100 books like The Slave Ship

This book really helped me to look beyond slave trading merchants’ papers to think about the lived realities of the slave trade for those merchants’ victims.

Smallwood follows enslaved people from their initial sale on the African coast, aboard the slave ships, and then through their sale and seasoning in the English Americas—a model that brilliantly exposes the multi-staged way that captive Africans were commodified within the slave trade.

Saltwater Slavery also details the experiences of enslaved people within the trade, especially the mental and physical trauma that they suffered aboard the slave ships. 

This book is a raw peek into America’s troubled past. It’s a series of interviews that Hurston conducts with a man who was on the last slave ship to make the transatlantic passage. It is a difficult read on two levels: subject matter and English. Hurston presents the words of a man named Cudjo Lewis as authentically as possible. What may seem to some today as parody, is translated to the page with accuracy. For me it communicated first-hand some of the past my main character has lived through. Books like this help to inform my protagonist’s current attitude toward the world (Alexander Smith in Blood For The Sun and All The Dead Men).

I really admire how this book traces two lines of a tumultuous family history through a series of short stories.

Opening in Ghana 250 years ago, the book follows two trajectories: one family branch that is kidnapped into slavery in America, and a second that remains in Africa while collaborating with slave traders.

This is a brave book that is not afraid to pose difficult questions, but in doing so, it opens a clear-eyed perspective on the way that history shapes us.

You do not have to be a lover of seafaring novels to enjoy Dana’s memoir and his vivid descriptions of people and places. Two Years Before the Mast is a masterpiece of writing. As an Englishman, I have always enjoyed reading American prose; Steinbeck, Hemingway, Melville, they seem to write clearly and to the point without the long-windedness of some authors. 

How times have changed since the days when Dana was a seaman, (even when I was at sea in the 1950s 60s, and 70s) to today’s conditions for seafarers. My nephew who is a chief engineer with BP has the same amount of leave as the time he spends at sea, (4 months max) with the internet, skyping, and Netflix. He is highly paid and flown home first class. My contract was for 12 months, no leisure facilities on the ship, a letter now and then, and a train… show more.

Because the nineteenth-century sailing ship was such a male-dominated space, women were largely invisible in traditional histories of life at sea. Although Edith Ziegler’s book does not simply focus on the voyage itself (it includes analysis of female convicts’ lives before and after the journey as well), it does show how women combatted the “sexual opportunism and exploitation” that was endemic on convict transports. What’s great about this book is that even though many of its subjects were illiterate (and thus left precious few letters and diaries behind), Ziegler manages to unearth the women’s voices in authentic and moving ways.

Washington Irving once famously described a long sea voyage as a “blank page in existence.” Stephen Berry’s analysis of James Oglethorpe’s Georgia Expedition, which sailed from England to colonial Georgia in 1735, shows that the opposite was true. Rather than merely serve as the stage on which the human drama of migration played out, the sea voyage was a dynamic actor in the experience itself. Far from land, migrants had time and space to reconsider their views on society, religion, and identity in ways that shaped their new lives in America.

I love this story because, for me, it’s a perfect example of why a ship is such a great platform for storytelling, a moving stage for a compelling cast of characters to act out the drama of their past and present lives while heading into an uncertain future.

The Star of the Sea is a "coffin ship," the name given to the leaking hulks that transported a million emigrants from Ireland to America during the Great Famine of the 1840s.

It’s a historical novel but for me, a timeless story about emigration and the human condition, of refugees fleeing the monsters of their past, war, famine, disease, whatever, into what they hope will be a brighter future, and of what happens to them on the way.

This book falls under the category “urban fiction” or “magical realism” or “western” or…something. At least, that’s what drew me to it in the first place. It takes place in America’s old west, features magic-using criminals leading a gang and draws on some Native American lore. The magic is terrifying, it’s a mix of environmental and mind-altering hoodoo. The most powerful antagonist is rugged, homosexual, unashamed, and a conflicted terror of a person. His partner in crime is simply terrifying. Together, they drive a trilogy that’s so well threaded through the old west you can taste the grit as you turn the page. Though the emphasis is on the pursuit of magic and the machinations it drives, the settings are a delight to experience. Files weaves a world in these novels that is equally fascinating and terrifying. Her prose and daring are an inspiration.

I don’t often read “steampunk” because it usually reflects the Victorian era of England or a ‘what if’ scenario involving the Confederacy and I’m just sick to death of the subjects. Along came “steamfunk,” an addition to the genre where the focus wouldn’t be on exclusively white characters, but Black sourced from the African continent. Then once upon a time, Broaddus cracked a joke on Twitter: “I’m going to write a steampunk story with an all-Black cast and call it ‘Pimp My Airship.’ To his chagrin (and eventual delight) several editors asked to see the story. The worldbuilding in this story is phenomenal. It take place in Indiana, part of an alternate history where England has established a “United States of Albion” and Native Americans have managed to retain a sizeable chunk of territory. There’s so much more to the book in relation to history and cultural norms. I thoroughly… show more.

Here is a book about history that is horrific, often referenced, and not as fully understood as it should be. It’s about entire towns erased from existence or whole segments of a population violently displaced in one night. Full of terrifying tales, the author began looking into the subject thinking there’d be several historical incidents and instead found too many to include in the book. It is a harrowing accounting of racial cleansing right here in the good ol’ U.S. of A. and a potent reminder of how this country operated well into the twentieth century. Again, this sort of thing is good background to inform my character’s current attitude and makes for ripe pickings in flashbacks or background stories.