Here are 99 books that How Not to Get Shot fans have personally recommended if you like
How Not to Get Shot.
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I was born and raised in Nyack, New York, and all of my degrees are from colleges and universities in New York. I have always been interested in race relations in America and understanding their causes and consequences. Hope and despair are two themes that run through the experiences of people of African ancestry in America. The books I selected include fiction and nonfiction works that highlight promises made and promises unfulfilled.
I think WEB DuBois is one of the greatest scholars ever to live. I recommend this book because DuBois eloquently tackles some of American society's greatest challenges. I like that DuBois is not satisfied with contemporary explanations about racial inequities. I am grateful to DuBois for encouraging American society to explore the roles of race and racism and explaining the experiences of people of African ancestry in America.
The Souls of Black Folk: Essays and Sketches is a 1903 work of American literature by W. E. B. Du Bois. It is a seminal work in the history of sociology and a cornerstone of African-American literature.
The book contains several essays on race, some of which had been published earlier in The Atlantic Monthly. To develop this work, Du Bois drew from his own experiences as an African American in American society. Outside of its notable relevance in African-American history, The Souls of Black Folk also holds an important place in social science as one of the early works…
I’m a writer and a Shakespeare and critical race studies scholar who’s always been intrigued by the invisible, artificial race-based boundaries in our world. I love analyzing the lives of literary characters and seeing how they can serve as mirrors for us along lines of gender, mental health, and more. My critical interests are informed by the fact that I grew up in a predominantly Black/Latino low-income neighborhood and attended an affluent, predominantly white private school from the sixth to twelfth grade. My adolescent experiences with inclusion/exclusion dynamics required me to reflect on race, for example, so I could understand and navigate the kinds of socio-cultural dynamics that affect us all.
I love this book not only because of the hard truths it tells in relation to racial whiteness and racism but also because of how Rankine’s writerly voice reverberates through one’s mind long after finishing the book.
As someone who sometimes finds it hard to sit still to finish a book, I did not have that issue with Just Us partly because of how diverse and stimulating the content is. In addition to including poetry and prose within the text, there are many images to see and study as one internalizes the urgent points made by a witty, seasoned author whose overall tone demands that readers be part of and sit with this “American conversation” that asks us to think deeply about power, privilege, inequality, whiteness and more.
Now in paperback, Claudia Rankine's "skyscraper in the literature on racism" (Christian Science Monitor)
In Just Us, Claudia Rankine invites us into a necessary conversation about Whiteness in America. What would it take for us to breach the silence, guilt, and violence that arise from addressing Whiteness for what it is? What are the consequences if we keep avoiding this conversation? What might it look like if we step into it? "I learned early that being right pales next to staying in the room," she writes.
This brilliant assembly of essays, poems, documents, and images disrupts the false comfort of…
I’m a writer and a Shakespeare and critical race studies scholar who’s always been intrigued by the invisible, artificial race-based boundaries in our world. I love analyzing the lives of literary characters and seeing how they can serve as mirrors for us along lines of gender, mental health, and more. My critical interests are informed by the fact that I grew up in a predominantly Black/Latino low-income neighborhood and attended an affluent, predominantly white private school from the sixth to twelfth grade. My adolescent experiences with inclusion/exclusion dynamics required me to reflect on race, for example, so I could understand and navigate the kinds of socio-cultural dynamics that affect us all.
I love this book because Fleming offers necessary socio-historical correctives and demystifies many myths that people believe about race, racism, and stereotypes.
The writing is punchy, pithy and humorous. As such, it is entertainingly educational and scholarly while presenting facts in a way that is accessible to general readers.
I also love this book because it is incredibly useful both to those who are “stupid about race,” so to speak, and those who aren’t. For the former, I think this is a great book to start with on one’s journey toward becoming more race-conscious and more educated about race.
A unique and irreverent take on everything that's wrong with our “national conversation about race”—and what to do about it
How to Be Less Stupid About Race is your essential guide to breaking through the half-truths and ridiculous misconceptions that have thoroughly corrupted the way race is represented in the classroom, pop culture, media, and politics. Centuries after our nation was founded on genocide, settler colonialism, and slavery, many Americans are kinda-sorta-maybe waking up to the reality that our racial politics are (still) garbage. But in the midst of this reckoning, widespread denial and misunderstandings about race persist, even as…
I grew up in an immigrant household where success was defined by how much money you made and your individual progress. But I’ve always been fascinated by social change as the measure of collective success. As a former business journalist, I was most inspired by leaders who were creating opportunities for overlooked communities. I now advise organization leaders on how to create more inclusive and diverse organizations by rethinking the measure of success purely from the profit perspective. That’s why I wrote Inclusion on Purpose. These books have helped me transform my definition of success. I hope you’re catalyzed to action by these books!
Dr. Blackstock’s advocacy for equity and access during the COVID-19 pandemic made her a hero in my eyes, and I was eagerly awaiting her memoir! I read it in one weekend. It’s compelling, heartbreaking, and, in parts, deeply devastating when you’re shown firsthand the huge health disparities in this country.
It’s tragic to see how some people are given immediate access to health care while others are systematically denied it on the basis of their skin color. The racism Dr. Blackstock has to navigate in her career as a Black physician and academic doctor is heartbreaking, but the overall story is one of triumph and resilience.
Dr. Blackstock is an incredibly inspiring character, but the ultimate heroine is their late mother, whose training at Harvard Medical School led to her twin daughters becoming the first Black mother-daughter legacies from the school. This book reminded me that success doesn’t come from…
“This book is more than a memoir—it also serves as a call to action to create a more equitable healthcare system for patients of color, particularly Black women.” —Essence
One of NPR’s 11 Books to Look Forward to in 2024
One of Good Morning America’s 15 New Books to Read for the New Year
“Legacy is both a compelling memoir and an edifying analysis of the inequities in the way we deliver healthcare in America. Uché Blackstock is a force of nature.” —Abraham Verghese, MD, New York Times bestselling author of The Covenant of…
Years ago, when I went to Montreal to get my Master's degree in Philosophy, I decided to become a stand-up comic at the same time. I soon realized that I had a lot more fun coming up with the funny bits than I did being ignored or heckled while on stage delivering them. So I became a sit-down comic. (Well, a sprawled-on-the-couch comic.) I've since written and published several novels, which contain a lot of funny bits, but I decided, in addition, to publish the leftover or funny-on-their-own bits in a separate book. Hence, Too Stupid to Visit.
Although it was Mercer'sTalking to Americans that had me rolling on the floor, I list Streeters only because Talking to Americansisn't available in book format. That said, I do feel an affinity with Streetersfor its rantiness (indeed, the subtitle is Rants and Raves from This Hour has 22 Minutes). Sometimes his stuff is too Political-capital-P for me (I don't follow the news anymore), but often it's just political-small-p—which is just right.
I am a writer who has written an assortment of over a hundred and seventy different articles, poems, and books. I love cricket and have spent a lot of my life unsuccessfully learning how to play it. It still has a fascination for me. I am also a psychologist, and cricket has given me an even deeper understanding of human life.
Marcus Berkmann doesn’t write about great famous cricket players of superb accomplishments. He writes about people who are also great, but in a different way. He writes about incompetent amateurs like us, the ordinary weekend cricketers.
Berkmann is a prime example with a thunderously low batting average. It’s all about failure in so many ways and is so hilarious for being all that. It’s absolutely perfect for reading in the cricket pavilion or in your car on a rain-affected cricket day waiting for the showers to stop. But you will still get wet with tears of laughter. It’s so true of trivial human life.
This book is aimed at the fan; at the person who listens to the Test Match on a motorway and narrowly avoids crashing whenever somone takes a wicket; at the weekend player who happily gives up his valuable afternoon to be given out for 0 by the umpire and who can't quite remember the lbw law. However, unlike most cricket books (gentle, elegiac, full of photographs of village greens circa 1850), this book is realistic. It accepts the great unspoken truth of cricket: that the other team are only there to make up the numbers and that the people you're…
I’m a comic fan first, then a comic creator. I grew up on the classics—Calvin and Hobbes and The Far Side and excitedly watched as new comics popped up online. I love comic strips and have rows of collections lining my bookshelves. The coolest part of starting my own series has been becoming a member of a cartoonist community that I have always been a huge fan of.
Joshua has a really unique sense of humor that’s accompanied by absolutely stunning art.
The comics are really worth admiring in print, not to get lost amongst the sea of online ‘content’.
Both Joshua and I write comics that give readers a glimpse into the animal kingdom and I love seeing how our interpretations of the same world can differ, through our comedic voices and art… and yes, his work is art.
Based on Joshua Barkman's popular webcomic by the same name, False Knees is animal humor taken to a very absurd, darkly delightful place.
In Barkman's debut print collection, False Knees fans will find old favorites along with an abundance of all-new material. Featuring creatures found in the author's native Ontario, this always sharp, sometimes head-scratchingly bizarre collection of comics offers a view into the secret, surprisingly insightful world of blue jays, squirrels, geese, wolves, and rabbits.
Cozy mysteries tend to exist in a simpler world, one without extreme violence and heavy swearing. They are often set in bucolic settings, but they deal with murder! I love many of the cozy tropes—tea, cats, dogs or other pets, family shenanigans, food. I think it’s family nuances that draw me the most to cozies. Whether it’s a romantic comedy or just one full of capers and laughter, cozies are my favorite genre.
One of the first modern cozy mysteries I have ever read, Stephanie Plum is zany, ridiculous, and laugh-out-loud funny. Basically, she’s a bounty hunter, and she gets her man and solves mysteries despite herself. Her Grandma Mazur is quite possibly one of the best sidekick characters ever invented. Funerals may or may not involve dead bodies, but Granny Mazur will be there anyway, even if it means stealing a corpse. Especially if it means stealing a corpse! Stephanie has a habit of losing cars and getting stuck driving a very old boat of a car (Big Buick), which deprives her of looking as cool as she’d like. Well, she isn’t exactly a put-together gal, so that’s okay.
The initial books in the series are almost a coming of age—a chance at a career, a chance or two at romance, and family shenanigans that almost kill her with good intentions. This…
Stephanie Plum is down on her luck. She's lost her job, her car's on the brink of repossession, and her apartment is fast becoming furniture-free.
Enter Cousin Vinnie, a low-life who runs a bail-bond company. If Stephanie can bring in vice cop turned outlaw Joe Morelli, she stands to pick up $10,000. But tracking down a cop wanted for murder isn't easy . . .
And when Benito Ramirez, a prize-fighter with more menace than mentality, wants to be her friend Stephanie soon knows what it's like to be pursued. Unfortunately the best person to protect her just happens to…
As a transplant to California, albeit more than 50 years ago, I am still fascinated by what makes this place at the edge of the Pacific so unique. It has accepted so many people, from so many places over a fairly recent period. I always feel I can deduce more history from well rendered characters set in specific times and places. Their wholeness and their meaning, as well as that of their culture, are to be found in literature.
The juxtaposition of Eve Babitz’s unabashed hedonism and her incisive ability to nail a situation are not what you normally expect.
This book ranges all over southern California of the 1960s and 1970s, always coming back to the place Eve loved best, Los Angeles, a place of “vast sprawls, smog, and luke nights: L.A. It is where I work best, where I can live, oblivious to physical reality.”
When I moved to Los Angeles, I was disposed to love it, but it was hard to find any confirmation in books! I am delighted with Eve Babitz, who, with extravagant and precise language, celebrates the place.
No one burned hotter than Eve Babitz. Possessing skin that radiated “its own kind of moral laws,” spectacular teeth, and a figure that was the stuff of legend, she seduced seemingly everyone who was anyone in Los Angeles for a long stretch of the 1960s and ’70s. One man proved elusive, however, and so Babitz did what she did best, she wrote him a book.
Slow Days, Fast Company is a full-fledged and full-bodied evocation of a bygone Southern California that far exceeds its mash-note premise. In ten sun-baked, Santa Ana wind–swept sketches, Babitz re-creates a Los Angeles of movie…
I studied history in college and, after a few misspent years in broadcasting, worked in marketing and public relations for several companies. In my free time I wrote articles and books on historical events and people. A dozen years ago, on a trip to San Francisco and Alcatraz, I conceived of an idea for a novel. True to my background, it was based on a real historical event – the 1962 escape of three men in a raft from the prison. It wasn't until my mid-sixties when I felt ready to step out of my non-fiction comfort zone and write my first novel. Can't wait to start the next one.
This is not a novel, but a collection of Lardner's newspapers columns and short stories, many of which revolve around a bush league pitcher named Jack Keefe who tells stories to his friend.
I love baseball and am fascinated by the early days of the game, and Lardner's Jack makes me feel as if I am experiencing life in baseball's “bushes” back in the 1920s. Oh, yea, that's the other draw of this book for me a view, from his columns and other stories, of the daily grind of American life in an era that was much more than flappers and bathtub gin. (Although there is a bit of both therein).
This collection brings together twenty-one of Lardner's best pieces, including the six Jack Keefe stories that comprise You Know Me, Al, as well as such familiar favorites as "Alibi Ike," "Some Like Them Cold," and "Guillible's Travels."
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date…
