100 books like Nocturnes

If I looked up “curmudgeon” in the dictionary, I’d half expect to find Olive’s picture. Perpetually grumpy and disappointed that the people around her don’t live up to her expectations (something I can relate to!), Olive is difficult, demanding, and often outrageous.

Yet her quirky charm has caused millions of readers—including me—to fall under her spell. I followed Olive’s journey with interest, hoping she’d find peace if not happiness.

The highly original, unconventional structure of this book has also made it one of my favorites. I love how Strout weaves Olive in and out of the action in this novel of connected stories, sometimes as a minor character and sometimes as the star.

I love this book for its Matroyska doll-style structure: The first five sections tell stories in different periods— from the mid-19th century to the 22nd—loosely connected by repeating characters and media, each ending abruptly and without resolution. The sixth section, set in the 24th century, is the spine of the novel, told in its entirety. Then Mitchell revisits the time periods in reverse chronological order, resolving each story, ending where we began in the mid-19th century.

It was a highly satisfying experience that changed my view of how a story could be told. It is widely considered one of the finest novels of the 21st century. It covers ideas I would normally balk at, like reincarnation and the existence of eternal consciousness. Still, the storytelling is so powerful that it all came across as believable to me. I loved the way Mitchell demonstrated how an idea in one time period… show more.

I loved this book because it’s the best illustration of the stepmother-stepdaughter relationship that I’ve ever read. Flo and Rose’s conflicts over work, sex, and a woman’s place in the world made me remember exactly what it was like to be a teenager struggling to relate to older women in my life.

Like many of Alice Munro’s celebrated short stories, it’s about a young woman growing up in rural Ontario who strains against the prejudices of her small town, especially about girls’ education and ambition. “Who do you think you are?” is the question that comes up again and again in this novel-in-stories. Used as an insult, it challenges Rose to make a different life for herself without forgetting the women who came before her. 

This book is a collection of the author’s memoirs, set in a fictional village in England’s leafy countryside. Each story stands alone and yet they build a picture of a time and place that is now lost.

There is humour and tragedy in these stories. A disastrous dinner party ends up with the guests having to go to the hospital to have their stomachs pumped. An elderly lady who cares more for her animals than she does for herself is discovered to be starving. The mysterious ‘hedging and ditching man’ evades identification although there is a suggestion that this disreputable-looking old tramp is in fact the local squire. A happenstance meeting at the scene of an accident results in a fledgling music group being started up in the village.

All these anecdotes are narrated from the confused, curious, only partly-understanding point of view of a young boy. There is nostalgia… show more.

One of the most original books I have ever read, and as such impossible to classify by genre—a dizzying mix of memoir, history, and travel writing. As the separate stories of four apparently unrelated individuals unfold, Sebald exposes a common theme: the loss of identity through trauma and displacement. The stories are devastating and yet there is something hopeful in Sebald’s melancholic and vivid writing, the powerful case he makes for these stories being heard.

Suspicious of biography, Malcolm dissects various myths about Chekhov’s death in this engaging book that mixes travel writing with acute readings of Chekhov’s stories and plays. As Malcolm visits some of the places crucial to Chekhov’s life and work (the scenes in Ukraine are of course poignant), she moves seamlessly between her own everyday experiences and the predicaments of Chekhov’s characters. In amongst the despair, disappointment, and absurdity she discovers beauty, humor, and occasional visions of hope.

I am always grateful for guidance on how to look at paintings: Matar’s exploration of Siena and the paintings of the Sienese school offers that and much more. Color reproductions of the paintings are accompanied by Matar’s insights into the works and the companionship they have provided in the years that have elapsed since his father, an opponent of the Gaddafi regime, was kidnapped. The author’s recognition that he will never see his father again underlies this beautiful meditation on art and loss.

The novel tells the story of a group of friends who have taken it upon themselves to carry out the “last orders” of their drinking partner, Jack Dodds, to deliver his ashes to the grey seas of Margate. As they drive to the coast, their errand becomes a poignant journey into their collective pasts.

Swift described it as an homage to William Faulkner’s As I Lay Dying, and it follows a similar narrative structure, with chapters titled with the names of the seven key characters, with a shifting narrative perspective to follow the story from each of their eyes.

As a reader, you naturally find your favourite narrative viewpoint. For me, it was Ray, “Lucky Ray,” the obsessive gambler, which for me was the real centre of the novel.

I came across this book when I decided to focus my graduate study on the history of jazz and was reading everything I could find. It’s a short book, full of incredible vintage photographs, and it taught me so much about what swing is, how music and dance are joined at the hip. How it’s all rooted in the blues. And about the link between the “Saturday Night Function” of celebrating life with music and dance, followed a few hours later by the “Sunday Morning Function,” singing and celebrating God and community in church. The two are not all that far apart. Along with Ralph Ellison, Albert Murray was probably the first author to write about jazz with a real sense of lyricism and poetry. In this book, the writing itself carries the energy and exuberance of jazz.

The Music of Black Americans is the unmatched study of AA music. 

I love this book. I frequently reference it in my writing and teaching. There are many other studies of African American literature, but Southern’s is the classic, the key source out of which the other studies grew.