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I first became fascinated by the portrayal of female criminals when I wrote a novel, The Ghost of Lily Painter, based on the first women to be executed at Holloway Prison in London in 1903. Holloway was the most infamous female jail in Europe and shortly before it closed down in 2016, I was given access to the prison archives. That led to Bad Girls, nominated for the Orwell Prize, and it also led to the discovery of a forgotten criminal aristocracy - the women who were once so notorious they were Public Enemy No.1.
The recent rediscovery of the Forty Elephants, a British all-female crime syndicate, is mainly due to Brian McDonald’s book. Brian has direct family links to the gang, and the book is packed full of criminal characters and incidents. It also traces the roots of the Forty Elephants all the way back to Victorian times.
The Forty Elephants were unique in the annals of British crime. Emerging from the slums like fallen angels, these glamorous, lawless young women plundered fashion stores and jewel shops, picked their lovers from among London’s toughest gangsters and terrorised their rivals. Soon they were renowned, and feared, as the country’s first all-female crime syndicate.
They first rose to notoriety under Mary Carr, a beautiful artists’ model known as ‘Queen Thief’. But it was her successor, Alice Diamond, who led the Forties to their greatest infamy. Born the oldest of eight children in a workhouse hospital, she became the cleverest shoplifter…
I first became fascinated by the portrayal of female criminals when I wrote a novel, The Ghost of Lily Painter, based on the first women to be executed at Holloway Prison in London in 1903. Holloway was the most infamous female jail in Europe and shortly before it closed down in 2016, I was given access to the prison archives. That led to Bad Girls, nominated for the Orwell Prize, and it also led to the discovery of a forgotten criminal aristocracy - the women who were once so notorious they were Public Enemy No.1.
Stories of professional thieving by women are very rare, especially first-hand accounts, and so Gone Shopping is an unusual book. Ittells the tale of Shirley Pitts, Queen of the Shoplifters, who was a career criminal for 50 years. Professor Lorraine Gamman based the book on years of oral recordings and her description of Shirley Pitts could apply to many other female crooks. She was "a woman in a man’s world who succeeded. She was not a victim, she had agency, she wanted more."
Voted one of The Guardian's top 10 best crime books of all time and one of the best true crime books ever written according to Stylist
Shirley Pitts, the eldest of six children was born upside down on 24 November 1934. Her 'career' began by thieving bread off doorsteps and coal from coal carts. Her father's bungled attempts at black marketeering and her dipsomaniac mother's inadequacies made Shirley resolve not only to be a first-class thief but also the best mother her six children could wish for.
Before she died Shirley told her story to Lorraine - the story of…
I first became fascinated by the portrayal of female criminals when I wrote a novel, The Ghost of Lily Painter, based on the first women to be executed at Holloway Prison in London in 1903. Holloway was the most infamous female jail in Europe and shortly before it closed down in 2016, I was given access to the prison archives. That led to Bad Girls, nominated for the Orwell Prize, and it also led to the discovery of a forgotten criminal aristocracy - the women who were once so notorious they were Public Enemy No.1.
There aren’t many novels featuring professional female crooks, and Anna Freeman’s gripping story, set in London during the Great Smog of 1952, portrays a really believable all-female gang. Florrie Palmer is torn between her allegiance to the Cutters, led by her mother, and a desire to go straight. It’s a suspenseful, atmospheric read, and partly inspired by the real Forty Elephants.
'Think Patrick Hamilton meets Peaky Blinders with a feminist twist' Metro
'Utterly transporting, read and lose yourself completely' Stylist
'A cinematic, rogueish, and utterly entertaining page-turner by the queen of feisty historical women. Goes down in one jewel-fisted slug' Abigail Tarttelin, author of DEAD GIRLS
'My mum always said, a fistful of rings is as good as a knuckleduster'
The Great Smog descends on London overnight; a leadership feud breaks out amongst a gang of female thieves who have terrorized the city for years; and Florrie, the girl who is set to inherit the bloody crown, falls in love with…
I first became fascinated by the portrayal of female criminals when I wrote a novel, The Ghost of Lily Painter, based on the first women to be executed at Holloway Prison in London in 1903. Holloway was the most infamous female jail in Europe and shortly before it closed down in 2016, I was given access to the prison archives. That led to Bad Girls, nominated for the Orwell Prize, and it also led to the discovery of a forgotten criminal aristocracy - the women who were once so notorious they were Public Enemy No.1.
This is a rollicking read about the criminal adventures of Doris Payne, jewel thief extraordinaire who started her career in the United States in the 1950s. She saw herself as a crusader, and stealing diamonds as an act of retribution against a racist world. Doris continued her career until 2017, often updating and refining the methods once used by her Victorian forebears.
"Doris Payne is an unapologetic badass." - Tessa Thompson, Actress
This is the sensational and compelling memoir of the world's most notorious jewel thief - a woman who defied society's prejudices and norms to carve her own path, and live out her dreams.
She stole diamonds from the people who underestimated her, she exploited the men who tried to domesticate her, and she consistently defied society's assumptions and prejudices to create a new life for herself. For fans of Catch Me If You Can, The Wolf of Wall Street and Molly's Game, this is the newest must-read crime autobiography.
I have been a ghostwriter for over thirty years, publishing more than a hundred books under other people’s names, as well as those under my own name. It has allowed me to live a hundred different and varied lives and it is a profession I like to encourage all writers to consider. Several of my own novels have featured ghostwriters as central characters, including Secrets of the Italian Gardener and What Lies Around Us.
This book is a direct competitor to my own title, but Teena Lyons is a hugely experienced ghostwriter and I have to admit that she has done a very thorough job of explaining how the business works. She interviewed a number of other ghostwriters in the course of writing the book, (myself included). The result is highly readable and a useful introduction to the business.
“A good book to read if you're interested in ghost writing. The chapters on what makes a good ghost, how to become a ghostwriter, getting structure right and most of all what to do when it all goes wrong are a must-read!” Dora Archie Okeyo - Reviewer
“This book leads you through the world of ghostwriting. There really is everything in this book and I have found the information invaluable.” Karen Lawton - Reviewer
“A very good resource indeed. A straightforward, no nonsense guide to the world of ghostwriting.” Ruth Giles - Reviewer
I have been a ghostwriter for over thirty years, publishing more than a hundred books under other people’s names, as well as those under my own name. It has allowed me to live a hundred different and varied lives and it is a profession I like to encourage all writers to consider. Several of my own novels have featured ghostwriters as central characters, including Secrets of the Italian Gardener and What Lies Around Us.
This memoir is an intimate portrait of a relationship between one ghostwriter and her complicated, larger than life client, a famous publisher, entrepreneur, and socialite, the late Naim Attallah. It is a beautifully written book, providing many profound insights about life and about writing, and showing how deeply involved a ghostwriter and client can become in one another’s lives.
When Jennie Erdal was hired to edit a flamboyant London publisher’s Russian books in translation, she was happy to be able to commute from her home in Scotland. Soon, however, she was also secretly writing her boss’s love letters, hundreds of newspaper columns that appeared in his name, and, though she had never before written fiction, his two well-reviewed novels. For more than fifteen years she would be the indispensable ghostwriter for the exasperating, obsessive, but nontheless charming “Tiger.”Erdal reveals this oddly intimate relationship with a novelist’s flair for character and observation--and wry insight into her own collusion. Suspenseful, controversial,…
I am a lifelong fan of all things post-apocalyptic. Books, movies, television, games – I have enjoyed all of it. I knew I wanted to write post-apocalyptic fiction before I was ten years old. I had to wait almost three decades before life gave me the opportunity to do it. I’ve always been fascinated by the many different ways people can survive these kinds of catastrophes. As dark and visceral as the genre can sometimes be, I will always look for the elements of hope.
This is the first volume in the long-running Deathlands series, penned by many ghostwriters. If you can find all of the volumes, you’ll be treated to the most extravagant post-apocalyptic story arc that I’ve ever seen. I enjoyed the larger-than-life heroes and heroines, who blazed their trails across a detailed landscape. This series inspired me to think bigger about life and the things that I could do with it.
On a crisp January day, a Presidential inauguration day, a one-megaton blast ripped through the Soviet embassy in Washington, D.C.
Subsequent explosions around the globe changed the face and the shape of the earth forever. Out of the ruins emerged Deathlands, a world that conspired against survival.
In the blasted heart of the new America, a group of men and women plan desperately to escape the eerie wastes and mutated life forms of their nuclear hell. Three warriors—the tough, intelligent Ryan Cawdor, an enigmatic beauty called Krysty Wroth and the armorer J.B. Dix—set out on a harrowing journey to find…
I love crime fiction—mysteries, thrillers, espionage, you name it, plots and puzzles that excite and confound and ultimately gratify. I also love the non-genre called literary fiction, sharply observed and beautifully written books that move me, and leave me with a slightly better understanding of humanity. And I think the sweetest spot of all is the intersection of the two, with sparkling prose, fully realized characters, and interesting settings combined with an insistent, credible plot that makes it a matter of urgency to turn the page, presenting the exquisite dilemma of wanting to race through the excitement but also the opposite urge to slow down and enjoy it all.
A rumor about teenage sexual assault has long-term repercussions on a handful of characters in this superb novel that toggles among different genres—thriller, mystery, women’s fiction, coming-of-age literary, even screenplays—with voices in first, second, and third person, a fascinating way of looking at a single event from every angle. The characters are astoundingly well-drawn, in particular the spot-on portraits of teenaged boys, which are a master class on how to write credible, realistic, and true characters that are well beyond the novelist’s own experience. Even the title itself is a clever subversion.
"Spellbinding." -Megan Abbott, The New York Times Book Review
Tracing the fifteen-year fallout of a toxic high school rumor, a riveting, astonishingly original debut novel about the power of stories-and who gets to tell them
2015. A gifted and reclusive ghostwriter, Alice Lovett makes a living helping other people tell their stories. But she is haunted by the one story she can't tell: the story of, as she puts it, "the things that happened while I was asleep."
1999. Nick Brothers and his lacrosse teammates return for their senior year at their wealthy Maryland high…
I’ve been obsessed with political thrillers since reading All The President’s Menwhen I was far too young to understand it all. What I didknow was that at the upper echelons of society there were often shadowy conspiracies at play, and brave souls fighting to expose the truth. Something about Woodward and Bernstein’s quiet heroism and bravery in investigating a story that everyone told them to drop really stayed with me. That’s why I write political thrillers: in an attempt to tip the scales back in favour of good versus evil. And to make heroes of those who risk it all to tell truth to power.
This one was a game-changer for me, taking thinly-disguised characters and events from real life – an obvious Tony Blair-type, fleeing prosecution for war crimes in a clear nod to the Iraq War – Harris wisely ushers us into the world of high-stakes politics via the innocent and unnamed Ghost Writer, hired to write a disgraced Prime Minister’s memoirs.
It’s a brilliant and clever mechanism that makes the reader feel at home. And when murder appears, puts you squarely in the shoes of a terrified man on the run.
As a technical piece of thriller writing, it’s stunning stuff. Harris’s decision to base a fantastical conspiracy around real-life events and characters was inspiring – and it’s something I use in every book.
'An unputdownable thriller about corrupt power and sex' Sunday Telegraph
'Guaranteed to keep you awake' The Times
A body washes up on the deserted coastline of America's most exclusive holiday retreat. But it's no open-and-shut case of suicide. The death of Robert McAra is just the first piece of the jigsaw in an extraordinary plot that will shake the very foundations of international security.
For McAra was a man who knew too much. As ghostwriter to one of the most controversial men on the planet - Britain's former prime minister, holed up in a remote ocean-front house to finish his…
I am a musician and writer who has always loved mysteries. Main character-sleuths who are likable and sometimes get in over their heads are my favorites, both as a reader and a writer, especially if they contribute something positive to their world in addition to solving the crime. If their careers or hobbies – anything from the arts to small customer-service businesses – offer joy to themselves and to others, so much the better. Since I grew up in the New York area, I like books that are set there, but am open to a good story set anywhere in the world.
First in a reissued series, this has a local 1990s Upper East Side vibe. “Jake” (short for Jacqueline) is part of a supportive group of ghostwriters who regularly meet to discuss the problems and pitfalls of their chosen career.
But she soon finds herself solving the murder of one of their own. I loved the uniquely detailed characters –the writers, Jake’s mother, her mom’s best friend, the neighbors. Enjoyable wit and humor prevail throughout, and the lively situations that lead Jake into both peril and perplexing romantic possibilities are enjoyable.
The ease with which older and younger generations blend is a definite asset to a plot with some real surprises.
"Murders multiply, but Jake proves up to the challenge. She sees through all the subterfuge and chicanery, solving a mind-boggling mystery in a burst of insight. All the characters are charmingly kooky and fun. This is a good beginning for a new series. We will be looking for more of Jake O'Hara." - TheMysteryReader.com "[Wald] writes with a light touch." - New York Daily News "The author keeps the plot airy and the characters outlandish." - South Florida Sun-Sentinel With her books sporting other people's names, ghostwriter Jake O'Hara works behind the scenes. But she never expected a séance at…
