Here are 100 books that The Possessed fans have personally recommended if you like
The Possessed.
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Alongside writing, I’ve been running workshops, teaching and mentoring writers for nearly twenty years, helping people get unstuck and keep going. So I spend most of my working life thinking about creativity and writing—then suddenly I, too, couldn’t write the book I needed to write. Every book in this list is about not-writing for different reasons, in different circumstances, but between them they tell us so much about how we write, why we write, how we get writing to happen—and what’s happening when we can’t. These very different stories resonate with each other, and I hope some of them resonate with you.
First, because it’s incredibly funny. Geoff Dyer set out—he says—to write a sober, serious study of D. H. Lawrence, but life, travel arrangements, random people and his own inertia kept getting in the way. The story of his odyssey doesn’t just evoke all the things about writing that we’ve always suspected (that it’s hard; that it’s easy; that we often wonder why on earth we do it; that we never question that we want to do it). It also, by stealth, evokes and explains an amazing amount about Lawrence, and why he’s a writer that so many people love—or hate—so passionately.
Recounts the author's experiences visiting the places D.H. Lawrence lived while actively not working on a book about Lawrence and not writing his own novel.
I taught at Yale for 33 years and I hold advanced degrees from the Sorbonne. I am interested in literature as lessons for life, but I am mostly a passionate letter writer, especially to the great authors who have marked me. They are never really dead. I carry them around with me.
I selected the category of Offbeat Memoirs because I have written one. I also have an Italian alter-ego, Donatella de Poitiers, who authors a blog in which she muses about how a lifelong Francophile could have forsaken la Belle France for la dolce vita in the Umbrian countryside, where the food and fresh air are way better than the roads.
What do the writers you are drawn to reveal about you? Why at certain points in our lives do we become “attached” to certain authors? The process of attachment is mysterious. As we age (and change) some things remain constant. Our attachment to a particular author may have begun in our youth, but evolved as we have. To reconnect with a favorite author can put us in touch with our younger self in unexpected ways. Mead shows how much Middlemarch has “spoken” to her throughout her life. This book is perhaps more in harmony with my own than any on the list. I have come to love books that underscore how what we read can be inseparable from the person we become.
A New Yorker writer revisits the seminal book of her youth--Middlemarch--and fashions a singular, involving story of how a passionate attachment to a great work of literature can shape our lives and help us to read our own histories.
Rebecca Mead was a young woman in an English coastal town when she first read George Eliot's Middlemarch, regarded by many as the greatest English novel. After gaining admission to Oxford, and moving to the United States to become a journalist, through several love affairs, then marriage and family, Mead read and reread Middlemarch. The novel, which Virginia Woolf famously described…
In the wake of her father’s death, Katharine Smyth turned to her favorite novel, Virginia Woolf’s To the Lighthouse, as a way of wrestling with his memory and understanding her own grief. Her book about the experience, All the Lives We Ever Lived: Seeking Solace in Virginia Woolf, was published by Crown in 2019 and named a New York Times Book Review Editors’ Choice. Smyth’s work has appeared in The Atlantic, The Paris Review, Elle, The New York Times, Literary Hub, Poets & Writers, and The Point.
In U and I: A True Story, the death of Donald Barthelme inspires Nicholson Baker to write a book about his obsession with John Updike while his muse is still alive. Coining the term “memory criticism,” which he defines as “a form of commentary that relies entirely on what has survived in a reader’s mind from a particular writer over at least ten years of spotty perusal,” Baker embarks upon a wildly entertaining meditation that reveals as much about the writing process as it does about Updike (and Baker) himself.
In the wake of her father’s death, Katharine Smyth turned to her favorite novel, Virginia Woolf’s To the Lighthouse, as a way of wrestling with his memory and understanding her own grief. Her book about the experience, All the Lives We Ever Lived: Seeking Solace in Virginia Woolf, was published by Crown in 2019 and named a New York Times Book Review Editors’ Choice. Smyth’s work has appeared in The Atlantic, The Paris Review, Elle, The New York Times, Literary Hub, Poets & Writers, and The Point.
“About seven years ago,” Rachel Cohen writes at the beginning of Austen Years, “not too long before our daughter was born, and a year before my father died, Jane Austen became my only author.” Weaving together memoir, biography, history, and literary criticism, Cohen draws upon five of Austen’s novels to make sense of her own life and work as she raises young children, moves across the country, and grapples with her father’s death. The result is a brilliant and beautiful reflection upon family and loss, isolation and transcendence, and reading and rereading.
I am a writer and a filmmaker who has lived in New York City since 1982. In 1986 I started my own independent film production company, Starfish Productions, through which I produced and directed documentary films that won multiple awards, including an American Film Institute grant, a Rockefeller Fellowship, and an Emmy Award in 1997. I started writing fiction full-time in 2010. My debut novel, We Shall See the Sky Sparkling (Kensington Books) was published in 2/2019; my second novel The Weight of the Heart (Kensington Books) came out in 5/2020.
Set in 1820s Russia, Eugen Onegin is a novel written in verse, a story about love, loss, and repentance, where bored, superfluous Onegin lives to regret his rejection of the shy young dreamer Tatyana and to feel remorse for his fatal duel with his best friend Lensky. Eugene Onegin is the masterwork of Pushkin, whom Russians regard as the fountainhead of their literature, and is an amazingly engaging piece of writing, ironic and passionate, full of suspense, and rampant with political satire and philosophical digressions that make for the most beautiful read. Honestly, I never thought I would fall so hard for a novel written in another language and in verse.
Widely acknowledged as the master work of the fountainhead of Russian literature, "Eugene Onegin" is a novel in verse, first published serially in 1825. This work, comprised of 389 verses, follows the destinies of three men and three women in imperialist Russia. Eugene is a dandy bored with the social whirl of St. Petersburg, and in moving to the country for a change of scene, he becomes the friend of the poet Lensky, changing their fates dramatically. "Eugene Onegin" is narrated by Pushkin himself, though an idealized version who frequently yet entrancingly digresses in the midst of the beauty Tatyana's…
My maternal great-grandparents were Irish immigrants. My paternal grandfather left Liverpool in the late 19th century to go to Australia. I’d love to know their children’s stories! Some of the families I visited as a social worker (mid-1960s) were immigrants, struggling to make sense of a new language and a new culture. I met a child who had come here alone as an illegal immigrant and had been a house slave until the social services settled her with a foster family. I met author Hanna Jansen and her many adopted children from war-torn countries. Fiction gives us many powerful stories about children forced to flee from their homes because of war, tyranny, hunger, poverty, natural disasters.
Letters from Rifka is immediately appealing because the author tells us that it is based on memories.
I was immediately drawn into the story by the engaging voice of the 12-year-old narrator, who writes her story in letter form. Rifka is a Russian Jew fleeing with her family from persecution in 1919. It is a story of a desperate flight, across Ukraine and into Poland, and from there, hopefully, to America. But, so close to freedom, Rifka is detained in a hospital for contagious diseases on Ellis Island, and may not be allowed to travel on with her family. Rifka’s character is so well drawn, her impish, positive voice so lovable, that MG readers won’t fail to love this book and care deeply about the plight of people who are forced to leave their homes forever.
From Newbery media winner Karen Hesse comes an unforgettable story of an immigrant family's journey to America.
"America," the girl repeated. "What will you do there?" I was silent for a little time. "I will do everything there," I answered.
Rifka knows nothing about America when she flees from Russia with her family in 1919. But she dreams that in the new country she will at last be safe from the Russian soldiers and their harsh treatment of the Jews. Throughout her journey, Rifka carries with her a cherished volume of poetry by Alexander Pushkin. In it, she records her…
I’ve spent a lifetime in search of the coziest ski village, the most spectacular mountaintop view, and the ultimate powder descent, and for the past 35 years, I’ve been writing about and photographing my experiences for ski and travel magazines. I am one of the world’s most published ski journalists, with more than 600 feature articles with photos having appeared in 20 countries. I’ve skied about 4700 days in my life, and have managed to ski in 650 ski resorts, in 75 countries, and on all seven continents. I have also written an unusual multi-media novel with photos and music called Coming of Age.
Patrick Thorne is one of the ultimate authorities on ski resorts. He has over 6000 ski resorts in his database, and most websites about skiing are founded on information that Patrick has gathered over the years. In this book, he chooses and describes some of the classic ski descents in the world. It is an excellent book from which to create your own bucket list.
The most impressive, thrilling and scenic ski runs from one of the world's leading ski experts.
Long descents, big verts, challenging pistes and stunning scenery, Powder is the definitive guide to the best and most feared ski runs on the planet.
Whether you're a serious off-piste skier or a novice with alpine ambitions, this visually stunning guide will undoubtedly inspire the winter Olympian in all of us. Along with classic runs in Chamonix, Whistler and Jackson Hole, Powder will also take you to offbeat and exotic locations such as the Himalayas, the Atlas Mountains and the 2014 Olympic destination of…
Born in the twilight of the Soviet era on the periphery of that empire, Yerevan, I have been fascinated by the history of Russian imperialism in the Caucasus for a long time. From the first time I saw a map of the staggering expanse of the Romanov domain in the 19th century, I knew that I wanted to understand the nuts and bolts of how this behemoth was constructed. Over the years, my research has taken me to the archives and libraries throughout Eurasia that keep the dusty secrets of tsars and viceroys. Their stories are at the forefront of my writing and teaching.
The Golden Age of Russian literature—think Pushkin, Lermontov, and other famous novelists and poets—was at the vanguard of the Russian elite’s meeting with the Caucasus. In what has become a “classic,” Susan Layton brilliantly shows how Russian writers imagined the Caucasus as an ambiguous place—both dangerous and welcoming—populated by “noble savages,” sympathetic freedom fighters, and brutal marauders.
To many Russian aristocrats ensconced in St. Petersburg and Moscow, this was a canvas on which to implement Russia’s own “civilizing mission” to prove to a skeptical Europe that the tsarist realm belonged in the pantheon of European civilization.
This is the first book to provide a synthesising study of Russian writing about the Caucasus during the nineteenth-century age of empire-building. From Pushkin's ambivalent portrayal of an alpine Circassia to Tolstoy's condemnation of tsarist aggression against Muslim tribes in Hadji Murat, the literary analysis is firmly set in its historical context, and the responses of the Russian readership too receive extensive attention. As well as exploring literature as such, this study introduces material from travelogues, oriental studies, ethnography, memoirs, and the utterances of tsarist officials and military commanders. While showing how literature often underwrote imperialism, the book carefully explores…
I grew up on a farm in Northern Ireland. Ulster was always an inspiration, for both my painting and my writing. My first novel, The Misremembered Man, became a bestseller worldwide, and I followed it with several more works of fiction. I attribute their success to the magic of rural Ireland, and the wonderful characters who peopled my childhood. My formative years, unhappy and fearful though they were, serve as a repository of emotion and stimulation, which I draw upon frequently in my writing. Having the courage to change and grow in difficult circumstances is a common theme. Since all my novels are character-driven, my book choices broadly reflect this strength in the authors I have chosen.
Yes, another novel set largely in a hotel. This time it’s in Switzerland and overlooks Lake Geneva, spreading, in the wonderful words of Anita Brookner, "like an anaesthetic towards the invisible further shore." Edith Hope is a writer of romantic fiction. She arrives at the "stolid and dignified" Hotel du Lac in late autumn. This is not a holiday for Edith. Her friends and family have insisted she go away for a few weeks to ponder a ‘social indiscretion’. She was due to marry Geoffrey, a boring man she didn’t love, and deserted him on the day of the wedding. Her heart had gone out to David, a married man.
Brookner had an enviable gift for describing people and their peculiarities. Those whom Edith Hope meets at the hotel are largely from the aristocracy, and each and every one is eccentric in the extreme. Edith describes her fellow guests to…
BOOKER PRIZE WINNER • When romance writer Edith Hope’s life begins to resemble the plots of her own novels, she flees to Switzerland, where the quiet luxury of the Hotel du Lac promises to restore her to her senses.
But instead of peace and rest, Edith finds herself sequestered at the hotel with an assortment of love's casualties and exiles. She also attracts the attention of a worldly man determined to release her unused capacity for mischief and pleasure. Beautifully observed, witheringly funny, Hotel du Lac is Brookner at her most stylish and potently subversive.
I think I sometimes get in trouble for saying this, but the truth is, I don’t give a shit about the likability of characters, whether I’m reading or writing. I’m here for a good time, not a long time. Because of that, fiction is the most riveting for me when interesting characters start making bad decisions. Any good narrative train wreck must create tension that keeps ratcheting up in its pages, and these are some of the books that do that most expertly, in my opinion. So, grab something to hold onto while you go on some of my favorite wild rides.
I love reading a book and knowing the other shoe is about to drop, and this book does it in a satisfying way. Greta lives in a house that is literally falling apart around her and transcribes sessions for a local sex therapist. There, she discovers the subject of her fascination: the cold, distant, and traumatized Big Swiss.
Despite the sometimes-heavy subject matter, the interplay between Greta and Big Swiss as they embark upon their affair is so much fun. This is the perfect train wreck in that it’s not a matter of IF, but WHEN Big Swiss discovers Greta’s duplicity, the fun is all in the journey.
Not only are Greta and Big Swiss nuanced, engaging characters, but their small town is populated with colorful side characters who make Big Swiss a book world you want to spend time in, even when you know things will go so spectacularly…
** SOON TO BE A MAJOR HBO SERIES STARRING JODIE COMER **
'Made me laugh and think too much (the right amount?) about sex and death and honesty.' MONICA HEISEY 'Utterly addictive. . . I laughed so hard it ached.' GILLIAN ANDERSON 'Juicy, salacious and compelling. Trauma shouldn't be this fun.' SARA PASCOE
Greta liked knowing people's secrets. That wasn't a problem. Until she met Big Swiss.
Big Swiss. That's Greta's nickname for her - she is tall, and she is from Switzerland. Greta can see her now: dressed top to toe in white, that adorable gap between her two…
