Here are 100 books that The Akhmatova Journals fans have personally recommended if you like
The Akhmatova Journals.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I particularly enjoyed writing this book about a city that I love and have visited many times (starting in the late 1970s, when I was a student), and whose history I know well too. Most books, by foreigners anyway, talk about the city from a distance; I wanted to write something visceral, about sounds and smells as well as sights, and above all, how locals themselves think about their city, the way in which its intense and in some respects oppressive past shapes St Petersburg’s life today – yet all the same, never gets taken too seriously. Readers seem to agree: as well as an appreciative letter from Jan Morris, whose travel writing I’ve always admired, I treasure an email message from someone who followed my advice and tramped far and wide – before ending up in the room for prisoners’ relatives to drop off parcels at Kresty (the main city prison) when he wrongly assumed he was using an entrance to the (in fact non-existent) museum.
This is a great anthology in the City Picks series, with lots of different literary and essayistic texts about St Petersburg, including recent and offbeat ones as well as the classics. You can get lost in the place even if, for the moment, you can’t travel there!
'Floating, lyrical, miraculous Petersburg ... Here's beauty built on bones, classical facades that cradled revolution, summers that lie in the cup of winter' - Helen Dunmore, The Siege Malcolm Bradbury guides us to the Hermitage Anna Pavlova describes her school days Vladimir Nabokov re-lives a Petersburg winter Helen Dunmore plunges us into the worst of times Serge Dovlatov shows some 'different' Petersburg film-making Dmitry Shostakovich reveals a musical secret Truman Capote takes Porgy and Bess to the Soviets Nikolai Gogol walks us down Nevsky Prospekt J.M.Coetzee reimagines Dostoyevsky ... over sixty writers on one of the world's most fascinating and…
I particularly enjoyed writing this book about a city that I love and have visited many times (starting in the late 1970s, when I was a student), and whose history I know well too. Most books, by foreigners anyway, talk about the city from a distance; I wanted to write something visceral, about sounds and smells as well as sights, and above all, how locals themselves think about their city, the way in which its intense and in some respects oppressive past shapes St Petersburg’s life today – yet all the same, never gets taken too seriously. Readers seem to agree: as well as an appreciative letter from Jan Morris, whose travel writing I’ve always admired, I treasure an email message from someone who followed my advice and tramped far and wide – before ending up in the room for prisoners’ relatives to drop off parcels at Kresty (the main city prison) when he wrongly assumed he was using an entrance to the (in fact non-existent) museum.
You can’t understand modern St Petersburg without an awareness of its wartime history, and among many searing accounts of the Siege of Leningrad, this has the greatest philosophical depth. The translation by Alan Myers is excellent, and there are helpful notes by Emily van Buskirk.
The 900-day siege of Leningrad (1941-44) was one of the turning points of the Second World War. It slowed down the German advance into Russia and became a national symbol of survival and resistance. An estimated one million civilians died, most of them from cold and starvation. Lydia Ginzburg, a respected literary scholar (who meanwhile wrote prose 'for the desk drawer' through seven decades of Soviet rule), survived. Using her own using notes and sketches she wrote during the siege, along with conversations and impressions collected over the years, she distilled the collective experience of life under siege. Through painful…
I particularly enjoyed writing this book about a city that I love and have visited many times (starting in the late 1970s, when I was a student), and whose history I know well too. Most books, by foreigners anyway, talk about the city from a distance; I wanted to write something visceral, about sounds and smells as well as sights, and above all, how locals themselves think about their city, the way in which its intense and in some respects oppressive past shapes St Petersburg’s life today – yet all the same, never gets taken too seriously. Readers seem to agree: as well as an appreciative letter from Jan Morris, whose travel writing I’ve always admired, I treasure an email message from someone who followed my advice and tramped far and wide – before ending up in the room for prisoners’ relatives to drop off parcels at Kresty (the main city prison) when he wrongly assumed he was using an entrance to the (in fact non-existent) museum.
It’s hard these days to get a sense of what Leningrad looked like back in the 1960s and 1970s, and these photographs are also a tribute to the alternative art of that era: grainy black-and-white-images of stray dogs on rubbish tips, drunks in backyards, dilapidated façades stretching along the eerie silver of canals. The photographers included (such as Boris Smelov, Lev Zviagin, Slava Mikhailov, Boris Kudryakov and Olga Korsunova) aren’t nearly as well-known as they should be, and are as interesting in their way as the ubiquitous Boris Mikhailov. For a comparable figure who isn’t included in Val’ran’s book because her work was only discovered recently, see this site with Masha Ivashintsova’s work, curated by her daughter.
I particularly enjoyed writing this book about a city that I love and have visited many times (starting in the late 1970s, when I was a student), and whose history I know well too. Most books, by foreigners anyway, talk about the city from a distance; I wanted to write something visceral, about sounds and smells as well as sights, and above all, how locals themselves think about their city, the way in which its intense and in some respects oppressive past shapes St Petersburg’s life today – yet all the same, never gets taken too seriously. Readers seem to agree: as well as an appreciative letter from Jan Morris, whose travel writing I’ve always admired, I treasure an email message from someone who followed my advice and tramped far and wide – before ending up in the room for prisoners’ relatives to drop off parcels at Kresty (the main city prison) when he wrongly assumed he was using an entrance to the (in fact non-existent) museum.
An extraordinary, high-pitched, Munchausenesque account of a visit to only-just-post-Soviet Leningrad during an especially overheated period of recent history. Not at all like the genteel memories of champagne receptions at the Mariinsky Theatre followed by strolls down the Moika during the White Nights that one gets in other travelogues.
An account of Fallowell's time spent in St Petersburg during the summer of 1992. He was there to write a novel, but was seduced away from his work by the world of clubs, bars and restaurants, and the extraordinary architecture. He also fell in love with Dima, a 17-year-old naval cadet.
Chriselda is a multi-genre, prolific author, and speaker, with a background in Business Administration and Chemistry/Microbiology. She speaks 5 languages & has published over 50 books. Her expansive writing covers poetry, horror, thriller, romance, children’s illustration, educational... but she enjoys telling a story in narrative poetry the most. Currently, she is working on her next dark poetry book Me and Him, where she will invoke one of the greatest poets – EA Poe. In her effort to promote more learning, she is also wrapping up the fourth book in her - Sigils, Symbols and Alchemy Series. Her passion for writing, lifelong learning, creativity, and her curiosity all help spark her innovative mindset.
One of the most significant Russian poets of the 20th century, Anna was shortlisted for the Nobel Prize in 1965. Her distinctive work ranging from short lyric poems to intricately structured pieces set her apart from her contemporaries. Her work deals heavily with the struggles of living and writing under the Stalinist era.
In this elegy, written over three decades, between 1935 and 1961, Anna relates details of her personal struggles together with the reflection of other voices during the "Great Purge". In an emotional call to help, she offers empathy to others faced with the same, dire predicament. Feel the gravity of suffering, pain, and mourning, ultimately teaching you one of the most important lessons in healing, which is acceptance and letting go.
With this edition Swallow Press presents two of Anna Akhmatova’s best-known works that represent the poet at full maturity, and that most trenchantly process the trauma she and others experienced living under Stalin’s regime.
Akhmatova began the three-decade process of writing “Requiem” in 1935 after the arrests of her son, Lev Gumilev, and her third husband. The autobiographical fifteen-poem cycle primarily chronicles a mother’s wait—lining up outside Leningrad Prison every day for seventeen months—for news of her son’s fate. But from this limbo, Akhmatova expresses and elevates the collective grief for all the thousands vanished under the regime, and for…
Lynne Viola is a University Professor of Russian history at the University of Toronto. Educated at Barnard and Princeton, she has carried out research in Russian and Ukrainian archives for over 30 years. Among her books, are two dealing with Stalinist repression: Stalinist Perpetrators on Trial: Scenes from the Great Terror in Soviet Ukraine and The Unknown Gulag: The Lost World of Stalin’s Special Settlements. Both are based on work in previously classified archives, including the archives of the political police.
This is a collection of diaries written by a wide range of individuals during the Stalin era. The diaries address the terror in a variety of surprising ways, demonstrating the diversity of Soviet citizens in this time.
The private lives of a broad section of Russians who lived during Stalin's purge are revealed in this book. The nine diaries here capture the day-to-day thoughts of these people, and represent a vast selection of opinions, from those oblivious to the terror and those deeply affected by it.
At the age of 16, I briefly joined the International Socialists, a small British Trotskyist party. Though I soon became disillusioned, it was a formative experience that left me with a lifelong fascination with communism and the Soviet Union. Over the following decades, I read everything I could about the subject, both fiction and non-fiction. In the years after the fall of communism, the ideas that eventually culminated in the writing of this book began to form in my head.
Serge was a supporter of the Bolshevik revolution, though he never lost sight of its flaws.
This extraordinary novel centres on Petrograd at the height of the civil war, as economic collapse, hunger, the threat from the Whites, and the depredations of the Red Terror crush the city’s spirit and ultimately destroy the revolution, even if the Bolshevik regime it spawned survives.
1919–1920: St. Petersburg, city of the czars, has fallen to the Revolution. Camped out in the splendid palaces of the former regime, the city’s new masters seek to cement their control, even as the counterrevolutionary White Army regroups. Conquered City, Victor Serge’s most unrelenting narrative, is structured like a detective story, one in which the new political regime tracks down and eliminates its enemies—the spies, speculators, and traitors hidden among the mass of common people.
Conquered City is about terror: the Red Terror and the White Terror. But mainly about the Red, the Communists who have dared to pick up…
I am a historian, curator, and writer born and raised in New York City, a place whose history intrigued me from an early age. With a mother who moved from small-town New Jersey to Greenwich Village in the 1950s, and a father who had childhood memories of World War I in the Bronx, I think my interest was sort of preordained. I remain fascinated by cities as engines of change, as flashpoints for conflict, and as places that are simultaneously powerful and vulnerable.
Leningrad (now St. Petersburg) endured one of history’s great sieges when Hitler’s armies surrounded it in 1941. By the time the Red Army liberated it in 1944, the city’s thriving population of 2.5 million had been reduced by evacuations, bloodshed, and starvation. Salisbury brings to life the harrowing experiences of ordinary men and women who managed to survive with their dignity and devotion to civilization intact. The book casts an ironic shadow forward to the ordeal of Ukraine’s city dwellers today. And if you want to understand Vladimir Putin—whose childhood was shaped by family traumas in wartime Leningrad—this is a good place to start.
The Nazi siege of Leningrad from 1941 to 1944 was one of the most gruesome episodes of World War II. Nearly three million people endured it just under half of them died. For twenty-five years the distinguished journalist and historian Harrison Salisbury pieced together this remarkable narrative of villainy and survival, in which the city had much to fear-from both Hitler and Stalin.
I am a writer and a filmmaker who has lived in New York City since 1982. In 1986 I started my own independent film production company, Starfish Productions, through which I produced and directed documentary films that won multiple awards, including an American Film Institute grant, a Rockefeller Fellowship, and an Emmy Award in 1997. I started writing fiction full-time in 2010. My debut novel, We Shall See the Sky Sparkling (Kensington Books) was published in 2/2019; my second novel The Weight of the Heart (Kensington Books) came out in 5/2020.
I love Akhmatova for her talent and her immense courage. Considered to be the ‘Soul of the Silver Age,’ the greatest modernist Russian woman poet, Akhmatova was a brilliant master of conveying raw emotion in her portrayals of everyday situations. She began to write poetry at age eleven and was first published in her late teens. Her father considered this to be an unsuitable and even shameful occupation and forbade her to write using the family name so she chose the surname of her great-grandmother, Akhmatova. Her works range from short lyric love poetry to longer, more complex poems, such as Requiem, a tragic depiction of the Stalinist terror, and written as a testament to the hardship and suffering of the people during this time, particularly women whose husbands and sons were imprisoned and executed.
Initially published in 1990, when the New York Times Book Review named it one of fourteen "Best Books of the Year," Judith Hemschemeyer's translation of The Complete Poems of Anna Akhmatova is the definitive edition, and has sold over 13,000 copies, making it one of the most successful poetry titles of recent years.This reissued and revised printing features a new biographical essay as well as expanded notes to the poems, both by Roberta Reeder, project editor and author of Anna Akhmatova: Poet and Prophet (St. Martin's Press, 1994). Encyclopedic in scope, with more than 800 poems, 100 photographs, a historical…
I’ve been fascinated by the early modern period–the Tudors and the Stuarts–since falling in love with Mary Queen of Scots, Elizabeth, Henry VIII, and his wives when I was a child. I graduated from Horrible Histories as a child to lengthier nonfiction and fiction books about the era as a teenager before gaining a BA Honours, a Masters, and a PhD focussing on Elizabethan language and literature. I now teach English Literature at Strathclyde University. Because I never lost the urge to read everything I could about the Tudors and Stuarts, I began writing about them, too, and because I devour both fiction and nonfiction, I write both!
I was utterly haunted and captivated by this book.
Morris fictionalises the life of Sir Walter Raleigh by putting us into his shoes. We follow him on his adventures, his cruelties in Ireland, and his imprisonment in the Tower of London. Throughout, we get a sense of Raleigh, the man behind the myth: he’s a flawed, turbulent, and eventually sad and out-of-place figure, surprised and bemused to find himself a living legend.
"In impressively muscular prose strongly reminiscent of Hilary Mantel, R N Morris packs the entire life of Sir Walter Raleigh into one breath-taking volume. This stunning tale grips from the first line to the last, brims with dazzling images, vivid characters, electric dialogue and unforgettable action." Peter Tonkin, author of A Verse To Murder
“This spell-binding story of Elizabeth I’s infamous favourite brings the adventurous, dangerous, and glittering world of late-Elizabethan England to life.” Steven Veerapen, author of A Dangerous Trade
