100 books like Ficciones

This book was recommended by a creative writing teacher as a perfect example of how a plot should develop – the three-act structure, the perfect arc of the story, the pace, with rising and falling tension and edge-of-the-cliff plot points. 

But I love it because of the protagonist, Katniss Everdeen, surely one of the most endearing heroines in literature. It’s a classic story of a character overcoming all the odds, and while it’s widely perceived as a dystopian novel for young adults, I found it much more than that.

I was gripped by Katniss and her challenges – all of which she finds a way to overcome – as well as the enormous themes of poverty, oppression, war, and survival. She’s young but steely, resourceful, clever, and feisty. 

First of all, I think Stephen King is a terrific writer and, strangely, I seem to enjoy his non-horror books the most. 

11/22/63 has some key elements that drew my attention: time travel, an ordinary guy, and an alternate reality. The protagonist, Jake Epping, suddenly discovers a portal through time. With this newfound ability, he takes it upon himself to change history in what he believes will be for the best. And to do this, he becomes determined to stop the assassination of John F. Kennedy.

I loved the detail into which King delves, and the time Jake takes to accomplish his goal. The story will totally engross you and the 867 pages will fly by, as will the time.

My favorite type of books are ones that blend dystopian, science fiction, and scientific facts together, and a lot of mystery.

In Maze Runner, a teenage boy wakes up in a box surrounded by a bunch of other boys that he doesn't know. Then they have to work together to find a way out of the maze before things become even more dangerous. Yup, a lot of suspense and mystery, and the author had my heart pounding.

The Maze Runner has such an interesting premise and though it's a YA book, readers of all ages will enjoy it.

I was in the Peace Corps in Colombia when I read One Hundred Years of Solitude, and fell in love with this kind of fiction (which we now call magical realism).

It is set in a poor village where magical things happen, and no one gives it a second thought. There is also a political story that reflects historical events in Colombia and in other parts of Latin America.

The author won the Nobel Prize in 1982, and no writer can be more highly acclaimed than that. Oprah chose it for her book club (well, that’s pretty high acclaim, too), and I love it. 

This short novel is by a Mexican writer and takes place underground. At first, we cannot tell who is living and who is dead, but we eventually accept the fact that the characters are ghosts. 

The ghosts come and go, remembering their past lives together. They remind each other of the events of the Mexican Revolution that they lived through, and they especially remember the strongman in the village. Pedro Páramo runs things with an iron hand, and he also pines for a woman who is beyond his control—the only thing he wants that he can’t have.

The voices in this novel are like a chorus of whispers breathing the picture of a poor village. I love the beauty and mystery of the writing. Many Mexicans consider this their greatest novel, and for all readers, it is a small masterpiece. 

This is a wild, one-sitting read. At first you might not know where you are, but after a few pages, you’re completely hooked.

It’s creepy and visceral about what it means to be a mother when the world is turning more and more toxic. It might be considered an eco-horror book. This story works on your subconscious, leaving you with a sticky, unsettling feeling.

Also, it’s translated from Spanish. The title of the Spanish version is The Rescue Distance.    

I lived in Buenos Aires, Argentina, for a year in 1988, five years after the last military dictatorship ended. I remember seeing the Mothers of the Plaza de Mayo holding vigils in front of the Casa Rosada presidential palace for los desaparecidos, their children who 'disappeared' during the last dictatorship. Enriquez creates strange, dense worlds of horror in these stories, with dark, unexplained, and sometimes magical undercurrents. The stories are not directly about the events, but reference them obliquely, only adding to the terror. Enriquez’s writing style blew me away, and her stories defy easy categorisation.

Dean Koontz has influenced my writing more than any other author. For decades, his books have been at the top of my reading list. Year after year, he consistently writes top-tier, inventive page-turners. His villains are evil. His heroes and heroines are likable and easy to relate to. He gets that one can’t traverse a frightening world without humor, and by analogy, neither can we. Elsewhere is one of his best in a long time. Equal parts bone-chilling, creepy, nerve-racking, and sinister, balanced by love, compassion, loyalty, and second chances, it doesn’t get better than this. 

Nazaré is a charming fable, showcasing the pursuit of justice in an authoritarian world. Kin, a young homeless boy, originally accused of sorcery and forced to flee, eventually leads a band of revolutionaries pitted against their oppressive dictator. His army is made up of delightful misfits, along with a variety of wild animals.

I love the rebels in this parable for the modern world. How could any writer or reader not appreciate revolutionaries who, while living rough in the countryside, impose a reading hour on their members. There is such beauty in the author’s language, unexpected humor throughout, and the most appealing charm.

If you believe in magic, as well as the the power of right to prevail against tyranny, despite impossible odds, this is the novel for you.

The starkly monochrome world described by Kafka is a troubled nightmare of our own.

It is a grim, mazelike metropolis populated with characters lacking compassion or bravery. The protagonist, Herr K., is accused of an unnamed crime by a distant and inaccessible legal body, and he is forced to defend his innocence by using scant means that prove increasingly futile.

I am fascinated by the horrifying cartoon world that Kafka weaves. Bureaus and departments physically merge according to no discernable logic. All the characters are driven by fear, ignorance, and self-interest, and Kafka’s surface-level descriptions of their appearances and behaviors highlight the characters’ absurdity.

The Trial is the literary equivalent of a set of German Expressionist charcoal drawings and may serve as the most sophisticated horror story ever written.