Here are 100 books that Laugh Out Loud fans have personally recommended if you like
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I am Lynda Rees,The Murder Guru, multi-award-winning author of historical fiction, contemporary mystery, suspense, romance, middle-grade mysteries, and children’s fiction. I love all things historical, especially American history. I am part-Cherokee, a coal miner’s daughter born in the Appalachian Mountains, and I grew up in northern Kentucky when Newport prospered as a gambling, prostitution, and sin mecca under the Cleveland Mob. My fascination with history’s effect on today’s lives works its way into my written pages. Having traveled the world negotiating with heads of industry and foreign governments during a corporate career in marketing and global transportation, this workaholic adventurer has succumbed to my passion for writing.
Among the many stories about the mysterious Titanic sinking during the romantic, gilded age, this tale melted my heart and made me wonder how distorted the why of the event has been, as it is often told. Not all of what we hear or learn is fact. This mysterious event has left us grasping for answers and wondering about what happened to those whose fates were sealed beneath a watery grave. This story may help satisfy your thirst for that knowledge. It did mine.
"Abé is an exquisite storyteller. Rich in detail and deeply moving." —Fiona Davis, New York Times bestselling author of The Magnolia Palace
"One of the most beautifully written books I’ve ever had the pleasure to read. A gorgeous, phenomenal novel I won’t soon forget.” —Ellen Marie Wiseman New York Times bestselling Author of The Orphan Collector
Perfect for fans of Jennifer Chiaverini and Marie Benedict, this riveting novel takes you inside the scandalous courtship and catastrophic honeymoon aboard the Titanic of the most famous couple of their time—John Jacob Astor and Madeleine Force. Told in rich detail, this novel of…
After years as a London-based music journalist for publications such as Melody Maker, Q, and The Guardian, I turned to ghostwriting rock autobiographies and discovered how much more satisfying it is to tell someone’s full, unadulterated life story rather than to feed on carefully cultivated scraps gleaned from half-hour interviews. I never imagined anybody would be as lewdly transparent as my first memoir subject, Nikki Sixx, but many others have run him close—not least Judas Priest singer Rob Halford, in 2020’s appositely named Confess. Its follow-up, Biblical, is imminent. Does it go the extra mile? I don’t think it will disappoint…
Autobiographies by genuine A-listers can prove disappointing experiences, as the superstars in question tread delicately lest they puncture their carefully cultivated public images. Not so Sir Elton John, who in Meworked closely with Guardianwriter Alexis Petridis to deliver a racy, rambunctious, scurrilous account of his serial misdoings. Everyone had always known that Elton John was doing crazy shit. Nobody had grasped that he was doing quite as much as this.
In his first and only official autobiography, music icon Elton John reveals the truth about his extraordinary life. Me is the joyously funny, honest and moving story of the most enduringly successful singer/songwriter of all time.
The Sunday Times bestseller with a new chapter bringing the story up to date.
'The rock memoir of the decade' - Daily Mail 'The rock star's gloriously entertaining and candid memoir is a gift to the reader' - Sunday Times ______________
Christened Reginald Dwight, he was a shy boy with Buddy Holly glasses who grew up in the London suburb of Pinner and dreamed…
I have always had an interest in reading factual information about other people’s lives. I am a realist, and prefer reading non-fiction that is true. I am especially interested in reading inspirational stories from people that have overcome adversity, illness, or discrimination.
I was drawn to this book because I had always loved Dave Allen's humour.
Through Ms. Soutar's book I learned of his early life in Ireland and how his attendance at strict Catholic schools run by nuns helped to shape his later stand-up comedy routines. Not everybody enjoys Dave's kind of irreverent humour, but for me he was a comedy legend.
The image of Dave Allen is seared into our minds. He sits on a tall chair with a glass of J&B, smoking his Gauloises, a fingertip missing as he tells the most hilarious, rambling stories. But what of the man behind the image? Carolyn Soutar's biography is the most revealing account of the famously private comedian, whose career began in the sixties but who remained influential to a whole new generation of comics in the 21st century. Having worked with him as his stage manager, Soutar was able to see how he behaved both on and off screen. She discusses…
I have always had an interest in reading factual information about other people’s lives. I am a realist, and prefer reading non-fiction that is true. I am especially interested in reading inspirational stories from people that have overcome adversity, illness, or discrimination.
I enjoyed Too Close to the Sun by Sara Wheeler. This book focused on the free spirit and playboy that was Denys George Finch Hatton, portrayed by Robert Redford in the film Out of Africa. Denys was from an upper-class family and lived an unconventional life according to his own rules. He is buried in the Ngong Hills, Nairobi, where he loved to spend his time hunting. He is a perfect example of doing what you want to do and not having to worry about money.
Conservationist, scholar, soldier, white hunter and fabled lover - Denys Finch Hatton was an aristocrat of leonine nonchalance. After a dazzling career at Eton and Oxford, he sailed in 1910 for British East Africa - still then the land of the pioneer. Sara Wheeler reveals the truth behind his love affairs with the glamorous aviatrix Beryl Markham, and - famously - with Karen Blixen, a romance immortalised in her memoir Out of Africa.
'No one who ever met him', his Times obituary concluded, 'whether man or woman, old or young, white or black, failed to come under his spell'.
I am the author of 30 books. I live and teach in Mexico. I became interested in the St. Patrick's Battalion story when I moved here in 1990. The only book at the time was Shamrock and Sword, and while I enjoyed the book, I was dismayed that there were no Mexican or Irish sources. I did intensive research in the military archives of both countries and visited every battle site. Spurred on by the fact that one of my ancestors fought in the war, it became a passion. Later, I wrote my book and was a consultant for the film One Man's Hero. The rest, as they say, is history.
This nonfiction history of Mexico was compelling because it details everyday life in the occupied country. It also provided details of the US and Mexico before and after the Mexican War.
We get a clearer sense of what motivated soldiers on both sides to join in the largest territorial battle in North America. For Americans it was a great adventure, for Mexicans, the defense of their homeland. I also like the author's use of irony and humor, which gives the book a balance that more academic history cannot risk.
A complete, accessible, and nonacademic history of Mexico for general readers, this volume is a solidly researched introduction to a surprisingly multicultural, multifaceted nation. Presenting Mexico as it is and often with a refreshing wit and humor, this history puts flesh and bones on the dusty figures of the past while shedding light on the common humanity of the uncommon humans who created this unique country and its culture. From Mayans and Spanish conquistadors to guerillas and tourist invasions, the full thread of Mexican history is told here in a fresh, lively, uncompromising narrative for scholars, general readers, and generations…
I fell in love with Latin American literature when I was in the Peace Corps in the late 1960s in the highlands of Colombia. My husband and I were in a program of rural community development. The Colombian writer, Gabriel García Márquez, published his now-famous novel, One Hundred Years of Solitude, while we were there (in 1967), and when I read it, I said, “This is the kind of fiction that I want to keep on reading and studying forever!” And so I have. I am on the faculty of the University of Houston, where I teach Latin American literature and history, including a course on Magical Realism.
This short novel is by a Mexican writer and takes place underground. At first, we cannot tell who is living and who is dead, but we eventually accept the fact that the characters are ghosts.
The ghosts come and go, remembering their past lives together. They remind each other of the events of the Mexican Revolution that they lived through, and they especially remember the strongman in the village. Pedro Páramo runs things with an iron hand, and he also pines for a woman who is beyond his control—the only thing he wants that he can’t have.
The voices in this novel are like a chorus of whispers breathing the picture of a poor village. I love the beauty and mystery of the writing. Many Mexicans consider this their greatest novel, and for all readers, it is a small masterpiece.
Winner, Fred Whitehead Award for the Best Design of a Trade Book from Texas Institute of Letters Western Books Exhibition Selection, Rounce & Coffin Club, 2003 Deserted villages of rural Mexico, where images and memories of the past linger like unquiet ghosts, haunted the imaginations of two artists-writer Juan Rulfo and photographer Josephine Sacabo. In one such village of the mind, Comala, Rulfo set his classic novel Pedro Paramo, a dream-like tale that intertwines a man's quest to find his lost father and reclaim his patrimony with the father's obsessive love for a woman who will not be possessed-Susana San…
I am mainly known as an Interiors Photographer and although accidentally falling into photographing Interiors, it has become a passion, always interested in the story these places tell and alongside my husband we have built our own home creating a unique space using recuperated materials. As part of my work, I am always looking for interesting and inspirational books and places. It is how I train my eye, drawn to the unusual. I am as happy photographing a chateau in Provence as I am in a small and remote cabin in Norway.
I was given this as a present and what a wonderful present it was. Deborah Turbeville is a wonderful photographer whose work I admire. Her fashion photography was innovative, imaginative and so creative.
This book, a visual diary of her house and time in Mexico is filled with her signature blurred images, from black and white portraits to colourful interiors. It goes against everything we learn in Interiors but it’s magical, evocative, and gothic.
In the tradition of Kahlo and Allende, Turbeville’s brilliantly stylish portrait of her Mexican house evokes both her vivid imagination and the mystique of Mexico. High-ceilinged rooms surround a central courtyard that is lined with faded frescoes of biblical scenes. The glimmer and shafts of diffused light that stream into the courtyards and curtained rooms add to the romantic atmosphere—one feels as though they have entered into a quintessential Turbeville photograph. Turbeville has captured the spiritual nature of Mexican culture by incorporating into candlelit interiors such traditional religious artifacts as colorful painted tin retablos, hand-carved saints, wooden tableau boxes, and…
Perhaps it was being born in a large seaport – Liverpool – where I would watch from our front window the great liners steaming out on the tide that made me love travel and seeing the world. My book about the great age of British travel, A Corkscrew is Most Useful was the product of this obsession with how people travel, what they see, how they interpret their journeys. I have also written about Bruce Chatwin, one of the most original of modern travellers, and in my 2016 book Crossings I have explored the idea of borders, real and metaphorical, which figure so largely in the life of anyone moving from country to country and define our sense of belonging and identity.
I love this book because Lawrence is one of the great travel writers. His highly individual style of writing, so full of energy and life, makes Mexico in the 1920s come alive. In the marvellous opening chapter you are with him in his Mexican garden, seeing what he sees, smelling what he smells, hearing what he hears. Very few travel writers have this gift and it’s hard to believe that this book is nearly 100 years old when it is as fresh as the day it was written.
Much of D.H. Lawrence's life was defined by his passion for travel and it was those peripatetic wanderings that gave life to some of his greatest novels. In the 1920s Lawrence travelled several times to Mexico, where he was fascinated by the clash of beauty and brutality, purity and darkness that he observed there. The diverse and evocative essays that make up Mornings in Mexico - 'Market Day', 'Dance of the Sprouting Corn', 'The Hopi Snake Dance' - bring to life the elemental simplicity of the Zapotec Indians in Mexico, the intense, dark rhythms of the Indians in the American…
I’m a person like you who has lived difficult situations, has had losses, made mistakes, and deals with bad days wondering about my existence and purpose in life. I have a gift, and it's writing; I began sending reflective messages to the people at my office and that’s when I noticed that people loved them. Years later, after reading several books and accumulating more experience, I realized that there are several experiences that are common to all, but few questioned. Therefore, I decided to share my insight and thoughts in my second book, hoping to help people be a better version of themselves and live their lives to their fullest.
This book first caught my attention for the title—it’s a common Mexican phrase we use at the end of a fairytale story.
When I began reading it, I loved that the author used different color fonts so we can identify which character is talking. I found it very entertaining and fun.
When I read it, I was living in pain, longing to have a partner. This book helped me to see that nothing can be rushed; everything happens when it must happen. I learned that I could use fear to my favor and live life as I want, because the rest will come. Life is always on our side. And from time to time, I still read again the key parts that helped me when I was in pain.
Not The End was first released in 2001 and since that first edition has been read and reread, given, lent and recommended by readers of all ages, of all genders, of different religions, preferences and countries. It has passed from hand to hand and from mouth to mouth, changed publisher, cover, color and presentation. Less than two years after its publication, it became a national bestseller in Mexico and has deeply touched the hearts and lives of thousands of people.
Now eleven years later, Not The End celebrates its twenty-ninth edition in Mexico and the first one in it´s translation…
I became passionate about the Mexico/US border question after meeting someone who is now a close friend, a Mexican academic who introduced me to some of the issues. She helped me write Saint Death as a way to explore the politics of ultra-capitalism, in the form of multinational business, and the action of drug cartels.
I could have picked almost any of Bowden’s books on the border, for example, the excellent Murder City, but I’m choosing Laboratory of the Future as it’s the first piece of his writing I came across. Bowden, who lived on both sides of the US/Mexican border for many years, was intimate with his subject, and the brutal power of his journalistic writing puts most novelists to shame. He is not afraid to question us or confront us, or hide his anger, but it is never unwarranted. In this book, he, and the thirteen Mexican photographers whose frequently shocking images accompany the text, paints a grim picture of the nature of ultra-capitalism when allowed to run free just south of the border – it is, he says, an experiment: it is the laboratory of our future.
Investigates the myth and reality of the current relationship between the United States and Mexico, with a focus on the more intimate connection between El Paso and the border town of Juarez. The photographers take on issues of immigration, NAFTA, gangs, corruption, drug trafficking, and poverty, and uncover a different Mexico.
