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Notwithstanding.
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I’ve loved reading novels about strong, quirky women since childhood (Nancy Drew, Ramona Quimby, Harriet the Spy, the heroines of Judy Blume novels, just for starting examples!). As I grew into writing my own stories, I also started studying women’s history. I merged these two interests to begin writing historical novels with strong women protagonists. I love the challenge of researching to figure out the details of women’s day-to-day lives–so many unrecorded stories!–and I love to advocate for the idea (fortunately not as revolutionary as it once was) that a woman can be the hero of her own story and that each woman’s story is important to tell.
Outspoken, cantankerous, deep-hearted Olive Kitteridge is a character unlike any other, and I loved how the interconnected stories let us see her, her family, and her community at various points in time and how their decisions and ways of being affect the arcs of their lives.
I loved the complexity and uniqueness of all the characters, as well as the insights that this book offers about the intricacies, nuances, difficulties, and joys of being human.
WINNER OF THE PULITZER PRIZE • The beloved first novel featuring Olive Kitteridge, from the #1 New York Times bestselling author of the Oprah’s Book Club pick Olive, Again
“Fiction lovers, remember this name: Olive Kitteridge. . . . You’ll never forget her.”—USA Today
NAMED ONE OF THE BEST BOOK OF THE YEAR BY The Washington Post Book World • USA Today • San Francisco Chronicle • Chicago Tribune • Seattle Post-Intelligencer • People • Entertainment Weekly • The Christian Science Monitor • The Plain Dealer • The Atlantic • Rocky Mountain News • Library Journal
I’m one of those writers who’d identify themselves as readers first, and as an oft-bullied queer kid growing up in Singapore, I often found refuge and salvation in writers whose works were able to refashion and reimagine our lives, however intimately or grandly. I grew up devouring fantasy of all kinds; I went from Enid Blyton to Charmed, for instance, before discovering in my later adolescence the manifold possibilities of magical realism and the other expanses contained within the realm(s) of speculative fiction. Many of the books in this particular list were especially useful in crafting my second novel, Lovelier, Lonelier.
In my head, there’s a high I’m chasing, and it’s the high I got when I finally finished David Mitchell’s Cloud Atlas, the high of one synapse in my head connecting with one another in a bright feverish spark as I volley from one page to the next, one character to the next, one era to the next.
If I had to summarise what the book even is, I’d say it’s reincarnation and samsara in the hands of Mitchell’s trademark ventriloquism, arranged into this wonderfully nested set of Russian doll narratives. It sounds very smart and full of grand ideas about the nature of human suffering, and it is! But it is also deeply romantic and about the peculiar destiny that can tie one human soul to another all throughout eternity.
Six lives. One amazing adventure. The audio publication of one of the most highly acclaimed novels of 2004. 'Souls cross ages like clouds cross skies...' A reluctant voyager crossing the Pacific in 1850; a disinherited composer blagging a precarious livelihood in between-the-wars Belgium; a high-minded journalist in Governor Reagan's California; a vanity publisher fleeing his gangland creditors; a genetically modified 'dinery server' on death-row; and Zachry, a young Pacific Islander witnessing the nightfall of science and civilisation - the narrators of CLOUD ATLAS hear each other's echoes down the corridor of history, and their destinies are changed in ways great…
I grew up in Los Angeles in the 80s and 90s. I was a shy teenager, an obsessive reader, and a secret writer. I went to an all-girls high school where we wore uniforms, did a lot of homework, and mostly had no idea how to meet boys. The teen girls I encountered in movies, TV shows, and even literature were sexualized to the point of being unrecognizable to me. Now that I work with teenagers (and am a mom to one), I’m fascinated by the variability of girls this age, their wide-ranging intelligence, passions, and ways of being in the world. I love novels that reflect that complexity.
I loved this book because it’s the best illustration of the stepmother-stepdaughter relationship that I’ve ever read. Flo and Rose’s conflicts over work, sex, and a woman’s place in the world made me remember exactly what it was like to be a teenager struggling to relate to older women in my life.
Like many of Alice Munro’s celebrated short stories, it’s about a young woman growing up in rural Ontario who strains against the prejudices of her small town, especially about girls’ education and ambition. “Who do you think you are?” is the question that comes up again and again in this novel-in-stories. Used as an insult, it challenges Rose to make a different life for herself without forgetting the women who came before her.
In this series of interweaving stories, Munro recreates the evolving bond between two women in the course of almost forty years. One is Flo, practical, suspicious of other people's airs, at times dismayingly vulgar. the other is Rose, Flo's stepdaughter, a clumsy, shy girl who somehow leaves the small town she grew up in to achieve her own equivocal success in the larger world.
For three decades I have been the first violinist of the Takács Quartet, performing concerts worldwide and based at the University of Colorado in Boulder. I love the ways in which books, like music, offer new and surprising elements at different stages of life, providing companionship alongside joys and sorrows.
In these five stories music is the catalyst that shapes the narrators’ encounters with regret, failure, and loss. Through seemingly straightforward but complex dialogue, surprising plot twists, and individual revelations, Ishiguro mixes whimsy and melancholy with moments of connection and revelation—a cocktail that is oddly comforting.
*Kazuo Ishiguro's new novel Klara and the Sun is now available*
In Nocturnes, Kazuo Ishiguro explores ideas of love, music and the passing of time. From the piazzas of Italy to the 'hush-hush floor' of an exclusive Hollywood Hotel, the characters we encounter range from young dreamers to cafe musicians to faded stars, all of them at some moment of reckoning.
Gentle, intimate and witty, this quintet is marked by a haunting theme - the struggle to keep alive a sense of life's romance, even as one gets older, relationships founder and youthful hopes recede.
Growing up, I only read humour, and it was my passion to write humour. When I was lucky enough to find myself travelling the world and working on cargo ships, the source material presented itself, and I took my chance. Publishers were wary of the crudity inherent to a sailor’s life, so I present myself as if P.G. Wodehouse himself had gone to sea. I am the butt of all the pranks, and horrified by what I see around me. So I was able to write a book that addresses the truth of a shipboard life… but leaves the suggested extremes to your imagination!
I met Bill Bryson once, and we subsequently exchanged a few letters.
‘Knowing him’ gave an extra dimension to his writing and humour, because he’s acerbic with the pen and yet so gentle and shy as a person.
When we met, he was giving a talk on the importance of hedgerows in our ‘Green and Pleasant Land’, and he has always inspired me to appreciate the privilege of being British (He is American).
Sometimes it can be hard to remember..!
One thing is for sure: British humour is unique, and I will never fail to appreciate that.
Neither Here Nor There was the first Bryson I read, but you could pick any of his travel works.
He’s got such a wonderful style and humour, you can’t really go wrong.
Bill Bryson's first travel book, The Lost Continent, was unanimously acclaimed as one of the funniest books in years. In Neither Here nor There he brings his unique brand of humour to bear on Europe as he shoulders his backpack, keeps a tight hold on his wallet, and journeys from Hammerfest, the northernmost town on the continent, to Istanbul on the cusp of Asia. Fluent in, oh, at least one language, he retraces his travels as a student twenty years before.
Whether braving the homicidal motorists of Paris, being robbed by gypsies in Florence, attempting not to order tripe and…
I despise long-winded books with an electoral roll of characters or characters with unnecessarily complex names. Reading should be a pleasure, not a chore. High school does its best to suck the joy out of reading with its “what did the author mean here?” nonsense. If the reader has to guess what the author means, the author failed to tell their story. Symbolism and hidden meanings are a joke. I won’t read pretentious books that people only read so they can say they’ve read them. One of the reasons I started writing was to reach people who ended up as non-readers because high school ruined reading for them.
I love Tim Burton’s movies. His book of poems and short stories is just as good as his movies (don’t let the poems aspect put you off). I’m not a fan of poetry, but this collection of twisted tales is great (especially if you read them in your head in Christopher Lee’s voice).
As a bonus, the book is packed with Tim’s off-beat artwork (which matches the characters perfectly). I love the strange and unusual. To quote Lydia (from Tim Burton’s Beetlejuice), “I myself am strange and unusual.”
Twenty-three illustrated gothic tales from the dark corridors of the imagination of Tim Burton. Burton - the creative genius behind Batman, Edward Scissorhands, Sleepy Hollow and Nightmare Before Christmas, among others - now gives birth to a cast of gruesomely sympathetic children: misunderstood outcasts who struggle to find love and belonging in their cruel, cruel worlds. His lovingly lurid illustrations evoke both the sweetness and tragedy of these hopeful, yet hapless beings.
I studied history in college and, after a few misspent years in broadcasting, worked in marketing and public relations for several companies. In my free time I wrote articles and books on historical events and people. A dozen years ago, on a trip to San Francisco and Alcatraz, I conceived of an idea for a novel. True to my background, it was based on a real historical event – the 1962 escape of three men in a raft from the prison. It wasn't until my mid-sixties when I felt ready to step out of my non-fiction comfort zone and write my first novel. Can't wait to start the next one.
This is not a novel, but a collection of Lardner's newspapers columns and short stories, many of which revolve around a bush league pitcher named Jack Keefe who tells stories to his friend.
I love baseball and am fascinated by the early days of the game, and Lardner's Jack makes me feel as if I am experiencing life in baseball's “bushes” back in the 1920s. Oh, yea, that's the other draw of this book for me a view, from his columns and other stories, of the daily grind of American life in an era that was much more than flappers and bathtub gin. (Although there is a bit of both therein).
This collection brings together twenty-one of Lardner's best pieces, including the six Jack Keefe stories that comprise You Know Me, Al, as well as such familiar favorites as "Alibi Ike," "Some Like Them Cold," and "Guillible's Travels."
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date…
My sons were both reluctant readers and that made me want to write books that they wouldn’t be able to resist reading! Reading should be a pleasure and this list is packed with books that are impossible to put down. They are perfect for young, reluctant readers, as they are not trying to be too serious or worthy or overwhelming with too much text. They pull you in and hook you from the start and you can’t help being moved by the characters as they grow and develop, fostering a love of books and fiction. I love comedy in books, but funny books also have to have heart, believable characters, and a great plot that keeps you reading till the very end.
This book made me first want to write for 7 to 11-year-olds! It is really easy to get into and the characters are fun, believable, and have heart. Baddiel’s books are all set in the real world of school and normal life but with a fantastical twist.
In this story, the naughtiest boy in school accidentally swaps bodies with the very strict headteacher, and they both learn a lot about themselves while having chaotic, madcap adventures along the way.
From the million-copy bestselling author of THE PARENT AGENCY and BIRTHDAY BOY comes a wildly entertaining wish-fulfilment adventure that asks the question: what would happen if the strictest head teacher swapped bodies with the naughtiest kid in school?
Strictest head naughtiest boy = chaos.
Bracket Wood is about to be visited by the school inspectors. But there's one big problem: Ryan Ward.
The maestro of practical jokes, Ryan has played so many tricks that in the end the Head Teacher just walks out. And then the new Head Teacher, Mr Carter, arrives. A man so strict even the teachers are…
I used to make my grandmother laugh at the dinner table, to the annoyance of my mother. My grandmother had a great laugh I can hear to this day. In high school forensics I won the humorous interpretation trophy (first place) for a National Lampoon Parody I performed of the Hardy Boys, beating out 100 other contestants. I knew then, I could do standup, and later, improv. My comedy group in New York was called “wonderful…refreshingly different!” by the NY Post. I produced “The Outlaugh Festival On Wisecrack” years later for MTV’s LOGO network. When we’re all laughing is when we are truly together.
Okay, Evanovich has written seven million Stephanie Plum mysteries, but they are truly funny. Best start with the first one, when we were all young and had golden hair (highlights?).
The humor is smart and not sophomoric. I’m an improv comic and there is a difference between being juvenile and crude, and being clever. Check her clever Plum series out if you want to laugh. There are so many of them you could also use them to build that upstairs addition you’ve been planning.
Stephanie Plum is down on her luck. She's lost her job, her car's on the brink of repossession, and her apartment is fast becoming furniture-free.
Enter Cousin Vinnie, a low-life who runs a bail-bond company. If Stephanie can bring in vice cop turned outlaw Joe Morelli, she stands to pick up $10,000. But tracking down a cop wanted for murder isn't easy . . .
And when Benito Ramirez, a prize-fighter with more menace than mentality, wants to be her friend Stephanie soon knows what it's like to be pursued. Unfortunately the best person to protect her just happens to…
After spending years as a freelance writer and content marketer, I turned my attention to exploring the inner workings of why writing works and how it fails. I’m an unabashed nonfiction geek on a mission to help people make a positive impact with their words—whether they’re writing emails, blog posts, or nonfiction books.
Why include a book about humor in a business writing list? Because it can make a major impact on the business environment. This book shares research about how humor influences behavior, affects negotiations, and strengthens bonds. That’s all relevant to the workplace!
You’ll find advice here that might inspire you to infuse a little levity into your emails. And, as you might expect, the book itself is entertaining to read.
WALL STREET JOURNAL, LOS ANGELES TIMES, AND USA TODAY BESTSELLER • Anyone—even you!—can learn how to harness the power of humor in business (and life), based on the popular class at Stanford’s Graduate School of Business.
Don’t miss the authors’ TED Talk, “Why great leaders take humor seriously,” online now.
“The ultimate guide to using the magical power of funny as a tool for leadership and a force for good.”—Daniel H. Pink, #1 New York Times bestselling author of When and Drive
We are living through a period of unprecedented uncertainty and upheaval in both our personal and professional lives.…
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