Here are 100 books that Illusion fans have personally recommended if you like
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My family could never afford vacations when I was growing up, so I had to travel in my imagination through what I read. But that allowed me even greater freedom—I could go back in time, forward into the future, and everything in between. This skill led me to research and write my books today and have a career as an award-winning author and editor. History, to me, is only one side of the story—what about all the people in the past who never had the chance to speak? Alternate history is a way to explore the voices we’ve never heard except through a writer’s imagination.
I’ve long been inspired by Butler’s writing, which features BIPOC characters front and center. As a multiracial person, I seldom saw people who looked and thought like me in the older fiction I read.
The notable thing about this book is that it’s technically science fiction, not alternate history, since the novel's beginning in 2024 (this year!). However, much of what Butler wrote has come to pass, raising one question: Has her vision of the future become an alternate version of the past? I love trying to wrap my head around that conundrum.
The extraordinary, prescient NEW YORK TIMES-bestselling novel.
'If there is one thing scarier than a dystopian novel about the future, it's one written in the past that has already begun to come true. This is what makes Parable of the Sower even more impressive than it was when first published' GLORIA STEINEM
'Unnervingly prescient and wise' YAA GYASI
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We are coming apart. We're a rope, breaking, a single strand at a time.
America is a place of chaos, where violence rules and only the rich and powerful are safe. Lauren Olamina, a young woman with the extraordinary power to…
Growing up, many of the female characters in the media I engaged with were thin stereotypes (and some still are). Slowly, culture shifted towards the “strong female character, which quickly became a stereotype of its own. As culture shifts again to more nuanced female characters, many of them are slapped with the label of “unlikeable.” The label usually means that the character isn’t a tired stereotype and is complex, multifaceted, and interesting. Also, nearly all the time, the same traits admired in a male character are despised in a female character (think of Alicent Hightower, whose moral complexity would certainly be celebrated in a man).
It's difficult to discuss what might make Baru unlikable without delving into spoilers, but that's fine because you must see this book through to appreciate it fully.
Baru, an accountant, finds herself caught in the jaws of empire when her homeland is colonized and one of her fathers is killed. Cold and calculating, Baru desperately claws her way to power in an attempt to fight empire from within, and along the way, must reckon with how much of herself she is willing to sacrifice for her goals. I can’t emphasize how bleak this book is, and part of that comes from watching Baru eat herself alive and be awful to other people.
[Published as The Traitor Baru Cormorant in the US]
Baru Cormorant believes any price is worth paying to liberate her people - even her soul.
When the Empire of Masks conquers her island home, criminalizes her customs, and murders one of her Fathers, Baru vows to hide her hate, join the Empire's civil service, and claw her way up enough rungs of power to put a stop to the Emperor's influence and set her people free.
As a natural savant, she is sent as an imperial agent to distant Aurdwynn - a post she worries will never get her the…
Worldbuilding is something I absolutely adore, and I have always wanted to see more fantasy in worlds created around a more modern thought process. Worlds that got away from the medieval and instead found inspiration in places like 1920s America or 1950s Mexico or anywhere with cars and motorcycles existing right alongside dragons. It’s what I try to write and its desperately what I want to read. Fantasy has so much more range than I think it is given credit for.
I walked away from reading this book with my imagination completely on fire. I can promise you’ll never look at wax quite the same after reading this book. It takes the pollution of a post-industrial world but filters the premise through magic and god wars. The politics are juicy and the characters come from all walks of life.
"The Gutter Prayer is captivating and complex. Guerdon is a city that seethes with history, horror, and hidden secrets" (Nicholas Eames). A group of three young thieves are pulled into a centuries old magical war between ancient beings, mages, and humanity in this wildly original debut epic fantasy. Enter a city of saints and thieves . . .
The city of Guerdon stands eternal. A refuge from the war that rages beyond its borders. But in the ancient tunnels deep beneath its streets, a malevolent power has begun to stir.
My family could never afford vacations when I was growing up, so I had to travel in my imagination through what I read. But that allowed me even greater freedom—I could go back in time, forward into the future, and everything in between. This skill led me to research and write my books today and have a career as an award-winning author and editor. History, to me, is only one side of the story—what about all the people in the past who never had the chance to speak? Alternate history is a way to explore the voices we’ve never heard except through a writer’s imagination.
Complex worldbuilding and the alternate history genre often go hand in hand, and they’re the part I enjoy most when reading reimaginings of our world. This book intertwines history with spirituality and shows how a small set of characters can enact a large change to the universe, which is something that is shown to be both optimistic (if the characters are good) and pessimistic (if the characters are evil/selfish).
It echoes so much of what I believe—that karma is a real force and depends on how it’s released into the world—so I found it refreshing to see these themes echoed in the storyline. History can change life for the better—or the worse—because of what we believe in.
With the incomparable vision and breathtaking detail that brought his now-classic Marstrilogy to vivid life, bestselling author KIM STANLEY ROBINSON boldly imagines an alternate history of the last seven hundred years. In his grandest work yet, the acclaimed storyteller constructs a world vastly different from the one we know....
The Years of Rice and Salt
It is the fourteenth century and one of the most apocalyptic events in human history is set to occur–the coming of the Black Death. History teaches us that a third of Europe’s population was destroyed. But what if? What if the plague killed 99 percent…
Growing up, many of the female characters in the media I engaged with were thin stereotypes (and some still are). Slowly, culture shifted towards the “strong female character, which quickly became a stereotype of its own. As culture shifts again to more nuanced female characters, many of them are slapped with the label of “unlikeable.” The label usually means that the character isn’t a tired stereotype and is complex, multifaceted, and interesting. Also, nearly all the time, the same traits admired in a male character are despised in a female character (think of Alicent Hightower, whose moral complexity would certainly be celebrated in a man).
This book is told in first-person from the perspective of Dunleavy, a pretty judgmental young woman who is not happy to be partnered with the infamous Shintaro Tarish. She's stubborn, inexperienced, naive, a little full of herself, cold, overly logical, and has little to no emotional intelligence. She also takes everything in stride, has an incredible dry wit, and is genuinely caring.
She's the type of character who will make you feel so many emotions, because she's so real she leaps off the page. There were times when I audibly groaned because Dunleavy's actions were just so terribly frustrating. I was delighted by her and her slow-burn friendship with Shintaro, made so tantalizing because Dunleavy can be so terrible to him sometimes!
In a realm beset by natural disasters, only the magical abilities of the bonded Pairs—Source and Shield—make the land habitable and keep the citizenry safe. The ties that bind them are far beyond the relationships between lovers or kin—and last their entire lives…
Whether they like it or not.
Since she was a child, Dunleavy Mallorough has been nurturing her talents as a Shield, preparing for her day of bonding. Unfortunately, fate decrees Lee’s partner to be the legendary, handsome, and unbearably self-assured Lord Shintaro Karish. Sure, he cuts a fine figure with his aristocratic airs and undeniable courage. But…
Growing up, many of the female characters in the media I engaged with were thin stereotypes (and some still are). Slowly, culture shifted towards the “strong female character, which quickly became a stereotype of its own. As culture shifts again to more nuanced female characters, many of them are slapped with the label of “unlikeable.” The label usually means that the character isn’t a tired stereotype and is complex, multifaceted, and interesting. Also, nearly all the time, the same traits admired in a male character are despised in a female character (think of Alicent Hightower, whose moral complexity would certainly be celebrated in a man).
Though naive and sheltered, Felicita nonetheless makes the courageous decision to run away from home to escape an arranged marriage.
One of the things I loved about her character development was that even though she's committed to escaping her privileged upbringing, she still yearns to return and genuinely considers doing so multiple times–she longs for the comforts of wealth, and she's often surprised by just how difficult it is to live like the working class, sleeping on a hard floor and scrubbing dishes for ten hours a day for meager pay. She's not someone who immediately sheds her privilege and judgment and blends seamlessly into her new surroundings. Rather, she struggles immensely and has a huge blind spot when it comes to what her wealthy family is capable of.
In sixteen-year-old Felicita's world, magic is strictly controlled - or so those in power like to believe. After her dearest friend, Ilven, kills herself to escape an arranged marriage, Felicita chooses freedom over privilege. She fakes her own death and leaves her sheltered life as one of Pelimburg's magical elite behind. Living in the slums, scrubbing dishes for a living, she falls for charismatic Dash while also becoming fascinated with vampire Jannik. Then something shocking washes up on the beach: Ilven's death has called out of the sea a dangerous, wild magic. Felicita must decide whether her loyalties lie with…
My family could never afford vacations when I was growing up, so I had to travel in my imagination through what I read. But that allowed me even greater freedom—I could go back in time, forward into the future, and everything in between. This skill led me to research and write my books today and have a career as an award-winning author and editor. History, to me, is only one side of the story—what about all the people in the past who never had the chance to speak? Alternate history is a way to explore the voices we’ve never heard except through a writer’s imagination.
When I picked up this book a couple of decades ago, I was blown away when I started reading. I’d never seen a story that presupposed a completely different background to America’s colonization—many alternate history books take place after Europeans colonized the Americas, so this was a fresh take on the “what if” genre.
This helped me see how the boundaries of history could be changed and shaped to fit other timelines and scenarios, and I loved seeing how various non-European cultures could be central in a reimagining of the world’s history.
The year is 1279...or, to those who worship the son of Mary, 1863. Bordered by fierce Azteca to the south, the red men's nations of the far west, and the Viking empire in the north, Bilalistan is a vast, rich land adorned with inspiring mosques, Zulu kraals, and glorious Moorish castles. Its grand estates are worked by savage Franks and Gauls captured from darkest Europe. A primitive child from Eire, little Aidan O'Dere knows nothing of the world on the day his village is raided. His father is murdered while Aidan, his mother, and his sister are chained in the…
My family could never afford vacations when I was growing up, so I had to travel in my imagination through what I read. But that allowed me even greater freedom—I could go back in time, forward into the future, and everything in between. This skill led me to research and write my books today and have a career as an award-winning author and editor. History, to me, is only one side of the story—what about all the people in the past who never had the chance to speak? Alternate history is a way to explore the voices we’ve never heard except through a writer’s imagination.
I must mention this book because it was one of the first alternate histories I read as a teen, and I remember how it caused me to dream about “what ifs.”
Although traveling back to 6th-century Rome didn’t sound like a lot of fun, I loved reading about the main character's ingenuity and how he uses his modern know-how to survive in the literal dog-eat-dog world of the past. It was a good roadmap in imagination about tackling a sudden change in fortune, and the writing was personable and fun to read.
Rarely do books have such a great influence on a genre as Lest Darkness Fall has had on science fiction. Frequently quoted as one of the ‘favorite’ books of many of the masters of the field, this book by L. Sprague de Camp helped establish time-travel as a solid sub-genre of science fiction.
An indication of the influence and longevity of the book is by the number of best-selling writers who have written stories in direct response to, or influenced by, Lest Darkness Fall. This new volume also includes three such stories by Frederik Pohl, David Drake and S. M.…
I grew up loving the works of Shakespeare and the Romantic poets. Now I write romantic fantasy with a lyrical, fairy-tale vibe. The Seasons Cycle is a spin-off series from my main Lake Traveler saga. My poetry includes Poems of Myth & Magick, andSongs of Love & Longing. I compose songs and background music for key scenes in my stories. My music has been described as GoT meets LoTR with a lyrical twist and a musical theatre vibe. You can check out my songs and instrumental pieces on my youtube channel and my music website.
"La Belle Dame Sans Merci" may not be Keats’ most well-known poem but it’s right up there with his best, and Keats’ best might just be the very best when it comes to romantic poetry. This is a beautiful fantasy poem that’s both hot and disturbing. It’s dark fantasy at its best. Its lyrical and sensuous beauty will give you chills and goosebumps.Other fantasy-themed poems in this collection include "Endymion," "Lamia and Hyperion," "Isabella," and "St Agnes’ Eve," all based on myths and legends.
'What the imagination seizes as Beauty must be truth' So wrote the Romantic poet John Keats (1795-1821) in 1817. This collection contains all of his poetry: the early work, which is often undervalued even today, the poems on which his reputation rests including the 'Odes' and the two versions of the uncompleted epic 'Hyperion', and work which only came to light after his death including his attempts at drama and comic verse.
It all demonstrates the extent to which he tested his own dictum throughout his short creative life. That life spanned one of…
I’m a historian of eighteenth-century France, above all, the French Revolution. Throughout my career, my primary goal has been to try to reconstruct the experience of revolution in all its dimensions. I have published extensively on subjects relating to the French Revolution, including the French revolutionary terror; the politics of the Jacobins; ideology, emotions, and revolution; revolutionary leaders – including Robespierre and Saint-Just; fear of conspiracy as a driver of actions; the influence of classical antiquity; women participants in the Revolution.
This is a gripping, wide-ranging, and detailed study of the explosive years of ‘the Terror’. Andress ranges far beyond the claustrophobic assemblies, clubs, and streets of Paris to show the country-wide impact of war, revolution, and terror. Andress has little time for revolutionary idealism, and there are no heroes in this book. His deep knowledge of his subject shines out from every page. The result is a vivid and disturbing account, dense, lively, and well-written.
The French Revolution marks the foundation of the modern political world. It was in the crucible of the Revolution that the political forces of conservatism, liberalism and socialism began to find their modern forms, and it was the Revolution that first asserted the claims of universal individual rights on which our current understandings of citizenship are based. But the Terror was, as much as anything else, a civil war, and such wars are always both brutal and complex. The guillotine in Paris claimed some 1500 official victims, but executions of captured counter-revolutionary rebels ran into the tens of thousands, and…
