I'm a devotee of the Word. I collect folklore. I teach literature. Generally I deal with everything from the Greek epics to Jamaican dub poetry, but my focus has been on African American folklore and culture. You might say that I'm something of a proselytizer, dedicated to seeking the Word, collecting and preserving the Word, interpreting the Word, spreading the Word. To paraphrase an old folk saying, "I've got the Word in me, and I can preach it, you know." My numerous collections of folklore have won awards and citations and enthusiastic praise from some impressive personalities and journals, but my greatest reward is witnessing the impact my collections have on ordinary, just plainlongso folk.
I wrote...
From My People: 400 Years of African American Folklore
From My People: 400 Years of African American Folklore, Daryl Cumber Dance’s acclaimed collection of African American folktales, art, music, style, speeches, food, sayings, and beliefs, has been applauded by Henry Louis Gates, Jr., Nikki Giovanni, Arnold Rampersad, and other scholars of AA culture. It won the 2004 Storytelling World Award and was selected as one of the top ten African American Nonfiction books reviewed by Booklist in 2001.
Hurston set the standard and provided the first major collection of African American folklore by a member of the AA folk community. She was one of the first Black trained folklorists.
I laughed and cried as I read the body of folktales that she presented. This work has been a major source and inspiration in my own work in the field of African American Folklore.
The Greenwood Encyclopedia of African American Folklore is a superb three-volume introduction to every area of African American Folklore by one of the nation’s leading Black folklorists.
I found it required reading for anyone interested in Black folklore. The entries are detailed and well written. I am frequently recommending this encyclopedia to people who often write to me with questions about African American folklore.
African American culture draws upon a rich body of traditions from Africa, Latin America, and the South, and folklore is fundamental to the African American heritage. The first work of its kind, this definitive encyclopedia comprehensively overviews African American folklore. Included are roughly 700 alphabetically arranged entries by more than 100 expert contributors on such topics as folktales, music, art, foodways, spiritual beliefs, proverbs, and many other subjects. Entries cite works for further reading, and the encyclopedia concludes with a bibliography of major works.
African American folklore has played a dominant role in shaping the spirit and soul of the…
The
Signifying Monkeyis
the groundbreaking theoretical study of the role of folklore in African
American literature.
I could not put it down when I first read
it. It was required reading for my
literature students. I have probably
quoted it in at least four essays. Gates
is, of course, the leading scholar of African American literature. He set the
standard for all of us who write and teach in this field.
Henry Louis Gates, Jr.'s original, groundbreaking study explores the relationship between the African and African-American vernacular traditions and black literature, elaborating a new critical approach located within this tradition that allows the black voice to speak for itself. Examining the ancient poetry and myths found in African, Latin American, and Caribbean culture, and particularly the Yoruba trickster figure of Esu-Elegbara and the Signifying Monkey, whose myths help articulate the black tradition's theory of its literature, Gates uncovers a unique system of interpretation and a powerful vernacular tradition that black slaves brought with them to the New World. His critical approach…
One of America’s greatest novels,Invisible Manis a veritable potpourri of African American Folklore.
I, and most other professors, always have this novel at the head of our list of readings for courses in African American literature, culture, and/or folklore. There are probably more studies of this novel than of any other African American novel.
NATIONAL BOOK AWARD WINNER • NATIONAL BESTSELLER • In this deeply compelling novel and epic milestone of American literature, a nameless narrator tells his story from the basement lair of the Invisible Man he imagines himself to be.
He describes growing up in a Black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "the Brotherhood," before retreating amid violence and confusion.
Originally published in 1952 as the first novel by a then unknown author, it remained on the bestseller list for…
The Music of Black Americansis the unmatched study of AA music.
I love this book. I frequently reference it in my writing and teaching. There are many other studies of African American literature, but Southern’s is the classic, the key source out of which the other studies grew.
Beginning with the arrival of the first Africans in the English colonies, Eileen Southern weaves a fascinating narrative of intense musical activity. As singers, players, and composers, black American musicians are fully chronicled in this landmark book. Now in the third edition, the author has brought the entire text up to date and has added a wealth of new material covering the latest developments in gospel, blues, jazz, classical, crossover, Broadway, and rap as they relate to African American music.
Susan Tate Ankeny left a career in teaching to write the story of her father’s escape from Nazi-occupied France. In 2011, after being led on his path through France by the same Resistance fighters who guided him in 1944, she felt inspired to tell the story of these brave French patriots, especially the 17-year-old- girl who risked her own life to save her father’s. Susan is a member of the 8th Air Force Historical Society, the Air Force Escape and Evasion Society, and the Association des Sauveteurs d’Aviateurs Alliés.
The first and only full-length biography of Hazel Ying Lee, an unrecognized pioneer and unsung World War II hero who fought for a country that actively discriminated against her gender, race, and ambition.
This unique hidden figure defied countless stereotypes to become the first Asian American woman in United States history to earn a pilot's license, and the first female Asian American pilot to fly for the military.
Her achievements, passionate drive, and resistance in the face of oppression as a daughter of Chinese immigrants and a female aviator changed the course of history. Now the remarkable story of a fearless underdog finally surfaces to inspire anyone to reach toward the sky.
One of WWII’s most uniquely hidden figures, Hazel Ying Lee was the first Asian American woman to earn a pilot’s license, join the WASPs, and fly for the United States military amid widespread anti-Asian sentiment and policies.
Her singular story of patriotism, barrier breaking, and fearless sacrifice is told for the first time in full for readers of The Women with Silver Wings by Katherine Sharp Landdeck, A Woman of No Importance by Sonia Purnell, The Last Boat Out of Shanghai by Helen Zia, Facing the Mountain by Daniel James Brown and all Asian American, women’s and WWII history books.…
