally recommended if you like
Areli Is a Dreamer.
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I’m an author and illustrator from Buenos Aires, Argentina. As a Latin American, I think it's important to have books with stories about our realities and culture that feature Latino people as the protagonists. I hope you enjoy my recommendations!
This is a powerful picture book about a brother and sister crossing the border on their own that is written from a child's point of view. The journey the characters have to take is set up as a game in which they have to escape and hide from the monsters in order to get to the other side.
The theme of migration and refugees is treated with sensitivity, and it is clear that it is an important topic for the author-illustrator, who had contact with families and children who had to live through this. I think it is a very important and relevant topic for today.
Author-illustrator Erika Meza delivers a stunning and emotionally rich book from the viewpoint of those most impacted by border walls: young refugee children. This powerfully told tale highlights the spirit and strength of those embarking on a dangerous trek, and what awaits them on the other side.
My sister tells me the rules of the game are simple.
Avoid the monsters. Don’t get caught. And keep moving.
If the monsters catch you, you’re out.
A young boy and his older sister have left home to play a game. To win, they must travel across endless lands together and make it…
I’m an author and illustrator from Buenos Aires, Argentina. As a Latin American, I think it's important to have books with stories about our realities and culture that feature Latino people as the protagonists. I hope you enjoy my recommendations!
I love this book because it's about the power of music, and how songs are a means to express ourselves and communicate what we feel. These are all topics that I am passionate about.
In the book, the main character travels the world to play the piano, and people are drawn to the music because songs always create a sense of community.
Winner of the Pura Belpre Illustrator Award A Kirkus Reviews Best Picture Book
In soaring words and stunning illustrations, Margarita Engle and Rafael Lopez tell the story of Teresa Carreno, a child prodigy who played piano for Abraham Lincoln.
As a little girl, Teresa Carreno loved to let her hands dance across the beautiful keys of the piano. If she felt sad, music cheered her up, and when she was happy, the piano helped her share that joy. Soon she was writing her own songs and performing in grand cathedrals. Then a revolution in Venezuela forced her family to flee…
I’m an author and illustrator from Buenos Aires, Argentina. As a Latin American, I think it's important to have books with stories about our realities and culture that feature Latino people as the protagonists. I hope you enjoy my recommendations!
If you are like me, you enjoy stories about grandparents. This book is about a granddaughter's relationship with her grandmother, and the embarrassment she feels about the yellow handkerchief her grandmother uses.
I love everything Cynthia Alonso illustrates, and this book is no exception. The illustrations are playful and colorful, depicting the bond between these two characters in a beautiful way. I also like that the text includes some Spanish words.
In the end, the character realizes that her grandmother's yellow handkerchief makes her unique, and the legacy is passed on, a beautiful takeaway.
A child confronts conflicting feelings of embarrassment and love for her Mexican abuela in this moving, personal story from Newbery- and Pura Belpre Award-winning author Donna Barba HigueraMy abuela wears an old yellow handkerchief that her grandmother gave to her.I don't like the yellow handkerchief.When a young girl feels ashamed of her family for being "different" and subconsciously blames her abuela, she gradually grows to not only accept but also love the yellow handkerchief that represents a language and culture that once brought embarrassment.Inspired by the personal experiences of award-winning author Donna Barba Higuera and expressively illustrated by Cynthia Alonso,…
I’m an author and illustrator from Buenos Aires, Argentina. As a Latin American, I think it's important to have books with stories about our realities and culture that feature Latino people as the protagonists. I hope you enjoy my recommendations!
A story in which the author celebrates her place of origin, her family, and her culture. It's about magic, and how it can take different forms, like when people's hands touch the earth or when houses turn into homes.
I love that the book feels so personal. The illustrations are beautiful.
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What is this book about?
In her debut as author and illustrator, Mirelle Ortega shares her own story of growing up on her family's pineapple farm in Mexico, where she learned the true meaning of magicI learned that magic isn't good or bad, it just is. Sometimes it gives, sometimes it takes. Sometimes life blossoms, sometimes it wilts.Growing up on a pineapple farm in Mexico, a girl discovers the true meaning of the word magic in this truly magical picture book about change and transformation of all kinds-what we can't control, such as natural disasters and loss, and what we can. Magic can transform dirt…
At some point I decided that if I was going to teach US history, I better have a good sense of what the place looked like. So I drove across the country—and then back again—and then again, and then once more, each time at a different latitude. I drove through North Dakota and South Dakota, Montana and Idaho, Nebraska and Kansas, Arkansas and Oklahoma, Louisiana and Texas, up and down California, Oregon and Washington, and on and on. I got addicted to seeing the landscape in all its amazing variety and vastness, and seeing the landscape made the histories come alive.
Miroslava Chavez Garcia’s parents were tragically killed when she was very young. As an adult, already an accomplished historian, she came across a trunk in her uncle’s closet filled with their letters to each other. Using those letters, she builds a deeply personal history. Her story adds dimensions we usually cannot know about migration and the emotional bonds it strains and sustains.
Drawing upon a personal collection of more than 300 letters exchanged between her parents and other family members across the U.S.-Mexico border, Miroslava Chavez-Garcia recreates and gives meaning to the hope, fear, and longing migrants experienced in their everyday lives both ""here"" and ""there"" (aqui y alla). As private sources of communication hidden from public consumption and historical research, the letters provide a rare glimpse into the deeply emotional, personal, and social lives of ordinary Mexican men and women as recorded in their immediate, firsthand accounts. Chavez-Garcia demonstrates not only how migrants struggled to maintain their sense of humanity in…
As a transplant to California, albeit more than 50 years ago, I am still fascinated by what makes this place at the edge of the Pacific so unique. It has accepted so many people, from so many places over a fairly recent period. I always feel I can deduce more history from well rendered characters set in specific times and places. Their wholeness and their meaning, as well as that of their culture, are to be found in literature.
In San Diego, “Little Angel” visits his half-brother, the patriarch of a large Hispanic clan at what they both suspect will be his last birthday party. “Big Angel,” grew up in Mexico and Urrea treats us to the story of his life, how he won his wife, how he ended up in San Diego. “Little Angel,” the author, tries to locate himself in this family, though he is half Gringo.
I loved the deep honesty that goes on in this family gathering, the fun and the sorrow. And it certainly locates the reader in place, in time, and in a culture. All of Urrea’s books are amazing.
"All we do, mija, is love. Love is the answer. Nothing stops it. Not borders. Not death."
In his final days, beloved and ailing patriarch Miguel Angel de La Cruz, affectionately called Big Angel, has summoned his entire clan for one last legendary birthday party. But as the party approaches, his mother, nearly one hundred, dies herself, leading to a farewell doubleheader in a single weekend. Among the guests is Big Angel's half brother, known as Little Angel, who must reckon with the truth that although he shares a father with his siblings, he has not, as a half gringo,…
I grew up as an African American in the Maryland Appalachian valley, a town that was ninety-five percent white. My father worked for the paper mill and would bring home reams of paper, pens, pencils. I began playing with the stuff—making up stories and stapling them into books, the raw beginnings of a future novelist. Separately, I created dialogue, using clothespins as people: a burgeoning playwright. (We were notdestitute—my sister and I had toys! But those makeshift playthings worked best for my purposes.) So, given my working-class racial minority origins, it was rather inevitable that I would be drawn to stories addressing class and race.
I was searching for some good fiction by a Latinx author regarding immigration at the southern border when I discovered this gem. The narrative begins in Texas with an undocumented family—the mother’s constant dread of authorities; the aching memory of the father’s deportation; sickness and abuse engendered by farm work. Some youthful mischief by the two sons accidentally, and in an instant, splinters the household and transforms the mise en scèneto Mexico and the nightmare that, as the author eloquently demonstrates, NAFTA and the American drug wars have wrought: routine brutality, lethal superstition, destitution, desperation. Peña’s graceful prose packs into two hundred pages an epic journey of love and sacrifice, of terror and survival, of three people struggling under the most insurmountable circumstances to maintain their humanity.
Uli’s first flight, a late-night joy ride with his brother, changes their lives forever when the engine stops and the boys crash land, with “Texas to the right and Mexico to the left.” Before the accident, Uli juggled his status as both an undocumented immigrant and a high school track star in Harlingen, Texas, desperately hoping to avoid being deported like his father. His mother Araceli spent her time waiting for her husband. His older brother Cuauhtémoc, a former high-school track star turned drop-out, learned to fly a crop duster, spraying pesticide over their home in the citrus grove.
As an American, a Jew, and a novelist—though not necessarily in that order—I’ve always been interested in Jewish-American literature, and the Jewish-American experience in general. What was it like for the first Jews in America? What accounted for their success? What were the costs of assimilation? And where are they—we—headed? These books are a great starting point for anyone looking for answers to these questions. But be warned: in keeping with the Jewish tradition, they often answer those questions with more questions. Not, to quote the Jewish sage Jerry Seinfeld, that there’s anything wrong with that.
Drawing on history, literature, and a wealth of primary sources, World of Our Fathers paints a comprehensive portrait of the first major wave of Eastern European Jews to come to America—and specifically, New York—following the assassination of Alexander II.
In this massive but deeply engaging work of art, Howe does nothing less than recreate a lost time, place, and culture. With chapters covering immigration, ghetto life, labor politics, and the Yiddish theater, among others, this is essential reading for American Jews—and anyone else interested in their story.
A new 30th Anniversary paperback edition of an award-winning classic. Winner of the National Book Award, 1976 World of Our Fathers traces the story of Eastern Europe's Jews to America over four decades. Beginning in the 1880s, it offers a rich portrayal of the East European Jewish experience in New York, and shows how the immigrant generation tried to maintain their Yiddish culture while becoming American. It is essential reading for those interested in understanding why these forebears to many of today's American Jews made the decision to leave their homelands, the challenges these new Jewish Americans faced, and how…
Two things are true about me: I’m fascinated by the early twentieth century and I'm a diehard feminist. My grandfather nurtured my love of the 1920s and 1930s by introducing me to Dorothy Parker, John O’Hara, Ella Fitzgerald, and The New Yorker. My mother, a petite woman who can wield a welder like few others, encouraged the development of my feminist sensibilities. These two parts came together when my father offhandedly mentioned that his grandmother had an unplanned pregnancy during the Great Depression. As I researched reproductive issues through the years, my fascination for the topic grew. Each of the books here takes a different view of how to deal with an unwanted pregnancy.
No graphic novel has ever blown me away like Unterzakhn(which means “underthings” in Yiddish). The story takes place in the early 1900s on the Lower East Side of New York, and the black-and-white bold strokes illustrate the bleakness of the lives of the new immigrants. Twin sisters find themselves taking roaringly divergent paths: one works in a whorehouse before becoming a star of the stage; the other assists the “lady-doctor,” from whom she learns about birth control and abortion. With strong feminist themes, I found it impossible not to root for both sisters. This is the only graphic novel whose ending made me cry.
A mesmerizing, heartbreaking graphic novel of immigrant life on New York’s Lower East Side at the turn of the twentieth century, as seen through the eyes of twin sisters whose lives take radically and tragically different paths.
For six-year-old Esther and Fanya, the teeming streets of New York’s Lower East Side circa 1910 are both a fascinating playground and a place where life’s lessons are learned quickly and often cruelly. In drawings that capture both the tumult and the telling details of that street life, Unterzakhn (Yiddish for “Underthings”) tells the story of these sisters: as wide-eyed little girls absorbing…
A summer with relatives in Belgium—a country divided by language and culture—inspired me to travel to Santo Domingo in 1988 to learn Spanish and study the fraught dynamics of two countries speaking different languages but sharing an island. My time in the Dominican Republic and Haiti inspired a lifelong exploration of complex issues using many lenses and stories. Today I write mainly about risk, drawing on psychology, culture, policy, and economics. The third book, The Gray Rhino, calls for a fresh look at obvious, looming threats. My fourth book, You Are What You Risk, explores risk perceptions and attitudes using a comparative, socio-cultural lens like the one I used in Why the Cocks Fight.
The title of this novel took me back to 1989, when I was living in the Dominican Republic they year and Juan Luis Guerra and his band 4-40 released their hit song, "Ojala que llueva café", an homage to rural Dominicans and their hopes; and another iconic song, "Visa para un sueño" (Visa for a Dream). This book is about the Dominicans in those songs: a family saga and the historical and contemporary realities that shaped their lives, aspirations, and disappointment. Its backdrop, unlike the other novels here, is mainly the post-Trujillo era: the brief presidency of Juan Bosch, his overthrow, and the revolution and US invasion that followed, catalyzing a wave of emigration that persists today.
With her first novel, Angie Cruz established herself as a dazzling new voice in Latin-American fiction. Junot Diaz called her "a revelation" and The Boston Globe compared her writing to that of Gabriel García Márquez. Now, with humor, passion, and intensity, she reveals the proud members of the Colón family and the dreams, love, and heartbreak that bind them to their past and the future. Esperanza did not risk her life fleeing the Dominican Republic to live in a tenement in Washington Heights. No, she left for the glittering dream she saw on television: JR, Bobby Ewing, and the crystal…
