100 books like Casa No Name

As quoted by Axel Vervoordt his philosophy “is a belief that a home should be a personal expression of your soul. It should represent the way you want to live, the ideas that define your tastes, perspectives, and connections to the world. The spaces where people share private experiences with family and friends should restore and give energy. ”
Vervoordt is a master of Interiors and this quote sums up my belief towards my own Interiors. This book is outstanding. It has been a big influence in my life and as a photographer. He incorporates the Japanese philosophy of Wabi Sabi - acceptance of transience and imperfection - and I see this in many aspects of what we have tried to create in our own home. 

This book was not only an inspiration for my first book but a book that visually spoke to me not only through the photography, but the spaces and places included in it. There are many Interiors books on the market but this one is up there as one of my all time favourites. It inspires me to be a better photographer and I find myself looking at this book over and over again. 

A recent purchase, when I discovered this book on Instagram (secondhand) I immediately wanted to buy it.

First published in 1993 it is still relevant today as I am sure it was then. We are all in love with Cabins, sheds, corrugated iron, escapism and there are many books on this subject. Marie France Boyer works for The World of Interiors amongst other magazines and has a wonderful eye and this book inspires me in my research for cabins in the world.

This book is one of my most recent purchases. I really love Sean Scherer’s style and it speaks to both myself and my husband.

The photography is great in this book and Sean has a wonderful eye for detail. It’s a feast for the eyes. It has that ‘cabinet de curiosité’ style and so many details I want to keep looking at. I have visited the Catskills area and this book certainly makes me want to go back there again. It is a well-thought-out and inspiring book.

This short novel is by a Mexican writer and takes place underground. At first, we cannot tell who is living and who is dead, but we eventually accept the fact that the characters are ghosts. 

The ghosts come and go, remembering their past lives together. They remind each other of the events of the Mexican Revolution that they lived through, and they especially remember the strongman in the village. Pedro Páramo runs things with an iron hand, and he also pines for a woman who is beyond his control—the only thing he wants that he can’t have.

The voices in this novel are like a chorus of whispers breathing the picture of a poor village. I love the beauty and mystery of the writing. Many Mexicans consider this their greatest novel, and for all readers, it is a small masterpiece. 

Laura Esquivel’s delicious love story is chock full of cooking and magic realism. When protagonist Tita first sees Pedro, a forbidden passion ignites and burns bright. It consumes and almost devours the young lovers at the center of this novel.

When I set out to write my book, I wanted to include elements of magic realism and lots of cooking. Growing up Italian in New Jersey, the magic of food was a huge part of my upbringing. Like Tita in Like Water for Chocolate, I learned very early in life that great cooking is the best way to capture and keep anyone’s heart.

I read The Brick People when it was first published in 1988.

At the time, I was already familiar with Morales’ work, but this historical novel about the Simons Brick Factory in Southern California and the Mexican migrants who the Simons brother depended upon for their success seized my imagination.

The author blends folklore, history, myth, and magical realism into a novel that relates the story of Mexican migrants and their complicity with or rebellion against the Simons brothers and the mores of the early 20th Century Los Angeles region.

Morales shows how history from the ground up is manifested in people’s lives.  His characters work and play hard as they seek to build community and pursue dreams of social mobility even when customs and laws prohibit them.

Oh, this is an amazing book! Hard to read in a few places, because it deals openly with the aftermath of a gruesome suicide. But if you ask me, that’s what readers need – openness about subjects, such as suicide, topics which many people would prefer to avoid altogether. Also, I’ve met author Don Aker and I love him. He told me he got the idea for this story from a real-life suicide that took place in his community.

Another deeply insightful book from Paul Theroux, On the Plain of Snakes explores the cultural richness and sometimes dangerous aspects of Mexico. With a forward style and charisma, he comes face to face with narcos, police, corruption, migrants, and the sometimes frightening indigenous culture. His writings are not just all darkness and gloom. He goes to great lengths to describe the importance of family in a country with virtually no social network. He talks with the educated, the poverty-stricken, and even meets the leader of the Zapatistas.  After reading On the Plain of Snakes' you will develop a new appreciation for our Mexican neighbors, particularly concerning migration and the border control issues that have dominated the US for too many years. This is a long arduous trip which Theroux makes thoroughly enjoyable. 

Like Silverblatt’s book on native women in prehispanic and colonial Peru, this edited volume on early Mexico was and remains a gamer changer in bringing to light women’s work, including ways women accumulated and distributed wealth, their varieties of social and political identities they held, and their power and influence.

With chapters by experts in Aztec/Nahua women’s, social, and cultural history, the chapters represent a variety of approaches and methodologies to women’s and gender history even in areas where the documentation on women is sparser than in central Mesoamerica, especially for northern Mexico and Maya women further south.