Fans pick 100 books like Pedro Páramo

I love being taken to places I’ve never been before and being exposed to leaps in imagination. Marquez, the most famous of the school of magical realism, takes the reader on a journey through time and history in an unforgettable tale. The style of writing captures me in this book and has also influenced me. If you read no other book, read this one.

I am not a fan of fantasy, but this is magical realism at its best. Not too much, not too little, just enough to remind everyone that the spirits are still working on behalf of true love and goodness and that justice prevails despite all obstacles…like a fairy tale with complications. Just my cup of tea. 

How realistic is it that food transmits any emotions the cook may be feeling while making the food? This idea captivated me immediately; it was something I had never thought about. And yet, growing up in my family, women always made the food. So again, a very female tale.

In the beginning, Tita, the heroine, is passionate and in love, but she succumbs to tradition and rejects true love and passion to submit to tradition, which dictates she takes care of her mother. In time, Tita learns to disobey the injustice of that tradition… show more.

As both a novelist and a monk whose life focuses on blending the material and spiritual, I consider this a very important work. Despite a privileged Jewish upbringing in New York City, Latin culture has forever been an important part of my life. The fact is, I’ve always been surrounded by South American friends and spent time in South America in my teen years.

This book brings to life the mystical heart of so much that drives South American culture, revealing it in a way that pulls you straight into the arms of a parallel world, or if not parallel, then one that exists both above and below what we superficially see and feel. I find it a great read and one that remains alive in my imagination year after year.

I read these short stories when I was twelve, reread them countless times as an adult, and was forever changed. Entering these pages is like journeying through the looking glass, only to enter a labyrinth of mystery, secrets, and chance. It may seem like an outlier from the books above. Yet Borges was a pioneer in speculative fiction and one of a kind. One of the stories has been called the greatest ever written. Just saying.

As the title suggests, this book lingers like a disquieting dream. A mother to a toddler myself, I think of what the protagonist Amanda calls the “rescue distance” often – the ground between herself and her child, should something perilous occur.

This book distills maternal protectiveness and anxiety into something as potent as poison or as powerful as a curse. It makes me want to look over my shoulder, lock the doors, draw the blinds. It carries an air of contagion. I can think of few other reads that evoke such a visceral reaction with such subtle strokes.

Horrifying, brutal, sinuous, and uncanny, this one floored me. It evokes the peril of girlhood and womanhood with unwavering intensity.

Each story is fresh and unexpected, yet also timeless, rich with wisdom and mythology centuries old. Steeped in painful history, past atrocities twine with the present to nightmarish effect.

Mariana Enríquez is part of a new vanguard of Argentine and Latin American Gothic writers alongside Samanta Schweblin. Their writing, born from real-world horrors, is among the most thrilling discoveries I’ve made in years. 

The Kingdom of this World is written by a Cuban writer and pits two worldviews against each other—the Afro-Haitian and the French.

This short novel is set at the end of the eighteenth century in Haiti, and the French are trying to maintain control of their colonies in the Caribbean. We see these different world views from both points of view so that the same event can have disastrously different meanings.

We follow the Haitian slave, Ti Noel, who reports on “magical” happenings that stem from his Haitian belief in shape-shifting: men can take flight if necessary, or transform themselves into animals or insects, or otherwise do what the French consider “magic” and the Haitians consider normal. We see events from the French point of view of Pauline Bonaparte, sister of Napoleon and wife of a French general who was sent to Haiti to put down the slave revolt. 

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About twenty years ago, I read the opening lines of this book (published in 1955) in the evening and finished the entire book in one sitting. This time, I read it in two sittings and fell in love with it again. 

I love how this short novel straddles several genres—literary fiction, magic realism, surrealist fiction, and Gothic fiction—in its own way. I always enjoy a precise and simple style, at which Juan Rulfo excels. Yet, the narrative and the plot are so complex that it's hard to believe so much fits into one hundred pages. 

This book has all the elements of Gothic fiction in the Mexican style. The gloom and eeriness are palpable in the oppressive heat of the wasteland that is the fictional town of Comala, and only Rulfo could marry such contradictions in one short novel. 

I was given this as a present and what a wonderful present it was. Deborah Turbeville is a wonderful photographer whose work I admire. Her fashion photography was innovative, imaginative and so creative.

This book, a visual diary of her house and time in Mexico is filled with her signature blurred images, from black and white portraits to colourful interiors. It goes against everything we learn in Interiors but it’s magical, evocative, and gothic.

I read The Brick People when it was first published in 1988.

At the time, I was already familiar with Morales’ work, but this historical novel about the Simons Brick Factory in Southern California and the Mexican migrants who the Simons brother depended upon for their success seized my imagination.

The author blends folklore, history, myth, and magical realism into a novel that relates the story of Mexican migrants and their complicity with or rebellion against the Simons brothers and the mores of the early 20th Century Los Angeles region.

Morales shows how history from the ground up is manifested in people’s lives.  His characters work and play hard as they seek to build community and pursue dreams of social mobility even when customs and laws prohibit them.