Here are 74 books that The Gutter Prayer fans have personally recommended if you like
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Growing up, many of the female characters in the media I engaged with were thin stereotypes (and some still are). Slowly, culture shifted towards the “strong female character, which quickly became a stereotype of its own. As culture shifts again to more nuanced female characters, many of them are slapped with the label of “unlikeable.” The label usually means that the character isn’t a tired stereotype and is complex, multifaceted, and interesting. Also, nearly all the time, the same traits admired in a male character are despised in a female character (think of Alicent Hightower, whose moral complexity would certainly be celebrated in a man).
It's difficult to discuss what might make Baru unlikable without delving into spoilers, but that's fine because you must see this book through to appreciate it fully.
Baru, an accountant, finds herself caught in the jaws of empire when her homeland is colonized and one of her fathers is killed. Cold and calculating, Baru desperately claws her way to power in an attempt to fight empire from within, and along the way, must reckon with how much of herself she is willing to sacrifice for her goals. I can’t emphasize how bleak this book is, and part of that comes from watching Baru eat herself alive and be awful to other people.
[Published as The Traitor Baru Cormorant in the US]
Baru Cormorant believes any price is worth paying to liberate her people - even her soul.
When the Empire of Masks conquers her island home, criminalizes her customs, and murders one of her Fathers, Baru vows to hide her hate, join the Empire's civil service, and claw her way up enough rungs of power to put a stop to the Emperor's influence and set her people free.
As a natural savant, she is sent as an imperial agent to distant Aurdwynn - a post she worries will never get her the…
As a former journalist-turned-lawyer and a recovering news junky, I’ve spent much of my life watching unhappy scenarios play out. But what’s always astonished me me is how, no matter how bad things get or how difficult the situation, there’s a spark of humanity, of kindness and compassion and optimism, that comes out in people at the most unexpected of times. Now, as an author and a parent, I find myself drawn to stories that remind me of that—that no matter how bleak life may look, how cruel or arbitrary the circumstances, there’s something good and beautiful and worth fighting for, not “somewhere out there,” but inside us.
I read this book after a long, dull period when I couldn’t seem to find anything to read that sparked my interest. Trail of Lightning picked me up, whirled me around, and made me fall head-over-heels in love with speculative fiction again.
Set in a bleak, post-apocalyptic world, it’s brutal and gripping, but where there should only be sadness and despair, there are unexpected moments of un-looked-for kindness. This isn’t a light read, and it isn’t exactly happy—but there’s a beautiful optimism underlying the bleakness, that after all, even in the worst of circumstances and at the worst of times, people can be kind.
One of the Time 100 Best Fantasy Books Of All Time
2019 LOCUS AWARD WINNER, BEST FIRST NOVEL
2019 HUGO AWARD FINALIST, BEST NOVEL
Nebula Award Finalist for Best Novel
One of Bustle's Top 20 "landmark sci-fi and fantasy novels" of the decade
"Someone please cancel Supernatural already and give us at least five seasons of this badass Indigenous monster-hunter and her silver-tongued sidekick." -The New York Times
"An excitingly novel tale." -Charlaine Harris, #1 New York Times bestselling author of the Sookie Stackhouse and Midnight Crossroads series
"Fun, terrifying, hilarious, and brilliant." -Daniel Jose Older, New York Times bestselling…
Worldbuilding is something I absolutely adore, and I have always wanted to see more fantasy in worlds created around a more modern thought process. Worlds that got away from the medieval and instead found inspiration in places like 1920s America or 1950s Mexico or anywhere with cars and motorcycles existing right alongside dragons. It’s what I try to write and its desperately what I want to read. Fantasy has so much more range than I think it is given credit for.
I love this book because it marries the brutality of military sci-fi with epic fantasy in a colossally satisfying fashion. It has dark gods, blood magic, and the grueling rigors of military training. And Ikenna, the main character, takes no crap from anyone, no matter how powerful. You can’t help but to root for her!
Blending fantasy and science fiction, N. E. Davenport's fast-paced, action-packed debut kicks off a duology of loyalty and rebellion, in which a young Black woman must survive deadly trials in a racist and misogynistic society to become an elite warrior.
It's all about blood.
The blood spilled between the Republic of Mareen and the armies of the Blood Emperor long ago. The blood gifts of Mareen's deadliest enemies. The blood that runs through the elite War Houses of Mareen, the rulers of the Tribunal dedicated to keeping the republic alive.
The blood of the former Legatus, Verne Amari, murdered.
Pantheons and worship are elements of culture I’ve always found fascinating, partly from being a mostly secular person with relatives who are very religious. I read a lot of epic fantasy when I was younger that featured gods, like Erikson, and I love finding more recent works that play with how deities might affect a world, and vice versa. But I also picked some of the books below because they inject cli-fi or solarpunk into their worlds – something I’ve been adding to my second-world fantasy lately. Because why not create the same sort of aesthetic in other worlds?
I went into this book expecting a lengthy god-chase through Lagos, but it quickly spirals into a much larger story with implications for the stability of the entire city. David is a phenomenal character torn between two worlds (human and god) and surrounded by an equally compelling supporting cast, including cranky mentor Papa Udi, ambitious and over-the-top wizard Ajala, beleaguered state god-hunter Onipede, and more. Desperate stakes, and seriously fluid pacing – I find a lot of fantasy novels lengthier than they need to be these days, but Suyi doesn’t waste a single paragraph. Loved every chapter.
Nigerian God-Punk - a powerful and atmospheric urban fantasy set in Lagos.
Since the Orisha War that rained thousands of deities down on the streets of Lagos, David Mogo, demigod, scours Eko's dank underbelly for a living wage as a freelance Godhunter. Despite pulling his biggest feat yet by capturing a high god for a renowned Eko wizard, David knows his job's bad luck. He's proved right when the wizard conjures a legion of Taboos-feral godling-child hybrids-to seize Lagos for himself. To fix his mistake and keep Lagos standing, David teams up with his foster wizard, the high god's twin…
Pantheons and worship are elements of culture I’ve always found fascinating, partly from being a mostly secular person with relatives who are very religious. I read a lot of epic fantasy when I was younger that featured gods, like Erikson, and I love finding more recent works that play with how deities might affect a world, and vice versa. But I also picked some of the books below because they inject cli-fi or solarpunk into their worlds – something I’ve been adding to my second-world fantasy lately. Because why not create the same sort of aesthetic in other worlds?
I’ve only said this once about a book: this is the sort of indie work that traditional publishers should be salivating over but would never have the courage to publish. There is such a wealth of emotion and reality in Heretic’s Guide. It’s a quiet, deliberate but fraught story of a human who doesn’t realize how much he needs the help of the godly being he befriends, or that the godly being needs him just as much. Fair warning that it’s a hefty story that’s more cerebral than action-packed, but the mystery, compelling dialogue and wondrous worldbuilding makes this one of my favorite books of all time. (Also the sequel to this duology is even better. Just saying.)
TRIPLE GOLD MEDALIST IN THE 2019 INDEPENDENT PUBLISHER BOOK AWARDS!WINNER OF THE 2019 READERVIEWS AWARD FOR FANTASY!“Life is transformation. You change or you die.”Ashamed of his past and overwhelmed by his future, Ronoah Genoveffa Elizzi-denna Pilanovani feels too small for his own name. After a graceless exit from his homeland in the Acharrioni desert, his anxiety has sabotaged every attempt at redemption. Asides from a fiery devotion to his godling, the one piece of home he brought with him, he has nothing.That is, until he meets Reilin. Beguiling, bewildering Reilin, who whisks Ronoah up into a cross-continental pilgrimage to the…
Pantheons and worship are elements of culture I’ve always found fascinating, partly from being a mostly secular person with relatives who are very religious. I read a lot of epic fantasy when I was younger that featured gods, like Erikson, and I love finding more recent works that play with how deities might affect a world, and vice versa. But I also picked some of the books below because they inject cli-fi or solarpunk into their worlds – something I’ve been adding to my second-world fantasy lately. Because why not create the same sort of aesthetic in other worlds?
This book was a serious inspiration for me when my debut novel was in an earlier draft. Tracy crafts this cool theology where “God” is a scientist and the world his Experiment, but not everyone agrees on whether that Experiment should be allowed to run free. What if God gets tired of playing and throws out the ant farm, or decide it’s not working…? The Nine centers on a motley-found family of characters, many of whom have rich backstories with each other that we get bits and pieces of, which is like catnip to me as a reader (and writer).
In the dark streets of Corma exists a book that writes itself, a book that some would kill for... Black market courier Rowena Downshire is just trying to pay her mother’s freedom from debtor's prison when an urgent and unexpected delivery leads her face to face with a creature out of nightmares. Rowena escapes with her life, but the strange book she was ordered to deliver is stolen. The Alchemist knows things few men have lived to tell about, and when Rowena shows up on his doorstep, frightened and empty-handed, he knows better than to turn her away. What he…
Growing up, many of the female characters in the media I engaged with were thin stereotypes (and some still are). Slowly, culture shifted towards the “strong female character, which quickly became a stereotype of its own. As culture shifts again to more nuanced female characters, many of them are slapped with the label of “unlikeable.” The label usually means that the character isn’t a tired stereotype and is complex, multifaceted, and interesting. Also, nearly all the time, the same traits admired in a male character are despised in a female character (think of Alicent Hightower, whose moral complexity would certainly be celebrated in a man).
This book is told in first-person from the perspective of Dunleavy, a pretty judgmental young woman who is not happy to be partnered with the infamous Shintaro Tarish. She's stubborn, inexperienced, naive, a little full of herself, cold, overly logical, and has little to no emotional intelligence. She also takes everything in stride, has an incredible dry wit, and is genuinely caring.
She's the type of character who will make you feel so many emotions, because she's so real she leaps off the page. There were times when I audibly groaned because Dunleavy's actions were just so terribly frustrating. I was delighted by her and her slow-burn friendship with Shintaro, made so tantalizing because Dunleavy can be so terrible to him sometimes!
In a realm beset by natural disasters, only the magical abilities of the bonded Pairs—Source and Shield—make the land habitable and keep the citizenry safe. The ties that bind them are far beyond the relationships between lovers or kin—and last their entire lives…
Whether they like it or not.
Since she was a child, Dunleavy Mallorough has been nurturing her talents as a Shield, preparing for her day of bonding. Unfortunately, fate decrees Lee’s partner to be the legendary, handsome, and unbearably self-assured Lord Shintaro Karish. Sure, he cuts a fine figure with his aristocratic airs and undeniable courage. But…
My family could never afford vacations when I was growing up, so I had to travel in my imagination through what I read. But that allowed me even greater freedom—I could go back in time, forward into the future, and everything in between. This skill led me to research and write my books today and have a career as an award-winning author and editor. History, to me, is only one side of the story—what about all the people in the past who never had the chance to speak? Alternate history is a way to explore the voices we’ve never heard except through a writer’s imagination.
Technically, this is an alternate-world book rather than alternate history. Still, I may be forgiven for including it in this list because it so closely parallels the events of the French Revolution. So, it almost seems like it could have actually happened… if magic existed in the world.
I love the main character’s journey. She starts out as a somewhat unlikeable and privileged woman and is brought low in life, only to emerge as a better and stronger person afterward. I think it’s a journey perhaps many of us take—we have the security of our childhood crushed by the expectations of becoming an adult and then have to learn how to be our true selves again in order to survive. I love a good coming-of-age story.
Arriving in the capital city of Sherreen to take her place at court, Miss Eliste vo Derrivale is suddenly stripped of her rank, home, and family during v'Aleur's reign of terror
Growing up, many of the female characters in the media I engaged with were thin stereotypes (and some still are). Slowly, culture shifted towards the “strong female character, which quickly became a stereotype of its own. As culture shifts again to more nuanced female characters, many of them are slapped with the label of “unlikeable.” The label usually means that the character isn’t a tired stereotype and is complex, multifaceted, and interesting. Also, nearly all the time, the same traits admired in a male character are despised in a female character (think of Alicent Hightower, whose moral complexity would certainly be celebrated in a man).
Though naive and sheltered, Felicita nonetheless makes the courageous decision to run away from home to escape an arranged marriage.
One of the things I loved about her character development was that even though she's committed to escaping her privileged upbringing, she still yearns to return and genuinely considers doing so multiple times–she longs for the comforts of wealth, and she's often surprised by just how difficult it is to live like the working class, sleeping on a hard floor and scrubbing dishes for ten hours a day for meager pay. She's not someone who immediately sheds her privilege and judgment and blends seamlessly into her new surroundings. Rather, she struggles immensely and has a huge blind spot when it comes to what her wealthy family is capable of.
In sixteen-year-old Felicita's world, magic is strictly controlled - or so those in power like to believe. After her dearest friend, Ilven, kills herself to escape an arranged marriage, Felicita chooses freedom over privilege. She fakes her own death and leaves her sheltered life as one of Pelimburg's magical elite behind. Living in the slums, scrubbing dishes for a living, she falls for charismatic Dash while also becoming fascinated with vampire Jannik. Then something shocking washes up on the beach: Ilven's death has called out of the sea a dangerous, wild magic. Felicita must decide whether her loyalties lie with…
Worldbuilding is something I absolutely adore, and I have always wanted to see more fantasy in worlds created around a more modern thought process. Worlds that got away from the medieval and instead found inspiration in places like 1920s America or 1950s Mexico or anywhere with cars and motorcycles existing right alongside dragons. It’s what I try to write and its desperately what I want to read. Fantasy has so much more range than I think it is given credit for.
This book takes an extremely fascinating time period, the Rasputin era in Russia, and throws it in a blender with dark fantasy, gore and passion. I could not get enough of the characters because they are all morally gray and come at the central dilemma of a collapsing empire with their own ambitions. Also, one of the more unique takes I’ve seen on a vampire in ages!
Winter 1917. After years on the run from a dangerous cult, twenty-three-year-old Sasza and his father have established themselves among the Odonic Empire’s ruling class. But there’s a problem: Sasza is a vampire, and vampires aren’t supposed to get involved in human governance. What the aristocracy doesn’t know, after all, cannot hurt them.
Unfortunately, Sasza is far more involved than a stealth vampire should be. Not only does he work to quell the rumors of the vampires’ responsibility for an unsolved massacre, his lover is also the pro-proletariat Ilya, the Empire’s Finance Minister, who tries to recruit Sasza into the…
