Here are 85 books that Too Close to the Sun fans have personally recommended if you like
Too Close to the Sun.
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I am Lynda Rees,The Murder Guru, multi-award-winning author of historical fiction, contemporary mystery, suspense, romance, middle-grade mysteries, and children’s fiction. I love all things historical, especially American history. I am part-Cherokee, a coal miner’s daughter born in the Appalachian Mountains, and I grew up in northern Kentucky when Newport prospered as a gambling, prostitution, and sin mecca under the Cleveland Mob. My fascination with history’s effect on today’s lives works its way into my written pages. Having traveled the world negotiating with heads of industry and foreign governments during a corporate career in marketing and global transportation, this workaholic adventurer has succumbed to my passion for writing.
Among the many stories about the mysterious Titanic sinking during the romantic, gilded age, this tale melted my heart and made me wonder how distorted the why of the event has been, as it is often told. Not all of what we hear or learn is fact. This mysterious event has left us grasping for answers and wondering about what happened to those whose fates were sealed beneath a watery grave. This story may help satisfy your thirst for that knowledge. It did mine.
"Abé is an exquisite storyteller. Rich in detail and deeply moving." —Fiona Davis, New York Times bestselling author of The Magnolia Palace
"One of the most beautifully written books I’ve ever had the pleasure to read. A gorgeous, phenomenal novel I won’t soon forget.” —Ellen Marie Wiseman New York Times bestselling Author of The Orphan Collector
Perfect for fans of Jennifer Chiaverini and Marie Benedict, this riveting novel takes you inside the scandalous courtship and catastrophic honeymoon aboard the Titanic of the most famous couple of their time—John Jacob Astor and Madeleine Force. Told in rich detail, this novel of…
After years as a London-based music journalist for publications such as Melody Maker, Q, and The Guardian, I turned to ghostwriting rock autobiographies and discovered how much more satisfying it is to tell someone’s full, unadulterated life story rather than to feed on carefully cultivated scraps gleaned from half-hour interviews. I never imagined anybody would be as lewdly transparent as my first memoir subject, Nikki Sixx, but many others have run him close—not least Judas Priest singer Rob Halford, in 2020’s appositely named Confess. Its follow-up, Biblical, is imminent. Does it go the extra mile? I don’t think it will disappoint…
Autobiographies by genuine A-listers can prove disappointing experiences, as the superstars in question tread delicately lest they puncture their carefully cultivated public images. Not so Sir Elton John, who in Meworked closely with Guardianwriter Alexis Petridis to deliver a racy, rambunctious, scurrilous account of his serial misdoings. Everyone had always known that Elton John was doing crazy shit. Nobody had grasped that he was doing quite as much as this.
In his first and only official autobiography, music icon Elton John reveals the truth about his extraordinary life. Me is the joyously funny, honest and moving story of the most enduringly successful singer/songwriter of all time.
The Sunday Times bestseller with a new chapter bringing the story up to date.
'The rock memoir of the decade' - Daily Mail 'The rock star's gloriously entertaining and candid memoir is a gift to the reader' - Sunday Times ______________
Christened Reginald Dwight, he was a shy boy with Buddy Holly glasses who grew up in the London suburb of Pinner and dreamed…
I have always had an interest in reading factual information about other people’s lives. I am a realist, and prefer reading non-fiction that is true. I am especially interested in reading inspirational stories from people that have overcome adversity, illness, or discrimination.
We all need a laugh from time to time, and this book is pleasant light-hearted reading. ‘Ladies of a certain age’ look back with amusement and sometimes embarrassment at their younger selves. All women of a certain age can identify with this group of authors and the silly things we did during our youth way back when there was no internet or mobile phones and we had to actually talk to people face to face!
Remember ironing your hair? Rolling it in soda cans to straighten it? Lacquering it with enough spray that it could ward off bullets? Ever slather on cement-colored lipstick so heavy, you looked like a zombie princess? Remember hot pants and platform heels? The danger of patent-leather shoes? Were you a secretary, nurse, or teacher, but only, as our mothers urged us, until you found “Mr. Right.” In her new book, LAUGH OUT LOUD: 40 WOMEN HUMORISTS CELEBRATE THEN AND NOW…BEFORE WE FORGET, Allia Zobel Nolan and 40 funny ladies from the Erma Bombeck Writers’ Workshop chronicle these blips in time…
I have always had an interest in reading factual information about other people’s lives. I am a realist, and prefer reading non-fiction that is true. I am especially interested in reading inspirational stories from people that have overcome adversity, illness, or discrimination.
I was drawn to this book because I had always loved Dave Allen's humour.
Through Ms. Soutar's book I learned of his early life in Ireland and how his attendance at strict Catholic schools run by nuns helped to shape his later stand-up comedy routines. Not everybody enjoys Dave's kind of irreverent humour, but for me he was a comedy legend.
The image of Dave Allen is seared into our minds. He sits on a tall chair with a glass of J&B, smoking his Gauloises, a fingertip missing as he tells the most hilarious, rambling stories. But what of the man behind the image? Carolyn Soutar's biography is the most revealing account of the famously private comedian, whose career began in the sixties but who remained influential to a whole new generation of comics in the 21st century. Having worked with him as his stage manager, Soutar was able to see how he behaved both on and off screen. She discusses…
For more than two decades, I have been travelling to the wild places of this planet looking for stories. Africa in all its diversity has always been my first love. Whether I’m off the grid in the Kalahari, or scanning the far horizon of the Serengeti looking for lions, Africa feels like home to me, and I’m passionate about finding, and then telling the stories of the people I meet, and the wildlife I encounter, along the way. And driving me every step of the way is my great belief in the power of the written word and that of a good story to transform the way we think about, and interact with, the natural world.
I could have chosen any of Matthiessen’s books set in Africa – Sand Rivers and African Silences are both magnificent – but The Tree Where Man Was Born is a book of wise observations, superb writing, and great humanity. Whether writing about the Maasai, the poignant death of a zebra, or the landscapes of the Serengeti, the words are perfectly chosen and the tone elegiac. The final chapter, ‘At Gidabembe’ is a masterpiece.
A timeless and majestic portrait of Africa by renowned writer Peter Matthiessen (1927-2014), author of the National Book Award-winning The Snow Leopard and the new novel In Paradise
A finalist for the National Book Award when it was released in 1972, this vivid portrait of East Africa remains as fresh and revelatory now as on the day it was first published. Peter Matthiessen exquisitely combines nature and travel writing to portray the sights, scenes, and people he observed firsthand in several trips over the course of a dozen years. From the daily lives of wild herdsmen and the drama of…
I am a painter who specializes mostly in sleazy sports (boxing, snooker, etc. – nothing really healthy!) who happens to have written and designed 18 books. Obviously, producing books has become something of a habit. These books are about curiosities of natural history and also about art – but they have little to do with my paintings. Anyone who is interested in either the books or the paintings can see them on my website. I suppose the book that I’m best known for is Drawn from Paradise, a book that I did with David Attenborough on one of our two mutual obsessions – birds of paradise.
Apart from books and paintings, my life is fairly humdrum; in fact, there isn’t a lot of time for much else, although I’ve been married more than once and have children. I’ve now reached an age when I should start slowing down but I’ve no intention of stopping what I do until either bad health or death finish me off!
Peter Beard settled in Kenya in the late 1950s and became obsessed with the plight of wildlife in Africa. The book is full of evocative photos that he took over a period of some 20 years – some of them absolutely tragic. It is not a book for the faint-hearted; but it tells with truth the stories of explorers, entrepreneurs, big game hunters, and missionaries.
It has been published in several editions and formats. The copy I have is a large paperback that dates from 1989, but there are editions that were produced before that time and many that have been published since.
This book is certainly not an attempt to be gently persuasive, and the author’s position can be summed up in these words that he wrote:
When I first escaped to East Africa in August 1955…it was
one of the heaviest wildlife areas…in the world…No one then
could…
This book describes the origins, history, and prospects of big game in Africa.Researched, photographed, and compiled over 20 years, Peter Beard's "End of the Game" tells the tale of the enterprisers, explorers, missionaries, and big-game hunters whose quests for adventure and "progress" were to change the face of Africa in the 20th century. This landmark volume is assembled from hundreds of historical photographs and writings, starting with the building of the Mombasa Railroad ("The Lunatic Line") and the opening-up of darkest Africa. The stories behind the heroic figures in Beard's work - Theodore Roosevelt, Frederick Courtney Selous, Karen Blixen (Isak…
I am a dark fiction author. As far back as anyone can remember I have been an introverted creature, with a rapacious appetite for knowledge, a dark sense of humour, and an insatiable appetite for books. Having written eight darkly humorous works of fiction and read dozens of titles that fall into this genre, I believe that I am the ideal person to provide you with recommendations for darkly humorous fiction stocking fillers this Christmas. Think of me as the Santa of darkly humorous fiction. My titles include theNecropolis Series. Their protagonist is Dyson Devereux – a cultured council worker and compulsive murderer with sardonic tendencies.
Set during WWI, the story vacillates between Kent and German and British East Africa. There are a host of colourful and caricatured characters. An Ice-Cream War’s motif is the absurdness of war. Its author is unwavering in presenting the East African campaign as utterly futile.
The book’s grave content is laced with humour of the dark variety, in addition to occasional gruesome descriptions. This unpredictable serio-comedy’s blend of tragedy and black humour appealed to me.
"Rich in character and incident, An Ice-Cream War fulfills the ambition of the historical novel at its best." --The New York Times Book Review
Booker Prize Finalist
"Boyd has more than fulfilled the bright promise of [his] first novel. . . . He is capable not only of some very funny satire but also of seriousness and compassion." --Michiko Kakutani, The New York Times
1914. In a hotel room in German East Africa, American farmer Walter Smith dreams of Theodore Roosevelt. As he sleeps, a railway passenger swats at flies, regretting her decision to return to the Dark Continent--and to…
When I first met Michael Majok Kuch and he asked me if I was interested in writing his life story, I knew nothing about South Sudan. Over the next several years, we met weekly. I’d interview him, write a chapter, research it, and then show it to him for his approval. I read everything I could find on South Sudan and the adjacent countries. In fact, I became so obsessed with Michael's culture that once I read Francis Mading Deng's Dinka Folktales, Mike’s sister arranged a meeting between Francis Mading Deng and me. These books prepared me for writing How Fast Can You Run, helping other “Lost Boys” of Sudan reunite with their mothers.
I was fortunate to have met Eva Kasaya at a writing retreat in Kenya shortly after she wrote this book. Part novel, part biography, Tale of Kasaya is the astonishing story of Eva Kasaya’s journey from a 13-year-old village girl in rural Kenya to a published author in Nairobi. Kasaya, who leaves her family’s farm for a job as a domestic worker in the city recounts the horrific situation some domestic workers undergo. Sexually assaulted, she overcomes her trauma and finds solace in the written word. A beautifully written book that deserves to be a classic.
For more than two decades, I have been travelling to the wild places of this planet looking for stories. Africa in all its diversity has always been my first love. Whether I’m off the grid in the Kalahari, or scanning the far horizon of the Serengeti looking for lions, Africa feels like home to me, and I’m passionate about finding, and then telling the stories of the people I meet, and the wildlife I encounter, along the way. And driving me every step of the way is my great belief in the power of the written word and that of a good story to transform the way we think about, and interact with, the natural world.
Funny and wise in equal measure, A Primate’s Memoir is a window on baboon social dynamics with plenty of forays into the world of safari tourism that he observes from askance. Sapolsky has since gone on to become one of the science world’s keenest observers of human behaviour, and his portrayals of baboon and human interactions are priceless.
In the tradition of Jane Goodall and Dian Fossey, Robert Sapolsky, a foremost science writer and recipient of a MacArthur Genius Grant, tells the mesmerizing story of his twenty-one years in remote Kenya with a troop of Savannah baboons.
“I had never planned to become a savanna baboon when I grew up; instead, I had always assumed I would become a mountain gorilla,” writes Robert Sapolsky in this witty and riveting chronicle of a scientist’s coming-of-age in remote Africa.
An exhilarating account of Sapolsky’s twenty-one-year study of a troop of rambunctious baboons in Kenya, A Primate’s Memoir interweaves serious scientific…
I’ve always been fascinated by monsters. Growing up I saw television shows and read books about famous ones like Bigfoot and Nessie, and always wanted to search for them and discover the truth. That led me to a degree in psychology to learn about human cognition and perception, and a career in folklore to understand how legends and rumors spread. But I also wanted field experience, and spent time at Loch Ness, in Canadian woods said to house Sasquatch, to the Amazon, Sahara, and the jungles of Central America looking for the chupacabra. Along the way became an author, writing books including Tracking the Chupacabra, Lake Monster Mysteries, Big—If True, and Investigating Ghosts.
Among all the world’s monsters one perennial favorite is vampires.
Yes, I know they’ve been done to death (or would that be undeath?) but there’s a rich history of vampires beyond Dracula, Nosferatu, Lestat, and their legions. I’m talking about “real” vampires—or at least those people believed to be real vampires.
This is the subject of Luise White’s book Speaking with Vampires: Rumor and History in Colonial Africa.White is an anthropologist and folklorist who investigated rumors of vampires throughout East Africa. She found that many Africans told similar stories of real, actual vampires that sucked the blood out of Africans.
What I love about this book is how White takes a scholarly approach to the rumors of (alleged) real-life vampires, sometimes from their victims. Along the way we learn about colonialism, racism, and the cultural contexts in which these rumors flourish.
During the colonial period, Africans told each other terrifying rumors that Africans who worked for white colonists captured unwary residents and took their blood. In colonial Tanganyika, for example, Africans were said to be captured by these agents of colonialism and hung upside down, their throats cut so their blood drained into huge buckets. In Kampala, the police were said to abduct Africans and keep them in pits, where their blood was sucked. Luise White presents and interprets vampire stories from East and Central Africa as a way of understanding the world as the storytellers did. Using gossip and rumor…
