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I started reading classical books at a very young age. Granted, I did not understand a lot of things then. Rereading the same books again after years made me realize that more than what the author was trying to convey, my maturity made a world of difference when reading a book. It was the same text but with entirely different contexts and perspectives. I love old books. Books that take me back a century or more. It gives me an insight into how people lived, thought, and felt back then. It helps me connect with people across centuries.
The perfect crime? Actually not! It was so imperfect that it turned into the perfect crime by just pure luck. No clues were left behind. In fact, there was nothing to trace the murder back to the murderer except his own guilt.
His guilt turned out to be his biggest punishment. When he finally surrenders, he feels at peace–the long-eluded peace.
Hailed by Washington Post Book World as “the best [translation] currently available" when it was first published, this second edition has been updated in honor of the 200th anniversary of Dostoevsky’s birth.
With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.
When Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, commits an act of murder and theft, he sets into motion a story that is…
I like books in which there are moral stakes, which sometimes draws me to stories with criminals, and I like when the character at the center of the problem is complex or destabilizes things. Dark humor always helps. Average people should be able to see themselves in some way in the criminal’s bad behavior or at least in their desires. I have published two story collections and two novels. My first collection of short stories won the Great Lakes College Association New Writers Award. My fiction has appeared in Tin House, Southern Review, The Missouri Review, and elsewhere. I'm a professor of English at Kalamazoo College.
Separated from her young son, Romy Hall is serving two consecutive life sentences for killing a customer from the Mars Room, a strip club where she’d been dancing. Brilliantly written with compassion and dry, dark humor, the book explores Romy’s relationships with her fellow prisoners and the despair, dangers, and absurdities of life behind bars.
I loved this novel’s gritty texture, its sentences, its characters, and how it forced me to think more deeply about why and how we incarcerate people. The final sequence in Muir Woods is heart-pounding, wondrous, devastating, and strangely hopeful.
**SHORTLISTED FOR THE MAN BOOKER PRIZE 2018** **A NEW YORK TIMES BESTSELLER AND CRITICS' TOP BOOK OF 2018**
'An unforgettable novel.' DAILY TELEGRAPH 'More knowing about prison life [than Orange Is The New Black]... so powerful.' NEW YORK TIMES 'One of America's finest writers.' VOGUE
Romy Hall is at the start of two consecutive life sentences, plus six years, at Stanville Women's Correctional Facility. Outside is the world from which she has been permanently severed: the San Francisco of her youth, changed almost beyond recognition. The Mars Room strip club where she once gave lap dances for a living. And…
I like books in which there are moral stakes, which sometimes draws me to stories with criminals, and I like when the character at the center of the problem is complex or destabilizes things. Dark humor always helps. Average people should be able to see themselves in some way in the criminal’s bad behavior or at least in their desires. I have published two story collections and two novels. My first collection of short stories won the Great Lakes College Association New Writers Award. My fiction has appeared in Tin House, Southern Review, The Missouri Review, and elsewhere. I'm a professor of English at Kalamazoo College.
Raymond Carney—savvy furniture store owner in 1960s Harlem; a small-time, look-the-other-way fence for stolen goods—is one of the most likable criminals I’ve ever read about.
He dreams of moving his young family on up to a nice apartment on Riverside Dr. and scraps for every dollar. His hustling ways occasionally flare into big-time crime or revenge, but his insights into the teeming city are always keen.
Whitehead can do it all: perfectly observed details of the time and place, great characters, wry humor, surprising plot developments, devastating emotional scenes. The implications of race and class are deftly drawn. The prose is gorgeous.
Really, no American writer is better than Whitehead right now. A fun and profound ride.
NEW YORK TIMES BESTSELLER • From the two-time Pulitzer Prize-winning author of The Underground Railroad and The Nickel Boys, this gloriously entertaining novel is “fast-paced, keen-eyed and very funny ... about race, power and the history of Harlem all disguised as a thrill-ride crime novel" (San Francisco Chronicle).
"Ray Carney was only slightly bent when it came to being crooked..." To his customers and neighbors on 125th street, Carney is an upstanding salesman of reasonably priced furniture, making a decent life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents…
I like books in which there are moral stakes, which sometimes draws me to stories with criminals, and I like when the character at the center of the problem is complex or destabilizes things. Dark humor always helps. Average people should be able to see themselves in some way in the criminal’s bad behavior or at least in their desires. I have published two story collections and two novels. My first collection of short stories won the Great Lakes College Association New Writers Award. My fiction has appeared in Tin House, Southern Review, The Missouri Review, and elsewhere. I'm a professor of English at Kalamazoo College.
This is a beautifully written psychological thriller.
At a high school reunion, a polite invitation between old friends—Elise, a successful actor, invites Abby, who is floundering, to visit her in LA—spirals into Abby’s attempt to infiltrate the star’s life. The novel fearlessly plumbs the mysteries and complications of friendship and shows how misguided impulses can gradually take over our psyches.
I’m a fan of big endings, and this novel’s final paragraphs, which cap Abby’s disturbed yet compelling emotional journey, are stunners.
'Acampora is an original' Jay McInerney, author of Bright Lights, Big City
An electrifying debut novel of two women's friendship, a haunting obsession and twisted ambition, set against the feverish backdrop of contemporary Hollywood.
Abby Graven is a dreamer. She dreams her way through her small, lonely life - hiding back at her parents, working at the grocery store. At night, she collects tabloid clippings that taunt her with Elise - her best friend, now Hollywood's hot new starlet.
When a school reunion throws Elise in her path, Abby seizes her chance. With feverish certainty, she boards a one-way flight…
Soap operas may have no actual relation to soap—the term comes from radio dramas that were sponsored by soap companies—but they’re certainly related to opera, full of melodrama and grandiosity. With my second novel, a multi-generational family saga, my goal was to write a literary soap opera. I wanted it to be finely crafted, attuned to language and characterization, but also dishy, riddled with heightened drama, vivid personalities, and theatrical events. Below are five literary soap operas I studied while writing my own.
History can be a challenge and a rebuke to novelists. How can we expect, I’ve often wondered, to create a work of the imagination as surprising and majestic as the trajectory of time? World’s End is T.C. Boyle’s answer to that question. Set in the Hudson River Valley and spanning four centuries, with enough characters to fill a three-page list of them in the front matter, this darkly comic, brightly tragic novel proves that history doesn’t repeat, as the saying goes, nor does it rhyme. History braids, over and over, strand upon strand, and the only people who can see the tapestry are those who take a step back. Boyle, like all great historical novelists, knows how to step back.
Haunted by the burden of his family's traitorous past, woozy with pot, cheap wine and sex, and disturbed by a frighteningly real encounter with some family ghosts, Walter van Brunt is about to have a collision with history.
It will lead Walter to search for his lost father. And it will send the story into the past of the Hudson River Valley, from the late 1960's back to the anticommunist riots of the 1940's to the late seventeenth century, where the long-hidden secrets of three families--the aristocratic van Warts, the Native-American Mohonks, and Walter's own ancestors, the van Brunts--will be…
I was born on Halloween, so I’m officially a card-carrying member of all things creepy, right? However, I’m definitely drawn to books with mood and atmosphere over outright horror and gore. I find the subtle aspects of fear so much more interesting—how is it that one person’s reality can be so different than another’s? I write domestic suspense because I think the people we are closest to and the places we think are safest are often the ones that can hurt us the most. Where a story takes place is so very important. I need to know the geography, the feel, the history of a place—then I can put people in it and make bad things happen.
I will never look at apples the same way again after readingThe Widow’s House. Set in the Hudson River Valley in Upstate New York, this winner of the Mary Higgins Clark Award is a modern Gothic suspense filledwith atmosphere. From snakes in mailboxes, to rotting apples, to a creepy old professor and a suspicious husband, this book will give you goosebumps and keep you guessing. Read it on a rainy dark night—but make sure the doors are locked.
This chilling novel from the bestselling, award-winning author of The Lake of Dead Languages blends the gothic allure of Daphne DuMaurier's Rebecca and the crazed undertones of Charlotte Perkins Gilman's The Yellow Wallpaper with the twisty, contemporary edge of A.S.A. Harrison's The Silent Wife-a harrowing tale of psychological suspense set in New York's Hudson Valley. When Jess and Clare Martin move from Williamsburg, Brooklyn, to their former college town in the Hudson River valley, they are hoping for rejuvenation-of their marriage, their savings, and Jess's writing career. They take a caretaker's job at Riven House, a crumbling estate and the…
I have always had a greater interest in supernatural horror compared to the other subgenres of horror. Another way to describe it is fantasy horror. However, sometimes the fantasy can take away from the overall story. I find the best stories with supernatural elements also have a lot of real-life horror to balance with the fantasy. Magic realism is also a trope of Post-Modern Culture and I find myself drawn to stories with post-modern elements versus those that don’t. These are my top five pics for the best “Real-Life Horror Meets Supernatural Horror” novels.
This novel was not what I was expecting. It was dark and provides an interesting commentary on human behavior. The town of Black Spring and its locals are cursed. If someone is born there, or moves into the town, they’re doomed to stay until they die. If they try to leave and never come back, they’ll die. The town is also home to the Black Rock Witch, whose eyes and mouth are sewn shut. She’s been there since the town was cursed in the seventeenth century. The town was cursed because people did terrible things. The novel takes place during the final days of the town because some people did more terrible things to the Black Rock Witch.
The greats of fiction Stephen King and George R. R. Martin lead the fanfare for HEX, so be assured that Thomas Olde Heuvelt's debut English novel is both terrifying and unputdownable in equal measure.
Whoever is born here, is doomed to stay until death. Whoever comes to stay, never leaves.
Welcome to Black Spring, the seemingly picturesque Hudson Valley town haunted by the Black Rock Witch, a seventeenth-century woman whose eyes and mouth are sewn shut. Blind and silenced, she walks the streets and enters homes at will. She stands next to children's beds for nights on end. So accustomed…
For ten years I’ve been perfecting my own dystopian saga, and with that has come a great love for the genre as I’ve studied and dissected it. Having been involved in the political arena as well, the utopian language politicians have always caused some great concern for me, and through my study of dystopias, these great authors have not only seen dark futures of their respective countries and times, but they’ve always tried to bridge the gap between fiction and societal reality, which I am a great admirer of.
With the topic of Roe V. Wade in the United States, the chasm between pro-life and pro-choice has grown even more, and in a novel that is solely about a great compromise between the two ideologies, Shusterman’s dystopian saga could not be more relevant. Ultimately, Shusterman seems to have great worry about societies lack of value for human life, taking the choice away from those whose lives are being debated over.
Unwindis a classic study on the intertwining of personal choice and the value of human life. Who owns our bodies? Do we? Does someone else? Does the government? Does anyone but the individual have the right to determine the value of their life? Because of society’s proximity to abortion, this storyline seems extreme and disturbing. However, The Unwind Dystology is no more extreme and disturbing than other classic dystopian novels such as 1984and A Brave New World…
In a society where unwanted teens are salvaged for their body parts, three runaways fight the system that would "unwind" them
Connor's parents want to be rid of him because he's a troublemaker. Risa has no parents and is being unwound to cut orphanage costs. Lev's unwinding has been planned since his birth, as part of his family's strict religion. Brought together by chance, and kept together by desperation, these three unlikely companions make a harrowing cross-country journey, knowing their lives hang in the balance. If they can survive until their eighteenth birthday, they can't be harmed -- but when…
A big motivation for writing Cursedwas what I saw as a dearth of authentic disability and chronic illness rep in books for kids. Where were the characters who were angry, messy, scared? Where were the kids in real pain—physically, emotionally, socially—who maybe weren’t surrounded by supportive friends and family and maybe didn’t handle their diagnoses with grace? When I was first diagnosed with juvenile arthritis at thirteen, I was all of the above—and then some. I’ve identified as disabled for 30+ years and am active in various disability groups and spaces. It’s my pleasure to champion kids’ books with authentic disability and chronic illness representation.
In this diagnosis story, author Kamins chooses to use a fictional illness—lepidopsy—to perfectly emulate the otherworldly confusion and uncertainty of being diagnosed with a disease you have no context for. Suddenly, everything changes for Anna. Nothing makes sense. It’s disorienting, uncomfortable, and terrifying. I loved how the book shows the character figuring out how to navigate this new life step by step by misstep. Despite the fictional illness, Anna’s journey feels incredibly real.
Anna is a regular teenaged girl. She runs track with her best friend, gets good grades, and sometimes drinks beer at parties.
But one day at track practice, Anna falls unconscious . . . but instead of falling down, she falls up, defying gravity in the disturbing first symptom of a mysterious disease.
This begins a series of trips to the hospital that soon become Anna’s norm. She’s diagnosed with lepidopsy: a rare illness that causes symptoms reminiscent of moths: floating, attraction to light, a craving for sugar, and for an unlucky few, more dangerous…
Growing up in Ireland with a lot of Pink Floyd records, an active imagination, and no TV, I was almost destined to have a seemingly endless number of questions about the universe, our existence, and the purpose of it all. Finding that much could be learned from the tip of a pen (including that blue flavor is the best one) I began to read and make shapes and draw words of my own. Then, questioning the reasons I had questions, and seeking what could not be found, I found the answer to a single one—that there is far more to this world than we can ever see, and we indeed, are not alone.
His physicality transformed, Gregor awakes no longer a man, but instead, a giant grotesque creature.
As I read this masterpiece, I too understood how it is, to appear not how I desire. To sound different, to look different, to appear different than the paragon of myself I have created in my mind. And to strive to be more than this body I inhabit can give. But is this not the condition of us all?
A truly brilliant Kafka, this book created a world that is my own, yet unreal, and my reality yet a waking dream.
“When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.”
With this startling, bizarre, yet surprisingly funny first sentence, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetlelike insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century…
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