Here are 28 books that Lion's Blood fans have personally recommended if you like
Lion's Blood.
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My family could never afford vacations when I was growing up, so I had to travel in my imagination through what I read. But that allowed me even greater freedom—I could go back in time, forward into the future, and everything in between. This skill led me to research and write my books today and have a career as an award-winning author and editor. History, to me, is only one side of the story—what about all the people in the past who never had the chance to speak? Alternate history is a way to explore the voices we’ve never heard except through a writer’s imagination.
I’ve long been inspired by Butler’s writing, which features BIPOC characters front and center. As a multiracial person, I seldom saw people who looked and thought like me in the older fiction I read.
The notable thing about this book is that it’s technically science fiction, not alternate history, since the novel's beginning in 2024 (this year!). However, much of what Butler wrote has come to pass, raising one question: Has her vision of the future become an alternate version of the past? I love trying to wrap my head around that conundrum.
The extraordinary, prescient NEW YORK TIMES-bestselling novel.
'If there is one thing scarier than a dystopian novel about the future, it's one written in the past that has already begun to come true. This is what makes Parable of the Sower even more impressive than it was when first published' GLORIA STEINEM
'Unnervingly prescient and wise' YAA GYASI
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We are coming apart. We're a rope, breaking, a single strand at a time.
America is a place of chaos, where violence rules and only the rich and powerful are safe. Lauren Olamina, a young woman with the extraordinary power to…
My family could never afford vacations when I was growing up, so I had to travel in my imagination through what I read. But that allowed me even greater freedom—I could go back in time, forward into the future, and everything in between. This skill led me to research and write my books today and have a career as an award-winning author and editor. History, to me, is only one side of the story—what about all the people in the past who never had the chance to speak? Alternate history is a way to explore the voices we’ve never heard except through a writer’s imagination.
Complex worldbuilding and the alternate history genre often go hand in hand, and they’re the part I enjoy most when reading reimaginings of our world. This book intertwines history with spirituality and shows how a small set of characters can enact a large change to the universe, which is something that is shown to be both optimistic (if the characters are good) and pessimistic (if the characters are evil/selfish).
It echoes so much of what I believe—that karma is a real force and depends on how it’s released into the world—so I found it refreshing to see these themes echoed in the storyline. History can change life for the better—or the worse—because of what we believe in.
With the incomparable vision and breathtaking detail that brought his now-classic Marstrilogy to vivid life, bestselling author KIM STANLEY ROBINSON boldly imagines an alternate history of the last seven hundred years. In his grandest work yet, the acclaimed storyteller constructs a world vastly different from the one we know....
The Years of Rice and Salt
It is the fourteenth century and one of the most apocalyptic events in human history is set to occur–the coming of the Black Death. History teaches us that a third of Europe’s population was destroyed. But what if? What if the plague killed 99 percent…
My family could never afford vacations when I was growing up, so I had to travel in my imagination through what I read. But that allowed me even greater freedom—I could go back in time, forward into the future, and everything in between. This skill led me to research and write my books today and have a career as an award-winning author and editor. History, to me, is only one side of the story—what about all the people in the past who never had the chance to speak? Alternate history is a way to explore the voices we’ve never heard except through a writer’s imagination.
Technically, this is an alternate-world book rather than alternate history. Still, I may be forgiven for including it in this list because it so closely parallels the events of the French Revolution. So, it almost seems like it could have actually happened… if magic existed in the world.
I love the main character’s journey. She starts out as a somewhat unlikeable and privileged woman and is brought low in life, only to emerge as a better and stronger person afterward. I think it’s a journey perhaps many of us take—we have the security of our childhood crushed by the expectations of becoming an adult and then have to learn how to be our true selves again in order to survive. I love a good coming-of-age story.
Arriving in the capital city of Sherreen to take her place at court, Miss Eliste vo Derrivale is suddenly stripped of her rank, home, and family during v'Aleur's reign of terror
My family could never afford vacations when I was growing up, so I had to travel in my imagination through what I read. But that allowed me even greater freedom—I could go back in time, forward into the future, and everything in between. This skill led me to research and write my books today and have a career as an award-winning author and editor. History, to me, is only one side of the story—what about all the people in the past who never had the chance to speak? Alternate history is a way to explore the voices we’ve never heard except through a writer’s imagination.
I must mention this book because it was one of the first alternate histories I read as a teen, and I remember how it caused me to dream about “what ifs.”
Although traveling back to 6th-century Rome didn’t sound like a lot of fun, I loved reading about the main character's ingenuity and how he uses his modern know-how to survive in the literal dog-eat-dog world of the past. It was a good roadmap in imagination about tackling a sudden change in fortune, and the writing was personable and fun to read.
Rarely do books have such a great influence on a genre as Lest Darkness Fall has had on science fiction. Frequently quoted as one of the ‘favorite’ books of many of the masters of the field, this book by L. Sprague de Camp helped establish time-travel as a solid sub-genre of science fiction.
An indication of the influence and longevity of the book is by the number of best-selling writers who have written stories in direct response to, or influenced by, Lest Darkness Fall. This new volume also includes three such stories by Frederik Pohl, David Drake and S. M.…
I love books. All kinds of books. Growing up, I didn’t have many friends outside of books. It’s no wonder that as an adult reader/writer/editor/book coach, I still read widely and voraciously. I believe all stories are magical, but I’m especially drawn to books that contain emotionally engaging characters and fun magical elements. I’m also a huge fan of good KidLit and getting a chance to see and explore other cultures and worlds, both real and imagined. (I even co-host a podcast: Coaching KidLit.) So, I read a ton of magical stories and a lot of KidLit. That’s how I discovered the books on this recommended reading list.
Creative and deeply layered, this book has so much on offer: multiple universes, a boy who can talk to fish, a city built of rafts, sea monsters, and wonderfully clever and well-drawn characters. An absolutely beautiful and emotionally engaging story of escaped slaves and refugees fleeing for their lives seeking a new home and freedom. I was totally swept away.
An enchanting historical fantasy adventure perfect for fans of Thanhha Lai's Newbery Honor-winning Inside Out and Back Again
No one comes to the Second World on purpose. The doorway between worlds opens only when least expected. The Raft King is desperate to change that by finding the doorway that will finally take him and the people of Raftworld back home. To do it, he needs Pip, a young boy with an incredible gift-he can speak to fish; and the Raft King is not above kidnapping to get what he wants. Pip's sister Kinchen, though, is determined to rescue her brother…
I’ve always been interested in history. I grew up in London, where there's a lot of it. But what made me want to write fiction about the past was experiences of imaginative affinity for certain other times and places. My first book is set during World War One. I've always felt connected to the change in sensibility that many people went through then, from an optimistic, moralistic, Victorian outlook, in which, to quote Paul Fussell from The Great War and Modern Memory, people “believed in Progress and Art and in no way doubted the benignity even of technology” to an understanding that human beings and our societies contained deeper, more persistent shadows.
The question of how to portray a historical atrocity like slavery in a work of fiction is obviously monumental. Toni Morrison, Gayl Jones, Colson Whitehead, and John Keene have approached this with consummate brilliance by writing the experience and subjectivity of enslaved and formerly-enslaved people. Johnson, however, focuses on the perpetrators: the men who engage in and profit from the capture and trafficking of other human beings. As in Mantel’s novel, the choice of the protagonist is key. Rutherford Calhoun is a ne’er-do-well free Black man from New Orleans who runs away on a ship to escape debts and engagement to a woman whose love he hasn’t done much to deserve. It turns out this ship is bound for Africa to collect a cargo of people, members of the Allmuseri tribe, an ethnicity Johnson invented for his fiction. But along with the people, they are also collecting something much more…
The Apocalypse would definitely put a crimp in my career plans.
Rutherford Calhoun, a puckish rogue and newly freed slave, spends his days loitering around the docks of New Orleans, dodging debt collectors, gangsters, and Isadora Bailey, a prim and frugal woman who seeks to marry him and curb his mischievous instincts. When the heat from these respective pursuers becomes too much to bear, he cons his way on to the next ship leaving the dock: the Republic. Upon boarding, to his horror he discovers that he…
I’ve been fascinated by the Atlantic slave trade since 2007, when I first studied the business papers of a Liverpool merchant who had enslaved over a hundred thousand people. I was immediately struck by the coldness of the merchant’s accounts. I was also drawn to the ways in which the merchant’s profit-motivated decisions shaped the forced migrations and experiences of their victims. I have subsequently extended my research to examine slave traders across the vastness of the Atlantic World. I'm also interested in the ways that the slave trade’s history continues to shape the modern world, from the making of uneven patterns of global economic development to such diverse areas as the financing of popular music.
In 2007, I was writing a biography of Liverpool merchant William Davenport, who had made his fortune via the slave trade.
As I researched Davenport’s dry ledgers and letterbooks, I was fortunate to have Marcus Rediker’s exceptional The Slave Ship to hand. Pushing back against the “violence of abstraction” inherent to the accounts of slavers like Davenport, Rediker’s book exposed the horrors of the Middle Passage in unflinching detail.
His book is also filled with powerful individual stories of captives, captains, and crewmen that demonstrated to me the importance of writing “human histories” of the slave trade.
The slave ship was the instrument of history's greatest forced migration and a key to the origins and growth of global capitalism, yet much of its history remains unknown. Marcus Rediker uncovers the extraordinary human drama that played out on this world-changing vessel. Drawing on thirty years of maritime research, he demonstrates the truth of W.E.B DuBois's observation: the slave trade was 'the most magnificent drama in the last thousand years of human history'. The Slave Ship" focuses on the so-called 'golden age' of the slave trade, the period of 1700-1808, when more than six million people were transported out…
Errick Nunnally was born and raised in Boston, Massachusetts, and served one tour in the Marine Corps before deciding art school was a safer pursuit. He enjoys art, comics, and genre novels. A graphic designer, he has trained in Krav Maga and Muay Thai kickboxing. His work has appeared in several anthologies of speculative fiction. His work can be found in Apex Magazine, Fiyah Magazine, Galaxy’s Edge, Lamplight, Nightlight Podcast, and the novels, Lightning Wears a Red Cape, Blood for the Sun, and All the Dead Men.
This book is a raw peek into America’s troubled past. It’s a series of interviews that Hurston conducts with a man who was on the last slave ship to make the transatlantic passage. It is a difficult read on two levels: subject matter and English. Hurston presents the words of a man named Cudjo Lewis as authentically as possible. What may seem to some today as parody, is translated to the page with accuracy. For me it communicated first-hand some of the past my main character has lived through. Books like this help to inform my protagonist’s current attitude toward the world (Alexander Smith in Blood For The Sun and All The Dead Men).
A major literary event: a never-before-published work from the author of the American classic, Their Eyes Were Watching God which brilliantly illuminates the horror and injustices of slavery as it tells the true story of the last known survivor of the Atlantic slave trade-illegally smuggled from Africa on the last "Black Cargo" ship to arrive in the United States.
In 1927, Zora Neale Hurston went to Plateau, Alabama, to interview ninety-five-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of…
As an engineer, I have constructed bridges, highways, and power plants throughout Africa, and on journeys learned and explored the continent's history. My novel, Ama, a Story of the Atlantic Slave Trade, won the 2002 Commonwealth Writers Prize for the Best First Book. My 200 plus sources, and excerpts from many of them, are listed on the companion website.
Despite the vast literature on the transatlantic slave trade, the role of sailors aboard slave ships has remained unexplored. This book fills that gap by examining every aspect of their working lives, from their reasons for signing on a slaving vessel to their experiences in the Caribbean and the American South after their human cargoes had been sold. It explores how they interacted with men and women of African origin at their ports of call, from the Africans they traded with, to the slaves and ex-slaves they mingled within the port cities of the Americas. Most importantly, it questions their interactions with the captive Africans they were transporting during the dread middle passage, arguing that their work encompassed the commoditisation of these people ready for sale.
Despite the vast literature on the transatlantic slave trade, the role of sailors aboard slave ships has remained unexplored. This book fills that gap by examining every aspect of their working lives, from their reasons for signing on a slaving vessel, to their experiences in the Caribbean and the American South after their human cargoes had been sold. It explores how they interacted with men and women of African origin at their ports of call, from the Africans they traded with, to the free black seamen who were their crewmates, to the slaves and ex-slaves they mingled with in the…
I love the idea that much of folklore is based on universal human stories that are still true today. Selkies may be mystical creatures but they are also women treated badly by men, then judged for their response by wider society. Because of this universality, as well as the compelling magical element, there are many modern novels that make use of selkie folklore, which in several ways shares roots with the folklore of mermaids. I’ve picked out a few that spoke to me. I hope many more readers will discover these sea-faring, shape-shifting, magic-realist tales.
I love this book for many reasons. The Sealwoman is a passenger on the slave ship that takes our protagonist form her beloved homeland, and the ‘gift’ of the title is the story she tells of her shapeshifting roots. The voyage is hellish, and contains a terrifying birth scene among other unspeakable, unimaginable, only just survivable events. It’s based on a true story, which makes it all the more powerful, and it makes me wonder about the hidden truths in the folklore contained within it, especially the sealwoman’s story.
'A remarkable feat of imagination... I enjoyed and admired it in equal measure' Sarah Perry, author of The Essex Serpent 'An extraordinarily immersive read, that emphasises the power of stories, examining themes of motherhood, identity, exile and freedom ... a journey that not only crosses continents, but encompasses tragedy and rich sensuality' Guardian 'A powerful tale of Barbary pirates ... richly imagined.' Sunday Times 'Engrossing' Sunday Express 'Fascinating ... a really, really good read' BBC R2 Book Club 'The best sort of historical novel.' Scotsman 'A lyrical tale' Stylist 'A poetic retelling of Icelandic history.' Daily Mail 'Compelling stuff' Good…