Here are 100 books that The Signifying Monkey fans have personally recommended if you like
The Signifying Monkey.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Philosophical novels challenge rather than appease. They subvert. They obscure. As a former acquisitions editor at major publishing houses, I am confounded by the scarcity of chances taken on books that don’t fit the status quo or, are "difficult." I am most interested in how books—even when they meander and cavort—lead to surprising and unsettling revelations. Or how they don’t lead to revelations at all but keep the reader guessing as to when some semblance of grace will be achieved. I don’t wish to sound pessimistic; if anything, I wish to be realistic. Philosophical novels are reflections of life, which is often confusing, contradictory, and, yes, difficult. With a touch of grace for good measure.
Perhaps the most “realistic” novel of this bunch, Ralph Ellison’s National Book Award-winning novel follows an unnamed black narrator’s life in a small southern town, as detailed through his memories, dreams, and desires.
Ellison didn’t intend to write a “protest novel,” apparently, but it has become exactly that: a protestation of the inequities of an American system designed to keep Black people in the shadows. The novel’s voice, though singular, is representative of an entire social movement. A perfect novel.
NATIONAL BOOK AWARD WINNER • NATIONAL BESTSELLER • In this deeply compelling novel and epic milestone of American literature, a nameless narrator tells his story from the basement lair of the Invisible Man he imagines himself to be.
He describes growing up in a Black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "the Brotherhood," before retreating amid violence and confusion.
Originally published in 1952 as the first novel by a then unknown author, it remained on the bestseller list for…
I'm a devotee of the Word. I collect folklore. I teach literature. Generally I deal with everything from the Greek epics to Jamaican dub poetry, but my focus has been on African American folklore and culture. You might say that I'm something of a proselytizer, dedicated to seeking the Word, collecting and preserving the Word, interpreting the Word, spreading the Word. To paraphrase an old folk saying, "I've got the Word in me, and I can preach it, you know." My numerous collections of folklore have won awards and citations and enthusiastic praise from some impressive personalities and journals, but my greatest reward is witnessing the impact my collections have on ordinary, just plainlongso folk.
The Music of Black Americansis the unmatched study of AA music.
I love this book. I frequently reference it in my writing and teaching. There are many other studies of African American literature, but Southern’s is the classic, the key source out of which the other studies grew.
Beginning with the arrival of the first Africans in the English colonies, Eileen Southern weaves a fascinating narrative of intense musical activity. As singers, players, and composers, black American musicians are fully chronicled in this landmark book. Now in the third edition, the author has brought the entire text up to date and has added a wealth of new material covering the latest developments in gospel, blues, jazz, classical, crossover, Broadway, and rap as they relate to African American music.
I was passionate about anthropology in the 1970s when I was in my twenties and am still passionate about anthropology in the 2020s in my seventies. Throughout the years I have expressed my passion for anthropology in university classrooms, in public lectures, and in the 16 books I have published. As my mind has matured, I understand more and more fully just how important it is to write powerfully, cogently, and accessibly about the wisdom of others. In all my books I have attempted to convey to the public this fundamental wisdom, none more so than in my latest book, Wisdom from the Edge: Writing Ethnography in Turbulent Times.
Hurston’s Mules and Men is a classic work in which the author returns to her hometown, Eatonville, Florida, in the late 1920s to conduct anthropological research.
In the work Hurston captures the complex texture of social life in a fully incorporated African American community. The result is a rich mix of character descriptions, masterfully crafted dialogues, and a collection of stories that reflect powerfully the deep knowledge and profound wisdom of Eatonville’s cast of characters.
I'm a devotee of the Word. I collect folklore. I teach literature. Generally I deal with everything from the Greek epics to Jamaican dub poetry, but my focus has been on African American folklore and culture. You might say that I'm something of a proselytizer, dedicated to seeking the Word, collecting and preserving the Word, interpreting the Word, spreading the Word. To paraphrase an old folk saying, "I've got the Word in me, and I can preach it, you know." My numerous collections of folklore have won awards and citations and enthusiastic praise from some impressive personalities and journals, but my greatest reward is witnessing the impact my collections have on ordinary, just plainlongso folk.
The Greenwood Encyclopedia of African American Folklore is a superb three-volume introduction to every area of African American Folklore by one of the nation’s leading Black folklorists.
I found it required reading for anyone interested in Black folklore. The entries are detailed and well written. I am frequently recommending this encyclopedia to people who often write to me with questions about African American folklore.
African American culture draws upon a rich body of traditions from Africa, Latin America, and the South, and folklore is fundamental to the African American heritage. The first work of its kind, this definitive encyclopedia comprehensively overviews African American folklore. Included are roughly 700 alphabetically arranged entries by more than 100 expert contributors on such topics as folktales, music, art, foodways, spiritual beliefs, proverbs, and many other subjects. Entries cite works for further reading, and the encyclopedia concludes with a bibliography of major works.
African American folklore has played a dominant role in shaping the spirit and soul of the…
Becoming immersed in oral cultures was a massive wake-up call for me! Taught to privilege the written over the spoken word, as most literate people are, it took me years of living in the Pacific Islands, travelling regularly to their remoter parts, to appreciate that people who could neither read nor write could retain huge amounts of information in their heads – and explain it effortlessly. We undervalue orality because we are literate, but that is an irrational prejudice. And as I have discovered from encounters with oral traditions throughout Australia and the Pacific, India, and northwest Europe, not only are oral traditions extensive but may be thousands of years old.
First published in 1940, Hawaiian Mythology is an astonishingly comprehensive compilation of native Hawaiian stories and beliefs that, had it not been for the systematic – even dogged – efforts of people like Martha Beckwith may have never survived to today. This is a book to dip into, especially if you find yourself in Polynesia. The stories are factual, often unembellished, which allows you a glimpse into the soul of Pacific peoples. This book also explores the connections between (remote) Hawaii and other island groups in the western Pacific whence its people came, bearing oral memories that seeded the geography of Hawaii and directed the nature of its human occupation, probably hundreds of years before Europeans even knew the Pacific Ocean existed.
Ku and Hina―man and woman―were the great ancestral gods of heaven and earth for the ancient Hawaiians. They were life's fruitfulness and all the generations of mankind, both those who are to come and those already born.
The Hawaiian gods were like great chiefs from far lands who visited among the people, entering their daily lives sometimes as humans or animals, sometimes taking residence in a stone or wooden idol. As years passed, the families of gods grew and included the trickster Maui, who snared the sun, and fiery Pele of the volcano.
Ancient Hawaiians lived by the animistic philosophy…
As an Indigenous person, I have a lived experience of the negative impacts of an erased history on all people. Students I teach are shocked to hear that Indigenous people have been in the Americas for over 60,000 years. The violence against archaeologists publishing on older than Clovis sites in the Americas is intense; that got me asking why? I sought the truth about the evidence for Pleistocene age archaeology sites in the Americas. Global human migrations attest to the fact that humans have been migrating great distances for over 2 million years. Reclaiming and rewriting Indigenous history is one path of many, leading to healing and reconciliation.
To grasp an understanding of the history of archaeological erasure of Pleistocene archaeological sites, Indigenous history, and the colonial history of American archaeology, Red Earth, White Lies is a must-read. Deloria has a delightful sense of humour and does not mince words regarding the absurdity of the Clovis First hypotheses. Written from an informed Indigenous perspective, this book will provide an understanding of the one question I always hear, “Why would archaeologists deny earlier than Clovis sites?"
Vine Deloria, Jr., leading Native American scholar and author of the best-selling God is Red, addresses the conflict between mainstream scientific theory about our world and the ancestral worldview of Native Americans. Claiming that science has created a largely fictional scenario for American Indians in prehistoric North America, Deloria offers an alternative view of the continent's history as seen through the eyes and memories of Native Americans. Further, he warns future generations of scientists not to repeat the ethnocentric omissions and fallacies of the past by dismissing Native oral tradition as mere legends.
Once upon a time, I didn’t know any stories from Africa. I found one, and it stirred me to my core. I found others and read them to my children. These were oral stories that had been trapped between the covers of books. One day, I discovered the oral tradition – stories told as they were originally heard. They had been liberated from the page and flew into my heart. A storyteller was born in me. I went on my own journey to collect stories in Ghana. I now tell stories from traditions around the world.
When it comes to oral literature from the African continent, I haven’t seen another collection that matches this in-depth and breadth. Here you will find a fuller version of one of the Soninke epics discussed in the book by Clyde W. Ford. Here are the stories of the Akan, and many other African peoples. I particularly enjoyed the sayings and humorous anecdotes.
A large, distinctive collection of tales, traditions, lore, legends, folk wisdom, and poetry captures the oral heritage of the peoples of Africa, including the Hause, Kanuri, Ashanti, Mbundu, Zulu, Hottentot, and Mensa tribes. Reprint. PW. IP.
Novels are great. I’ve written one myself. I have also written many short stories for major science fiction and fantasy publishing venues—Asimov’s, F&SF, Analog, Lightspeed, etc. But there is something special about single-author short story collections. They are like tasting platters. They reveal running themes and can be a unique way to explore places—through the imaginations of its authors. For example, many of my stories are set in or feature characters from Nigeria. I hope you enjoy the books on this list and that they show you something new about Africa and what (some) African authors dream about.
This collection by one of Uganda’s premier speculative fiction writer/directors features strange, wonderful worlds and deeply fascinating characters with compelling stories uncompromisingly but accessibly rooted in African perspectives and mythologies and I’ve recommended it often. Sometimes leaning literary, other times heavily genre, Dilman has a gift for layering the fantastic on top of the real. The bizarre over the mundane. The prose is direct and clear, and the descriptions are lush. Every story here makes great use of East African culture, mythology, folklore, politics, and everyday life to tell great stories which anyone can enjoy.
‘A Killing in the Sun’ is a collection of speculative fiction from Africa. It draws from the rich oral culture of the author’s childhood, to tell a wide variety of stories. Some of the stories are set in a futuristic Africa, where technology has transformed everyday life and a dark force rules. Others are set in the present day, with refugee aliens from outer space, ghosts haunting brides and grooms, evil scientists stalking villages, and greedy corporations creating apocalypses. There are murder mysteries, tales of reincarnation and of the walking dead, and alternative worlds whose themes any reader will identify…
Becoming immersed in oral cultures was a massive wake-up call for me! Taught to privilege the written over the spoken word, as most literate people are, it took me years of living in the Pacific Islands, travelling regularly to their remoter parts, to appreciate that people who could neither read nor write could retain huge amounts of information in their heads – and explain it effortlessly. We undervalue orality because we are literate, but that is an irrational prejudice. And as I have discovered from encounters with oral traditions throughout Australia and the Pacific, India, and northwest Europe, not only are oral traditions extensive but may be thousands of years old.
When I first read this book, not only was I struck by its central theme that ‘myths’ have meaning but also by the fact that it is our problem that we cannot today recognize myths for what they once were. All oral traditions evolve through time, sometimes over thousands of years and across hundreds of generations of retelling, but if their core is sufficiently memorable, then it can remain recognizable. It is up to us to unpack the stories we hear today, to learn how they changed through time, and try to see whether there is an empirical core in their hearts. This book is a must for anyone interested in learning more about the meaning of ‘myth’ rather than romanticizing it.
Why were Prometheus and Loki envisioned as chained to rocks? What was the Golden Calf? Why are mirrors believed to carry bad luck? How could anyone think that mortals like Perseus, Beowulf, and St. George actually fought dragons, since dragons don't exist? Strange though they sound, however, these "myths" did not begin as fiction. This absorbing book shows that myths originally transmitted real information about real events and observations, preserving the information sometimes for millennia within nonliterate societies. Geologists' interpretations of how a volcanic cataclysm long ago created Oregon's Crater Lake, for example, is echoed point for point in the…
I’ve always been fascinated by the power of language to propel everything we think—from our values and beliefs, to political views, to what we take for absolute truth. Once I learned there’s a whole field devoted to studying language called “rhetoric”—the field in which I’m now an expert—there was no turning back. Rhetoric has been around for more than 2,000 years, and since its inception, it has taught people to step back from language and appraise it with a more critical eye to identify how it works, why it’s persuasive, and what makes people prone to believe it. By studying rhetoric, we become less easily swayed and more comfortable with disagreement.
This book blew my mind when I first read it twenty years ago, and it still seems fresh when I revisit it now.
Our common assumption about language is that it represents the world, plain and simple. However, Ong’s book colorfully captures how differently language was experienced in the oral world before the rise of literacy.
Hearers empathized with speakers and participated in the scenes their words evoked. There was an immersive and tangible sense of commonality that spread through the shared experience of sound, which comes from within one person’s body and enters another person’s body. Language knitted the culture together more than it indexed the world.
Ong’s book made it much harder for me to blithely assume that referentiality is a natural or inherent property of language.
Walter J. Ong's classic work provides a fascinating insight into the social effects of oral, written, printed and electronic technologies, and their impact on philosophical, theological, scientific and literary thought.
This thirtieth anniversary edition - coinciding with Ong's centenary year - reproduces his best-known and most influential book in full and brings it up to date with two new exploratory essays by cultural writer and critic John Hartley.
Hartley provides:
A scene-setting chapter that situates Ong's work within the historical and disciplinary context of post-war Americanism and the rise of communication and media studies;
