Here are 100 books that Sor Juana fans have personally recommended if you like
Sor Juana.
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Writing is in my blood – my grandmother wrote poetry, my mother writes novels, and over the last twenty-plus years I’ve written just about everything (and now I teach writing at my local university). I’ve loved stories for as long as I can remember. While my fiction career may be newly revived, I spent over 20 years as a pop culture commentator, poking at the minutia of the stories I love. I think stories may be one of the most important things in our culture – they inspire us, they brighten our day, they bring us to tears, and sometimes when we are lost they show us the way.
This will be one of my more controversial picks – there are plenty of people who disagree with Campbell as a folklorist, a mythographer, and with his depiction of the Hero’s Journey. But, what is important about Campbell is his exploration of whythe elements that appear in stories have the impact they do on our psyche, and how they fit together. One may not agree with all of Campbell’s conclusions, but I don’t think there’s a writer out there who won’t benefit from his exploration of the subject. I know I did.
Joseph Campbell's classic cross-cultural study of the hero's journey has inspired millions and opened up new areas of research and exploration. Originally published in 1949, the book hit the New York Times best-seller list in 1988 when it became the subject of The Power of Myth, a PBS television special. The first popular work to combine the spiritual and psychological insights of modern psychoanalysis with the archetypes of world mythology, the book creates a roadmap for navigating the frustrating path of contemporary life. Examining heroic myths in the light of modern psychology, it considers not only the patterns and stages…
Horror is my passion and most things I read and everything I write fits neatly into the genre. But I am also passionate about telling stories from a unique perspective, or if not entirely unique then at least one that is underused. My novella A Man in Winter is told from the perspective of an elderly chap with dementia for instance. I have also found that many people think books with child protagonists must be children’s books and it makes me sad to think of all the wonderful work is being missed out on, I hope that my list has convinced you to try one of the above books.
So much of Lindqvists writing is fantastic, but this has to be my favorite. I read it while in university and then I re-read it and re-read it until one of my housemates asked why it was taking me so long to read a single book then seemed confused when I admitted that every time I finished it I just started it again.
I love the take Lindqvist has on the vampire as a ‘monster’ Eli is complex and sympathetic, dangerous and vulnerable it’s a wonderful balancing act. But what I enjoyed most of all was that Eli, while being hundreds of years old, is physically and mentally, twelve. Their long life did not make them an adult in a child’s body, they literally stunted their growth and that makes them so compelling.
John Ajvide Lindqvist’s international bestseller Let the Right One In is “a brilliant take on the vampire myth, and a roaring good story” (New York Times bestselling author Kelley Armstrong), the basis for the multi-film festival award-winning Swedish film, the U.S. adaptation Let Me In directed by Matt Reeves (The Batman), and the Showtime TV series.
It is autumn 1981 when inconceivable horror comes to Blackeberg, a suburb in Sweden. The body of a teenager is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at…
A so-called “recovering lawyer,” after 20 dreary years shuffling papers, I decided to pursue the Life of the Mind with a degree in Historical Studies at the Graduate Faculty of the New School. For an assignment regarding a significant historian, I chose Frances Yates, whose bookGiordano Bruno and the Hermetic Tradition spoke to me. Culling her papers at the Warburg Institute in London led to her first biography, Frances Yates and the Hermetic Tradition. Since then, I've transformed Dame Frances into a sleuth, who explores other unorthodox faith traditions, accompanied by another “recovering lawyer,” whose story mirrors my own, thus enabling me via bio-fiction to further enhance my spirituality.
Writing a Woman’s Life ignited my interest in women’s stories. More significantly, Heilbrun’s feminist Kate Fansler mysteries, written via the pseudonym Amanda Cross, inspired me to transform Frances Yates into a fictional sleuth. To date, Dame Frances (DBE) has encountered other unorthodox faith traditions, as revealed in Tarot; the Convent of Sor Juana de la Cruz in Mexico; among Philadelphia Quakers; and women religious at the Ursuline Convent in Québec. To date, there have been four Frances Yates mysteries.
In this modern classic, Carolyn G. Heilbrun builds an eloquent argument demonstrating that writers conform all too often to society's expectations of what women should be like at the expense of the truth of the female experience. Drawing on the careers of celebrated authors including Virginia Woolf, George Sand, and Dorothy Sayers, Heilbrun illustrates the struggle these writers undertook in both work and life to break away from traditional "male" scripts for women's roles.
I was born a polymath in Cheam, Surrey, England. Even as a child I had a passionate interest in music, architecture, film, poetry, drama, and storytelling. I lived very much in the world of my imagination and was able to apply it to a wide variety of projects. I have worked in Film, TV, Theatre, and have written scripts, plays, novels, songs, a musical, and an opera, all different in feeling. I have therefore had a special interest in innovative artistic work, and story-telling which pushes the boundaries of the imagination.
People who read The Master and Margarita will tell you that it is one of the greatest books they have ever read, but few can tell you why. It defies description. It is truly unique.
It opens on a blistering hot day in Moscow, a paradox in itself. The devil, seemingly out of Goethe’s Faust, is on a visit to the town. He and his strange entourage would be laughable, if they were not so lethal. Only the madness of Stalin’s paranoid Communism could have created such a story.
Bulgakov has an uncanny way of investing even the most unlikely scenes with intense realism. You never doubt him. At times hilarious, at times terrifying, the book shows us what a fragile hold we have on reality.
'Bulgakov is one of the greatest Russian writers, perhaps the greatest' Independent
Written in secret during the darkest days of Stalin's reign, The Master and Margarita became an overnight literary phenomenon when it was finally published it, signalling artistic freedom for Russians everywhere. Bulgakov's carnivalesque satire of Soviet life describes how the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow one Spring afternoon. Brimming with magic and incident, it is full of imaginary, historical, terrifying and wonderful characters, from witches, poets and Biblical tyrants to the beautiful, courageous Margarita, who will…
It wasn’t until high school when I read Stephen King’s Night Shift that illuminated the genre for me—horror. My first short story was The Dark Shadow, and it fit me like a glove. My writing is inspired by the books I like to read, as I’m sure it is with all writers, and I write characters that I know and in settings I am familiar with for authenticity. The years of experience have honed my craft, and my books are a culmination of my favorite things—supernatural horror, suspense, heart, drama, westerns, and action.
Nobody weaves a better tale than Stephen King. He is the all-American storyteller who transports you into his world of characters and settings, making you fall in love with them just before he shatters all of that like a hammer against a mirror.
It is like listening to a good friend next to a campfire drinking beers, and Pet Sematary has all of the good horror elements from atmosphere, cemeteries, ancient burial grounds, and dead people rising from the grave.
Now a major motion picture! Stephen King’s #1 New York Times bestseller is a “wild, powerful, disturbing” (The Washington Post Book World) classic about evil that exists far beyond the grave—among King’s most iconic and frightening novels.
When Dr. Louis Creed takes a new job and moves his family to the idyllic rural town of Ludlow, Maine, this new beginning seems too good to be true. Despite Ludlow’s tranquility, an undercurrent of danger exists here. Those trucks on the road outside the Creed’s beautiful old home travel by just a little too quickly, for one thing…as is evidenced by the…
A so-called “recovering lawyer,” after 20 dreary years shuffling papers, I decided to pursue the Life of the Mind with a degree in Historical Studies at the Graduate Faculty of the New School. For an assignment regarding a significant historian, I chose Frances Yates, whose bookGiordano Bruno and the Hermetic Tradition spoke to me. Culling her papers at the Warburg Institute in London led to her first biography, Frances Yates and the Hermetic Tradition. Since then, I've transformed Dame Frances into a sleuth, who explores other unorthodox faith traditions, accompanied by another “recovering lawyer,” whose story mirrors my own, thus enabling me via bio-fiction to further enhance my spirituality.
Giordano Bruno and the Hermetic Traditionwas published by the University of Chicago Press in 1964, which led me to compile the first biography of the renowned British historian, Frances Yates. In her pivotal study of the 16th-century itinerant Catholic priest, who was burned at the stake in Rome in 1600. Yates revealed a strain of an ancient universal creedless spirituality, which was anathema to the established Church. Yet, five centuries later, spoke to this seeking feminist pilgrim, dissatisfied with traditional patriarchal traditions.
As a veteran business and finance journalist, I’ve always been amazed at the huge gender gap that still exists in so many parts of the economy and society despite all the strides we’ve ostensibly made. When I became a mother, it became even clearer to me that gender norms are still so entrenched in culture and still have a huge bearing on women’s economic and professional lives. I’ve written about this topic for a whole host of publications, from the BBC to The Washington Post. I have an MBA from Columbia Business School and am an associate Instructor in the Strategic Communications program at Columbia’s School of Professional Studies.
I loved this book because it simultaneously gives us a taste of the fierce spirit of the women’s liberation movement but also demonstrates what was wrong with Friedan’s particular flavor of feminism at the time: namely, that it was centered around white and mostly privileged women.
Reading this book is like being transported back to the 1960s and being a fly on the wall in the homes of women who were done with the patriarchy, who wanted to have careers and earn money, but were also grappling with their own roles in society.
It’s a historical document but also, in some ways, the 1960s equivalent of reality TV. It’s a ferocious cri de coeur that is delightful in its assertiveness.
Landmark, groundbreaking, classic-these adjectives barely do justice to the pioneering vision and lasting impact of The Feminine Mystique. Published in 1963, it gave a pitch-perfect description of "the problem that has no name": the insidious beliefs and institutions that undermined women's confidence in their intellectual capabilities and kept them in the home. Writing in a time when the average woman first married in her teens and 60 percent of women students dropped out of college to marry, Betty Friedan captured the frustrations and thwarted ambitions of a generation and showed women how they could reclaim their lives. Part social chronicle,…
I’m an author, visual artist, and film producer. I’m originally from Mexico but studied fine art in London at Central St Martins School of art with a scholarship. I’ve had a wild career of writing, packaging, developing, and publishing books for more than a decade. You can see some of my visual art in galleries, museums, and my Instagram @leopoldoleopoldo or in my most recent illustrated novel Monarca. My forthcoming novel, Piñata, is a supernatural possession story driven by the real horrors of colonialism in my native Mexico. I wrote it as an outlet for a simultaneous love and rage at the world, history, my country, and current events.
It may be odd of me to include a book of academic lectures in a list like this, but I think Calvino’s Six Memos are accessible and valuable to anyone who appreciates literature and its “family tree.”
Its forward-thinking nature is sourced from Calvino’s deep knowledge and love for literature’s history and growth over time.
He pulls on so many different threads throughout and I love it as a reminder, a memo, from a genius like Calvino that the fabric of future great works are woven from those long threads stretching back to great works of the past.
It showed me in very simple concepts in literature, such as Lightness, Exactitude, Quickness, Visibility, and Multiplicity, echoed with me also in visual art. It’s one of those books I keep re-reading…
Italo Calvino's brilliant reflection on what makes great literature, from the classics to more contemporary works, punctuated with personal details about Calvino's own writing processes.
At the time of his death, Italo Calvino was at work on six lectures setting forth the qualities in writing he most valued, and which he believed would define literature in the century to come. Here, in Six Memos for the Next Millennium, are the five lectures he completed, forming not only a stirring defense of literature, but also an indispensable guide to the writings of Calvino himself.
I started out like most travelers, attracted to new places and to meeting people whose worlds were different from my own. Typically, this meant tried-and-true destinations in Europe until a book project required me to visit an utterly daunting place, the West African nation of Liberia during a civil war. I was in no way prepared for the experience and it changed everything. Seeing how people behave when faced with extreme circumstances profoundly altered my view of the world. Everything was magnified. Though I still enjoy a cup of espresso on the Piazza Navona, there is nothing like traveling to a forbidden zone and meeting someone destined to be a lifelong friend on the roof of a bombed-out building. It opens the world in ways that are challenging and scary, but also incomparably rewarding.
Any account of dangerous travel holds the potential for unexpected revelation, but this one taps a motherlode of rare insights and observations. Part of the reason is that Diaz, a twenty-something soldier of fortune in Hernán Cortés’ 16th-century expedition to the New World, became enchanted by the Aztec civilization that he and his compadres had come to pillage and destroy. Diaz writes vividly and lyrically, with a keen eye for graphic detail, and is unsparing in his accounts of the remarkable brutality on both sides. Five centuries later, his account remains illuminating and disturbing, and shows it’s not always necessary to like your traveling companion to gain insight into a perilous, previously unknown world.
The History of the Conquest of New Spain by Bernal Diaz del Castillo, a new abridgement of Diaz del Castillo's classic ""Historia verdadera de la conquista de Nueva Espana"", offers a unique contribution to our understanding of the political and religious forces that drove the great cultural encounter between Spain and the Americas known as the 'conquest of Mexico.' Besides containing important passages, scenes, and events excluded from other abridgements, this edition includes eight useful interpretive essays that address indigenous religions and cultural practices, sexuality during the early colonial period, the roles of women in indigenous cultures, and analysis of…
Growing up in a sheltered environment on Long Island, NY, I had little sense of a larger world, except for seeing images of the Vietnam War. Going to college in the early 70s and becoming an anthropology major, the world began to open up, yet I hadn't experienced life outside the U.S. until my mid-20s as a graduate student living in Mexico to do dissertation research. That experience and travels to Guatemala, Peru, Cuba, and Costa Rica helped me to see how diverse Latin America is, and how real poverty and suffering are as well. Coming into my own as a historian, teacher, and writer, my fascination with women’s voices, experiences, and activism only grew.
This superb book is a culturally and indigenous-language-focused study of women in four central Mesoamerican native societies—Aztecs (Nahuas), Mixtec, Zapotec, and Mixe.
In addition to a deep dive into texts dealing with all facets of women’s lives, Sousa uses visual evidence to great effect, showing how images contain much information about women’s and gender history, a history in which women struggled over centuries to maintain agency and authority despite efforts by a newly imposed colonial state to erode their power and status and exploit their labor.
This book is an ambitious and wide-ranging social and cultural history of gender relations among indigenous peoples of New Spain, from the Spanish conquest through the first half of the eighteenth century. In this expansive account, Lisa Sousa focuses on four native groups in highland Mexico-the Nahua, Mixtec, Zapotec, and Mixe-and traces cross-cultural similarities and differences in the roles and status attributed to women in prehispanic and colonial Mesoamerica.
Sousa intricately renders the full complexity of women's life experiences in the household and community, from the significance of their names, age, and social standing, to their identities, ethnicities, family, dress,…
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