Here are 83 books that The Fealty of Monsters fans have personally recommended if you like
The Fealty of Monsters.
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Worldbuilding is something I absolutely adore, and I have always wanted to see more fantasy in worlds created around a more modern thought process. Worlds that got away from the medieval and instead found inspiration in places like 1920s America or 1950s Mexico or anywhere with cars and motorcycles existing right alongside dragons. It’s what I try to write and its desperately what I want to read. Fantasy has so much more range than I think it is given credit for.
I love this book because it marries the brutality of military sci-fi with epic fantasy in a colossally satisfying fashion. It has dark gods, blood magic, and the grueling rigors of military training. And Ikenna, the main character, takes no crap from anyone, no matter how powerful. You can’t help but to root for her!
Blending fantasy and science fiction, N. E. Davenport's fast-paced, action-packed debut kicks off a duology of loyalty and rebellion, in which a young Black woman must survive deadly trials in a racist and misogynistic society to become an elite warrior.
It's all about blood.
The blood spilled between the Republic of Mareen and the armies of the Blood Emperor long ago. The blood gifts of Mareen's deadliest enemies. The blood that runs through the elite War Houses of Mareen, the rulers of the Tribunal dedicated to keeping the republic alive.
The blood of the former Legatus, Verne Amari, murdered.
Worldbuilding is something I absolutely adore, and I have always wanted to see more fantasy in worlds created around a more modern thought process. Worlds that got away from the medieval and instead found inspiration in places like 1920s America or 1950s Mexico or anywhere with cars and motorcycles existing right alongside dragons. It’s what I try to write and its desperately what I want to read. Fantasy has so much more range than I think it is given credit for.
I walked away from reading this book with my imagination completely on fire. I can promise you’ll never look at wax quite the same after reading this book. It takes the pollution of a post-industrial world but filters the premise through magic and god wars. The politics are juicy and the characters come from all walks of life.
"The Gutter Prayer is captivating and complex. Guerdon is a city that seethes with history, horror, and hidden secrets" (Nicholas Eames). A group of three young thieves are pulled into a centuries old magical war between ancient beings, mages, and humanity in this wildly original debut epic fantasy. Enter a city of saints and thieves . . .
The city of Guerdon stands eternal. A refuge from the war that rages beyond its borders. But in the ancient tunnels deep beneath its streets, a malevolent power has begun to stir.
Worldbuilding is something I absolutely adore, and I have always wanted to see more fantasy in worlds created around a more modern thought process. Worlds that got away from the medieval and instead found inspiration in places like 1920s America or 1950s Mexico or anywhere with cars and motorcycles existing right alongside dragons. It’s what I try to write and its desperately what I want to read. Fantasy has so much more range than I think it is given credit for.
This book has one of the most refreshing and terrifying take on the concept of immortality that I’ve ever seen. I love it because of how it tackles policing, what it means to be a decent person, and how power unchecked will inevitably consume all it touches. Also, it’s extremely queer, and the prickly immortals were just too hard not to fall in love with.
Gideon the Ninth meets Black Sun in this queer, Maori-inspired debut fantasy about a police officer who is murdered, brought back to life with a mysterious new power, and tasked with protecting her city from an insidious evil threatening to destroy it.
The port city of Hainak is alive: its buildings, its fashion, even its weapons. But, after a devastating war and a sweeping biotech revolution, all its inhabitants want is peace, no one more so than Yat Jyn-Hok a reformed-thief-turned-cop who patrols the streets at night.
Yat has recently been demoted on the force due to "lifestyle choices" after…
Worldbuilding is something I absolutely adore, and I have always wanted to see more fantasy in worlds created around a more modern thought process. Worlds that got away from the medieval and instead found inspiration in places like 1920s America or 1950s Mexico or anywhere with cars and motorcycles existing right alongside dragons. It’s what I try to write and its desperately what I want to read. Fantasy has so much more range than I think it is given credit for.
I can’t say enough about how dark and foreboding this book is the entire way through. The gods are not kind in this book and yes, it plays with exactly how awful living in such a world would be. It’s such an atmospheric book that I swear I pictured it as being cloudy and rainy the entire way through.
I couldn’t stop thinking of it as a heavy, dark episode of a police procedural but far more critical of the powers at play.
IN THE BEGINNING, MAN WAS PREY, WITHOUT THE GODS, THEY'LL BE PREY AGAIN The old gods have fled, and the monsters they had kept at bay for centuries now threaten to drown the city of Valentine, hunting mankind as in ancient times. In the midst of the chaos, a serial killer has begun ritually sacrificing victims, their bodies strewn throughout the city. Lilac Antonis wants to stop the impending destruction of her city by summoning her mother, a blood god-even if she has to slit a few throats to do it. But evading her lover Arcadia and her friends means…
I’ve always been attracted to the Gothic before I even knew the term. From watching The Munstersas a child to wanting to live in a haunted house and devouring classic Gothic novels like The Mysteries of Udolpho and Dracula, I’ve never been able to get enough of the Gothic. After fully exploring British Gothic in my book The Gothic Wanderer, I discovered the French Gothic tradition, which made me realize how universal the genre is. Everyone can relate to its themes of fear, death, loss, guilt, forgiveness, and redemption. On some level, we are all Gothic wanderers, trying to find meaning in what is too often a nightmarish world.
This novel, published in 1879, is set in Romania at the time of the 1877-8 Russo-Turkish War. It is significant for its setting because it predates Dracula(1897) in being set in Romania (home of Transylvania). Nizet was a twenty-year-old Belgian woman who encountered Romanians in Paris who told her about how Russians had treated them during the war. Nizet created the character of Captain Vampire to represent how Russia acted like a vampire toward the Romanians, even though they were Russia’s allies. Captain Vampire’s behavior is shocking yet fascinating. As a critique of war, the novel is extremely relevant today given Russia’s recent invasion of Ukraine. Personally, I am amazed by how a woman who never saw a battlefield could capture war’s essence so vividly.
Written in 1879 (18 years before Dracula) by 19-year-old Marie Nizet, Captain Vampire, in its method and tone alike, is way ahead of its time. Although its plot has supernatural elements, and its antagonist is manifestly demonic, the novel's true purpose is to bring out the horror of war. A significant work in the history of horror fiction, it is undoubtedly one of the finest literary works ever to have made use of the vampire motif.
I first started reading vampire stories when I worked at Kitt Peak National Observatory in the 1990s. One of my co-workers suggested that we were the vampires of the mountain because we were only seen between sunset and sunrise. She encouraged me to read Anne Rice, whose work gave me a taste for heroic vampires. A while later, I moved to Las Cruces, New Mexico, known as the City of Crosses. Another friend suggested I write a story asking what a vampire would make of such a thing. That became an early chapter inVampires of the Scarlet Order.
In this Japanese light novel, vampires are an oppressed people living in a country adjoining a Soviet Union-like country, the Republic of Zirnitra. In this world, almost all of the stories you've heard about vampires being evil and hunting humans are Zirnitran propaganda, but vampires do drink blood and are sensitive to sunlight. Irina is a young vampire woman who volunteers to be a test subject for the Zirnitran space program so she can get closer to the moon, which she loves. The story is based on the real Soviet space program of the 1960s and I rooted for Irina as she overcame her own fears and Zirnitran oppression to fly in orbit and see her beloved moon up close before any human went into orbit.
A fierce space race between two global superpowers gives rise to the Nosferatu Project, a top-secret plan to train up some unusual cosmonauts - vampires! When Lev Leps, a human soldier, is ordered to supervise vampire test subject Irina Luminesk, the unlikely pair bonds over their shared dream of reaching the stars. Together, can the human and vampire duo rise above the chaos and corruption down on Earth and blast off into the final frontier?
I grew up on a steady book diet of child detectives, fairy tales involving monsters in the woods, and historical fiction about the black plague. The same themes go through the books I love to read and write, transporting me with world-building set in realms or historical settings with technology so strange it could be fantasy. Characters are shaped by the world around them and the more perilous the world, the more it challenges the characters. If there are monsters, I’m in.
If you’re not familiar with Hideyuki Kikuchi’s Vampire Hunter D you’re in for a treat.
D is a vampire hunter traveling between remnants of human civilization after the vampires’ technology changed the world with rampant weather machines, DNA-spliced monsters, and slumbering technological marvels without master to command them.
D is hired by Doris who’s been chosen to become a vampire bride, but between struggling against his other half as a vampire, werewolf lackeys, and bloodthirsty humans wanting Doris dead or alive, D has his work cut out for him. If you ever find yourself traveling the Frontier, D, alongside his sassy friend, is your guy.
The year is 12,090 A.D., and what little is left of humanity has finally
crawled out from the ashes of war and destruction. From the darkness of fallout,
mutants and a race of vampires known as the Nobility have spawned. They rule the
weak with no remorse. Once bitten by a Nobility, one is cursed to become a
member of the undead. Villagers cower in fear, hoping and praying for a savior
to rid them of their undying nightmare. All they have to battle this danger is a
different kind of danger - a Vampire Hunter.
In 2009 I published a book on the real vampire community. I didn’t know that Twilightwas about to sweep America and I inadvertently became a “vampire guy” for a few years. I appeared on Geraldo and NPR. I was interviewed by the Colbert Report (but it never aired). I even talked to MTV about hosting a show where I interview teenage vampires. Then we all got into zombies instead and my fifteen minutes of fame were over! I learned a great deal researching my book and giving talks on vampires. In 2010 I taught a special class at Tufts University on vampires where I assigned selections from these books.
Montague Summers was a really unusual fellow for the early twentieth century. He was a closeted gay man (closeted because homosexuality was brutally repressed at the time) who was obsessed with the occult and liked to present himself as a religious witch hunter/demonologist. Reportedly he was often seen leaving libraries with a big black file that read “Vampires” across the front where everyone could see it.
Despite being a colorful character, Summers is one of the best early scholars of vampire lore. His work is even more interesting because it reflects the occult revival underway at the end of the nineteenth century. Occult groups such as the Theosophical Society and the Order of the Golden Dawn were reimagining what vampires could be. They hypothesized that vampires could be real but are perhaps more akin to invisible ghosts that feed on human life force. Summers also discusses things like…
. Summers wrote numerous serious books about the witch hunts, vampires, werewolves, and other occult subjects.
This book has all of the apparatus to qualify as an academic study, including footnotes, extensive quotations in the original languages, and references to rare source documents. Of particular interest is the final chapter, which traces the development of the vampire craze in 19th century literature.
As a writer of murder mysteries, it goes without saying I’m a fan of whodunits. But I’m also a fan of horror stories and those tales that keep me turning pages and looking into the shadows. So in my newest book, I wanted to combine the two. That is, mixing scares and thrills with a whodunit and adding a big dose of Latino culture and characters. In a lot of my work, I write about the culture with which I grew up. I also love to tap into the Mexican myths and folk stories I heard as a kid then revamping and retelling them into something new.
The graphic novel is one rush of scares and thrills. Set in the city of Barrows, Alaska where the sun doesn’t rise for thirty days during winter, the place becomes the perfect grounds (feasting, that is) for a group of vampires. And these monsters aren’t sparkling and pretty by any stretch. It’s up to Sheriff Eben Olemaun to survive with a group of townspeople, but the how and they why they do is one great story, aided by atmosphere illustrations.
Collects all three issues of 30 DAYS OF NIGHT from Steven Niles and Ben Templesmith! The story of an isolated Alaskan town that is plunged into darkness for a month each year when the sun sinks below the horizon. As the last rays of light fade, the town is attacked by a bloodthirsty gang of vampires bent on an uninterrupted orgy of destruction. Only the small town's husband-and-wife Sheriff team stand between the survivors and certain destruction.
I am a very inquisitive person with a background in psychology and sociology. Human behavior and ancient civilizations fascinate me, as do the heart, mind, and soul. Why do we love? Why do we hurt? Why do we do the things we do? Having researched numerous vampire legends across history and cultures, I was surprised to find this folklore virtually everywhere! And now, I bring this love of research, psychology, and soul-level motivation to my plots, characters, and world building–hair color, eyes, and background are fine, but what makes this being tick!? Where’s the light, the dark, and the shadow? I hope you enjoy my book list!
This book encompasses the good, the bad, and the ugly—it is both powerfully real and beautifully raw!
We think with our minds, we feel with our hearts, but we exist within our souls. And this book pried every one of those open for me. It was so gritty and hard-hitting, so raw and uncut, so reminiscent of what it is like to look deep inside oneself, face both strengths and weaknesses, conquer fears and inner demons, acknowledge everything without pretense, then continue fighting to reach one’s potential.
Yes, this novel taps into all of this and more in an extremely well-written, brilliant tale about a kick-ass vampire huntress!
There is one woman who is all that stands between us and the eternal night. Here is an account of her legend....
All Damali Richards ever wanted to do was create music and bring it to the people. Now she is a Spoken Word artist and the top act for Warriors of Light Records. But come nightfall, she hunts vampires and demons—predators that people tend to dismiss as myth or fantasy. But Damali and her Guardian team cannot afford such delusions, especially now, when a group of rogue vampires have been killing the artists of Warriors of Light and their…
