55 books like The Complete Poems of Anna Akhmatova

Leo Tolstoy is considered a master storyteller with an unmatched grip on presenting the inner emotional struggles of mankind.

This novel presents the stress caused in the lives of people and society when French General and Emperor Napoleon Bonaparte attacked Russia. The book had a deep impact on future generations. I read the book in my early 30s and found it fascinating. 

I have a deep interest in the evolution and reaction of societies to crises, both natural and man-made. The discussion on leadership, whether it is by birth or upbringing, was fascinating for me. 

People who read The Master and Margarita will tell you that it is one of the greatest books they have ever read, but few can tell you why. It defies description.  It is truly unique. 

It opens on a blistering hot day in Moscow, a paradox in itself. The devil, seemingly out of Goethe’s Faust, is on a visit to the town. He and his strange entourage would be laughable, if they were not so lethal. Only the madness of Stalin’s paranoid Communism could have created such a story.

Bulgakov has an uncanny way of investing even the most unlikely scenes with intense realism. You never doubt him.  At times hilarious, at times terrifying, the book shows us what a fragile hold we have on reality.

After worshiping Leo Tolstoy and his writing for long decades, the much later discovery of Sophia’s diaries came to me as a huge revelation: I learnt that no writer or artist is an island, but always part of a human ecosystem that nurtures and feeds their art. In the case of Tolstoy, it was his family and most particularly his wife. In her personal writings we meet the woman behind the great writer, married to him for 48 years, and who bore him 13 children. She was pivotal to his work, encouraging and supporting his literary career. Through her pages, we find out about her love for Tolstoy and their tormented marriage, in which she often felt neglected and provoked. We see the hidden, dark side of the great man of letters, a vastly gifted but troubled individual, and we also learn about Sophia’s undying vital energy that allowed her… show more.

Set in 1820s Russia, Eugen Onegin is a novel written in verse, a story about love, loss, and repentance, where bored, superfluous Onegin lives to regret his rejection of the shy young dreamer Tatyana and to feel remorse for his fatal duel with his best friend Lensky. Eugene Onegin is the masterwork of Pushkin, whom Russians regard as the fountainhead of their literature, and is an amazingly engaging piece of writing, ironic and passionate, full of suspense, and rampant with political satire and philosophical digressions that make for the most beautiful read. Honestly, I never thought I would fall so hard for a novel written in another language and in verse.

This is a collection of diaries written by a wide range of individuals during the Stalin era. The diaries address the terror in a variety of surprising ways, demonstrating the diversity of Soviet citizens in this time.

Akhmatova was one of the most important poets in the city’s history, and here she is brought to life by an exceptionally talented diarist: elusive, but at times extremely frank, hesitant, vulnerable, while at the same time demanding. It is a riveting portrait. Chukovskaya also draws a fraught picture of Leningrad during the Stalinist Great Terror, as evoked in Akhmatova’s famous cycle of memorial poems, Requiem. Look out also for Chukovskaya’s novel about the Terror, Sofia Petrovna.

Editor Jane Hirschfield writes that she is interested in “women who could not be held back from their chosen paths or spiritual practice.” And so am I. This collection includes writings by intrepid women over centuries and landscapes, representing an array of spiritual traditions stretching back to the beginning of recorded time. The canon of spiritual writings that have come down to us across cultures rarely includes the words of women. Hirschfield has taken steps to correct this omission. From the first entry – c. 2300 BCE – through a joyful poem of liberation from one of the earliest female Buddhist followers to Hildegard of Bingen and Emily Dickenson, Sor Juana Ines de la Cruz, Owl Woman, and Penny Jessye. And beyond. Women across cultures, religious traditions, and centuries have inner lives that provoke them to write, sing and shout.

One of the most significant Russian poets of the 20th century, Anna was shortlisted for the Nobel Prize in 1965. Her distinctive work ranging from short lyric poems to intricately structured pieces set her apart from her contemporaries. Her work deals heavily with the struggles of living and writing under the Stalinist era.

In this elegy, written over three decades, between 1935 and 1961, Anna relates details of her personal struggles together with the reflection of other voices during the "Great Purge". In an emotional call to help, she offers empathy to others faced with the same, dire predicament. Feel the gravity of suffering, pain, and mourning, ultimately teaching you one of the most important lessons in healing, which is acceptance and letting go. 

This is a great book because it is probably the only truly even-handed treatment of one of the most reviled people in Soviet history, Nikolai Yezhov, head of the NKVD during the great terror. The authors by no means treat him as a sympathetic character, but they convincingly dismiss the many myths about him that have gotten in the way of understanding his relations with Stalin and his true motivations and behavior during the purge. They show that he played a truly significant role in convincing Stalin to let him purge the party and then the whole Soviet population because he believed there was a vast conspiracy to undermine Stalin’s version of Soviet power. Rather than a psychophant who groveled at Stalin’s feet, it is clear that he exercised agency to accomplish a task he believed in. You almost get to know Yezhov as a real human being, which is… show more.

This book is intriguing as it reads like a historical detective mystery. Pavlik Morozov was murdered in Siberia and the Soviet state used the murder to further its propaganda effort to inculcate youth into proper modes of socialist behavior. He was turned into a martyr for the Soviet cause and some relatives were railroaded into confessing to his murder, however the author sheds considerable doubt that the true culprits were caught. The whole story reeks of cynicism and fickleness on the part of the powers that be as they tried to make an example of the life of Morozov.