Here are 64 books that Alice Diamond and the Forty Elephants fans have personally recommended if you like
Alice Diamond and the Forty Elephants.
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I first became fascinated by the portrayal of female criminals when I wrote a novel, The Ghost of Lily Painter, based on the first women to be executed at Holloway Prison in London in 1903. Holloway was the most infamous female jail in Europe and shortly before it closed down in 2016, I was given access to the prison archives. That led to Bad Girls, nominated for the Orwell Prize, and it also led to the discovery of a forgotten criminal aristocracy - the women who were once so notorious they were Public Enemy No.1.
This is the book that started me off on Queens of the Underworld. It’s a thrilling, and sometimes disturbing, tale of Zoe Progl’s life of crime and her escape from Holloway Prison in 1960. When I learned that a tabloid journalist had ghostwritten the book, it made me want to find out the truth – and to see if I could discover other women who were happy to call themselves a queen of the underworld.
I first became fascinated by the portrayal of female criminals when I wrote a novel, The Ghost of Lily Painter, based on the first women to be executed at Holloway Prison in London in 1903. Holloway was the most infamous female jail in Europe and shortly before it closed down in 2016, I was given access to the prison archives. That led to Bad Girls, nominated for the Orwell Prize, and it also led to the discovery of a forgotten criminal aristocracy - the women who were once so notorious they were Public Enemy No.1.
Stories of professional thieving by women are very rare, especially first-hand accounts, and so Gone Shopping is an unusual book. Ittells the tale of Shirley Pitts, Queen of the Shoplifters, who was a career criminal for 50 years. Professor Lorraine Gamman based the book on years of oral recordings and her description of Shirley Pitts could apply to many other female crooks. She was "a woman in a man’s world who succeeded. She was not a victim, she had agency, she wanted more."
Voted one of The Guardian's top 10 best crime books of all time and one of the best true crime books ever written according to Stylist
Shirley Pitts, the eldest of six children was born upside down on 24 November 1934. Her 'career' began by thieving bread off doorsteps and coal from coal carts. Her father's bungled attempts at black marketeering and her dipsomaniac mother's inadequacies made Shirley resolve not only to be a first-class thief but also the best mother her six children could wish for.
Before she died Shirley told her story to Lorraine - the story of…
I first became fascinated by the portrayal of female criminals when I wrote a novel, The Ghost of Lily Painter, based on the first women to be executed at Holloway Prison in London in 1903. Holloway was the most infamous female jail in Europe and shortly before it closed down in 2016, I was given access to the prison archives. That led to Bad Girls, nominated for the Orwell Prize, and it also led to the discovery of a forgotten criminal aristocracy - the women who were once so notorious they were Public Enemy No.1.
There aren’t many novels featuring professional female crooks, and Anna Freeman’s gripping story, set in London during the Great Smog of 1952, portrays a really believable all-female gang. Florrie Palmer is torn between her allegiance to the Cutters, led by her mother, and a desire to go straight. It’s a suspenseful, atmospheric read, and partly inspired by the real Forty Elephants.
'Think Patrick Hamilton meets Peaky Blinders with a feminist twist' Metro
'Utterly transporting, read and lose yourself completely' Stylist
'A cinematic, rogueish, and utterly entertaining page-turner by the queen of feisty historical women. Goes down in one jewel-fisted slug' Abigail Tarttelin, author of DEAD GIRLS
'My mum always said, a fistful of rings is as good as a knuckleduster'
The Great Smog descends on London overnight; a leadership feud breaks out amongst a gang of female thieves who have terrorized the city for years; and Florrie, the girl who is set to inherit the bloody crown, falls in love with…
I first became fascinated by the portrayal of female criminals when I wrote a novel, The Ghost of Lily Painter, based on the first women to be executed at Holloway Prison in London in 1903. Holloway was the most infamous female jail in Europe and shortly before it closed down in 2016, I was given access to the prison archives. That led to Bad Girls, nominated for the Orwell Prize, and it also led to the discovery of a forgotten criminal aristocracy - the women who were once so notorious they were Public Enemy No.1.
This is a rollicking read about the criminal adventures of Doris Payne, jewel thief extraordinaire who started her career in the United States in the 1950s. She saw herself as a crusader, and stealing diamonds as an act of retribution against a racist world. Doris continued her career until 2017, often updating and refining the methods once used by her Victorian forebears.
"Doris Payne is an unapologetic badass." - Tessa Thompson, Actress
This is the sensational and compelling memoir of the world's most notorious jewel thief - a woman who defied society's prejudices and norms to carve her own path, and live out her dreams.
She stole diamonds from the people who underestimated her, she exploited the men who tried to domesticate her, and she consistently defied society's assumptions and prejudices to create a new life for herself. For fans of Catch Me If You Can, The Wolf of Wall Street and Molly's Game, this is the newest must-read crime autobiography.
As a former journalist, I was trained to look at all sides of a story. When I read, I am drawn to books that have multiple characters with their own narratives. Sometimes the stories intersect with an “aha!” moment, and sometimes they’re told side-by-side inside each character’s head. Either way, it’s intriguing to have different perspectives—especially in a mystery or thriller. That’s why I use the points of view of three wives in An Inconvenient Wife to give my readers insight into each of these fascinating women.
This book isn’t a traditional mystery or thriller, but crime is its central theme, which is why I’m including it.
Alice Diamond is the Queen of London’s most notorious women’s gang in the 1920s. She’s trying to stay one step ahead of police Inspector Lilian Wyles, as is 10-year-old Hira, a runaway with a delightful little dog named Biscuit. Each of them brings the mean streets of London to life, and I found myself rooting for all three.
"A rollicking ride through the criminal underbelly of post-WWI London. Gritty at times and tender at others, Queens of London unmasks the most lawless—and likeable—gang of women you've never heard of." —Sarah Penner, New York Times bestselling author of The Lost Apothecary
Maybe women can have it all, as long as they're willing to steal it.
1925. London. When Alice Diamond, AKA "Diamond Annie," is elected the Queen of the Forty Elephants, she's determined to take the all-girl gang to new heights. She's ambitious, tough as nails, and a brilliant mastermind, with a plan to create a dynasty the likes…
My first clue that I was a crime writer in the making was that on nights I couldn’t sleep growing up, I would Wikipedia serial killers. (I promise I’m nice and normal!) When I discovered crime novels—specifically, those with a strong noir influence—I was hooked. My favorite definition of noir, which comes from the author Laura Lippman, is “Dreamers become schemers,” and to me, that’s the story of America. It’s what I’ve been interested in exploring in my own books, The Lady Upstairs and The Hurricane Blonde. I hope you enjoy the women who are dreamer-schemers in these books as much as I do!
One of Megan Abbott’s early gems, this book dragged me down into the muck of midcentury noir, and I LOVED IT. When I was first diving into the genre of noir, I was aching for more female representation (besides the evil femme fatale or the Girl Friday you see pop up in so much of the classic noir literature).
This book feels both modern and like a throwback, with women in the driver’s seat for once. This is a book I reread when I need a boost as a writer to remember why I love writing and why I love noir specifically—it’s short, but it packs a mighty punch.
By the author of Dare Me and The End of Everything
A young woman hired to keep the books at a down-at-the-heels nightclub is taken under the wing of the infamous Gloria Denton, a mob luminary who reigned during the Golden Era of Bugsy Siegel and Lucky Luciano. Notoriously cunning and ruthless, Gloria shows her eager young protégée the ropes, ushering her into a glittering demimonde of late-night casinos, racetracks, betting parlors, inside heists, and big, big money. Suddenly, the world is at her feet—as long as she doesn't take any chances, like falling for the wrong guy. As the…
Growing up in Brooklyn I heard stories about local mafia figures. Now, as the author of several books that deal with crime, I am passionate about good storytelling. I believe that a novel delving into the world of crime and criminals should be fast-paced and believable. Readers have told me that they give up on a book because, in their words: 1. “It isn’t believable” and 2. “It didn’t draw me in.” God forbid that any of the books I’ve written should fall into either of those categories! The books that I recommend are tops in the genre of The Best Mob Books That Tell It Like It Is.
The Valachi Papers, a 1968 book written by Peter Maas, is the life story of Joe Valachi, a former member of the Genovese crime family, who testified in 1963 before a Senate committee, revealing until-then confidential information about the American mafia. The book was made into a film in 1972, starring Charles Bronson as Valachi.
Maas describes in vivid detail Joe Valachi’s initiation into and rise within a mafia family, frequently relying on Valachi’s own gutsy descriptions. Although it is a biography the book has the verve and pace of a thrilling work of fiction. In many ways better than even a well-written novel, The Valachi Papersis an edge-of-your-seat reading experience.
In the 1960s a disgruntled soldier in New York's Genovese Crime Family decided to spill his guts. His name was Joseph Valachi. Daring to break the Mob's code of silence for the first time, Valachi detailed the organization of organized crime from the capos, or bosses, of every Family, to the hit men who "clipped" rivals and turncoats. With a phenomenal memory for names, dates, addresses, phone numbers—and where the bodies were buried—Joe Valachi provided the chilling facts that led to the arrest and conviction of America's major crime figures.
Having grown up in Minnesota, I didn’t even know about the existence of the Mafia until I saw The Godfather! After I moved to New York to work in journalism, I was stunned to see how intertwined mob guys were with every facet of life, from government to entertainment to grocery stores. I became a passionate reader (and now writer) of Mafia history so that I could understand it. I find mob stories endlessly fascinating because of what they reveal about human nature. Organized crime hasn’t gone away, and we ignore it at our peril. I think you'll enjoy these recommendations.
I read this book about the wily and ruthless Genovese mob boss Chin Gigante in one sitting. Veteran New York reporter Larry McShane’s writing is so fluid that he just carries you through the story. He wisely goes well beyond Chin’s well-known ruse of acting crazy by walking the streets in his bathrobe to fool the cops and explains the life that led up to the crazy act—a satisfying read.
He started out as a professional boxer—until he found his true calling as a ruthless contract killer. Hand-picked by Vito Genovese to run the Genovese Family when Vito was sent to prison, Chin raked in more than $100 million for the Genovese family and routinely ordered the murders of mobsters who violated the Mafia code—including John Gotti. At the height of his power, he controlled an underworld empire of close to three hundred made men, making the Genovese Family the most powerful in the U.S.
And yet Vincent “Chin” Gigante was, to all outside appearances, certifiably crazy.…
I’m a window-seat person. If I’m on a trip, I want to see much
more than the device propelling me forward. In crime books, the vehicle is
always the crime, but I want that felonious little engine to also propel me
through realms where I become more explorer than passenger, where I’ve entered marvelous
and unexpected worlds that become characters in themselves. It almost doesn’t
matter what that world is, whether it’s 19th-century Chicago
architecture, bitcoin cartels or octopus linguistics. As long as it’s well-researched and rendered with depth, precision, and passion, your ticket to a
crime gets you at least two books, or even genres, for one!
My favorite true crime books—and most of my favorite non-fiction books—tend to be character-driven, read like novels, and tell a larger story through the protagonist’s lens. I found myself getting lost in George Jung’s journey as a drug smuggler and loving that sometimes it felt almost incidental that he was at the criminal nexus of a massive cultural phenomenon taking place.
I also love it when books and protagonists create conflicting emotional reactions. Jung’s likeability, coupled with the destructiveness of the business he helped pioneer, rings true to life; I found myself rooting for him at times, then despising him, and always wondering where the chips would fall in this improbable journey.
BLOW is the unlikely story of George Jung's roller coaster ride from middle-class high school football hero to the heart of Pable Escobar's Medellin cartel-- the largest importer of the United States cocaine supply in the 1980s. Jung's early business of flying marijuana into the United States from the mountains of Mexico took a dramatic turn when he met Carlos Lehder, a young Colombian car thief with connections to the then newly born cocaine operation in his native land. Together they created a new model for selling cocaine, turning a drug used primarily by the entertainment elite into a massive…
Having been a teacher for many years, I have had the great fortune to be surrounded by young people most of my adult life. As a result, I’ve been witness to countless moments reflecting the struggles of teenagers facing various challenges in their lives. Without question, one of the most painful is having to grapple with loss, and regardless whether it involves a friend, a family member, a home, an opportunity, or any number of other misfortunes, the act of facing and rising above that loss is often character-defining. I will always be grateful to my many students whose candour and courage have both inspired me and informed my own writing.
Adam, the narrator of I Am the Cheese, lost his parents in a malicious car accident and, during the course of the novel, he attempts a journey to discover the truth behind what happened to them. Published in 1977, I Am the Cheese is the very first YA story I read as a young adult that did not unfold as I’d anticipated. The world of the novel was much darker than any I’d encountered before in YA literature, and for the first time I realized that I couldn’t necessarily believe what the first-person narrator was telling me. This was an eye-opener for me, both as a reader and as a future author who would eventually explore various ways to tell my own stories. More important, I Am the Cheesehas stood the test of time, remaining as engaging (and disturbing) a read as ever.
Before there was Lois Lowry’s The Giver or M. T. Anderson’s Feed, there was Robert Cormier’s I Am the Cheese, a subversive classic that broke new ground for YA literature.
A boy’s search for his father becomes a desperate journey to unlock a secret past. But the past must not be remembered if the boy is to survive. As he searches for the truth that hovers at the edge of his mind, the boy—and readers—arrive at a shattering conclusion.
“An absorbing, even brilliant job. The book is assembled in mosaic fashion: a tiny chip here, a chip there. . .…
