Here are 61 books that The Complete Poems of Anna Akhmatova fans have personally recommended if you like
The Complete Poems of Anna Akhmatova.
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I started reading classical books at a very young age. Granted, I did not understand a lot of things then. Rereading the same books again after years made me realize that more than what the author was trying to convey, my maturity made a world of difference when reading a book. It was the same text but with entirely different contexts and perspectives. I love old books. Books that take me back a century or more. It gives me an insight into how people lived, thought, and felt back then. It helps me connect with people across centuries.
Do I need a reason to love this book? There are too many characters, too many subplots, too many deaths, and the ruins of beloved characters. And yet, the entire picture it presents is beautiful. That is how life is– unpredictable and chaotic.
I learned a lot about war, the mentality of people who go to fight, and the mentality of the people left behind. Above all, it was such a good feeling to finish the big book–probably one of the biggest books I had read and loved!
From the award-winning translators of Anna Karenina and The Brothers Karamazov comes this magnificent new translation of Tolstoy's masterwork.
Nominated as one of America’s best-loved novels by PBS’s The Great American Read
War and Peacebroadly focuses on Napoleon’s invasion of Russia in 1812 and follows three of the most well-known characters in literature: Pierre Bezukhov, the illegitimate son of a count who is fighting for his inheritance and yearning for spiritual fulfillment; Prince Andrei Bolkonsky, who leaves his family behind to fight in the war against Napoleon; and Natasha Rostov, the beautiful young daughter of a nobleman who intrigues both…
Like a caricature, satire lets you see reality better by exaggerating it. When satire is done right, every element, from the overall plot to the characters to paragraph-level details, is there to cast an exposing light on some part of our real world. They are books that exist on many levels, expose hubris and essential misunderstandings, and generally speak truth to power. They should leave the reader reassessing core assumptions about how the world works. I’ve written a best-selling nonfiction book about machine learning in the past, and I probably could have taken that approach again, but AI and American politics are both ripe for satire.
If I ever have to write a book to get past the censors, this book will be my model. Who knew that a mordant critique of a corrupt state could be so elegant, even whimsical?
The barbs are so oblique that the censor has a hard time finding something to pick on or even noticing it, and yet they’re unmistakable to anyone living in a society with even a passing resemblance to Stalin’s Russia—and after reading The Master and Margarita, I see those resemblances in every organization and every regime.
'Bulgakov is one of the greatest Russian writers, perhaps the greatest' Independent
Written in secret during the darkest days of Stalin's reign, The Master and Margarita became an overnight literary phenomenon when it was finally published it, signalling artistic freedom for Russians everywhere. Bulgakov's carnivalesque satire of Soviet life describes how the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow one Spring afternoon. Brimming with magic and incident, it is full of imaginary, historical, terrifying and wonderful characters, from witches, poets and Biblical tyrants to the beautiful, courageous Margarita, who will…
I am a writer and a filmmaker who has lived in New York City since 1982. In 1986 I started my own independent film production company, Starfish Productions, through which I produced and directed documentary films that won multiple awards, including an American Film Institute grant, a Rockefeller Fellowship, and an Emmy Award in 1997. I started writing fiction full-time in 2010. My debut novel, We Shall See the Sky Sparkling (Kensington Books) was published in 2/2019; my second novel The Weight of the Heart (Kensington Books) came out in 5/2020.
After worshiping Leo Tolstoy and his writing for long decades, the much later discovery of Sophia’s diaries came to me as a huge revelation: I learnt that no writer or artist is an island, but always part of a human ecosystem that nurtures and feeds their art. In the case of Tolstoy, it was his family and most particularly his wife. In her personal writings we meet the woman behind the great writer, married to him for 48 years, and who bore him 13 children. She was pivotal to his work, encouraging and supporting his literary career. Through her pages, we find out about her love for Tolstoy and their tormented marriage, in which she often felt neglected and provoked. We see the hidden, dark side of the great man of letters, a vastly gifted but troubled individual, and we also learn about Sophia’s undying vital energy that allowed her…
When Sofia Behrs married Count Leo Tolstoy, the author of "War and Peace", husband and wife regularly exchanged diaries covering the years from 1862 to 1910. Sofia's life was not an easy one: she idealized her husband, but was tormented by him; even her many children were not an unmitigated blessing. In the background of her life was one of the most turbulent periods of Russian history: the transition from old feudal Russia to the three revolutions and three major international wars. Yet it is as Sofia Tolstoy's own life story, the study of one woman's private experience, that the…
I am a writer and a filmmaker who has lived in New York City since 1982. In 1986 I started my own independent film production company, Starfish Productions, through which I produced and directed documentary films that won multiple awards, including an American Film Institute grant, a Rockefeller Fellowship, and an Emmy Award in 1997. I started writing fiction full-time in 2010. My debut novel, We Shall See the Sky Sparkling (Kensington Books) was published in 2/2019; my second novel The Weight of the Heart (Kensington Books) came out in 5/2020.
Set in 1820s Russia, Eugen Onegin is a novel written in verse, a story about love, loss, and repentance, where bored, superfluous Onegin lives to regret his rejection of the shy young dreamer Tatyana and to feel remorse for his fatal duel with his best friend Lensky. Eugene Onegin is the masterwork of Pushkin, whom Russians regard as the fountainhead of their literature, and is an amazingly engaging piece of writing, ironic and passionate, full of suspense, and rampant with political satire and philosophical digressions that make for the most beautiful read. Honestly, I never thought I would fall so hard for a novel written in another language and in verse.
Widely acknowledged as the master work of the fountainhead of Russian literature, "Eugene Onegin" is a novel in verse, first published serially in 1825. This work, comprised of 389 verses, follows the destinies of three men and three women in imperialist Russia. Eugene is a dandy bored with the social whirl of St. Petersburg, and in moving to the country for a change of scene, he becomes the friend of the poet Lensky, changing their fates dramatically. "Eugene Onegin" is narrated by Pushkin himself, though an idealized version who frequently yet entrancingly digresses in the midst of the beauty Tatyana's…
Lynne Viola is a University Professor of Russian history at the University of Toronto. Educated at Barnard and Princeton, she has carried out research in Russian and Ukrainian archives for over 30 years. Among her books, are two dealing with Stalinist repression: Stalinist Perpetrators on Trial: Scenes from the Great Terror in Soviet Ukraine and The Unknown Gulag: The Lost World of Stalin’s Special Settlements. Both are based on work in previously classified archives, including the archives of the political police.
This is a collection of diaries written by a wide range of individuals during the Stalin era. The diaries address the terror in a variety of surprising ways, demonstrating the diversity of Soviet citizens in this time.
The private lives of a broad section of Russians who lived during Stalin's purge are revealed in this book. The nine diaries here capture the day-to-day thoughts of these people, and represent a vast selection of opinions, from those oblivious to the terror and those deeply affected by it.
I particularly enjoyed writing this book about a city that I love and have visited many times (starting in the late 1970s, when I was a student), and whose history I know well too. Most books, by foreigners anyway, talk about the city from a distance; I wanted to write something visceral, about sounds and smells as well as sights, and above all, how locals themselves think about their city, the way in which its intense and in some respects oppressive past shapes St Petersburg’s life today – yet all the same, never gets taken too seriously. Readers seem to agree: as well as an appreciative letter from Jan Morris, whose travel writing I’ve always admired, I treasure an email message from someone who followed my advice and tramped far and wide – before ending up in the room for prisoners’ relatives to drop off parcels at Kresty (the main city prison) when he wrongly assumed he was using an entrance to the (in fact non-existent) museum.
Akhmatova was one of the most important poets in the city’s history, and here she is brought to life by an exceptionally talented diarist: elusive, but at times extremely frank, hesitant, vulnerable, while at the same time demanding. It is a riveting portrait. Chukovskaya also draws a fraught picture of Leningrad during the Stalinist Great Terror, as evoked in Akhmatova’s famous cycle of memorial poems, Requiem. Look out also for Chukovskaya’s novel about the Terror, Sofia Petrovna.
Even in her own day Anna Akhmatova was ranked as one of the great Russian poets of the century. Yet she suffered scathing attacks from the Soviet establishment, was famously denounced as ""half-nun, half-whore"", and was finally expelled from the Writers' Union. Lydia Chukovskaya, an admirer who became the poet's close friend, kept intimate diaries that reveal the day-to-day life of a passionate artist forced to endure sorrow and oppression, yet still able to create poetry and friendship. This volume contains the journals kept between the years 1938 and 1941.
To experience another's thoughts and emotions, one first has to feel them. Eyes, lips, tongue, and teeth are involved before the brain/heart can engage. Translation of poetry is the same. My mother has sung Chinese poetry to me since forever, and English poetry came alive for me through verse speaking. I studied and taught as I wrote for many years. I cannot say I find my way into every poem I come across, but the poems I translate are ones I know and love. That is why I am passionate about translation. For me, it is not a secondary experience but a primary, primal performance art!
Stanley Kunitz, with Max Hayward’s translation of Poems of Akhmatova from Russian, is another book that I find myself going back to over and over again.
This is a poet’s translation of a poet, and not only that, but a poet who is willing to give himself entirely to the art of translation in order to bring another poet’s voice in another language back to life, as he puts it in his Translator’s Note, “...to record what we have heard, and to try to give it back in the language that we love.”
This is why I love these translations; I love that I can hear her through him, the translator as a medium, and the result is pure and uncontrived, hitting me right in the heart as I read and taste these poems out loud. This is a poet-translator who has “walked through many lives” (from Kunitz’s poem, “The…
I'm a storyteller whose daydreams begin with “once upon a time”. I worked as a corporate paralegal and always thought that legal pads could be put to better use by writing a novel. Someone said that women learn best by observing the lives of women. I'm inspired by women who have stepped off the path as well as by those who have maintained it. My learning began by observing the women in my family, African American women who walked their paths, chosen and unchosen, with grace, style, and courage, sometimes, in heels. The stories of women, fictional narratives as well as biographies, poetry, and historical accounts, illuminate these strong souls.
Editor Jane Hirschfield writes that she is interested in “women who could not be held back from their chosen paths or spiritual practice.” And so am I. This collection includes writings by intrepid women over centuries and landscapes, representing an array of spiritual traditions stretching back to the beginning of recorded time. The canon of spiritual writings that have come down to us across cultures rarely includes the words of women. Hirschfield has taken steps to correct this omission. From the first entry – c. 2300 BCE – through a joyful poem of liberation from one of the earliest female Buddhist followers to Hildegard of Bingen and Emily Dickenson, Sor Juana Ines de la Cruz, Owl Woman, and Penny Jessye. And beyond. Women across cultures, religious traditions, and centuries have inner lives that provoke them to write, sing and shout.
"Hirshfield's current collection brings together . . . an astonishing array of women writers from the 22nd century BC poet Enheduanna to Nelly Sachs and Anna Akhmatova."--Library Journal
Chriselda is a multi-genre, prolific author, and speaker, with a background in Business Administration and Chemistry/Microbiology. She speaks 5 languages & has published over 50 books. Her expansive writing covers poetry, horror, thriller, romance, children’s illustration, educational... but she enjoys telling a story in narrative poetry the most. Currently, she is working on her next dark poetry book Me and Him, where she will invoke one of the greatest poets – EA Poe. In her effort to promote more learning, she is also wrapping up the fourth book in her - Sigils, Symbols and Alchemy Series. Her passion for writing, lifelong learning, creativity, and her curiosity all help spark her innovative mindset.
One of the most significant Russian poets of the 20th century, Anna was shortlisted for the Nobel Prize in 1965. Her distinctive work ranging from short lyric poems to intricately structured pieces set her apart from her contemporaries. Her work deals heavily with the struggles of living and writing under the Stalinist era.
In this elegy, written over three decades, between 1935 and 1961, Anna relates details of her personal struggles together with the reflection of other voices during the "Great Purge". In an emotional call to help, she offers empathy to others faced with the same, dire predicament. Feel the gravity of suffering, pain, and mourning, ultimately teaching you one of the most important lessons in healing, which is acceptance and letting go.
With this edition Swallow Press presents two of Anna Akhmatova’s best-known works that represent the poet at full maturity, and that most trenchantly process the trauma she and others experienced living under Stalin’s regime.
Akhmatova began the three-decade process of writing “Requiem” in 1935 after the arrests of her son, Lev Gumilev, and her third husband. The autobiographical fifteen-poem cycle primarily chronicles a mother’s wait—lining up outside Leningrad Prison every day for seventeen months—for news of her son’s fate. But from this limbo, Akhmatova expresses and elevates the collective grief for all the thousands vanished under the regime, and for…
Roger Reese has studied, researched, and or taught Soviet history since 1984. He has been on the faculty of Texas A&M University since 1990. He has published five books and numerous articles and book chapters on the military history of Russia and the Soviet Union. He was awarded the Norman B. Tomlinson, Jr. book prize for his most recent book, The Imperial Russian Army in Peace, War, and Revolution, 1856-1917.
This is a great book because it is probably the only truly even-handed treatment of one of the most reviled people in Soviet history, Nikolai Yezhov, head of the NKVD during the great terror. The authors by no means treat him as a sympathetic character, but they convincingly dismiss the many myths about him that have gotten in the way of understanding his relations with Stalin and his true motivations and behavior during the purge. They show that he played a truly significant role in convincing Stalin to let him purge the party and then the whole Soviet population because he believed there was a vast conspiracy to undermine Stalin’s version of Soviet power. Rather than a psychophant who groveled at Stalin’s feet, it is clear that he exercised agency to accomplish a task he believed in. You almost get to know Yezhov as a real human being, which is…
The definitive study of Nikolai Yezhov's rise to become the chief of Stalin's secret police-and the dictator's "iron fist"-during the Great Terror
Head of the secret police from 1937 to 1938, N. I. Yezhov was a foremost Soviet leader during these years, second in power only to Stalin himself. Under Yezhov's orders, millions of arrests, imprisonments, deportations, and executions were carried out. This book, based upon unprecedented access to Communist Party archives and Yezhov's personal archives, looks into the life and career of the enigmatic man who administered Stalin's Great Terror.
