Here are 100 books that The Space Between fans have personally recommended if you like
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As far as I can remember, I have been obsessed with death! Maybe it’s because my mom, who died four years ago at the age of 86, was a Holocaust survivor. Anyway, what I’ve noticed is that all kids' stories deal with death. Think, for instance, of how Harry Potter is an orphan. Or how so many characters in fairy tales have a parent who is dead. I think dealing with death – talking about it openly --- helps us live our lives in a more meaningful way. For my own novel, Planet Grief, I did a ton of researcher and befriended an amazing grief counselor named Dawn Cruchet. You can look her up on the web and learn about her too. Dawn taught me that there is no one, correct way to grieve, that grief is a life-changing journey.
This story takes place on an exotic trek in Thailand. The setting is amazing. But what is even more amazing is the stuff going on inside the sixteen-year-old narrator Valentine’s head! She is trying to cope after the tragic, senseless death of her boyfriend. There is a lot that is sad and serious in this story, but it’s also life-affirming and beautifully written.
After the death of her boyfriend, sixteen-year old Valentine stops going to school, quits seeing her friends and, finally, won’t leave her bed. Desperate for her daughter to recover, Valentine’s mother takes her on a trek in Thailand. In the mountains north of Chiang Mai, Valentine finds a world she didn’t know existed, where houses are on stilts and elephants still roam wild. She learns about the Burmese civil war and the relentless violence against the Karen and Rohingya peoples. Then she meets Lin, a mysterious young elephant keeper tormented by his hidden past, and an orphaned elephant calf, pursued…
As far as I can remember, I have been obsessed with death! Maybe it’s because my mom, who died four years ago at the age of 86, was a Holocaust survivor. Anyway, what I’ve noticed is that all kids' stories deal with death. Think, for instance, of how Harry Potter is an orphan. Or how so many characters in fairy tales have a parent who is dead. I think dealing with death – talking about it openly --- helps us live our lives in a more meaningful way. For my own novel, Planet Grief, I did a ton of researcher and befriended an amazing grief counselor named Dawn Cruchet. You can look her up on the web and learn about her too. Dawn taught me that there is no one, correct way to grieve, that grief is a life-changing journey.
One of my favourite books of all time! Not only because the author is Dutch (like me!!). The narrator Kiki is a worrier. She worries most of all about her dad who is a doctor who works in dangerous war zones. This book manages to be funny and sad and beautiful at the same time. Read it!
'It's about something called the odds,' said my mother. 'For instance, the odds that you'll become a millionaire are very, very small. The odds that you'll find a coin in the street are a lot bigger. And it's the same thing with fathers. The odds of having a father are big, and the odds of not having a father are small. So you don't have to worry too much about not having a father."Can you make the odds of something smaller?' I asked. 'Or bigger?' 'Yes,' my mother said. 'Sometimes.'Kiki's father, a doctor, is always putting himself in danger by…
I’ve always been deeply interested in how people connect to those around them—it is something I write about constantly. My first novel, So Much Love, was about how a community reacts to terrible loss and uncertainty, and my recent book of nonfiction, These Days Are Numbered, is about how my own community—and I—reacted to the Covid-19 pandemic. I am always looking at how humans human, separately and especially together. That is one of the joys of narrative fiction for me—the way we can use it to examine our behaviour and interactions, and how we form relationships and communities. I hope these books enthrall you as much as they did me.
There are so many things to love about this extremely beloved YA adventure novel about a futuristic world where a pandemic has ravaged most people’s ability to dream…except for Indigenous people, who are hunted for their bone marrow, which is believed to contain their dreaming ability.
It’s a haunting, exciting, eerie, and important book, but of the many things it underlines is the importance of found family, of learning to trust and find solace and protection and strength from the people we choose to be with. A beautiful lesson in a book full of good ones.
Humanity has nearly destroyed its world through global warming, but now an even greater evil lurks. The indigenous people of North America are being hunted and harvested for their bone marrow, which carries the key to recovering something the rest of the population has lost: the ability to dream. In this dark world, Frenchie and his companions struggle to survive as they make their way up north to the old lands. For now, survival means staying hidden-but what they don't know is that one of them holds the secret to defeating the marrow thieves.
As far as I can remember, I have been obsessed with death! Maybe it’s because my mom, who died four years ago at the age of 86, was a Holocaust survivor. Anyway, what I’ve noticed is that all kids' stories deal with death. Think, for instance, of how Harry Potter is an orphan. Or how so many characters in fairy tales have a parent who is dead. I think dealing with death – talking about it openly --- helps us live our lives in a more meaningful way. For my own novel, Planet Grief, I did a ton of researcher and befriended an amazing grief counselor named Dawn Cruchet. You can look her up on the web and learn about her too. Dawn taught me that there is no one, correct way to grieve, that grief is a life-changing journey.
Because I love how this book combines crazy humour and deep feeling. Because I am friends with the author I know that this book comes from somewhere deeply personal in his life – Silberberg’s mom died when he was a kid. This book needs to be read by anyone coping with the death of a loved one. Like all great books for kids, it’s for adults too!
1
author picked
Milo
as one of their favorite books, and they share
why you should read it.
This book is for kids age
9,
10,
11, and
12.
What is this book about?
Loveable thirteen-year-old geek Milo Cruikshank finds reasons for frustration at every turn, from the annoying habits of his neighbors to his futile efforts to get Summer Goodman to realize his existence. The truth is, ever since Milo’s mother died, nothing has gone right. Now instead of the kitchen being full of music, his whole house has been filled with Fog. Nothing’s the same. Not his Dad. Not his sister. And definitely not him. Milo achieves a rare and easy balance of poignancy and awkward, natural humor, making it deeply accessible—this is the kind of book that can change lives.
The first time I visited a vineyard was as a child with my mother and grandparents. Driving to San Francisco from Oregon, we stopped to tour a Sonoma vineyard and winery there. Later, as a young adult touring Western Europe, I became intrigued by the vineyards there. Something about the beauty of gently rolling slopes of green vines tugged on me. And I found the science and art of winemaking fascinating. Even the history of wine-making is noteworthy. And I love that Jesus’ first miracle was transforming ordinary water into extraordinary wine. So using the setting of a vineyard for my novel just felt right. And it was a fun adventure!
This is a beautiful story set in Post WW 2 era about a young woman on her way home from college. She is ‘in trouble’ and in need of a good friend. Her family of Spanish/Mexican heritage owns a vineyard in California and is very traditional. She meets up with a young soldier, also on his way home. He offers to help her... and the magic, as well as the trouble, begins. This is a lovely romantic story... a celebration of fate and true love.
This is a magical romance about a soldier returning from war in 1945 to a broken marriage, who meets a woman sobbing by the side of the road. She is pregnant, her boyfriend has left her and she doesn't know how she is going to face her parents and family. He accompanies her and becomes involved.
Growing up in a sheltered environment on Long Island, NY, I had little sense of a larger world, except for seeing images of the Vietnam War. Going to college in the early 70s and becoming an anthropology major, the world began to open up, yet I hadn't experienced life outside the U.S. until my mid-20s as a graduate student living in Mexico to do dissertation research. That experience and travels to Guatemala, Peru, Cuba, and Costa Rica helped me to see how diverse Latin America is, and how real poverty and suffering are as well. Coming into my own as a historian, teacher, and writer, my fascination with women’s voices, experiences, and activism only grew.
Like Silverblatt’s book on native women in prehispanic and colonial Peru, this edited volume on early Mexico was and remains a gamer changer in bringing to light women’s work, including ways women accumulated and distributed wealth, their varieties of social and political identities they held, and their power and influence.
With chapters by experts in Aztec/Nahua women’s, social, and cultural history, the chapters represent a variety of approaches and methodologies to women’s and gender history even in areas where the documentation on women is sparser than in central Mesoamerica, especially for northern Mexico and Maya women further south.
This volume counters the stereotype that Indian women are without history. Neither silent nor invisible, women of early Mexico were active participants in society and critically influenced the direction history would take. This collection of essays by leading scholars in Mexican ethnohistory, edited by Susan Schroeder, Stephanie Wood, and Robert Haskett, examines the life experiences of Indian women in preconquest and colonial Mexico.
I am fascinated by the places where cultures intersect and the means by which they do so. I am an American lucky to live in gorgeous San Miguel de Allende, Mexico, and previously in Hirakata, Japan; Shanghai, China; Suva, Fiji; and Oxford, England. Each move entailed a challenging but rewarding effort to absorb a new set of unwritten societal rules. A great way to grow is to immerse yourself in the unknown and have things you took for granted about how the world works suddenly come into question. Another is to learn from those who have gone before us, so I am delighted to share these wonderful books with you.
I read The Old Gringo in college before I had any inkling that I would one day be a not-too-old gringa making her home in San Miguel de Allende.
Fuentes imagines meaningful final days for Ambrose Bierce, an American journalist who in 1913 headed off into Mexico at the age of 71, never to be heard from again. I love this book for the way Fuentes captures and probes profound differences and lingering mistrust between our cultures as well as the universal human struggles for meaning, opportunity, security, and belonging.
While Fuentes’ old gringo, we are told, came to die a worthy soldier’s death in Mexico, the gringos of my generation are here to live fully and well.
One of Carlos Fuentes's greatest works, The Old Gringo tells the story of Ambrose Bierce, the American writer, soldier, and journalist, and of his last mysterious days in Mexico living among Pancho Villa's soldiers, particularly his encounter with General Tomas Arroyo. In the end, the incompatibility of the two countries (or, paradoxically, their intimacy) claims both men, in a novel that is, most of all, about the tragic history of two cultures in conflict.
I fell in love with Latin American literature when I was in the Peace Corps in the late 1960s in the highlands of Colombia. My husband and I were in a program of rural community development. The Colombian writer, Gabriel García Márquez, published his now-famous novel, One Hundred Years of Solitude, while we were there (in 1967), and when I read it, I said, “This is the kind of fiction that I want to keep on reading and studying forever!” And so I have. I am on the faculty of the University of Houston, where I teach Latin American literature and history, including a course on Magical Realism.
This short novel is by a Mexican writer and takes place underground. At first, we cannot tell who is living and who is dead, but we eventually accept the fact that the characters are ghosts.
The ghosts come and go, remembering their past lives together. They remind each other of the events of the Mexican Revolution that they lived through, and they especially remember the strongman in the village. Pedro Páramo runs things with an iron hand, and he also pines for a woman who is beyond his control—the only thing he wants that he can’t have.
The voices in this novel are like a chorus of whispers breathing the picture of a poor village. I love the beauty and mystery of the writing. Many Mexicans consider this their greatest novel, and for all readers, it is a small masterpiece.
Winner, Fred Whitehead Award for the Best Design of a Trade Book from Texas Institute of Letters Western Books Exhibition Selection, Rounce & Coffin Club, 2003 Deserted villages of rural Mexico, where images and memories of the past linger like unquiet ghosts, haunted the imaginations of two artists-writer Juan Rulfo and photographer Josephine Sacabo. In one such village of the mind, Comala, Rulfo set his classic novel Pedro Paramo, a dream-like tale that intertwines a man's quest to find his lost father and reclaim his patrimony with the father's obsessive love for a woman who will not be possessed-Susana San…
A French emperor, nephew of Napoleon Bonaparte, Napoleon III who dreamed of an empire in Latin America and invaded Mexico; an Austrian aristocrat, the Habsburg Ferdinand Maximilian, ruling Mexico as a monarchy; Benito Juárez, who was born into an impoverished Mexican village but later became president, defying and defeating these European emperors. These are the extraordinary characters and events that led me to fall in love with Mexico’s history, and write my book, The Last Emperor of Mexico.
For many outside Mexico, the country is synonymous with the war on drugs. There is, of course, much more to Mexico than the view ossified in popular TV dramas like Netflix’s Narcos; however, organised crime has wrought horrifying levels of violence, and shaped the country in many ways. Making sense of all this is Benjamin T Smith’s book on the history of the drug trade. Combining the writing style of James Ellroy with in-depth research that puts most historians to shame, the book is, without doubt, the best English-language work ever produced on the topic.
The Mexican drug trade has inspired prejudiced narratives of a war between north and south, white and brown; between noble cops and vicious kingpins, corrupt politicians and powerful cartels. In this first comprehensive history of the trade, historian Benjamin T. Smith tells the real story of how and why this one-peaceful industry turned violent. He uncovers its origins and explains how this illicit business essentially built modern Mexico, affecting everything from agriculture to medicine to economics-and the country's all-important relationship with the United States.
Drawing on unprecedented archival research; leaked DEA, Mexican law enforcement, and cartel documents; and dozens of…
I am mainly known as an Interiors Photographer and although accidentally falling into photographing Interiors, it has become a passion, always interested in the story these places tell and alongside my husband we have built our own home creating a unique space using recuperated materials. As part of my work, I am always looking for interesting and inspirational books and places. It is how I train my eye, drawn to the unusual. I am as happy photographing a chateau in Provence as I am in a small and remote cabin in Norway.
I was given this as a present and what a wonderful present it was. Deborah Turbeville is a wonderful photographer whose work I admire. Her fashion photography was innovative, imaginative and so creative.
This book, a visual diary of her house and time in Mexico is filled with her signature blurred images, from black and white portraits to colourful interiors. It goes against everything we learn in Interiors but it’s magical, evocative, and gothic.
In the tradition of Kahlo and Allende, Turbeville’s brilliantly stylish portrait of her Mexican house evokes both her vivid imagination and the mystique of Mexico. High-ceilinged rooms surround a central courtyard that is lined with faded frescoes of biblical scenes. The glimmer and shafts of diffused light that stream into the courtyards and curtained rooms add to the romantic atmosphere—one feels as though they have entered into a quintessential Turbeville photograph. Turbeville has captured the spiritual nature of Mexican culture by incorporating into candlelit interiors such traditional religious artifacts as colorful painted tin retablos, hand-carved saints, wooden tableau boxes, and…
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