100 books like Sunlight at Midnight

There’s no substitute for reading about events by someone who was there. This book is about a largely forgotten incident, when 10,000 Greek mercenaries became involved in an attempt by Cyrus the Great to seize control of the Persian Empire from his brother. When Cyrus’ bid failed, the Greeks found themselves far from home and surrounded by foes; they then marched through Mesopotamia and modern-day Turkey to the Black Sea coast, where they were able to find ships that took them home to Greece.

It’s a tale of adventure and struggle, and sheer determination not to give in. It’s also a great example of how the author of such a work can find themselves faced with the difficult task of describing their own role in events. In the second half of the work, Xenophon gives increasing prominence to his personal leadership and suggestions. Regardless of any elements of self-promotion, it’s… show more.

History rarely gives a prominent place to women, and this is perhaps particularly true of medieval history. To have left such a huge mark, Eleanor must have been a truly extraordinary woman. It is the combination of her formidable nature with the equally formidable Henry II that makes her marriage to the great Plantagenet ruler such a remarkable story. Alison Weir’s book is a treasure, full of interesting anecdotes that bring the star-studded cast of Eleanor, Henry, and their sons Henry, Richard, Geoffrey, and John to life.

This book is an outstanding introduction to a fascinating period of English history, as an impatient, innovative king – sometimes aided by, and often hindered by, his wife – attempted to impose his will upon a stubborn and obstructive church and his rebellious sons.

I picked up this book while on a study course in the United States – I was based in Washington DC and intended to visit some of the nearby Civil War battlefields, and decided that I needed to know more about the conflict. It was perhaps the first American history book I had read, and immediately I was struck by the very different style of writing when compared with European works.

For a single-volume account of a terrible conflict that did so much to shape the United States, this is probably unmatched. The people involved, from those in high-level political positions to the men and women caught up in the fighting, are brought to life in an unforgettable way.

If there was any single episode that doomed British rule of India, it was the Amritsar Massacre of 1919, when General Reginald Dyer ordered his men to open fire on unarmed civilians in a walled park from which there was only one exit. One of those in the park was a man named Udnam Singh, and the dreadful massacre led to Udnam spending the next 21 years patiently seeking an opportunity to assassinate Sir Michael O’Dwyer, the lieutenant-governor of Punjab who was responsible for the killing.

Any book that deals with such an emotive subject as this could easily get lost in partisan assertions on behalf of one side or the other, but Anand meticulously remains both even-handed and engaged with the human beings in her story. As an example of how to tackle such a potentially explosive topic, this book is simply outstanding.

I grew up speaking Russian with my grandparents and always yearned to read classic Russian literature in the original. Perhaps it was my great love for those grandparents or the stories they told that led me to major in Russian at Yale University. Like any translated work, Russian literature loses something in translation. Still, it gains something, too, effectively juxtaposing a culture that is neither Eastern nor Western yet entirely alien to most of us today.

Satire, dark humor, and perfect pacing make this story a laugh-out-loud work, at least to me. Despite being ridiculous, its delivery is straight-faced, which at least makes the humor and the social commentary all the more powerful. The gritty reality of Russia in the age of tsars is so palpable you can taste it, and so is the humor.

I was utterly haunted and captivated by this book.

Morris fictionalises the life of Sir Walter Raleigh by putting us into his shoes. We follow him on his adventures, his cruelties in Ireland, and his imprisonment in the Tower of London. Throughout, we get a sense of Raleigh, the man behind the myth: he’s a flawed, turbulent, and eventually sad and out-of-place figure, surprised and bemused to find himself a living legend.

Suspicious of biography, Malcolm dissects various myths about Chekhov’s death in this engaging book that mixes travel writing with acute readings of Chekhov’s stories and plays. As Malcolm visits some of the places crucial to Chekhov’s life and work (the scenes in Ukraine are of course poignant), she moves seamlessly between her own everyday experiences and the predicaments of Chekhov’s characters. In amongst the despair, disappointment, and absurdity she discovers beauty, humor, and occasional visions of hope.

An extraordinary, high-pitched, Munchausenesque account of a visit to only-just-post-Soviet Leningrad during an especially overheated period of recent history. Not at all like the genteel memories of champagne receptions at the Mariinsky Theatre followed by strolls down the Moika during the White Nights that one gets in other travelogues.

Set in 1820s Russia, Eugen Onegin is a novel written in verse, a story about love, loss, and repentance, where bored, superfluous Onegin lives to regret his rejection of the shy young dreamer Tatyana and to feel remorse for his fatal duel with his best friend Lensky. Eugene Onegin is the masterwork of Pushkin, whom Russians regard as the fountainhead of their literature, and is an amazingly engaging piece of writing, ironic and passionate, full of suspense, and rampant with political satire and philosophical digressions that make for the most beautiful read. Honestly, I never thought I would fall so hard for a novel written in another language and in verse.

There has been a revival of the study of the Russian experience in World War I over the last twenty-five years. Much of this can be explained by the opening of archives after 1991 and by the centennial of the war in 2014-2018. But the publication of this book was also enormously important. It recast the impact of the war by focusing on the experience of regular individuals rather than Petrograd elites and labor leaders. It also highlighted the massive scale of social dislocation – more than six million uprooted Russian subjects in all.