Fans pick 97 books like Diamond Doris

This is the book that started me off on Queens of the Underworld. It’s a thrilling, and sometimes disturbing, tale of Zoe Progl’s life of crime and her escape from Holloway Prison in 1960. When I learned that a tabloid journalist had ghostwritten the book, it made me want to find out the truth – and to see if I could discover other women who were happy to call themselves a queen of the underworld.

The recent rediscovery of the Forty Elephants, a British all-female crime syndicate, is mainly due to Brian McDonald’s book. Brian has direct family links to the gang, and the book is packed full of criminal characters and incidents. It also traces the roots of the Forty Elephants all the way back to Victorian times. 

Stories of professional thieving by women are very rare, especially first-hand accounts, and so Gone Shopping is an unusual book. It tells the tale of Shirley Pitts, Queen of the Shoplifters, who was a career criminal for 50 years. Professor Lorraine Gamman based the book on years of oral recordings and her description of Shirley Pitts could apply to many other female crooks. She was "a woman in a man’s world who succeeded. She was not a victim, she had agency, she wanted more."

There aren’t many novels featuring professional female crooks, and Anna Freeman’s gripping story, set in London during the Great Smog of 1952, portrays a really believable all-female gang. Florrie Palmer is torn between her allegiance to the Cutters, led by her mother, and a desire to go straight. It’s a suspenseful, atmospheric read, and partly inspired by the real Forty Elephants.

Ok, it’s an old thriller set in the pre-Internet, pre-mobile phone, pre-EU world of the 1960s. It’s a piece of twentieth-century clockwork, but it delivers suspense! The amoral protagonist can’t summon help by phone or Google his adversaries to gain an advantage. He must work to gain leniency from the Turkish authorities by acting as a double agent, delivering weapons to a gang of potential terrorists so that he might spy on them. The writing has a sharp precision and crisp wit.

In adapting Nicholas Pileggi’s 1985 non-fiction Wiseguy for film, Martin Scorsese delivered a “staged documentary,” depicting a far more gritty and authentic account of organized crime than Mario Puzo’s Godfather trilogy.

Much of what makes Pileggi’s masterpiece work is how he captures South Brooklyn culture as it morphs from the 1950s through the 1980s. Pileggi’s tale of the tarnishing of the Golden Era of Italian American organized crime is recounted from the pedestrian perspective of un-makeable underling and ultimate-turncoat Henry Hill.

That bygone Brooklyn landscape leaps off the pages, from its gambling dens and gangster bars, to its corner cafes, criminal courts, and cab stands. BONUS: Pileggi’s no-nonsense non-fiction prose, peppered with Hill’s verbatim account, delivers even more days-in-the-lives of lowlifes than Scorsese could ever have packed into his classic film. 

Locations of interest: The Prospect Park Zoo (stand-in for The Tampa Zoo); Smith Street in Red Hook (Jimmy Conway’s… show more.

A brilliant hypnotic novel that almost no one read. Albert French was the victim of a publishing nightmare—his editor and his publisher, both of whom had primed his novel for a major publicity push, left for new jobs before the pub date, after which his book was orphaned and abandoned. For anyone not in the book business, it might seem hard to believe that a terrific novel would be left to languish, but, sadly, such an event is not uncommon in American publishing.

Set in an African American section of Pittsburgh in 1950, I Can’t Wait on God evokes both the day-to-day lives of ordinary people and the striving and hopelessness of African Americans trying to escape the doomed existence to which so many are condemned.  French weaves a tale that is starkly realistic, yet with a mystical overtone that creates a sort of intoxicating haze. The narrative seems straightforward,… show more.

This book starts in the same moment as Slayground, but follows Alan Grofield as he flees the scene, instead of Parker.

Grofield is more of a grifter than a straight-out thief, and his roles in the thieving scams tend to reflect that. I love that his true love is acting and him taking scores is simply a means to allow him to pursue that passion.

I enjoy the slightly lighter tone of the Grofield novels, though they are still what I’d call gritty. And I love how Stark created a “Parker-verse” long before the idea of an IP universe was commonplace.

Best known for Helter Skelter--his classic 1975 true crime memoir on prosecuting the Manson family, former Los Angeles deputy DA Vincent Bugliosi wrote this book later about a complicated but lesser-known double-homicide case he tried in 1966, three years before the Manson murders occurred. As the prosecutor on these cases, Bugliosi boasted access to background details that only an insider can share, merging psychological analysis with trial strategy concerns. Echoing themes of the noir thriller Double Indemnity, this true account unveils the plot of two lovers to murder their respective spouses and explains the complex police work required to catch them.

Traumatized at the age of eight, causing him to be mute for ten years, Michael has a talent. He can pick any lock, no matter how complicated, and that includes safes. You can see where I’m going with this, right? It doesn’t take long to find out where that questionable talent leads him, because he’s just been released from a ten-year stint in prison. Michael is a heartbreaking character who is unwittingly led down the wrong path. The author unfolds the story through Michael’s narrative, slipping back and forth in time to explain how he got where he is, culminating in the tragic moment that sent Michael into his world of silence. The story is original and creative in character delineation and suspense.