Here are 100 books that Casa No Name fans have personally recommended if you like
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I am mainly known as an Interiors Photographer and although accidentally falling into photographing Interiors, it has become a passion, always interested in the story these places tell and alongside my husband we have built our own home creating a unique space using recuperated materials. As part of my work, I am always looking for interesting and inspirational books and places. It is how I train my eye, drawn to the unusual. I am as happy photographing a chateau in Provence as I am in a small and remote cabin in Norway.
As quoted by Axel Vervoordt his philosophy “is a belief that a home should be a personal expression of your soul. It should represent the way you want to live, the ideas that define your tastes, perspectives, and connections to the world. The spaces where people share private experiences with family and friends should restore and give energy. ” Vervoordt is a master of Interiors and this quote sums up my belief towards my own Interiors. This book is outstanding. It has been a big influence in my life and as a photographer. He incorporates the Japanese philosophy of Wabi Sabi - acceptance of transience and imperfection - and I see this in many aspects of what we have tried to create in our own home.
Interior design guru Axel Vervoordt shares his latest inspirations for the home. Axel Vervoordts intense curiosity has fueled his work as an interior designer, spurring him to explore and draw inspiration from cultures around the globe. He was first exposed to Eastern art and philosophy years ago, but today it has become the guiding principle in his work, particularly the concept of Wabi. Developed in the twelfth century, Wabi advocates simplicity and humility, the rejection of all that is superfluous or artificial. Through extraordinary photographs from Japan and Korea to Belgium and Switzerland, Vervoordt invites us to explore the elements…
I am mainly known as an Interiors Photographer and although accidentally falling into photographing Interiors, it has become a passion, always interested in the story these places tell and alongside my husband we have built our own home creating a unique space using recuperated materials. As part of my work, I am always looking for interesting and inspirational books and places. It is how I train my eye, drawn to the unusual. I am as happy photographing a chateau in Provence as I am in a small and remote cabin in Norway.
This book was not only an inspiration for my first book but a book that visually spoke to me not only through the photography, but the spaces and places included in it. There are many Interiors books on the market but this one is up there as one of my all time favourites. It inspires me to be a better photographer and I find myself looking at this book over and over again.
If you have read The House that Pinterest Built, Smart Spaces, The Alchemy of Things, or Elements of Style you're going to love Perfect Imperfect.
Wabi-sabi and new creative interior design expressions: Perfect Imperfect is a stunning collection of homes and studios of creatives from all over the world, with thought-provoking text by Karen McCartney and stunning visuals by Sharyn Cairns and Glen Proebstel. Perfect Imperfect takes as its founding principle the Japanese concept of wabi-sabi. Wabi-Sabi advocates the beauty to be found in imperfection, impermanence and the authentic. Importantly this is done without losing sight of the benefits of…
I am mainly known as an Interiors Photographer and although accidentally falling into photographing Interiors, it has become a passion, always interested in the story these places tell and alongside my husband we have built our own home creating a unique space using recuperated materials. As part of my work, I am always looking for interesting and inspirational books and places. It is how I train my eye, drawn to the unusual. I am as happy photographing a chateau in Provence as I am in a small and remote cabin in Norway.
A recent purchase, when I discovered this book on Instagram (secondhand) I immediately wanted to buy it.
First published in 1993 it is still relevant today as I am sure it was then. We are all in love with Cabins, sheds, corrugated iron, escapism and there are many books on this subject. Marie France Boyer works for The World of Interiors amongst other magazines and has a wonderful eye and this book inspires me in my research for cabins in the world.
Intriguing and strangely magnetic, cabins fulfil the longing in all of us to indulge again in our childhood reveries of secret hideaways, built of branches and leaves or whatever is to hand; to enter our own private world; to commune with nature and with our own selves. Hidden in the forest, up in the treetops, by the side of still or moving water, down at the end of the garden, the cabin is the most magical of dwellings. Magical, but real too, as these photos from all over the world testify: fishing cabins in Maine; the shed in Wales to…
I am mainly known as an Interiors Photographer and although accidentally falling into photographing Interiors, it has become a passion, always interested in the story these places tell and alongside my husband we have built our own home creating a unique space using recuperated materials. As part of my work, I am always looking for interesting and inspirational books and places. It is how I train my eye, drawn to the unusual. I am as happy photographing a chateau in Provence as I am in a small and remote cabin in Norway.
This book is one of my most recent purchases. I really love Sean Scherer’s style and it speaks to both myself and my husband.
The photography is great in this book and Sean has a wonderful eye for detail. It’s a feast for the eyes. It has that ‘cabinet de curiosité’ style and so many details I want to keep looking at. I have visited the Catskills area and this book certainly makes me want to go back there again. It is a well-thought-out and inspiring book.
Interior designer, artist, and collector Sean Scherer shares his secrets about applying the principles of two-dimensional art to home design
Sean Scherer’s Kabinett & Kammeris equally a celebration and a guide to both collecting and showing how lively design can integrate disparate objects into beautifully layered ensembles. Scherer’s interiors feature vintage display cabinets housing discarded collections of whittled songbirds, stunning 19th-century maps and school teaching aids, ferns in cast-iron planters, and photomurals. The effect is a supercharged nod to American Gothic heightened by Scherer’s sophisticated palette and sense of proportion. Each photograph by William Abranowicz is a lesson on color…
I fell in love with Latin American literature when I was in the Peace Corps in the late 1960s in the highlands of Colombia. My husband and I were in a program of rural community development. The Colombian writer, Gabriel García Márquez, published his now-famous novel, One Hundred Years of Solitude, while we were there (in 1967), and when I read it, I said, “This is the kind of fiction that I want to keep on reading and studying forever!” And so I have. I am on the faculty of the University of Houston, where I teach Latin American literature and history, including a course on Magical Realism.
This short novel is by a Mexican writer and takes place underground. At first, we cannot tell who is living and who is dead, but we eventually accept the fact that the characters are ghosts.
The ghosts come and go, remembering their past lives together. They remind each other of the events of the Mexican Revolution that they lived through, and they especially remember the strongman in the village. Pedro Páramo runs things with an iron hand, and he also pines for a woman who is beyond his control—the only thing he wants that he can’t have.
The voices in this novel are like a chorus of whispers breathing the picture of a poor village. I love the beauty and mystery of the writing. Many Mexicans consider this their greatest novel, and for all readers, it is a small masterpiece.
Winner, Fred Whitehead Award for the Best Design of a Trade Book from Texas Institute of Letters Western Books Exhibition Selection, Rounce & Coffin Club, 2003 Deserted villages of rural Mexico, where images and memories of the past linger like unquiet ghosts, haunted the imaginations of two artists-writer Juan Rulfo and photographer Josephine Sacabo. In one such village of the mind, Comala, Rulfo set his classic novel Pedro Paramo, a dream-like tale that intertwines a man's quest to find his lost father and reclaim his patrimony with the father's obsessive love for a woman who will not be possessed-Susana San…
I have learned about the nature of magic and the mythical firsthand. I have always been a seeker, fiercely curious and an avid reader to try to understand the world so as to find myself and my destiny. Wise women appeared to guide my path as I quested the heroine’s journey with its many helpers and spirits, its coincidences, and its marvels. When I dreamt about the Roma, I knew the story was important; I attended UCLA and got to work. My passion has never dwindled during the 20 years it took to manifest the Destiny's Consent book series.
I am not a fan of fantasy, but this is magical realism at its best. Not too much, not too little, just enough to remind everyone that the spirits are still working on behalf of true love and goodness and that justice prevails despite all obstacles…like a fairy tale with complications. Just my cup of tea.
How realistic is it that food transmits any emotions the cook may be feeling while making the food? This idea captivated me immediately; it was something I had never thought about. And yet, growing up in my family, women always made the food. So again, a very female tale.
In the beginning, Tita, the heroine, is passionate and in love, but she succumbs to tradition and rejects true love and passion to submit to tradition, which dictates she takes care of her mother. In time, Tita learns to disobey the injustice of that tradition…
THE INTOXICATING INTERNATIONAL BESTSELLER ABOUT LOVE, COOKING AND MAGIC. PERFECT FOR FANS OF JOANNE HARRIS AND ISABEL ALLENDE.
'This magical, mythical, moving story of love, sacrifice and summering sensuality is something I will savour for a long time' MAUREEN LIPMAN
Like Water For Chocolate tells the captivating story of the De la Garza family. As the youngest daughter, Tita is forbidden by Mexican tradition to marry. Instead, she pours all of her emotions into her delicious recipes, which she shares with readers along the way.When Tita falls in love with Pedro, he is seduced by the magical food she cooks.…
Ghost stories have fascinated me since I was a small child, even when they gave me nightmares every night. I've never lived in a haunted house, been part of a cursed family, or been kidnapped by highwaymen and villainous villains, but I've always sensed some people never leave this world. Despite the nightmares, I also believe ghosts aren't always vengeful spirits but loved ones, beings of light who sometimes just want to say hi. I have been writing stories since I learned to write. Ghost stories have always been a part of me, and I hope to shed a different light on this gloomy genre.
About twenty years ago, I read the opening lines of this book (published in 1955) in the evening and finished the entire book in one sitting. This time, I read it in two sittings and fell in love with it again.
I love how this short novel straddles several genres—literary fiction, magic realism, surrealist fiction, and Gothic fiction—in its own way. I always enjoy a precise and simple style, at which Juan Rulfo excels. Yet, the narrative and the plot are so complex that it's hard to believe so much fits into one hundred pages.
This book has all the elements of Gothic fiction in the Mexican style. The gloom and eeriness are palpable in the oppressive heat of the wasteland that is the fictional town of Comala, and only Rulfo could marry such contradictions in one short novel.
"One of the best novels in Hispanic literature, and in literature as a whole.” —Jorge Luis Borges
The highly influential masterpiece of Latin American literature, now published in a new, authoritative translation, and featuring a foreword by Gabriel García Márquez
A masterpiece of the surreal that influenced a generation of writers in Latin America, Pedro Páramo is the otherworldly tale of one man’s quest for his lost father. That man swears to his dying mother that he will find the father he has never met—Pedro Páramo—but when he reaches the town of Comala, he…
As a second-generation immigrant, I knew very little of my family’s migration story. My grandparents never really learned English despite living in the US sixty or more years. In my twenties when the country was undergoing turmoil about immigration reform once again, I began looking at the immigrants all around me (and in literature) and identifying what we had in common—how our lives intertwined and were mutually dependent on one another. In 2007 I traveled 8,500 miles around the perimeter of the US by bicycle on a research trip to collect stories from immigrants and those whose lives they impacted. I wrote two books based on that experience.
I read The Brick People when it was first published in 1988.
At the time, I was already familiar with Morales’ work, but this historical novel about the Simons Brick Factory in Southern California and the Mexican migrants who the Simons brother depended upon for their success seized my imagination.
The author blends folklore, history, myth, and magical realism into a novel that relates the story of Mexican migrants and their complicity with or rebellion against the Simons brothers and the mores of the early 20th Century Los Angeles region.
Morales shows how history from the ground up is manifested in people’s lives. His characters work and play hard as they seek to build community and pursue dreams of social mobility even when customs and laws prohibit them.
This engrosing historical novel traces the growth of California from the nineteenth to the twentieth centuries by following in the development of the Simons Brick Factory. With an attention to historical reality blended with myth and legend, the prolific Morales recounts the epic struggle of a people to forge their destiny, along with Califonia's.
Ever since I was a child, I have been fascinated by work and the ways that it organizes the rest of life. Mining is one of those activities that brings together economics, politics, gender, class, kinship, and cosmology in especially tight proximity. I am also fascinated by Latin America, a region where mining has been important for thousands of years. These interests led me to become an anthropologist specializing in mining in Mexico and Colombia. It has been my privilege to work in this area for over twenty-five years now, making lifelong friends, learning about their lives and struggles, and sharing that knowledge with students and readers.
I was simultaneously horrified and riveted by this painstaking, searing account of a mine fire that took place in the Mexican mining center of Pachuca in 1920 and the subsequent coverup by the government and media.
The underground fire that burns even as those on the surface go about their business is both historical fast and a metaphor for the “silent fury” of many Mexicans over the inhumanity of corporations operating in their country, and over the conditions of impunity created by legal and political institutions.
This fury continues to burn in the 2020s, Herrera suggests, just as it did in the 1920s.
On March 10, 1920, in Pachuca, Mexico, the Compania de Santa Gertrudis - the largest employer in the region, and a subsidiary of the United States Smelting, Refining and Mining Company - may have committed murder.
The alert was first raised at six in the morning: a fire was tearing through the El Bordo mine. After a brief evacuation, the mouths of the shafts were sealed. Company representatives hastened to assert that "no more than ten" men remained inside the mineshafts, and that all ten were most certainly dead. Yet when the mine was opened six days later, the death…
As far as I can remember, I have been obsessed with death! Maybe it’s because my mom, who died four years ago at the age of 86, was a Holocaust survivor. Anyway, what I’ve noticed is that all kids' stories deal with death. Think, for instance, of how Harry Potter is an orphan. Or how so many characters in fairy tales have a parent who is dead. I think dealing with death – talking about it openly --- helps us live our lives in a more meaningful way. For my own novel, Planet Grief, I did a ton of researcher and befriended an amazing grief counselor named Dawn Cruchet. You can look her up on the web and learn about her too. Dawn taught me that there is no one, correct way to grieve, that grief is a life-changing journey.
Oh, this is an amazing book! Hard to read in a few places, because it deals openly with the aftermath of a gruesome suicide. But if you ask me, that’s what readers need – openness about subjects, such as suicide, topics which many people would prefer to avoid altogether. Also, I’ve met author Don Aker and I love him. He told me he got the idea for this story from a real-life suicide that took place in his community.
Just dumped by his girlfriend, Jace Antonakos has recorded a proclamation in a notebook his English teacher made him take on his winter vacation to the Mayan Riviera: I'm going to Mexico to get laid. The fact that he's only days away from turning 18 and still a virgin has Jace spooked, and he figures that Playa del Carmen's golden beaches draped with equally golden girls should increase his odds of success. On the other hand, the fact that he's travelling with his mother, his aunt and his nine-year-old autistic brother just about kills that bet. Then he meets Kate,…
