Here are 100 books that A Crack in the Sea fans have personally recommended if you like
A Crack in the Sea.
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I’m an avid reader and writer of children’s literature, though I find it difficult to read anything that isn’t diverse these days. Being able to experience the world from the perspectives of other cultures is a true delight, and I learn something every time. After having read dozens of these diverse books, especially diverse fantasies, I find that nothing inspires my creative soul more. That’s why I’m able to speak on this topic for large conferences and schools, spreading this inspiration to others. And, as a published author of diverse children’s literature, I’ve done the same in my writing with praise from Kirkus, Booklist, Publisher’s Weekly, and many others.
Amari Peters is a Black girl from a low-income housing project with a lot of heart.
Yet when she’s sent to the Bureau of Supernatural Affairs and discovers the world of the supernatural, she must compete with other students who have enjoyed a lot of privilege. It isn’t just that the world around Amari is spectacular and well-built, but we’re getting a glimpse into her challenges both at home and at this new school.
I loved being in the perspective of someone who never thought they could be a hero before. Someone who looks at things from a different lens can help us build a whole lot of empathy.
An epic middle grade supernatural adventure series, soon to be a major movie starring Marsai Martin. Perfect for readers aged 8+ and fans of Percy Jackson, Skandar and the Unicorn Thief and Men in Black.
Amari Peters knows three things.
Her big brother Quinton has gone missing. No one will talk about it. His mysterious job holds the secret...
So when Amari gets an invitation to the Bureau of Supernatural Affairs, she's certain this is her chance to find Quinton. But first she has to get her head around the new world of the Bureau,…
I’m a children’s book writer from Frisco, Texas. I’ve published two middle grade chapter books, Pippa Park Raises Her Game and Pippa Park Crush at First Sight. I’ve always been captivated by novels that make me hungry; you can blame formative children’s books like If You Give a Mouse a Cookie or Stone Soup for that. That’s why today I’m sharing my top 5 favorite middle grade books that have a foodie twist. Some of them revolve entirely around food; others simply offer a notable scene. Either way, I hope you’ll find them as delectable as I do!
Eleven-year-old Mimi is the youngest child in a family full of high-achievers. Determined to prove herself, she enters a baking contest at a newly opened bakery in town, but when strange things begin happening to those around her (such as her food critic dad losing his sense of taste), Mimi must pair her culinary skills with her detective skills to get to the bottom of the magical mystery.
If I had to pick one word to describe this book, it’d be: sweet. Plus, this adorable book is also a retelling of Shakespeare’s A Midsummer Night’s Dream. And if you know me, you know I adore retellings!
A Kirkus Best Book of 2019! An Indies Introduce Selection for 2019! An Indie Next Pick for Summer 2019!
"A delectable treat for food and literary connoisseurs alike." Kirkus Reviews, STARRED REVIEW
"What a wonderful, intriguing, and magical book. And wow, did it ever get my tastebuds going! Each time I picked it up, I felt the urge to head to my kitchen. . . . What I loved most was the smartness of it. It never once doubted its young readers." Kathi Appelt, Newbery Honor- and National Book Award-Nominated author
"Midsummer's Mayhem is an enchantment of a novel, bursting…
I love books. All kinds of books. Growing up, I didn’t have many friends outside of books. It’s no wonder that as an adult reader/writer/editor/book coach, I still read widely and voraciously. I believe all stories are magical, but I’m especially drawn to books that contain emotionally engaging characters and fun magical elements. I’m also a huge fan of good KidLit and getting a chance to see and explore other cultures and worlds, both real and imagined. (I even co-host a podcast: Coaching KidLit.) So, I read a ton of magical stories and a lot of KidLit. That’s how I discovered the books on this recommended reading list.
This is such a fun book, filled with fascinating characters, unusual creatures, and a camera that can freeze time. I loved hanging out with the main characters, Otto and Sheed. They are smart, fun, and relatable. Their adventure is both exciting and humorous, and their relationship is realistic and heartwarming. I love a good adventure, especially one where the characters are forced to set aside their differences to work together toward a single goal.
The Hardy Boys meets The Phantom Tollbooth, in the new century! When two adventurous cousins accidentally extend the last day of summer by freezing time, they find the secrets hidden between the unmoving seconds, minutes, and hours are not the endless fun they expected. Otto and Sheed are the local sleuths in their zany Virginia town, masters of unravelling mischief using their unmatched powers of deduction. And as the summer winds down and the first day of school looms, the boys are craving just a little bit more time for fun, even as they bicker over what kind of fun…
I love books. All kinds of books. Growing up, I didn’t have many friends outside of books. It’s no wonder that as an adult reader/writer/editor/book coach, I still read widely and voraciously. I believe all stories are magical, but I’m especially drawn to books that contain emotionally engaging characters and fun magical elements. I’m also a huge fan of good KidLit and getting a chance to see and explore other cultures and worlds, both real and imagined. (I even co-host a podcast: Coaching KidLit.) So, I read a ton of magical stories and a lot of KidLit. That’s how I discovered the books on this recommended reading list.
Not only does this book have a strong female lead, a scary, spooky adventure, and an unusual friendship where cousins who start off not liking one another have to work together, or else, but the idea that a funeral home guards another realm. I love it. And Chuck Wendig really nailed the voice of this story! It’s totally Chuck-like, but not the creepy Chuck we get in his adult horror books. This is 100% snarky, goofy, yeehaw, let’s-have-a-rollicking-good-time kid-at-heart Chuck. Also, this one made me laugh out loud in places, and I can always use a good laugh.
?Thirteen-year-old Molly doesn't know how she got the short end of the stick-being raised by her neglectful father-while Dustin, the older brother she's never met, got their mother and the keys to the family estate. But now the siblings are both orphaned, she's come home for her inheritance, and if Dustin won't welcome her into the family business, then she'll happily take her half in cash.
There's just one problem: the family business is a mortuary for monsters, and Molly's not sure she's ready to deal with mysterious doors, talking wolves, a rogue devourer of magic, and a secret cemetery.…
My family could never afford vacations when I was growing up, so I had to travel in my imagination through what I read. But that allowed me even greater freedom—I could go back in time, forward into the future, and everything in between. This skill led me to research and write my books today and have a career as an award-winning author and editor. History, to me, is only one side of the story—what about all the people in the past who never had the chance to speak? Alternate history is a way to explore the voices we’ve never heard except through a writer’s imagination.
When I picked up this book a couple of decades ago, I was blown away when I started reading. I’d never seen a story that presupposed a completely different background to America’s colonization—many alternate history books take place after Europeans colonized the Americas, so this was a fresh take on the “what if” genre.
This helped me see how the boundaries of history could be changed and shaped to fit other timelines and scenarios, and I loved seeing how various non-European cultures could be central in a reimagining of the world’s history.
The year is 1279...or, to those who worship the son of Mary, 1863. Bordered by fierce Azteca to the south, the red men's nations of the far west, and the Viking empire in the north, Bilalistan is a vast, rich land adorned with inspiring mosques, Zulu kraals, and glorious Moorish castles. Its grand estates are worked by savage Franks and Gauls captured from darkest Europe. A primitive child from Eire, little Aidan O'Dere knows nothing of the world on the day his village is raided. His father is murdered while Aidan, his mother, and his sister are chained in the…
I’ve always been interested in history. I grew up in London, where there's a lot of it. But what made me want to write fiction about the past was experiences of imaginative affinity for certain other times and places. My first book is set during World War One. I've always felt connected to the change in sensibility that many people went through then, from an optimistic, moralistic, Victorian outlook, in which, to quote Paul Fussell from The Great War and Modern Memory, people “believed in Progress and Art and in no way doubted the benignity even of technology” to an understanding that human beings and our societies contained deeper, more persistent shadows.
The question of how to portray a historical atrocity like slavery in a work of fiction is obviously monumental. Toni Morrison, Gayl Jones, Colson Whitehead, and John Keene have approached this with consummate brilliance by writing the experience and subjectivity of enslaved and formerly-enslaved people. Johnson, however, focuses on the perpetrators: the men who engage in and profit from the capture and trafficking of other human beings. As in Mantel’s novel, the choice of the protagonist is key. Rutherford Calhoun is a ne’er-do-well free Black man from New Orleans who runs away on a ship to escape debts and engagement to a woman whose love he hasn’t done much to deserve. It turns out this ship is bound for Africa to collect a cargo of people, members of the Allmuseri tribe, an ethnicity Johnson invented for his fiction. But along with the people, they are also collecting something much more…
The Apocalypse would definitely put a crimp in my career plans.
Rutherford Calhoun, a puckish rogue and newly freed slave, spends his days loitering around the docks of New Orleans, dodging debt collectors, gangsters, and Isadora Bailey, a prim and frugal woman who seeks to marry him and curb his mischievous instincts. When the heat from these respective pursuers becomes too much to bear, he cons his way on to the next ship leaving the dock: the Republic. Upon boarding, to his horror he discovers that he…
I’ve been fascinated by the Atlantic slave trade since 2007, when I first studied the business papers of a Liverpool merchant who had enslaved over a hundred thousand people. I was immediately struck by the coldness of the merchant’s accounts. I was also drawn to the ways in which the merchant’s profit-motivated decisions shaped the forced migrations and experiences of their victims. I have subsequently extended my research to examine slave traders across the vastness of the Atlantic World. I'm also interested in the ways that the slave trade’s history continues to shape the modern world, from the making of uneven patterns of global economic development to such diverse areas as the financing of popular music.
In 2007, I was writing a biography of Liverpool merchant William Davenport, who had made his fortune via the slave trade.
As I researched Davenport’s dry ledgers and letterbooks, I was fortunate to have Marcus Rediker’s exceptional The Slave Ship to hand. Pushing back against the “violence of abstraction” inherent to the accounts of slavers like Davenport, Rediker’s book exposed the horrors of the Middle Passage in unflinching detail.
His book is also filled with powerful individual stories of captives, captains, and crewmen that demonstrated to me the importance of writing “human histories” of the slave trade.
The slave ship was the instrument of history's greatest forced migration and a key to the origins and growth of global capitalism, yet much of its history remains unknown. Marcus Rediker uncovers the extraordinary human drama that played out on this world-changing vessel. Drawing on thirty years of maritime research, he demonstrates the truth of W.E.B DuBois's observation: the slave trade was 'the most magnificent drama in the last thousand years of human history'. The Slave Ship" focuses on the so-called 'golden age' of the slave trade, the period of 1700-1808, when more than six million people were transported out…
As an engineer, I have constructed bridges, highways, and power plants throughout Africa, and on journeys learned and explored the continent's history. My novel, Ama, a Story of the Atlantic Slave Trade, won the 2002 Commonwealth Writers Prize for the Best First Book. My 200 plus sources, and excerpts from many of them, are listed on the companion website.
Despite the vast literature on the transatlantic slave trade, the role of sailors aboard slave ships has remained unexplored. This book fills that gap by examining every aspect of their working lives, from their reasons for signing on a slaving vessel to their experiences in the Caribbean and the American South after their human cargoes had been sold. It explores how they interacted with men and women of African origin at their ports of call, from the Africans they traded with, to the slaves and ex-slaves they mingled within the port cities of the Americas. Most importantly, it questions their interactions with the captive Africans they were transporting during the dread middle passage, arguing that their work encompassed the commoditisation of these people ready for sale.
Despite the vast literature on the transatlantic slave trade, the role of sailors aboard slave ships has remained unexplored. This book fills that gap by examining every aspect of their working lives, from their reasons for signing on a slaving vessel, to their experiences in the Caribbean and the American South after their human cargoes had been sold. It explores how they interacted with men and women of African origin at their ports of call, from the Africans they traded with, to the free black seamen who were their crewmates, to the slaves and ex-slaves they mingled with in the…
Errick Nunnally was born and raised in Boston, Massachusetts, and served one tour in the Marine Corps before deciding art school was a safer pursuit. He enjoys art, comics, and genre novels. A graphic designer, he has trained in Krav Maga and Muay Thai kickboxing. His work has appeared in several anthologies of speculative fiction. His work can be found in Apex Magazine, Fiyah Magazine, Galaxy’s Edge, Lamplight, Nightlight Podcast, and the novels, Lightning Wears a Red Cape, Blood for the Sun, and All the Dead Men.
This book is a raw peek into America’s troubled past. It’s a series of interviews that Hurston conducts with a man who was on the last slave ship to make the transatlantic passage. It is a difficult read on two levels: subject matter and English. Hurston presents the words of a man named Cudjo Lewis as authentically as possible. What may seem to some today as parody, is translated to the page with accuracy. For me it communicated first-hand some of the past my main character has lived through. Books like this help to inform my protagonist’s current attitude toward the world (Alexander Smith in Blood For The Sun and All The Dead Men).
A major literary event: a never-before-published work from the author of the American classic, Their Eyes Were Watching God which brilliantly illuminates the horror and injustices of slavery as it tells the true story of the last known survivor of the Atlantic slave trade-illegally smuggled from Africa on the last "Black Cargo" ship to arrive in the United States.
In 1927, Zora Neale Hurston went to Plateau, Alabama, to interview ninety-five-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of…
I am passionate about Juneteenth as a way to celebrate black and African voices, but without it always having to do with the Civil Rights movement or with slavery. Black and African voices deserve to be heard, but they also deserve to write about what they’re passionate about and what they love rather than being constantly pigeonholed into writing about the Civil Rights movement or slavery. I decided to pick books that celebrate black and African voices that still have conflict and an impact on the reader but don’t veer into the often overused black pain trope.
Blackened Roots is an excellent collection of bloody, messy, intrigue. Often, we don’t get to see zombies from the lens of people of color (ex. Michonne from The Walking Dead) so this collection is worth its weight in gold. It has so many different perspectives on the classic horror monster that I certainly think should be read as a thriller on Juneteenth.
The stories are all very well-written by indie and traditionally published authors alike, so it’s very diverse and I really enjoyed the voices of each author. One doesn’t have to be a horror fan to enjoy it (though I’m certain it helps!) as there is also plenty of humor, dark and otherwise, to have fun with too.
Mocha Memoirs Press and Nightlight Podcast are proud to present Blackened Roots: An Anthology of the Undead - a groundbreaking anthology celebrating nontraditional zombie stories from the African diaspora. The anthology is co-edited by Stoker-nominated and award-winning editor and writer Nicole Givens Kurtz and 2022 World Fantasy Award(R) Winner and 2022 Ignyte(R) Winner, producer, and editor Tonia Ransom at NIGHTLIGHT.
Blackened Roots is a unique collection and will be a must-have for zombie lovers. Blackened Roots takes the zombie mythos back to its roots. Drawing from a variety of cultural backgrounds, Blackened Roots imagines a world of horror and wonder…
