Here are 99 books that Arm in Arm fans have personally recommended if you like
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Reading with your kid can be a delight, but it’s tough to find a book that both grown-up and child think is hysterical. I mean, I tried reading Catch-22 to my three-year-old, but for some reason the incisive social commentary just didn’t resonate with her. My kids and I both let out genuine chuckles and guffaws while reading all of these books—an experience that I treasured. These books are all giggly, snickery proof that you don’t have to dumb things down to appeal to a wide age range—a goal that I aim for myself in the children’s books and TV shows that I write.
This is the book that made my kids’ heads explode (not literally—this book is perfectly safe (as far as I know)) as it helped them discover the idea of parody: taking something familiar and twisting it in a funny, unexpected way.
We rolled and lol’ed together as we read Jon’s wild, hysterical takes on old fairy tales. The non-twist twist ending to his take on the ugly duckling story is still a running joke in our family. Jon’s The True Story of the 3 Little Pigs and The Real Dada Mother Goose are also great for the same reason.
The entire book, with its unconventional page arrangement and eclectic, frenetic mix of text and pictures, is a spoof on the art of book design and the art of the fairy tale. The individual tales, such as The Really Ugly Duckling and Little Red Running Shorts, can be extracted for telling aloud, with great success. Another masterpiece from the team that created The True Story of the Three Little Pigs! -Horn Book
Reading with your kid can be a delight, but it’s tough to find a book that both grown-up and child think is hysterical. I mean, I tried reading Catch-22 to my three-year-old, but for some reason the incisive social commentary just didn’t resonate with her. My kids and I both let out genuine chuckles and guffaws while reading all of these books—an experience that I treasured. These books are all giggly, snickery proof that you don’t have to dumb things down to appeal to a wide age range—a goal that I aim for myself in the children’s books and TV shows that I write.
I have vivid memories of my voice getting louder and more hysterical, and my kids literally jumping up and down on their futon bed, laughing and clapping with delight, as I would read through the exciting ending of each of these charming, hilarious adventures about an adorable buttered-toast-loving pig and the group of humorous, sharply-drawn characters around her.
No gimmicks, no space aliens or magic amulets or evil supervillains, just great, well-paced, laugh-out-loud stories in which everyone always gets their perfect comeuppance. In terms of series with great, funny short stories, we also love Ivy and Bean and the Frog and Toad series.
The first adventure of this NEW YORK TIMES best-selling porcine wonder is now available as an e-book. (Ages 6 - 8)
To Mr. and Mrs. Watson, Mercy is not just a pig – she's a porcine wonder. And to the portly and good-natured Mercy, the Watsons are an excellent source of buttered toast, not to mention that buttery-toasty feeling she gets when she snuggles into bed with them. This is not, however, so good for the Watsons' bed. BOOM! CRACK! As the bed and its occupants slowly sink through the floor, Mercy escapes in a flash – "to alert the…
Reading with your kid can be a delight, but it’s tough to find a book that both grown-up and child think is hysterical. I mean, I tried reading Catch-22 to my three-year-old, but for some reason the incisive social commentary just didn’t resonate with her. My kids and I both let out genuine chuckles and guffaws while reading all of these books—an experience that I treasured. These books are all giggly, snickery proof that you don’t have to dumb things down to appeal to a wide age range—a goal that I aim for myself in the children’s books and TV shows that I write.
The silly, rollicking picture-book saga of how all the alligators in the sewers of New York (remember that urban legend?) got tired of their plight and banded together to escape to sunny Florida. It’s as funny as it sounds, and a great child’s introduction to the heist/escape genre of stories.
Best of all, every page is packed with funny bits and pieces of dialogue from alligators, humans, and alligators-pretending-to-be-humans. I never encountered this growing up, but we got a copy as a gift since my son and one of the alligators share a name (why-oh-why did I name my son Tick-Tock? (just kidding—it’s Silas)).
Get all your different voices ready—you’ll need them for reading this one aloud. Roald Dahl’s The Enormous Crocodile is another great crocodilian tale for all ages.
Reading with your kid can be a delight, but it’s tough to find a book that both grown-up and child think is hysterical. I mean, I tried reading Catch-22 to my three-year-old, but for some reason the incisive social commentary just didn’t resonate with her. My kids and I both let out genuine chuckles and guffaws while reading all of these books—an experience that I treasured. These books are all giggly, snickery proof that you don’t have to dumb things down to appeal to a wide age range—a goal that I aim for myself in the children’s books and TV shows that I write.
This book (along with the entire Haggis-on-Whey series) is one of the most remarkably twisted works of literature I know of.
On first glance, it seems to be a dry, conventional grade-school picture book about, yes, giraffes. And yet, as one reads through its content, at some point one will be struck by the realization: none of this is true!
Did giraffes really first come to Earth on a conveyor belt from Neptune? Are the legs of giraffes actually “filled with various types of fruit juice”? No! As far as I’m aware!
I waited until my kids could read on their own before giving them this book. In each case they spent a while reading through it with confused expressions, unable to reconcile the seemingly authoritative text with plain common sense…until they realized that the entire book is one giant prank and burst out laughing.
For many years the scientific and educational communities have wondered and worried about the possibility that semi-sane scholar-pretenders would find the means to publish a series of reference books aimed at children but filled with ludicrous misinformation. These books would be distributed through respectable channels and would inevitably find their ways into the hands and households of well-meaning families, who would go to them for facts but instead find bizarre untruths. The books would look normal enough, but would read as if written by people who have eaten too many lead-based paint chips. Giraffes? Giraffes! is the first in a…
I inherited an offbeat sense of humor from my mother, who encouraged me to create stories about outrageous subjects, like cats doing “people things.” I’m grateful to have made a living writing about such things, as well as observations about my own humorous experiences in essays, calendars, and books. I’ve always looked to other funny creatives for inspiration, and the books on my list reflect some of my favorites.
I’m instantly hooked by an essay that’s irreverently funny but has a heart. David lives in his head and overanalyzes his life’s experiences. As an overthinker, I relate. I’ve always found humor in my own or others’ neuroses, and some of my best friendships are those in which we compare obsessions and funny/awkward experiences. I feel like I’m with a friend when I read his essays.
David Sedaris plays in the snow with his sisters. He goes on vacation with his family. He gets a job selling drinks. He attends his brother's wedding. He mops his sister's floor. He gives directions to a lost traveler. He eats a hamburger. He has his blood sugar tested. It all sounds so normal, doesn't it? In his newest collection of essays, David Sedaris lifts the corner of ordinary life, revealing the absurdity teeming below its surface. His world is alive with obscure desires and hidden motives -- a world where forgiveness is automatic and an argument can be the…
I love to make people laugh and cry and I love to read novels like this too, as I find they reflect life’s ups and downs so well. I like to read books that take me by the hand into a character’s world and leave me with more compassion and understanding towards the human race. As well as my novel called Are My Roots Showing?, I have done lots of stand up comedy and have some funny films on my YouTube channel (search Karola Woods) that I hope you can enjoy too. I studied physical theatre, mask and clown at Jacques Lecoq Theatre School in Paris.
This is a chatty and intimate fly-on-the-wall book look at everyday things through the lens of aging and mortality.
Nora Ephron makes the bittersweet mix of chattiness and philosophy seem so easy. The engrossing, snippet-write-ups of her friends, family, and career in New York give you a vivid snapshot into her heart and soul.
NATIONAL BESTSELLER • Here is the beloved, bestselling author of I Feel Bad About My Neck at her funniest, wisest, and best, taking a hilarious look at the past and bemoaning the vicissitudes of modern life—and recalling with her signature clarity and wisdom everything she hasn’t (yet) forgotten.
In these pages she takes us from her first job in the mailroom at Newsweek to the six stages of email, from memories of her parents’ whirlwind dinner parties to her own life now full of Senior Moments (or, as she calls them, Google moments), from her greatest career flops to her…
I think there’s a little voyeur in all of us, which is why we love reading memoirs. These stories typically are written by people who’ve wrestled with a life-changing event and emerged on the other side with wisdom to share. Whether they’ve grappled with a heartbreaking loss, a debilitating illness, or an unsettling change in circumstances that left them reeling, authors who temper their truth with humor are the ones who inspire me most. Finding hilarity in the midst of hardship is no easy feat, but it reminds us that humor is a great coping skill.
Actor and comedian Rob Delaney won my heart in the series Catastrophe. In this memoir, told with unflinching honesty, he shares the story of losing his two-year-old son, Henry, to brain cancer.
As a writer, I couldn’t stop thinking about how difficult this must’ve been for Delaney to do—to relive this all over and over again, putting it down and then rereading it countless times before it went to publication. But in doing so, he keeps his son close, and his humor amid the darkest days is an absolute inspiration. I listened to the audiobook, narrated by Delaney, and his delivery and timing make this a must-listen.
New York TimesBestseller *New Yorker Best Books of 2022 *Entertainment Weekly Best Books of 2022 *USA TodayBest Books of 2022 *Time100 Must-Read Books of 2022 *Mother JonesBooks We Needed in 2022 *PeopleFall Must Read *2022BuzzFeedFall Reading Pick * New York Post Best Books of 2022 *New York Times Editors’ Choice
This is the story of what happens when you lose a child, and everything you discover about life in the process, by the star of the Amazon Prime series Catastrophe.
In 2018, Rob Delaney’s two-year-old son, Henry, died of a brain tumor. A Heart That Worksis Delaney’s intimate, unflinching, and…
I once visited an art exhibition in which an artist had taken old canvasses and re-used them, over-layering one work with another in such a way as to illuminate both. This technique was described as a palimpsest. At the time I was writing a novel that seemed to be four connected stories, struggling with the format, wondering if it would work. The exhibition encouraged me to persevere and Crossings: Four Tiered Stories is the result. Since writing my palimpsest I have come across others in the genre, written by some of the most revered authors of our time. It has been a pleasure to share them with you.
This book is a collection of the author’s memoirs, set in a fictional village in England’s leafy countryside. Each story stands alone and yet they build a picture of a time and place that is now lost.
There is humour and tragedy in these stories. A disastrous dinner party ends up with the guests having to go to the hospital to have their stomachs pumped. An elderly lady who cares more for her animals than she does for herself is discovered to be starving. The mysterious ‘hedging and ditching man’ evades identification although there is a suggestion that this disreputable-looking old tramp is in fact the local squire. A happenstance meeting at the scene of an accident results in a fledgling music group being started up in the village.
All these anecdotes are narrated from the confused, curious, only partly-understanding point of view of a young boy. There is nostalgia…
Welcome to the village of Notwithstanding, where a lady dresses in plus fours and shoots squirrels, a retired general gives up wearing clothes altogether, a spiritualist lives in a cottage with the ghost of her husband, and people think it quite natural to confide in a spider that lives in a potting shed. Based on de Bernieres' recollections of the village he grew up in, Notwithstanding is a funny and moving depiction of a charming vanished England.
I’m a cognitive scientist, and I love reading, thinking, and researching about the nature of the human – and especially the young – mind, and what it is capable of. Even while I was still doing my PhD in experimental psychology at Oxford in the early 1970s, I was gripped by the new possibilities for thinking about education that were being opened up by science. In particular, the assumption of a close association between intelligence and intellect was being profoundly challenged, and I could see that there was so much more that education could be, and increasing needed to be, than filling kids’ heads with pockets of dusty knowledge and the ability to knock out small essays and routine calculations. In particular, we now know that learning itself is not a simple reflection of IQ, but is a complex craft that draws on a number of acquired habits that are capable of being systematically cultivated in school – if we have a mind to do it.
This marvelous little book was first published in 1939 – and it is still bang up to date in its critique of conventional education. (As a society we seem to have learned far too little in the ensuing 80 years). Peddiwell tells the story of the first pre-historic educators who taught young people useful life skills like how to grab fish, or how to use fire to scare away saber-tooth tigers. Over the years the climate changed, but the elders refused to allow the curriculum to change with it. The saber-tooth tigers died out, but scaring them still had to be taught in schools because that knowledge had become a ‘cultural treasure’ even though it was now useless. It is very funny, and bang on the money, in showing just how stupid supposedly clever people can be. (Peddiwell and his story were both made up by a real professor called…
McGraw-Hill first published "The Saber- Tooth Curriculum" in 1939, and it has remained a classic bestseller to this date. The book is just as relevant and applicable to the key questions in education today as it was when it was first published. With tongue firmly in cheek, Peddiwell takes on the contradictions and confusion generated by conflicting philosophies of education, outlining the patterns and progression of education itself, from its origins at the dawn of time to its culmination in a ritualistic, deeply entrenched social institution with rigidly prescribed norms and procedures. This fascinating exploration is developed within a fanciful…
I despise long-winded books with an electoral roll of characters or characters with unnecessarily complex names. Reading should be a pleasure, not a chore. High school does its best to suck the joy out of reading with its “what did the author mean here?” nonsense. If the reader has to guess what the author means, the author failed to tell their story. Symbolism and hidden meanings are a joke. I won’t read pretentious books that people only read so they can say they’ve read them. One of the reasons I started writing was to reach people who ended up as non-readers because high school ruined reading for them.
I love Tim Burton’s movies. His book of poems and short stories is just as good as his movies (don’t let the poems aspect put you off). I’m not a fan of poetry, but this collection of twisted tales is great (especially if you read them in your head in Christopher Lee’s voice).
As a bonus, the book is packed with Tim’s off-beat artwork (which matches the characters perfectly). I love the strange and unusual. To quote Lydia (from Tim Burton’s Beetlejuice), “I myself am strange and unusual.”
Twenty-three illustrated gothic tales from the dark corridors of the imagination of Tim Burton. Burton - the creative genius behind Batman, Edward Scissorhands, Sleepy Hollow and Nightmare Before Christmas, among others - now gives birth to a cast of gruesomely sympathetic children: misunderstood outcasts who struggle to find love and belonging in their cruel, cruel worlds. His lovingly lurid illustrations evoke both the sweetness and tragedy of these hopeful, yet hapless beings.
