Here are 92 books that Five Days of Fog fans have personally recommended if you like
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I first became fascinated by the portrayal of female criminals when I wrote a novel, The Ghost of Lily Painter, based on the first women to be executed at Holloway Prison in London in 1903. Holloway was the most infamous female jail in Europe and shortly before it closed down in 2016, I was given access to the prison archives. That led to Bad Girls, nominated for the Orwell Prize, and it also led to the discovery of a forgotten criminal aristocracy - the women who were once so notorious they were Public Enemy No.1.
This is the book that started me off on Queens of the Underworld. It’s a thrilling, and sometimes disturbing, tale of Zoe Progl’s life of crime and her escape from Holloway Prison in 1960. When I learned that a tabloid journalist had ghostwritten the book, it made me want to find out the truth – and to see if I could discover other women who were happy to call themselves a queen of the underworld.
I first became fascinated by the portrayal of female criminals when I wrote a novel, The Ghost of Lily Painter, based on the first women to be executed at Holloway Prison in London in 1903. Holloway was the most infamous female jail in Europe and shortly before it closed down in 2016, I was given access to the prison archives. That led to Bad Girls, nominated for the Orwell Prize, and it also led to the discovery of a forgotten criminal aristocracy - the women who were once so notorious they were Public Enemy No.1.
The recent rediscovery of the Forty Elephants, a British all-female crime syndicate, is mainly due to Brian McDonald’s book. Brian has direct family links to the gang, and the book is packed full of criminal characters and incidents. It also traces the roots of the Forty Elephants all the way back to Victorian times.
The Forty Elephants were unique in the annals of British crime. Emerging from the slums like fallen angels, these glamorous, lawless young women plundered fashion stores and jewel shops, picked their lovers from among London’s toughest gangsters and terrorised their rivals. Soon they were renowned, and feared, as the country’s first all-female crime syndicate.
They first rose to notoriety under Mary Carr, a beautiful artists’ model known as ‘Queen Thief’. But it was her successor, Alice Diamond, who led the Forties to their greatest infamy. Born the oldest of eight children in a workhouse hospital, she became the cleverest shoplifter…
I first became fascinated by the portrayal of female criminals when I wrote a novel, The Ghost of Lily Painter, based on the first women to be executed at Holloway Prison in London in 1903. Holloway was the most infamous female jail in Europe and shortly before it closed down in 2016, I was given access to the prison archives. That led to Bad Girls, nominated for the Orwell Prize, and it also led to the discovery of a forgotten criminal aristocracy - the women who were once so notorious they were Public Enemy No.1.
Stories of professional thieving by women are very rare, especially first-hand accounts, and so Gone Shopping is an unusual book. Ittells the tale of Shirley Pitts, Queen of the Shoplifters, who was a career criminal for 50 years. Professor Lorraine Gamman based the book on years of oral recordings and her description of Shirley Pitts could apply to many other female crooks. She was "a woman in a man’s world who succeeded. She was not a victim, she had agency, she wanted more."
Voted one of The Guardian's top 10 best crime books of all time and one of the best true crime books ever written according to Stylist
Shirley Pitts, the eldest of six children was born upside down on 24 November 1934. Her 'career' began by thieving bread off doorsteps and coal from coal carts. Her father's bungled attempts at black marketeering and her dipsomaniac mother's inadequacies made Shirley resolve not only to be a first-class thief but also the best mother her six children could wish for.
Before she died Shirley told her story to Lorraine - the story of…
I first became fascinated by the portrayal of female criminals when I wrote a novel, The Ghost of Lily Painter, based on the first women to be executed at Holloway Prison in London in 1903. Holloway was the most infamous female jail in Europe and shortly before it closed down in 2016, I was given access to the prison archives. That led to Bad Girls, nominated for the Orwell Prize, and it also led to the discovery of a forgotten criminal aristocracy - the women who were once so notorious they were Public Enemy No.1.
This is a rollicking read about the criminal adventures of Doris Payne, jewel thief extraordinaire who started her career in the United States in the 1950s. She saw herself as a crusader, and stealing diamonds as an act of retribution against a racist world. Doris continued her career until 2017, often updating and refining the methods once used by her Victorian forebears.
"Doris Payne is an unapologetic badass." - Tessa Thompson, Actress
This is the sensational and compelling memoir of the world's most notorious jewel thief - a woman who defied society's prejudices and norms to carve her own path, and live out her dreams.
She stole diamonds from the people who underestimated her, she exploited the men who tried to domesticate her, and she consistently defied society's assumptions and prejudices to create a new life for herself. For fans of Catch Me If You Can, The Wolf of Wall Street and Molly's Game, this is the newest must-read crime autobiography.
I left my hometown of Wauwatosa, Wisconsin, at age 18 to attend university in Manhattan, where I started my career in journalism and the media. Since then, I’ve lived in Berlin, Germany; Hong Kong; and now Copenhagen, Denmark, generally moving to advance my career and explore new worlds. Whenever you move to a new place and establish yourself in a new culture, there’s always a learning curve. Helping other women (and men!) adapt to their new environment is why I started the “How to Live in Denmark” podcast, which has now been running for more than 10 years.
One of the reasons I like this book is because the author is a man writing about a woman’s inner thoughts and, unusually, doing a very good job.
The time and place: London, the 1890s. Single women are known as “the odd women,” the leftovers. Dr. Rhoda Nunn starts a school to train these women in secretarial skills (back then, most secretaries were men) so that they won’t be dependent on relatives or forced into unhappy marriages. Rhoda herself is proudly unmarried and independent – until she meets an absolutely wonderful man. Will she give up her advocacy for “odd women” and marry the man she loves?
(Warning: this book is out of copyright, so shoddy rip-offs are being sold on Amazon. Make sure you get a legit copy.)
`there are half a million more women than men in this unhappy country of ours . . . So many odd women - no making a pair with them.'
The idea of the superfluity of unmarried women was one the `New Woman' novels of the 1890s sought to challenge. But in The Odd Women (1893) Gissing satirizes the prevailing literary image of the `New Woman' and makes the point that unmarried women were generally viewed less as noble and romantic figures than as `odd' and marginal in relation to the ideal of womanhood itself. Set in grimy, fog-ridden London, these…
I fell in love with Victorian literature after reading Jane Eyre when I was thirteen years old. Since then, I’ve worked my way through Victorian book after Victorian book, and my own novel, The Secrets of Hartwood Hall, is a love letter to Victorian fiction.One of my key interests within Victorian literature has always been its exploration of gender and gender roles. There are so many fantastic Victorian proto-feminist novels, and while some are still remembered and read, many more have been largely forgotten. These are just a few of my favourite proto-feminist Victorian novels, all of which are very underrated and very much worth a read!
Jillis a little-known but fascinating novel from 1884 about a young woman who, bored of her upper-class life, runs away from home to become a maid.
Jill is everything Victorian women weren’t meant to be: ambitious, scheming, brave, happy to lie, and much more interested in money than marriage. She’s also a bit in love with the woman she works for, which Victorian women certainly weren’t meant to be either.
There is so much I love about Jill, but one of my favourite things about it is how it turns Victorian tropes and expectations on their head, taking the set-up of a typically male adventure narrative and giving it to the character of Jill. It’s a wonderfully proto-feminist Victorian classic and well worth a read.
Jill is an unconventional heroine - a lady who disguises herself as a maid and runs away to London. Life above and below stairs is portrayed with irreverent wit in this fast-paced story. But at the centre of the novel is Jill's unfolding love for her mistress. On the surface a feminist manifesto, Jill is a poignant story of same-sex desire and unrequited love. An accessible new introduction tells the autobiographical story on which the novel is based - the author's own passionate attachment to a woman she called her wife, but who she couldn't have.
I am a French novelist, the author of fifteen novels, many of which are memoirs, so I am considered a specialist of "autofiction" in France, of fiction written about oneself. But I also love writing about others, as you can see in my novel on David Hockney. Beauvoir, Sarraute and Ernaux were my models, Laurens and Appanah are my colleagues. Three of the books I picked would be called memoirs in the States, and the other two novels. In France, they are in the same category. All these women write beautifully about childhood and womanhood. I love their writing because it is both intimate and universal, full of emotion, but in a very sober and precise style.
Abandonment and the end of love terrify me. In The Woman Destroyed, the happy diary of a fifty-year-old woman turns into a descent into hell when Beauvoir's narrator finds out that her husband is having an affair and is actually leaving her. Beauvoir wrote it in order to send a feminist message to women in the fifties, to convince them to get a job and define their identity outside their family life. I wonder, however, whether the intensity of the grief we feel in that novella wasn't experienced by Beauvoir herself the summer when her American lover, the novelist Nelson Algren, broke up their transcontinental passion of four years.
First published in 1967, this book consists of three short novellas on the theme of women's vulnerability - in the first, to the process of ageing, in the second to loneliness, and, in the third, to the growing indifference of a loved one.
THE WOMAN DESTROYED is a collection of three stories, each an exquisite and passionate study of a woman trapped by circumstances, trying to rebuild her life.
In the first story, 'The Age of Discretion', a successful scholar fast approaching middle age faces a double shock - her son's abandonment of the career she has chosen for him…
As a reader and an author, I prefer young adult novels because they tend to focus more on character growth and development than other genres, but I’m particularly drawn to both historical and fantasy period pieces in books and film. The medieval ages especially, with their castles and feudalistic way of life, have always fascinated me. This fascination was largely filled by reading and watching fairy tales and novel adaptations while growing up. Nowadays, I gravitate toward retellings like a moth to the flame, as I get to relive stories that have a special place in my heart in a fresh new way.
This atmospheric novel, a retelling of The Island of Doctor Moreau, is a perfect blend of gothic romance and haunting mystery. It’s beautifully written, well-paced, and filled with unexpected twists. I love the feminist theme presented through the main character, Juliet, who is independent despite the hardships she endures, is not dissuaded from pursuing her passion for science even though it wasn’t proper for a woman to do so at the time. There is also an underlying theme throughout the book that expertly juxtaposes sanity and madness, eliciting the question of where the line should be drawn.
For fans of Libba Bray, this first book in a gothic suspense trilogy is inspired by H. G. Wells's The Island of Dr. Moreau and has been hailed by New York Times bestseller Carrie Ryan as having "beautiful writing, breakneck pacing, a pulse-pounding mystery, and an irresistible romance."
Following accusations that her scientist father gruesomely experimented on animals, sixteen-year-old Juliet watched as her family and her genteel life in London crumbled around her—and only recently has she managed to piece her world back together. But when Juliet learns her father is still alive and working on a remote tropical island,…
I was raised to believe that I could do everything a man could do, just as Ginger Rodgers did, “backwards and in high heels.” My discovery that social expectations and boundaries for women were vastly different than those for men came as an enormous shock, and struck me as deeply, tragically unfair. I take strength from women in history, as well as from fictional female characters, who passionately pursue roles in a man’s world that are considered transgressive or forbidden. As a glass-ceiling-shattering female film and television director I take inspiration from women who have the gritty determination to live on their own terms. And then tell it as they lived it.
I read The Golden Notebook when I was in my early twenties, facing the elation and terror of life as an adult. I remember vividly the state of excitement and awe in which I read it. Here was a writer who thought the unthinkable about the experience of being a woman in a man’s world, and fearlessly wrote it down in all its raw beauty.
To this day, if a friend of mine is in trouble, The Golden Notebook is the gift I give them, saying, “This book changed my life. “
One of the most important books of the growing feminist movement of the 1950s, The Golden Notebook was brought to the attention of a wider public by the Nobel Prize award to Doris Lessing in 2007.
Author Anna Wulf attempts to overcome writer’s block by writing a comprehensive "golden notebook" that draws together the preoccupations of her life, each of which is examined in a different notebook: sources of her creative inspiration in a black book, communism in a red book, the breakdown of her marriage in a yellow book, and day-to-day emotions and dreams in a blue book. Anna’s…
I’m from North East England, an area of the UK under-represented in contemporary fiction. I love reading books from authors who grew up in the same area as me, and I enjoy stories that deal with issues relevant to our communities and capture the unique spirit of the people here. My writing is infused with social and political issues. I’m passionate about stories that explore the world around us and how it impacts people, and all these books do that in very different ways.
I love literary fiction and stunning prose, and this book is full of gorgeous sentences that shine off the page. It deals with class issues and finding your own place in the world.
I’m from a working-class, deprived town close to the one featured in this novel. I related to some of the character’s concerns and struggles, particularly regarding the lack of opportunity in North East England.
"Andrews’s writing is transportingly voluptuous, conjuring tastes and smells and sounds like her literary godmother, Edna O’Brien . . . What makes her novel sing is its universal themes: how a young woman tries to make sense of her world, and how she grows up." –Penelope Green, The New York Times Book Review
This “luminous” (The Observer) feminist coming-of-age novel captures in sensuous, blistering prose the richness and imperfection of the bond between a daughter and her mother
It begins with our bodies . . . Safe together in the violet dark…
